Mother’s Day with Comet’s Mama

Comet Over Hollywood is working to bring back our video feature. Our first video back from our lengthy hiatus is in celebration of Mother’s Day.

As I have written many, many times before, my parents have been influential in my classic film love. In this video, my mother speaks to her love of classic films and how she passed that love to her children:

Mother’s Day from the Comet Archives:
-2013: Without Mom, I’d Never See Any Classic Films
-2014: Just Like Mom 

Happy Mother’s Day!

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Comet Over Hollywood celebrates fans


This holiday season, I want to give back to all of you who help celebrate classic Hollywood every day.

What I’m doing: Each week of December, I will have a prize drawing for one of Comet Over Hollywood’s fans.

What I need you to do: Spread the word about Comet with your friends and help us get 2015 Facebook fans by January 1. Tweet about us, share us on Facebook, talk about Comet to complete strangers.

Let’s have some fun spreading the good word of classic film.

Happy holidays!

Jessica Pickens, the Hollywood Comet

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Halloweek: “The Watcher in the Woods” (1980)

This week, Comet Over Hollywood is celebrating Halloween with slightly more offbeat horror films.  

(This contains spoilers to explain alternate endings)

The_Watcher_in_the_Woods,_film_posterWhen I was growing up, there were two movies my sisters and I begged for our parents to rent from Blockbuster: “Troop Beverly Hills” (1989) and “Watcher in the Woods” (1980)
While I watch “Troop” fairly regularly, it had been at least 15 or 20 years since I had seen “Watcher in the Woods.”

I only remembered three things about the Disney horror film: a girl wearing a blindfold appearing in mirrors, elderly Bette Davis and being scared after watching it.

In the film, Americans Helen (Carroll Baker) and Paul (David McCallum) move their two daughters to England. Jan (Lynn-Holly Johnson) is an intuitive teenager and Ellie (Kyle Richards) is her younger sister.

The family finds a large mansion for rent at a price that they can’t refuse, leased by elderly Mrs. Alywood (Bette Davis), whose daughter disappeared under mysterious circumstances 40 years ago.

Much to the shock of several villagers, Jan looks very similar to Mrs. Alywood’s missing daughter Karen.

Within the first few days of the family moving into the large home, Jan begins to experience strange disturbances: a window breaks by itself and leaves the shape of a triangle, she sees a blue circle in a river, she can’t see her reflection in a mirror, and a mirror breaks by itself and she sees a blindfolded girl pleading for help.

Jan sees a vision of Karen pleading for help in the fun house in "Watcher in the Woods."

Jan sees a vision of Karen pleading for help in the fun house in “Watcher in the Woods.”

Ellie even names a new puppy Nerak (Karen spelled backward) after something “tells her to name it Nerak.”

Several other disturbances happen like something is protecting the Curtis daughters. At a motorcycle race, Ellie starts yelling for Jan and when Jan moves to her, a motorcycle lands and explodes where she was standing.

Jan tells Mrs. Alywood about the disturbances, who shares with her about the night Karen went missing in the 1940s. Karen was with three friends in an old church. The church caught on fire and the three other teenagers escaped, but Karen did not. However, the church was searched and her remains were never found.

The Curtis family, including Carroll Baker, moving to their England home.

The Curtis family, including Carroll Baker, moving to their England home.

When Jan tries to ask the other three people who were with Karen about what happened, they are all too afraid to discuss the events. Only one man, Tom Colley (Richard Pasco) will say what happened. Karen was being initiated into a secret society when the church caught on fire. When a bell in the church fell, she disappeared.

As Jan searches for answers, a spirit- or the watcher- is using Ellie to communicate with Jan to free Karen.

During an eclipse, Jan assembles the original three people at the church to free Karen.
Ellie enters, possessed by the “watcher,” and explains what happened on the night 40 years before. The watcher has been on Earth since Karen was sent to an “alternate dimension” by mistake.

Jan stands where Karen stood as everyone holds hands around her, and Karen reappears, still 17 years old, and is reunited with her mother.

Alternate ending

The ending in the theatrical release is not what was originally released in theaters in 1980.

“Even when they released it, Disney couldn’t decide how to end Watchers in the Woods,” Davis said in the biography, “The Girl Who Walked Home Alone: Bette Davis: A Personal Biography By Charlotte Chandler. “…Eventually they tried three different endings, but I haven’t the foggiest as to which they chose for posterity.”

The film was also rushed to theaters to correspond with Bette Davis’s 50th anniversary as a film star.

In the first theatrical ending, released for a week in New York City on April 17, 1980, the group still gathers in the chapel for a seance to bring back Karen. Rather than a beam of light coming over Jan and returning Karen like in the 1981 ending, an alien comes into the room, picks Jan up and takes her away.

Jan’s mom runs into the chapel asking whereher child is, and Jan reappears with Karen. Jan returns Karen to Mrs. Alywood, and Ellie asks Jan what happened. Jan gives vague answers, still leaving what happened unexplained.

Ellie: Where was she?
Jan: I’m not sure. A place where people are changed into negative images.
Ellie: How did she get there?
Jan: An accidental exchange between the watcher and her. He needed my image to set her free.
Ellie: So what happened to the watcher?
Jan: Now the watcher can go home too, where ever that is *smiles into the distance and the film ends*

“I challenge even the most indulgent fan to give a coherent translation of what passes for an explanation at the end,” New York Times film critic Vincent Canby wrote in 1980.

Due to the cryptic ending, the film was poorly received and was said to not have an ending. “Watcher in the Woods” was pulled from theaters, re-edited and released again in 1981.

“We felt we had seven-eighths of a good picture, but the ending confused people,” said the Disney co-producer Tom Leech in 1981.

The revisions took 18 months and cost $1 million, but the film earned $1.2 million after the second release in its first week. Many theater owners said if the alien science fiction ending was changed, they would be willing to take the picture, according to an Oct. 22, 1981 article, “New ending gives Disney movie second chance” by Aljean Harmetz.

“The ending is seamless, satisfying, resolving the mystery,” wrote The Richmond Times-Dispatch after the second release.

My review:

While I was revisiting “Watcher in the Woods,” I couldn’t remember how it ended. I was probably six or seven years old the last time I watched the film, and I’m not surprised that I didn’t remember Karen being in an “alternate dimension.” Even now, I found that explanation of the missing girl mildly confusing. However, the 1981 ending is admittedly more clear than the 1980 ending.

Bette Davis, 72, in "Watchers in the Woods"

Bette Davis, 72, in “Watchers in the Woods”

I think my favorite part was seeing Bette Davis, 72, and Carroll Baker, 49, late in their careers. Davis unsurprisingly gave the best performance in the whole film.

Though I’m not familiar with much of Lynn-Holly Johnson’s work, I believe Disney cast her because if you squint, she vaguely looks like former Disney star Hayley Mills.

I think my biggest complaint with “Watcher in the Woods” is, while I enjoyed it, the story seemed to move awfully slow for an 82 minute film.

Regardless, rewatching “Watcher in the Woods” was a pleasant trip down memory lane. I still found some parts genuinely frightening, such as when Jan is in the fun house, and Karen appears in every mirror pleading for help.

“Watcher in the Woods” is a fairly dark horror movie for Disney but it isn’t that scary. However if it is still semi-scaring me at 25, you can imagine why I don’t watch more frightening horror films.

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Halloweek: Die! Die! My Darling! (1965) – original title “Fanatic”

This week, Comet Over Hollywood is celebrating Halloween with slightly more offbeat horror films.  

die posterStarting in the 1960s with Bette Davis and Joan Crawford in “Whatever Happened to Baby Jane?” (1962), famous actresses of the 1930s and 1940s who were now “past their prime” were cast in semi-campy horror roles.

Actress Tallulah Bankhead’s last film happened to be one of these horror films. Made in the UK under the title “Fanatic” and called “Die! Die! My Darling! (1965) in the United States, actress Stefanie Powers co-stars with Bankhead.

Directed by Silvio Narizzano, Bankhead plays Mrs. Trefolie whose son Steven died tragically. At the time of his death, Steven was engaged to Patricia Carroll, played by Stefanie Powers, but Patricia intended on breaking off the engagement.

Patricia kept correspondence with Mrs. Trefolie and decides to pay her a visit at her secluded home while she is in England with her fiancé Alan, played by Maurice Kaufmann. Alan warns her not to go alone, but Patricia doesn’t listen.

What Patricia plans to be a four-hour visit turns into several days trapped in Mrs. Trefolie’s home.

Mrs. Trefolie is obsessed with her son and is fanatically religious. For example, Trefolie insists Patricia stays until the next morning for a private church service at home which lasts 12 hours.

Mrs. Trefoile holds Sunday service at her home with her servants. (Bankhead, Donald Sutherland, Yootha Joyce, Peter Vaughan)

Mrs. Trefoile holds Sunday service at her home with her servants. (Bankhead, Donald Sutherland, Yootha Joyce, Peter Vaughan)

Dinner is served after the church service, but the food is plain, unflavored, vegetarian and they use no condiments, because “God’s food should be eaten unadorned.”

When Mrs. Trefoile notices a lipstick stain on Patricia’s glass, she is told to wash her makeup off. There also aren’t any mirrors in the house because they encourage vanity and sensuality.

Patricia is told to change immediately when she is wearing a red sweater, because it is the “Devil’s color.” Mrs. Trefoile believes that Patricia is her daughter-in-law, because she qualifies the engagement to Steven as marriage. In her religious beliefs, Mrs. Trefoile says Patricia could never remarry, even with a dead husband, because it is against God’s will and she is eternally wedded to Steven….though they never were married. Mrs. Trefoile also refuses to go to a local church, because the pastor remarried after his wife died several years before, believing he is forever married to the first woman.

When Mrs. Trefoile finds out Patricia is newly engaged and was planning to breakup with Steven before his death, she blames Patricia for Steven’s death, saying she killed him, and locks her in the house. Helping the elderly woman through all of this are her two servants, who hope to inherent her money.

By depriving Patricia of food and locking her away in solitude, Mrs. Trefoile says she is trying to “cleanse Patricia’s soul.” This includes interrogating Patricia about her virginity and tearing up all of her beautiful clothing and jewelry. Mrs. Trefoile believes she hears her son tell her to murder Patricia, and she sets out to do so.

Stefanie Powers' clothes destroyed by Mrs. Trefoile and her maid, Kate.

Stefanie Powers’ clothes destroyed by Mrs. Trefoile and her maid, Kate.

Not only is “Die! Die! My Darling!” Bankhead’s last film, but also her first horror movie, according to the LIFE magazine article, “One Old Trouper Comes Back” by Conrad Knickerbocker.

The film is based off the novel “Nightmare” by Anne Blaisdell. The English horror movie is enjoyable. I thought the religious fanaticism added a level of intrigue, depth and craze to Bankhead’s character, rather than the usual overbearing mother role. Mrs. Trefoile’s obsession with her dead son is exhibited by believing that his soul is in the house and responding to her, his photos everywhere and cuddling his teddy bear as she sleeps.

Although Bankhead’s character says she doesn’t believe in vanity, in the film, we see scrapbooks of Mrs. Trefoile in her younger years and costumes hang in the basement, suggesting that at one point she was an actress. (One of the photos shown in the film is Bankhead in her stage role in “Little Foxes.”)

Admittedly, I was rather frustrated while watching “Die! Die! My Darling!” There are several moments where you think Stefanie Powers can overtake this rickety old woman who keeping her captive, but she flails around and fails.

Mrs. Trefoile threatens to cut Patricia's face so she will no longer be attractive to men. Maid Kate holds Patricia so she can't escape.

Mrs. Trefoile threatens to cut Patricia’s face so she will no longer be attractive to men. Maid Kate holds Patricia so she can’t escape.

Powers’ character had a sharp tongue but was too weak and uncoordinated to fight Bankhead’s character alone, and this frustrated me greatly. However, while I was frustrated with Powers in the film, I realized that was how her character was written in the script.

Another odd thing about “Die! Die! My Darling!” was the music. For the first half of the movie, the soundtrack was quirky and almost comedic harpsichord music. The music could be comparable to the 1960s English TV show “The Avengers,” starring Diana Rigg. However, as the cat-and-mouse torture between Powers and Bankhead escalated, the music became more serious and exciting.

Mrs. Trefoile talks to her dead son while holding his Teddy bear.

Mrs. Trefoile talks to her dead son while holding his Teddy bear.

I believe my favorite character in the film was 30-year-old actor Donald Sutherland in one of his first film roles. Sutherland played a worker at Mrs. Trefoile’s home who had special needs. I was a little disappointed he wasn’t in the film more, and his character wasn’t given much of a purpose.

“Die! Die! My Darling!” is a little more quirky and humorous than other horror movies starring actresses like Joan Crawford or Bette Davis. However, while I wouldn’t rank the film higher than “Whatever Happened to Baby Jane?” (1962), “Hush, Hush Sweet Charlotte” (1964) or “Strait-Jacket” (1964), the cat and mouse interactions between Bankhead and Powers were intriguing and made for an enjoyable Friday evening film.

Sidenote: When I watched this movie with my parents, my Dad said all he could think about was the Metallica song “Die, Die, My Darling.” The song “Die, Die, My Darling” was originally written by The Misfits and later covered by Metallica.

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What Fathered Comet’s interest?

If it wasn’t for either of my parents, I wouldn’t like classic films today.

As I have said on Comet numerous times, my parents rolled out films such as “Yankee Doodle Dandy” or “Seven Brides for Seven Brothers” when my sisters and I were toddlers.

It was my dad who later introduced me to “West Side Story (1961) when I was 14, because he noticed my growing interest in musicals. Dad might have later regretted showing me the film when a full blown obsession followed our viewing of the modernized musical version of “Romeo and Juliet.”

This classic film encouragement is partially because they grew up with a love for the classics themselves.

For Father’s Day, I decided to do a brief Question and Answer session with Dad, Bill Pickens, about classic films.

Me: Who are your favorite actors and actresses?

Katharine Hepburn and Humphrey Bogart in "African Queen" (1951)

Katharine Hepburn and Humphrey Bogart in “African Queen” (1951)

Dad: My favorite actors are Jimmy Stewart and Gregory Peck. I enjoy their movies and they seemed like they were down to Earth, good people. I also like Humphrey Bogart, because some of my favorite films are “African Queen,” “Casablanca” and “We’re No Angels.”

My favorite actresses are Maureen O’Hara (Dad has always had the hots for Maureen) and Katharine Hepburn.

Me: What are your favorite movies?

Dad: Lawrence of Arabia, The King and I, Twelve O’Clock High, Lion in Winter, The Longest Day, The King and I.

Me: What kind of movies would you go to see as a kid? (Dad was born in 1955, for some reference)

Dad: My older sister Katie and I went to see movies every Saturday afternoon, because we lived on a military base and it was only 25 cents. We would see everything that came out from Disney movies to westerns.

I remember one time, some GI was trying to get fresh with Katie and I kicked him in the leg. I was her bodyguard at the movies. I don’t remember what movie it was but we lived in Ft. Lewis in Washington.

Me: Why do you like older movies?

Dad: They are classy and have interesting story lines. The movies didn’t have to have all the action, like you do today, to tell a good story.

Me: What is the worst movie I have had you watch?

Dad: I can’t think of any really bad ones. “The Blob” was pretty bad though, because it was so campy.

The fearsome monster in "The Blob" (1958)

The fearsome monster in “The Blob” (1958)

My Dad has been the only man in a family of all girls for the past 35 years. From putting together Barbie houses, helping us with math homework, nailing taps on the bottoms of dancing shoes or fixing our cars, Dad has been supportive and a good sport.

Probably two of the worst movies we all suffered through were the Doris Day films “Jumbo” and “The Ballad of Josie.” The only film Dad couldn’t take was “Calamity Jane.” He didn’t even make it through the eight minute intro song, “Deadwood Stage.”

“Calamity Jane isn’t a bad movie,” he said. “It’s just not my style.”

He’s been supportive of my film interest and, though he said he couldn’t think of any bad movies, has sat through some terrible ones, all for “the cause” of my movie love.

Happy Father’s Day, to my Dad who supports my interest and who I have even help expand on his.

Dad in a selfie with his three daughters. Comet is back left.

Dad in a selfie with his three daughters. Comet is back left.

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The Longest Day: Actors who fought in D-Day

Seventy years ago today, Allied forces stormed Omaha Beach in the Normandy Invasion, known as D-Day.

A few of those soldiers were established actors or later pursued a career in Hollywood. Here are a few of those men that served in D-Day:

Lt Col David Niven, Royal Marine Commando, Normandy 1944

Lt Col David Niven, Royal Marine Commando, Normandy 1944

David Niven: The British actor was a Lt. Colonel of the British Commandos. He also worked in the intelligence branch and was later assigned to the U.S. First Infantry.
Niven was one of the first officers to land at Normandy. He later was one of 25 British soldiers to be awarded the U.S. Legion of Merit Medal, according to a 1983 book by Don McCombs and Fred Worth.

Alec Guinness in the Royal Navy Volunteer Reserve

Alec Guinness in the Royal Navy Volunteer Reserve

Alec Guinness: The British actor operated a British Royal Navy landing craft on D-Day.

Richard Todd during World War II

Richard Todd during World War II

Richard Todd:  Capt. Todd was one of the first British officers to land on D-Day. Todd was part of the British airborne invasion, known as Operation Overlord, that took place June 5 through June 7. During Operation Overlord, Todd’s battalion were the reinforcements parachuted in after the gliders landed and captured Pegasus Bridge to prevent German forces crossing the bridge and attacking.
Todd’s battalion was led by Major John Howard, who Todd played in “The Longest Day”(1962). The beret that Todd wears in the film is the one he wore on D-Day.

Robert Montgomery in his Naval uniform during World War II.

Robert Montgomery in his Naval uniform during World War II.

Robert Montgomery: American actor Montgomery enlisted in World War II before the United States entered the war.
Montgomery became a PT boat Lt. Commander and was part of the D-Day invasion on board the destroyer, USS Barton (DD-722).
After serving five years of active duty, Montgomery was awarded a Bronze Star, the Good Conduct Medal, the American Defense Service Ribbon, the European Theater Ribbon with two Battle Stars, one Overseas Service Bar, and promoted to the rank of Lt. Commander. (1904-1981)

Actor Charles Durning during World War II. He served in the United States Army.

Actor Charles Durning during World War II. He served in the United States Army.

Charles Durning: American actor Durning served in the United States Army. He was in one of the first waves to land on Omaha Beach during the D-Day invasion. Durning was the only soldier in his company to survive, according to KPBS broadcasting.
Durning was wounded nine days after the landing and earned a Purple Heart. Durning was also awarded the Silver Star.

Actor James Doohan was shot several times during the Normandy Invasion.

Actor James Doohan was shot several times during the Normandy Invasion.

James Doohan: Canadian actor Doohan served in the Canadian Army.  Doohan was in the Juno Beach invasion on D-Day. During the invasion, Doohan was shot in the leg, chest and lost his right middle finger.

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Just like Mom

My eyes welled with tears behind my 3D glasses.
“If I ever go looking for my heart’s desire again, I won’t look any further than my own back yard,” Dorothy Gale said at the end of “The Wizard of Oz” (1939).
I sat in the theater trying to collect myself during this unexpected emotional moment back in October when “Wizard of Oz” was re-released in 3D.
And then it dawned on me: I’m turning into my mother… and I’m fine with that.
For years I’d look over at Mom while we are watching a movie and say, “Mom. Why are you crying?”
Judy Garland singing “Somewhere Over the Rainbow” in “Wizard of Oz.”
Judy Garland singing “Have Yourself a Merry Little Christmas” in “Meet Me In St. Louis.” And then again at the end of the movie when she excitedly says, “Right here, in our hometown” about the World’s Fair.

Now I get it. Now Mom and I wipe our eyes together during the train scene of “Since You Went Away.”
I’ve cried during movies for several years–“West Side Story” and “Music for Millions” at age 13 are the earliest times I can think of.
But now in half the movies I watch, I find myself empathizing instead of sympathizing.  As I have grown up, I find I share a deeper emotional connection with my mom through the movies.
At Turner Classic Movies Film Festival, I left “East of Eden” sobbing.
James Dean’s father, Raymond Massey, has a stroke in the film and they aren’t sure if he can make it.
Massey weakly whispers to his son, “Replace the nurse, but don’t get anyone else. You take care of me.”
The scene reminded me of my Mom care-giving for my Grandmama who passed away in January. Grandmama also gave me the movie as a Christmas gift one year.

James Dean talks to movie father Raymond Massey after his stroke in "East of Eden."

James Dean talks to movie father Raymond Massey after his stroke in “East of Eden.”

When I was in elementary and middle school, I would pick on my Mom and sisters for crying during films. Now I join them.
As we get older and experience more of life, not only are we attached to the characters in the films, we can understand and relate more to what the characters in the films are going through. We may chuckle sheepishly with understanding as we reach for tissues.
Now when I see Bonnie Blue fall off her horse and break her neck in “Gone with the Wind,” I don’t think, “Stupid little girl should have listened to her parents.” I think about how the loss of a child can rip apart a family.

Scout with Boo Radley in "To Kill a Mockingbird."

Scout with Boo Radley in “To Kill a Mockingbird.”

When Scout sweetly says “Hey Boo” in “To Kill a Mockingbird ” as he’s hiding behind the door, I understand the innocence of a child who sees the good in a man feared by the whole town.
When nurse Paulette Goddard says goodbye to Marine Sonny Tufts in “So Proudly We Hail,” she knows that she may not see him again because he may die in battle.
But I’m not turning into Mom just through film watching. I notice I have picked up her traits as I’m cooking, cleaning and worrying about people I care about. Maybe one day I’ll be just like Mom, but right now I’m not sure if I could even scrape a mixing bowl as beautifully as Lisa Pickens.
My parents introduced me to classic film as a toddler. Now, even through our emotions, crying is just another way movies bring us closer together.
Happy Mother’s Day

I asked Mom to make me a list of films that she cries during.
“I think the list would have been shorter if you had asked for a list that I don’t cry during,” she said.
Here is Mom’s list of weepers:

Jennifer Jones says goodbye to Robert Walker as he leaves for World War II in "Since You Went Away."

Jennifer Jones says goodbye to Robert Walker as he leaves for World War II in “Since You Went Away.”

Gone With The Wind
Wizard of Oz
Sound of Music
Stella Dallas
One Foot in Heaven
Meet Me In St. Louis
Since You Went Away
To Kill A Mockingbird
The Best Years Of Our Lives
How Green Was My Valley
To Each His Own
Penny Serenade
Make Way For Tomorrow
Little Women ( from 1933 and 1949 )
White Christmas
Goodbye Mr. Chips
Mrs. Miniver
The Pride of the Yankees
West Side Story
So Proudly We Hail
Three Came Home
The Homecoming
The Glenn Miller Story
Born Free
Ben Hur
True Grit ( with John Wayne )
Old Yeller
Parent Trap (with Hayley Mills )
Little Princess ( with Shirley Temple )
Toy Story 3
Muppets Take Manhattan
Driving Miss Daisy
Field Of Dreams
Lassie Come Home
Homeward Bound
Little Mermaid
Harry and the Hendersons
Forrest Gump
Cheaper By The Dozen ( with Clifton Webb )
The Bishop’s Wife
It’s a Wonderful Life

With Mom, Dad and my two sisters at my sister Andrea's wedding in February 2014.

With Mom, Dad and my two sisters at my sister Andrea’s wedding in February 2014.

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Hollywood Odd Couples

Feel free to listen to this tune as you read:

Love comes in many forms and opposites attract- Paula Abdul even said so in her music video with the singing cat.
However, sometimes people marry who just don’t quite seem to fit.
Here are a few examples of some odd Hollywood couples.  Apparently, these celebrities agree that the puzzle pieces didn’t quite fit since all of these marriages ended in divorce.
These prove that Neil Simon doesn’t have the market cornered on odd couples.

Ernest Borgnine and Ethel Merman (June 26, 1964 – July 28, 1964)

Ethel Merman and Ernest Borgnine on their wedding day in 1964.

Ethel Merman and Ernest Borgnine on their wedding day in 1964.

Borgnine was the gruff working man in films and Merman was the glamorous Broadway diva. The two met in November of 1963, the same year Borgnine divorced from his wife, Mexican actress Katy Jurado.
Merman was nine years older than Borgnine. After they met, Borgnine started courting Merman.
“I’ve never been in love, really in love, before,” Merman told reporters according to Ethel Merman: A Life by Brian Kellow. “For the first time in my life I feel protected.”
After a six month courtship, the two were married.
“Everyone thinks she’s loud and brash. But she’s the opposite,” Borgnine was quoted in Brass Diva: The Life and Legends of Ethel Merman by Caryl Flinn. “She’s soft, gentle and shy. And you know me, I’m ‘Marty.’”
The two married on June 26, 1964 and were divorced 32 days later on July 28, 1964.
Merman never gave reasons for the divorce and Borgnine said in interviews it’s because more people knew him than her on their honeymoon.
“Everybody knew me, but they didn’t know Ethel overseas,” Borgnine said in an interview. “The more they recognised me, the madder she got. That’s what hurt her, so she started taking it out on me.
After the divorce, Merman referred to the marriage as “That thing.” In her autobiography, the chapter “My Marriage to Ernest Borgnine” is one blank page.

Ava Gardner and Mickey Rooney (Jan. 10 1942 – May 21, 1943)

Mickey Rooney and Ava Gardner in 1941.

Mickey Rooney and Ava Gardner in 1941.

Newcomer to MGM Ava Gardner met star Mickey Rooney when he was dressed as Carmen Miranda for “Babes on Broadway.” While dressed as the Brazilian Bombshell, Rooney asked Gardner for her number.
North Carolinian, inexperienced Gardner had just arrived to Hollywood and Rooney was a well-known playboy.
“I married him because he wanted to get in my britches,” Gardner once said. “And I wasn’t going to let him until we were married.”
MGM studio head Louis B. Mayer and Rooney’s parents were not pleased with the couple’s marriage.
“I fell madly in love with Ava the first night I went out with her,” Rooney once said. “And later when I asked her to marry me, she wouldn’t have any part of it, like the problem I had getting her number, until I wore her down.”
Rooney spoke fondly of his brief marriage to Gardner in a documentary on her life. The documentary said Gardner thought their marriage would be like her parents: cooking for Rooney and having children. Rooney preferred the night life.

Gloria Swanson and Wallace Beery (March 27, 1916 – March 1, 1919)

gloria wallace

Wallace Beery and Gloria Swanson

“Two of the more trivial topics I never discuss are my marriage to Wallace Beery and those frozen dinners which have become famous with my name on them,” Gloria Swanson said.
The two were married after they starred in “Speedie Goes to College” in 1915.
Swanson was a glamorous leading lady and Beery was a gruff, burly man who was notoriously difficult to work with.
Swanson writes in her autobiography “Swanson on Swanson” that Wallace Beery made many forceful advances on their wedding night, leaving her bleeding and in pain.
Swanson also wrote he would pick up her salary for her at the studio and spend it before she saw it.
Beery cheated on Swanson and was abusive. In her autobiography, she writes that he gave her pills when he found out she was pregnant, and implies Beery made her get an abortion.
She woke up in the hospital and a nurse told, “You have nothing to be down in the mouth about, honey. You’re young. You’re pretty. You’ve got all the time in the world to have another baby.”
The couple separated and divorced two years later.

Richard Ney and Greer Garson (July 24, 1943 – Sept. 25, 1947)

Greer Garson and Richard Ney

Greer Garson and Richard Ney

Ney met Garson while he was playing her son in the film “Mrs. Miniver.”
He was 12 years younger than the Academy Award winning actress.
Ney asked Garson out for dinner and dancing, and she accepted, but she remained distant from her on-screen son during the remainder of the filming for “Mrs. Miniver.”
“I went dancing with Mr. Ney and I had the most beautiful time,” Garson was quoted in saying A Rose for Mrs. Miniver: The Life of Greer Garson by Michael Troyan.
MGM studio head Louis B. Mayer disapproved of their relationship and it would be unfavorable publicity for an on-screen mother and son to date, according to Troyan’s book.
They kept their romance secret until “Mrs. Miniver” premiered, and Mayer was right- the couple received unfavorable publicity. Garson told reporters she wanted to marry Ney because he made her feel younger, Troyan wrote.
However, gossip columns began talking about their unraveling marriage.
In the second Miniver film, “The Miniver Story,” Ney’s character was recast.

Linda Darnell and J. Peverell Marley (April 18, 1943 – Feb. 20, 1951)

Pev Marley and Linda Darnell on their wedding day.

Pev Marley and Linda Darnell on their wedding day.

Darnell was 20 when she married 42 year old Marley.
Darnell started in Hollywood as a teenager and didn’t have a father figure growing up. The cinematographer was sort of a mentor to the young girl, according to the Biography documentary, “Fallen Angel.”
Marley was a close friend of Darnell’s frequent leading man Tyrone Power. Marley helped sculpt Darnell’s Hollywood image, according to the book Hollywood Beauty: Linda Darnell and the American Dream by Ronald L. Davis.
Marley and Darnell would occasionally frequent night clubs but the press dismissed him as an old friend and escort, according to Davis’s book.
While Pev Marley remained a constant form of strength, the two eloped to Las Vegas. Fox studio head Darryl F. Zanuck was furious, saying it would ruin her image. No one had seen the two as more than friends.
“I like him and age doesn’t matter,” Darnell wrote in fan magazines. “I feel people meant well when they busy bodied about me marrying Pev. It’s just they couldn’t know the truth.”
Darnell announced the two separated while filming “My Darling Clementine” (1946), but then the two began seeing each other while she was filming “Forever Amber” (1947). The two then adopted Charlotte, nicknamed “Lola.” They separated again in 1948 and finally divorced in 1952.

Lupe Velez and Johnny Weissmuller (Oct. 8 1933 – 1939)

Lupe Velez and Johnny Weissmuller in 1935.

Lupe Velez and Johnny Weissmuller in 1935.

Velez’s relationship had recently ended with Gary Cooper when she met Weissmuller.
She was known as the “Mexican Spitfire” and Weissmuller was Hollywood’s Tarzan.
Velez and Weissmuller were staying in the same hotel one night. She called up his room to ask him down for a drink. He hung up on her because he thought it was someone joking. Velez called back and was furious. He apologized and went down to her room, according to the book Tarzan, My Father by Johnny Weissmuller.
Weissmuller was already married to Bobbe Arnst when he started his relationship with Lupe in 1932.
Weissmuller’s son wrote that Velez was good for Johnny, because she was funny and made him laugh. However, she was also supposedly a manic depressive and had low times and also had a very bad temper.
“Dad just couldn’t handle her,” Weissmuller, Jr. wrote.
Once they were married, the two realized they were opposites. Velez went to bed late and woke up late and Weissmuller went to bed early and woke up early. Lupe was spontaneous and Weissmuller wasn’t. She once said in 1934 she felt they would go on quarreling forever, according to the book Lupe Velez: The Life and Career of Hollywood’s “Mexican Spitfire” by Michelle Vogel.
The two separated several times and Velez had several affairs, Weissmuller, Jr. wrote.
But the couples split was supposedly over a dog, according to both Vogel and Weissmuller, Jr.
Weissmuller came home and his dog Otto didn’t great him. When he asked Velez where he was, she said a stranger came in and killed him. Weissmuller said she was lying, packed his bags and never returned.

Arthur Miller and Marilyn Monroe (June 29, 1956 – Jan. 20, 1961)

Play write Arthur Miller and Marilyn Monroe in 1956.

Play write Arthur Miller and Marilyn Monroe in 1956.

Though Joe DiMaggio and Marilyn Monroe were an odd couple, they seem normal in comparison to Monroe and play wright Arthur Miller.
Monroe’s glittering screen persona better matched DiMaggio’s baseball fame better than Miller’s literary standing.
Miller liked how Monroe listened to his ideas. Monroe liked how intelligent he was and how he supported her career and ambitions, unlike DiMaggio, according to the book The Secret Life of Marilyn Monroe by J. Randy Taraborrelli.
When they married, Miller told the press that Monroe would make one film every 18 months, lasting eight weeks shooting time, and be a wife when she wasn’t making films, according to BBC.
Their relationship supposedly started to decline during the filming of “Let’s Make Love” (1960).  Monroe had an affair with Yves Montand, who was also friends with Miller, according to Arthur Miller: His Life and Work by Martin Gottfried.
Supposedly their divorce was over their different lifestyles. At the time of their divorce, Miller was working the script for Monroe’s film, “The Misfits” but it was said they barely spoke on set, according to the BBC.
Monroe died nearly a year later after their divorce.
Apparently Miller was “haunted by Monroe” because he “never resolved their relationship or understood his role in the public’s ongoing obsession with her,” according Gottfried’s book.

Betty Grable and Jackie Coogan (Nov. 20, 1937 – Oct. 8, 1940)

Jackie Coogan and Betty Grable in "College Swing" (1938)

Jackie Coogan and Betty Grable in “College Swing” (1938)

The glamour girl marries the former child star turned comedian.
The couple had a long engagement and Grable’s contract didn’t allow her marry before she was 21, according to Notable American Women: A Biographical Dictionary.
Grable and Coogan were married while he was fighting his lawsuit over misappropriation of the salary he earned as a child star. Part of the reason their marriage dissolved was over the stress of Coogan’s trial trying to get his money back, according to Dickie Moore’s book no child stars ““Twinkle, Twinkle, Little Star (but don’t have sex or take the car).”
“Betty was working hard on her career getting nowhere (her career didn’t take hold until 1939), and she was paying all the bills,” according to Jackie Coogan: The World’s Boy King by Diana Serra Cary.
Once the lawsuit was finally settled, Grable came home from the studio to find all of their wedding gifts gone and Coogan had sold them. The only thing left in the house where the stove, refrigerator and beds, according to Cary’s book.
Coogan also started heavily drinking. For the millions of dollars squandered by his mother and stepfather, he received $80,000 in the settlement.
After Grable signed with Fox, she filed for divorce. In 1940, she became a star with “Down Argentine Way” and Coogan, who at one time had been on top, was struggling. His time spent fighting in World War II was what helped him straighten out, Coogan told Moore in his book.

Rita Hayworth and Orson Welles (Sept. 7, 1943 – Dec. 1, 1948)

Rita Hayworth and Orson Welles sign their marriage license in 1943.

Rita Hayworth and Orson Welles sign their marriage license in 1943.

Rita Hayworth was Hollywood’s love goddess, though rather down to Earth in real life. Orson Welles was the controversial intellectual, scaring the Americans with the “War of the Worlds” broadcast and getting his film “Citizen Kane” banned from mainstream movie houses.
They were labeled the Beauty and the Brain.
But of her five husbands, Hayworth is said to have cared for Welles the most and called him the love of her life, according to The Hollywood Book of Breakups  by James Robert Parish.
Hayworth was dating Victor Mature when Welles met her and Mature went to fight in World War II. Hayworth turned him down many time but Welles said he “persevered” and he won her over.
“It took me five weeks to get Rita to answer the phone,” Welles once said. “But once she did, we were out that night.”
Her shyness is what attracted Welles, according to Orson Welles: A Biography by Barbara Leaming.
Under Welles’ influence, Hayworth read more literature. He even transformed her sexy redhead image by making her an icy blond for his noir film “The Lady from Shanghai” (1947). The public was not pleased.
“Orson Welles was trying something new with me on The Lady from Shanghai (1947) but Harry Cohn wanted The Image — The Image he was going to make me until I was 90,” Hayworth once said.
Their marriage was disintegrating after “The Lady from Shanghai” was completed. Hayworth accused him of being with other women and Welles didn’t understand her jealousy. Though they tried to reconcile, Hayworth eventually filed for divorce, according to Leaming’s book.
“I can’t take his genius anymore,” Hayworth said when they divorced.

Who are some Hollywood couples you always thought were interesting matches? Comment below and tell us who and why!

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Party like it’s 1939

While bringing in the New Year, why not celebrate with a classic film star flare?
Here are a few beverages that some of your favorite stars may have been drinking on New Year’s Eve:

Vivien LeighVivien Leigh: Gin and Tonic
4 to 5 tonic water Ice Cubes
3 ounces gin
4 ounces tonic water
1 tablespoon squeezed lime juice
Lime wedge for garnish
Source: Vivien Leigh historian Kendra Bean

charles-butterworth-1-sizedCharles Buttersworth: Martin with Gin
2 ounces dry gin
1 ounce dry vermouth
Olives or a twist of lemon, for garnish
Source: World’s Biggest Cookbook


Actress Jean Harlow Posing in Seductive PoseJean Harlow:
2 oz Bacardi 151 light rum
2 oz sweet vermouth
lemon peel for garnish
*The Comet’s personal favorite
Source: Kitty Packard Pictorial


Portrait of John WayneJohn Wayne:
12 oz Cola
5 count Grenadine
6 count Jack Daniels



Marilyn MonroeMarilyn Monroe:
Dom Perignon 1953 Champagne
Source: World’s Biggest Cookbook




Actor and Writer Robert BenchleyRobert Benchley: Orange Blossom
3/4 oz gin
3/4 oz sweet vermouth
3/4 oz orange juice
Source: World’s Biggest Cookbook



joan-sizedJoan Crawford
Vodka on the rocks
Source: Confidential magazine, January 1957




Casablanca movie image Humphrey BogartHumphrey Bogart:
Source: World’s Biggest Cookbook




ginger rogersGinger Rogers:
Ginger Rogers didn’t drink and the “bar” in her home was a soda fountain.
Source: Ginger Rogers’s autobiography “My Own Story”



Happy New Year everyone from Comet Over Hollywood! Have a wonderful New Year’s Eve and stay safe! See you in 2014!

Cheers from Comet Over Hollywood (and Joseph Cotten)

Cheers from Comet Over Hollywood (and Joseph Cotten)

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at

Christmas with the Comet: “The Homecoming” (1971)

homecomingApplesauce cake, decorating the tree and a blooming Christmas cactus.

All of these are characteristic of the Walton family Christmas, but one thing is missing.

John Walton, the father, hasn’t returned from his job 50 miles away. It’s snowing and the Walton family heard over the radio there has been a bus accident.

On Christmas Eve in 1933, it’s John Boy Walton’s job to find his Daddy.

This isn’t an episode of “The Waltons” but the made-for-television-movie “The Homecoming: A Christmas Story” that aired on Dec. 19, 1971.

The 100 minute movie became the pilot for the television series “The Waltons” that aired from Sept. 1972 to 1981.

The television film is set in Virginia on Waltons Mountain and introduces the Walton children, grandparents and mother as they wait for John Walton to return on Christmas Eve.

Mary Ellen wants to decorate the Christmas tree with a bird's nest and Olivia Walton agrees it makes the tree look nice.

Mary Ellen wants to decorate the Christmas tree with a bird’s nest and Olivia Walton agrees it makes the tree look nice.

We see the growing pains of 13-year-old Mary Ellen, Erin as a young tattle tale, Jason’s desire to become musician and the youngest children’s excitement about Santa Claus.

As it gets later, Olivia Walton (Patricia Neal) gets anxious about the return of her husband and sends her oldest son John Boy (Richard Thomas) out to find his father.

During the search, John Boy runs out of gas and stops at an African-American church and gets help from Hawthorne Dooley (Cleavon Little).

Hawthorne and John Boy visit the Baldwin sisters (Josephine Hutchinson, Dorothy Stickney), known for their bootleg whiskey, for help during the search.

As John Boy searches for his father, we get a glimpse at how he wants to be a writer, how he feels like a “mother duck’ to his brothers and sisters, and wants to be like his father, but isn’t good at farming and doesn’t like to hunt.

The Walton family originally appeared as the Spencer family in the film “Spencer’s Mountain” (1963) starring Henry Fonda, Maureen O’Hara and James McArthur.

The film was inspired by a book written by Earl Hamner, Jr. about life in Virginia.  Hamner was not directly involved in the filming of “Spencer’s Mountain” like he later was with the 1970s TV show, according to “The Waltons: Nostalgia and Myth in Seventies America” by Mike Chopra-Gant.

The family again appears in “The Homecoming,” but the name was changed from Spencer to Walton to avoid legal problems with Warner Brothers, according to Chopra-Gant’s book.

Hamner said “The Homecoming” was a story he planned to write for many years based on his childhood and he also wrote the screenplay and narrated the film, according to the Chopra-Grant book.

Lines in the film such as “What a woman I married” and “All my babies are thoroughbreds” are part of Hamner’s childhood. They were said by his father Earl Hamner, Sr, according to the book “Earl Hamner: From Walton’s Mountain to Tomorrow: a Biography”  by James E. Person.

The popularity of the television film spawned the television series.

“The Homecoming” gives us a glimpse at a Southern family living in the Blue Ridge Mountains during the Depression.

All Elizabeth Walton wants for Christmas is a doll.  When she receives one from a missionary, it's broken.

All Elizabeth Walton wants for Christmas is a doll. When she receives one from a missionary, it’s broken.

Olivia Walton can’t afford toys for the children and only plans on giving them hand-knitted scarves for Christmas. The family doesn’t have a phone and buying the sugar for the applesauce cake was an extravagance.

All little Elizabeth Walton wanted for Christmas was a page of dolls from the Sears-Roebuck catalogue.

There are several funny scenes as the children bicker or as we meet the Baldwin sisters.

John Boy and Hawthorne stop at the Baldwin sister home for gas.

John Boy and Hawthorne stop at the Baldwin sister home for gas.

We also see the family’s strength and love through moving and heart-warming scenes such as when John Walton finally returns home and recognizes John-Boy’s yearn for writing through his Christmas gift of writing tablets.

It is the perfect mix of drama, comedy and heart.

While all the child actors are the same, several of the characters in the television movie are different from the actors on the television show:

The Film:

John “John-Boy” Walton, Jr.- Richard Thomas

John Walton, Sr.- Andrew Duggan

Olivia Walton -Patricia Neal

Zeb/Grandpa” Walton -Edgar Bergen

Esther “Grandma” Walton- Ellen Corby

Jason Walton- Jon Walmsley

Mary Ellen Walton- Judy Norton Taylor

Erin Walton-Mary Elizabeth McDonough

Ben Walton- Eric Scott

Jim-Bob Walton -David W. Harper

Elizabeth Walton-Kami Cotler

Emily Baldwin- Dorothy Stickney

Mamie Baldwin- Josephine Hutchinson

Ike Godsey- Woodrow Parfrey

The Show:

John “John-Boy” Walton, Jr.- Richard Thomas

John Walton, Sr.- Ralph Waite

Olivia Walton – Michael Learned

Zeb/Grandpa” Walton- Will Geer

Esther “Grandma” Walton- Ellen Corby

Jason Walton- Jon Walmsley

Mary Ellen Walton- Judy Norton Taylor

Erin Walton-Mary Elizabeth McDonough

Ben Walton -Eric Scott

Jim-Bob Walton- David W. Harper

Elizabeth Walton-Kami Cotler

Emily Balwdin- Mary Jackson

Mamie Baldwin – Helen Kleeb

Ike Godsey- Joe Conley

It’s difficult to say if I like the casting of the show more than the film. After watching both for many years, each cast has their own special touch.

While I love the television show, Patricia Neal as Olivia Walton has a certain grit and realism to her. Michael Learned is tough and motherly with her children but is glamorous in comparison to Neal.

Patricia Neal and Andrew Duggan play John and Olivia Walton in the Walton TV movie. Michael Learned and Ralph Waite play the parents on the TV show.

Patricia Neal and Andrew Duggan play John and Olivia Walton in the Walton TV movie. Michael Learned and Ralph Waite play the parents on the TV show.

Andrew Duggan is a bigger and more rugged man as John Walton in comparison to Ralph Waite.

Grandpa Walton played by Edgar Bergen and Will Geer are similar characters. Both loveable, kind and constantly scolded by Grandma Walton.

Fun fact: This is a reteaming for Ellen Corby and Edgar Bergen whose characters were married in “I Remember Mama” (1949).

Though the family is struggling during the great Depression in both the film and series, they aren’t poor hillbillies but are working the best they can to stay afloat with little complaint.

I have watched the television show and the film since I was a child, and the warmth that comes from the series feels like you are welcomed into the Walton home.

John Boy receives writing tablets for Christmas from his father.

John Boy receives writing tablets for Christmas from his father.

“We walked a fine line between sentiment and sickeningly sentimentality,” Hamner later wrote about the film. “In the homecoming, Mary Ellen asks her mother if she’s pretty. Olivia replies, without missing a beat of the work she’s doing, ‘No, I think you’re beautiful.’ No tear in the eye, no touching, just a matter of fact statement.”

If you have the opportunity to see “The Homecoming” (and it’s on Youtube), you won’t be drowned in saccharine sweetness but realism and heart. It’s sentimental and welcoming.

Some of my favorite quotes:
Elizabeth: I’m not going to have any babies
Erin: What are you going to have, Elizabeth?
Elizabeth: Puppies!

Mary Ellen: You’re all a bunch of pissants.
Erin: Mama! Mary Ellen is calling us names.
Elizabeth: She said we were pissants. I don’t feel like a pissant.

Missionary: Why look to a foreign country for heathens when the Blue Ridge Mountain are full of them!

Mamie Balwdin: Papa always called them cousins, sister!
Emily Baldwin: Well, they sure dropped out of the family after papa died.

Emily Balwdin: The nice thing about life is you never know when there is going to be a party!

The Walton children in the movie are the same actors as on the show.

The Walton children in the movie are the same actors as on the show.

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