Hollywood Odd Couples

Feel free to listen to this tune as you read:

Love comes in many forms and opposites attract- Paula Abdul even said so in her music video with the singing cat.
However, sometimes people marry who just don’t quite seem to fit.
Here are a few examples of some odd Hollywood couples.  Apparently, these celebrities agree that the puzzle pieces didn’t quite fit since all of these marriages ended in divorce.
These prove that Neil Simon doesn’t have the market cornered on odd couples.

Ernest Borgnine and Ethel Merman (June 26, 1964 – July 28, 1964)

Ethel Merman and Ernest Borgnine on their wedding day in 1964.

Ethel Merman and Ernest Borgnine on their wedding day in 1964.

Borgnine was the gruff working man in films and Merman was the glamorous Broadway diva. The two met in November of 1963, the same year Borgnine divorced from his wife, Mexican actress Katy Jurado.
Merman was nine years older than Borgnine. After they met, Borgnine started courting Merman.
“I’ve never been in love, really in love, before,” Merman told reporters according to Ethel Merman: A Life by Brian Kellow. “For the first time in my life I feel protected.”
After a six month courtship, the two were married.
“Everyone thinks she’s loud and brash. But she’s the opposite,” Borgnine was quoted in Brass Diva: The Life and Legends of Ethel Merman by Caryl Flinn. “She’s soft, gentle and shy. And you know me, I’m ‘Marty.’”
The two married on June 26, 1964 and were divorced 32 days later on July 28, 1964.
Merman never gave reasons for the divorce and Borgnine said in interviews it’s because more people knew him than her on their honeymoon.
“Everybody knew me, but they didn’t know Ethel overseas,” Borgnine said in an interview. “The more they recognised me, the madder she got. That’s what hurt her, so she started taking it out on me.
After the divorce, Merman referred to the marriage as “That thing.” In her autobiography, the chapter “My Marriage to Ernest Borgnine” is one blank page.

Ava Gardner and Mickey Rooney (Jan. 10 1942 – May 21, 1943)

Mickey Rooney and Ava Gardner in 1941.

Mickey Rooney and Ava Gardner in 1941.

Newcomer to MGM Ava Gardner met star Mickey Rooney when he was dressed as Carmen Miranda for “Babes on Broadway.” While dressed as the Brazilian Bombshell, Rooney asked Gardner for her number.
North Carolinian, inexperienced Gardner had just arrived to Hollywood and Rooney was a well-known playboy.
“I married him because he wanted to get in my britches,” Gardner once said. “And I wasn’t going to let him until we were married.”
MGM studio head Louis B. Mayer and Rooney’s parents were not pleased with the couple’s marriage.
“I fell madly in love with Ava the first night I went out with her,” Rooney once said. “And later when I asked her to marry me, she wouldn’t have any part of it, like the problem I had getting her number, until I wore her down.”
Rooney spoke fondly of his brief marriage to Gardner in a documentary on her life. The documentary said Gardner thought their marriage would be like her parents: cooking for Rooney and having children. Rooney preferred the night life.

Gloria Swanson and Wallace Beery (March 27, 1916 – March 1, 1919)

gloria wallace

Wallace Beery and Gloria Swanson

“Two of the more trivial topics I never discuss are my marriage to Wallace Beery and those frozen dinners which have become famous with my name on them,” Gloria Swanson said.
The two were married after they starred in “Speedie Goes to College” in 1915.
Swanson was a glamorous leading lady and Beery was a gruff, burly man who was notoriously difficult to work with.
Swanson writes in her autobiography “Swanson on Swanson” that Wallace Beery made many forceful advances on their wedding night, leaving her bleeding and in pain.
Swanson also wrote he would pick up her salary for her at the studio and spend it before she saw it.
Beery cheated on Swanson and was abusive. In her autobiography, she writes that he gave her pills when he found out she was pregnant, and implies Beery made her get an abortion.
She woke up in the hospital and a nurse told, “You have nothing to be down in the mouth about, honey. You’re young. You’re pretty. You’ve got all the time in the world to have another baby.”
The couple separated and divorced two years later.

Richard Ney and Greer Garson (July 24, 1943 – Sept. 25, 1947)

Greer Garson and Richard Ney

Greer Garson and Richard Ney

Ney met Garson while he was playing her son in the film “Mrs. Miniver.”
He was 12 years younger than the Academy Award winning actress.
Ney asked Garson out for dinner and dancing, and she accepted, but she remained distant from her on-screen son during the remainder of the filming for “Mrs. Miniver.”
“I went dancing with Mr. Ney and I had the most beautiful time,” Garson was quoted in saying A Rose for Mrs. Miniver: The Life of Greer Garson by Michael Troyan.
MGM studio head Louis B. Mayer disapproved of their relationship and it would be unfavorable publicity for an on-screen mother and son to date, according to Troyan’s book.
They kept their romance secret until “Mrs. Miniver” premiered, and Mayer was right- the couple received unfavorable publicity. Garson told reporters she wanted to marry Ney because he made her feel younger, Troyan wrote.
However, gossip columns began talking about their unraveling marriage.
In the second Miniver film, “The Miniver Story,” Ney’s character was recast.

Linda Darnell and J. Peverell Marley (April 18, 1943 – Feb. 20, 1951)

Pev Marley and Linda Darnell on their wedding day.

Pev Marley and Linda Darnell on their wedding day.

Darnell was 20 when she married 42 year old Marley.
Darnell started in Hollywood as a teenager and didn’t have a father figure growing up. The cinematographer was sort of a mentor to the young girl, according to the Biography documentary, “Fallen Angel.”
Marley was a close friend of Darnell’s frequent leading man Tyrone Power. Marley helped sculpt Darnell’s Hollywood image, according to the book Hollywood Beauty: Linda Darnell and the American Dream by Ronald L. Davis.
Marley and Darnell would occasionally frequent night clubs but the press dismissed him as an old friend and escort, according to Davis’s book.
While Pev Marley remained a constant form of strength, the two eloped to Las Vegas. Fox studio head Darryl F. Zanuck was furious, saying it would ruin her image. No one had seen the two as more than friends.
“I like him and age doesn’t matter,” Darnell wrote in fan magazines. “I feel people meant well when they busy bodied about me marrying Pev. It’s just they couldn’t know the truth.”
Darnell announced the two separated while filming “My Darling Clementine” (1946), but then the two began seeing each other while she was filming “Forever Amber” (1947). The two then adopted Charlotte, nicknamed “Lola.” They separated again in 1948 and finally divorced in 1952.

Lupe Velez and Johnny Weissmuller (Oct. 8 1933 – 1939)

Lupe Velez and Johnny Weissmuller in 1935.

Lupe Velez and Johnny Weissmuller in 1935.

Velez’s relationship had recently ended with Gary Cooper when she met Weissmuller.
She was known as the “Mexican Spitfire” and Weissmuller was Hollywood’s Tarzan.
Velez and Weissmuller were staying in the same hotel one night. She called up his room to ask him down for a drink. He hung up on her because he thought it was someone joking. Velez called back and was furious. He apologized and went down to her room, according to the book Tarzan, My Father by Johnny Weissmuller.
Weissmuller was already married to Bobbe Arnst when he started his relationship with Lupe in 1932.
Weissmuller’s son wrote that Velez was good for Johnny, because she was funny and made him laugh. However, she was also supposedly a manic depressive and had low times and also had a very bad temper.
“Dad just couldn’t handle her,” Weissmuller, Jr. wrote.
Once they were married, the two realized they were opposites. Velez went to bed late and woke up late and Weissmuller went to bed early and woke up early. Lupe was spontaneous and Weissmuller wasn’t. She once said in 1934 she felt they would go on quarreling forever, according to the book Lupe Velez: The Life and Career of Hollywood’s “Mexican Spitfire” by Michelle Vogel.
The two separated several times and Velez had several affairs, Weissmuller, Jr. wrote.
But the couples split was supposedly over a dog, according to both Vogel and Weissmuller, Jr.
Weissmuller came home and his dog Otto didn’t great him. When he asked Velez where he was, she said a stranger came in and killed him. Weissmuller said she was lying, packed his bags and never returned.

Arthur Miller and Marilyn Monroe (June 29, 1956 – Jan. 20, 1961)

Play write Arthur Miller and Marilyn Monroe in 1956.

Play write Arthur Miller and Marilyn Monroe in 1956.

Though Joe DiMaggio and Marilyn Monroe were an odd couple, they seem normal in comparison to Monroe and play wright Arthur Miller.
Monroe’s glittering screen persona better matched DiMaggio’s baseball fame better than Miller’s literary standing.
Miller liked how Monroe listened to his ideas. Monroe liked how intelligent he was and how he supported her career and ambitions, unlike DiMaggio, according to the book The Secret Life of Marilyn Monroe by J. Randy Taraborrelli.
When they married, Miller told the press that Monroe would make one film every 18 months, lasting eight weeks shooting time, and be a wife when she wasn’t making films, according to BBC.
Their relationship supposedly started to decline during the filming of “Let’s Make Love” (1960).  Monroe had an affair with Yves Montand, who was also friends with Miller, according to Arthur Miller: His Life and Work by Martin Gottfried.
Supposedly their divorce was over their different lifestyles. At the time of their divorce, Miller was working the script for Monroe’s film, “The Misfits” but it was said they barely spoke on set, according to the BBC.
Monroe died nearly a year later after their divorce.
Apparently Miller was “haunted by Monroe” because he “never resolved their relationship or understood his role in the public’s ongoing obsession with her,” according Gottfried’s book.

Betty Grable and Jackie Coogan (Nov. 20, 1937 – Oct. 8, 1940)

Jackie Coogan and Betty Grable in "College Swing" (1938)

Jackie Coogan and Betty Grable in “College Swing” (1938)

The glamour girl marries the former child star turned comedian.
The couple had a long engagement and Grable’s contract didn’t allow her marry before she was 21, according to Notable American Women: A Biographical Dictionary.
Grable and Coogan were married while he was fighting his lawsuit over misappropriation of the salary he earned as a child star. Part of the reason their marriage dissolved was over the stress of Coogan’s trial trying to get his money back, according to Dickie Moore’s book no child stars ““Twinkle, Twinkle, Little Star (but don’t have sex or take the car).”
“Betty was working hard on her career getting nowhere (her career didn’t take hold until 1939), and she was paying all the bills,” according to Jackie Coogan: The World’s Boy King by Diana Serra Cary.
Once the lawsuit was finally settled, Grable came home from the studio to find all of their wedding gifts gone and Coogan had sold them. The only thing left in the house where the stove, refrigerator and beds, according to Cary’s book.
Coogan also started heavily drinking. For the millions of dollars squandered by his mother and stepfather, he received $80,000 in the settlement.
After Grable signed with Fox, she filed for divorce. In 1940, she became a star with “Down Argentine Way” and Coogan, who at one time had been on top, was struggling. His time spent fighting in World War II was what helped him straighten out, Coogan told Moore in his book.

Rita Hayworth and Orson Welles (Sept. 7, 1943 – Dec. 1, 1948)

Rita Hayworth and Orson Welles sign their marriage license in 1943.

Rita Hayworth and Orson Welles sign their marriage license in 1943.

Rita Hayworth was Hollywood’s love goddess, though rather down to Earth in real life. Orson Welles was the controversial intellectual, scaring the Americans with the “War of the Worlds” broadcast and getting his film “Citizen Kane” banned from mainstream movie houses.
They were labeled the Beauty and the Brain.
But of her five husbands, Hayworth is said to have cared for Welles the most and called him the love of her life, according to The Hollywood Book of Breakups  by James Robert Parish.
Hayworth was dating Victor Mature when Welles met her and Mature went to fight in World War II. Hayworth turned him down many time but Welles said he “persevered” and he won her over.
“It took me five weeks to get Rita to answer the phone,” Welles once said. “But once she did, we were out that night.”
Her shyness is what attracted Welles, according to Orson Welles: A Biography by Barbara Leaming.
Under Welles’ influence, Hayworth read more literature. He even transformed her sexy redhead image by making her an icy blond for his noir film “The Lady from Shanghai” (1947). The public was not pleased.
“Orson Welles was trying something new with me on The Lady from Shanghai (1947) but Harry Cohn wanted The Image — The Image he was going to make me until I was 90,” Hayworth once said.
Their marriage was disintegrating after “The Lady from Shanghai” was completed. Hayworth accused him of being with other women and Welles didn’t understand her jealousy. Though they tried to reconcile, Hayworth eventually filed for divorce, according to Leaming’s book.
“I can’t take his genius anymore,” Hayworth said when they divorced.

Who are some Hollywood couples you always thought were interesting matches? Comment below and tell us who and why!

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

About these ads

Party like it’s 1939

While bringing in the New Year, why not celebrate with a classic film star flare?
Here are a few beverages that some of your favorite stars may have been drinking on New Year’s Eve:

Vivien LeighVivien Leigh: Gin and Tonic
4 to 5 tonic water Ice Cubes
3 ounces gin
4 ounces tonic water
1 tablespoon squeezed lime juice
Lime wedge for garnish
Source: Vivien Leigh historian Kendra Bean

charles-butterworth-1-sizedCharles Buttersworth: Martin with Gin
2 ounces dry gin
1 ounce dry vermouth
Olives or a twist of lemon, for garnish
Source: World’s Biggest Cookbook


Actress Jean Harlow Posing in Seductive PoseJean Harlow:
2 oz Bacardi 151 light rum
2 oz sweet vermouth
lemon peel for garnish
*The Comet’s personal favorite
Source: Kitty Packard Pictorial


Portrait of John WayneJohn Wayne:
12 oz Cola
5 count Grenadine
6 count Jack Daniels



Marilyn MonroeMarilyn Monroe:
Dom Perignon 1953 Champagne
Source: World’s Biggest Cookbook




Actor and Writer Robert BenchleyRobert Benchley: Orange Blossom
3/4 oz gin
3/4 oz sweet vermouth
3/4 oz orange juice
Source: World’s Biggest Cookbook



joan-sizedJoan Crawford
Vodka on the rocks
Source: Confidential magazine, January 1957




Casablanca movie image Humphrey BogartHumphrey Bogart:
Source: World’s Biggest Cookbook




ginger rogersGinger Rogers:
Ginger Rogers didn’t drink and the “bar” in her home was a soda fountain.
Source: Ginger Rogers’s autobiography “My Own Story”



Happy New Year everyone from Comet Over Hollywood! Have a wonderful New Year’s Eve and stay safe! See you in 2014!

Cheers from Comet Over Hollywood (and Joseph Cotten)

Cheers from Comet Over Hollywood (and Joseph Cotten)

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Christmas with the Comet: “The Homecoming” (1971)

homecomingApplesauce cake, decorating the tree and a blooming Christmas cactus.

All of these are characteristic of the Walton family Christmas, but one thing is missing.

John Walton, the father, hasn’t returned from his job 50 miles away. It’s snowing and the Walton family heard over the radio there has been a bus accident.

On Christmas Eve in 1933, it’s John Boy Walton’s job to find his Daddy.

This isn’t an episode of “The Waltons” but the made-for-television-movie “The Homecoming: A Christmas Story” that aired on Dec. 19, 1971.

The 100 minute movie became the pilot for the television series “The Waltons” that aired from Sept. 1972 to 1981.

The television film is set in Virginia on Waltons Mountain and introduces the Walton children, grandparents and mother as they wait for John Walton to return on Christmas Eve.

Mary Ellen wants to decorate the Christmas tree with a bird's nest and Olivia Walton agrees it makes the tree look nice.

Mary Ellen wants to decorate the Christmas tree with a bird’s nest and Olivia Walton agrees it makes the tree look nice.

We see the growing pains of 13-year-old Mary Ellen, Erin as a young tattle tale, Jason’s desire to become musician and the youngest children’s excitement about Santa Claus.

As it gets later, Olivia Walton (Patricia Neal) gets anxious about the return of her husband and sends her oldest son John Boy (Richard Thomas) out to find his father.

During the search, John Boy runs out of gas and stops at an African-American church and gets help from Hawthorne Dooley (Cleavon Little).

Hawthorne and John Boy visit the Baldwin sisters (Josephine Hutchinson, Dorothy Stickney), known for their bootleg whiskey, for help during the search.

As John Boy searches for his father, we get a glimpse at how he wants to be a writer, how he feels like a “mother duck’ to his brothers and sisters, and wants to be like his father, but isn’t good at farming and doesn’t like to hunt.

The Walton family originally appeared as the Spencer family in the film “Spencer’s Mountain” (1963) starring Henry Fonda, Maureen O’Hara and James McArthur.

The film was inspired by a book written by Earl Hamner, Jr. about life in Virginia.  Hamner was not directly involved in the filming of “Spencer’s Mountain” like he later was with the 1970s TV show, according to “The Waltons: Nostalgia and Myth in Seventies America” by Mike Chopra-Gant.

The family again appears in “The Homecoming,” but the name was changed from Spencer to Walton to avoid legal problems with Warner Brothers, according to Chopra-Gant’s book.

Hamner said “The Homecoming” was a story he planned to write for many years based on his childhood and he also wrote the screenplay and narrated the film, according to the Chopra-Grant book.

Lines in the film such as “What a woman I married” and “All my babies are thoroughbreds” are part of Hamner’s childhood. They were said by his father Earl Hamner, Sr, according to the book “Earl Hamner: From Walton’s Mountain to Tomorrow: a Biography”  by James E. Person.

The popularity of the television film spawned the television series.

“The Homecoming” gives us a glimpse at a Southern family living in the Blue Ridge Mountains during the Depression.

All Elizabeth Walton wants for Christmas is a doll.  When she receives one from a missionary, it's broken.

All Elizabeth Walton wants for Christmas is a doll. When she receives one from a missionary, it’s broken.

Olivia Walton can’t afford toys for the children and only plans on giving them hand-knitted scarves for Christmas. The family doesn’t have a phone and buying the sugar for the applesauce cake was an extravagance.

All little Elizabeth Walton wanted for Christmas was a page of dolls from the Sears-Roebuck catalogue.

There are several funny scenes as the children bicker or as we meet the Baldwin sisters.

John Boy and Hawthorne stop at the Baldwin sister home for gas.

John Boy and Hawthorne stop at the Baldwin sister home for gas.

We also see the family’s strength and love through moving and heart-warming scenes such as when John Walton finally returns home and recognizes John-Boy’s yearn for writing through his Christmas gift of writing tablets.

It is the perfect mix of drama, comedy and heart.

While all the child actors are the same, several of the characters in the television movie are different from the actors on the television show:

The Film:

John “John-Boy” Walton, Jr.- Richard Thomas

John Walton, Sr.- Andrew Duggan

Olivia Walton -Patricia Neal

Zeb/Grandpa” Walton -Edgar Bergen

Esther “Grandma” Walton- Ellen Corby

Jason Walton- Jon Walmsley

Mary Ellen Walton- Judy Norton Taylor

Erin Walton-Mary Elizabeth McDonough

Ben Walton- Eric Scott

Jim-Bob Walton -David W. Harper

Elizabeth Walton-Kami Cotler

Emily Baldwin- Dorothy Stickney

Mamie Baldwin- Josephine Hutchinson

Ike Godsey- Woodrow Parfrey

The Show:

John “John-Boy” Walton, Jr.- Richard Thomas

John Walton, Sr.- Ralph Waite

Olivia Walton – Michael Learned

Zeb/Grandpa” Walton- Will Geer

Esther “Grandma” Walton- Ellen Corby

Jason Walton- Jon Walmsley

Mary Ellen Walton- Judy Norton Taylor

Erin Walton-Mary Elizabeth McDonough

Ben Walton -Eric Scott

Jim-Bob Walton- David W. Harper

Elizabeth Walton-Kami Cotler

Emily Balwdin- Mary Jackson

Mamie Baldwin – Helen Kleeb

Ike Godsey- Joe Conley

It’s difficult to say if I like the casting of the show more than the film. After watching both for many years, each cast has their own special touch.

While I love the television show, Patricia Neal as Olivia Walton has a certain grit and realism to her. Michael Learned is tough and motherly with her children but is glamorous in comparison to Neal.

Patricia Neal and Andrew Duggan play John and Olivia Walton in the Walton TV movie. Michael Learned and Ralph Waite play the parents on the TV show.

Patricia Neal and Andrew Duggan play John and Olivia Walton in the Walton TV movie. Michael Learned and Ralph Waite play the parents on the TV show.

Andrew Duggan is a bigger and more rugged man as John Walton in comparison to Ralph Waite.

Grandpa Walton played by Edgar Bergen and Will Geer are similar characters. Both loveable, kind and constantly scolded by Grandma Walton.

Fun fact: This is a reteaming for Ellen Corby and Edgar Bergen whose characters were married in “I Remember Mama” (1949).

Though the family is struggling during the great Depression in both the film and series, they aren’t poor hillbillies but are working the best they can to stay afloat with little complaint.

I have watched the television show and the film since I was a child, and the warmth that comes from the series feels like you are welcomed into the Walton home.

John Boy receives writing tablets for Christmas from his father.

John Boy receives writing tablets for Christmas from his father.

“We walked a fine line between sentiment and sickeningly sentimentality,” Hamner later wrote about the film. “In the homecoming, Mary Ellen asks her mother if she’s pretty. Olivia replies, without missing a beat of the work she’s doing, ‘No, I think you’re beautiful.’ No tear in the eye, no touching, just a matter of fact statement.”

If you have the opportunity to see “The Homecoming” (and it’s on Youtube), you won’t be drowned in saccharine sweetness but realism and heart. It’s sentimental and welcoming.

Some of my favorite quotes:
Elizabeth: I’m not going to have any babies
Erin: What are you going to have, Elizabeth?
Elizabeth: Puppies!

Mary Ellen: You’re all a bunch of pissants.
Erin: Mama! Mary Ellen is calling us names.
Elizabeth: She said we were pissants. I don’t feel like a pissant.

Missionary: Why look to a foreign country for heathens when the Blue Ridge Mountain are full of them!

Mamie Balwdin: Papa always called them cousins, sister!
Emily Baldwin: Well, they sure dropped out of the family after papa died.

Emily Balwdin: The nice thing about life is you never know when there is going to be a party!

The Walton children in the movie are the same actors as on the show.

The Walton children in the movie are the same actors as on the show.

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Christmas Musical Monday: “Holiday Inn” (1942)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

holiday inn posterThis week’s musical:
Holiday Inn” (1942) –Musical #22

Paramount Pictures

Mark Sandrich

Fred Astaire, Bing Crosby, Marjorie Reynolds, Virginia Dale, Walter Abel, Louise Beavers

Singer Jim Hardy (Bing Crosby) and dancer Ted Hanover (Fred Astaire) are both in love with Lila Dixon (Virginia Dale). When Lila jilts Jim for Ted, Jim decides to quit show business and live on a farm.Jim ends up converting his farm into a nightclub and hotel called the Holiday Inn which is only opened during the 15 holidays of the year.
When Jim meets Linda Mason (Marjorie Reynolds), she agrees to appear in his shows at the inn, and the two fall in love. However, Jim works to keep Linda from meeting Ted -who was also jilted by Lila-so he doesn’t steal her for an act and her heart.
Holidays and their songs include:
Christmas (twice)-  “White Christmas”
New Years (twice) -”Happy Holidays” and “Let’s Start the New Year Right”
Valentines Day- “Be Careful, It’s My Heart”
Abraham’s Birthday: “Abraham”
Washington’s Birthday: “I Can’t Tell a Lie”
Easter: “Easter Parade”
Fourth of July: “Song of Freedom” and “Let’s Say it with Fireworks”
-Thanksgiving- “I’ve Got Plenty to Be Thankful For”

-The hotel chain Holiday Inn was inspired by the title of this film, according to the hotel founder Kemmons Wilson’s New York times obituary.
-This film introduced the song “White Christmas.” Irving Berlin thought of the song “White Christmas” in 1935 on the set of “Top Hat” and wanted to use it for a Fred Astaire-Ginger Rogers film. Astaire liked the tune but it was never used until their film. Irving Berlin and Moss Hart worked and copyrighted the idea for a musical revue revolving around tunes for each holiday, according to “The Complete Lyrics of Irving Berlin” by Robert Kimball and Linda Emmett.

- Irving Berlin had a hard time writing the Christmas song “White Christmas” since he was Jewish. He ran the song by Bing Crosby, who thought it would be great, according to “Christmas’s Most Wanted” by Kevin Cuddihy.

Bing Crosby and Marjorie Reynolds (dubbed by Martha Mears) sing "White Christmas" at the end of the film.

Bing Crosby and Marjorie Reynolds (dubbed by Martha Mears) sing “White Christmas” which became a hit due to this film.

-The film originally was supposed include a dance number for Labor Day.

-The original version of the song “White Christmas” talked about basking in Los Angeles and longing for an old fashioned Christmas in New England. But the version we know now is more nostalgic, discussing a Christmas that a person won’t experience first hand-much like the soldiers fighting over seas during World War II, according to “World War II and the Postwar Years in America.”

-Mary Martin turned down the role of Linda played by Marjorie Reynolds because she was pregnant, according to her autobiography.

-Fred Astaire’s shoes he danced in during the Firecracker routine were auctioned off for $116,000 that went towards the war effort.

-The popularity of the song “White Christmas” created the spin off film “White Christmas” (1954) also starring Bing Crosby and co-starring Danny Kaye, Vera-Ellen and Rosemary Clooney, according to the book “Christmas’s Most Wanted.”

-Fred Astaire was the first choice for the Danny Kaye Role in “White Christmas” (1954) to be a reunion after “Holiday Inn,” but Astaire turned down the role, according to the “Christmas Encyclopedia” by William D. Crump

-Paramount Pictures did not market this film as a Christmas movie since it covers many other holidays, according to “World War II and the Postwar Years in America” by William and Nancy Young.

Fred Astaire in firecracker number for the Fourth of July.

Fred Astaire in firecracker number for the Fourth of July.

-The Fourth of July number was expanded and made more patriotic after the bombing of Pearl Harbor; including the song “Song of Freedom,” “Let’s Say it with Firecrackers” and a movie reel of war workers and soldiers marching.

-Paramount thought “Be Careful, It’s My Heart” would be the hit from the film. Though it made the Hit Parade first with Tommy Dorsey’s Band, “White Christmas” was the true hit, according to “World War II and the Postwar Years in America.”

-Won an Academy Award for Best Original Song- “White Christmas” by Irving Berlin. It was nominated for an Academy Award for Best Score by Robert Emmett Dolan and Best Original Story by Irving Berlin.

-Marjorie Reynolds is dubbed by Martha Mears.


Fred Astaire dances with Marjorie Reynolds during the New Years scene where he took drinks of bourbon before each take.

Fred Astaire dances with Marjorie Reynolds during the New Years scene where he took drinks of bourbon before each take.

-Fred Astaire and Bing Crosby imitate each other in the number “I’ll Capture Your Heart Singing.” 
-Fred Astaire’s drunken New Years Eve dance. Supposedly Astaire had a drink of bourbon before each take-it took seven-to appear drunk in the scene.
-Fred Astaire’s “Say it With Fireworks” dance for the Fourth of July number where he throws down fireworks while he taps.
-The cartoon turkey on the calendar that runs between the dates for Thanksgiving Day. This is referring to “Franksgiving,” a controversy that occurred during the Roosevelt administration. President Roosevelt wanted to make Thanksgiving a week earlier.


Notable Songs: 
Since the music is by Irving Berlin, all of the songs are fantastic. The top songs include:
-”White Christmas” sung by Bing Crosby. This is the most famous song in the movie. The version sung by Cosby in the movie is the one you hear most on the radio.
-”You’re Easy to Dance With” sung and danced by Fred Astaire and Virginia Dale
-”I Can’t Tell a Life” sung by Fred Astaire for Washington’s Birthday dressed in period clothing.
-”Easter Parade” sung by Bing Crosby to Marjorie Reynolds for the Easter portion.

My Review:
When I first saw this movie several years ago, I didn’t like it.
I thought Fred Astaire was a bit of a heel and had no redeeming features. However, as I rewatch it, I see both men are heels at different points in the movie.
Characters aside- the thing that stands out the most is the music-all revolving around holidays. Irving Berlin’s songs written for each holiday are catchy and clever.
Fred Astaire also is able to show off his dancing abilities both with partners and in solo numbers. Bing Crosby has an excellent score and sings the song he is most remembered for.
“Holiday Inn” is an interesting topic for a film and is musically beautiful.
If you are looking for a Christmas movie, it doesn’t completely revolve around the holiday (but Christmas is in the film three times) and introduced one of the most loved holiday songs.

Bing Crosby, Marjorie Reynolds, Fred Astaire, Virginia Dale

Bing Crosby, Marjorie Reynolds, Fred Astaire, Virginia Dale

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Christmas at Comet’s: “It Happened on Fifth Avenue” (1947)


It’s easy for this Christmas film to slip through the cracks.

It isn’t as well-known as other Christmas classics such as “Miracle on 34th Street” or “White Christmas.” And many of the leads are character actors rather than super stars who star in other Christmas films like Barbara Stanwyck or Loretta Young.

You may have never seen or heard of “It Happened on 5th Avenue (1947) but this film is far too charming for that not to be remedied- and soon.

The story begins with homeless Aloysius McKeever (Victor Moore) sneaking in to the wealthy mansion of Michael J. O’Connor (Charles Ruggles), the second richest man in the world. The O’Connors live in Virginia during the winter. For the past four winters, McKeever has stayed in the O’Connor home in New York from November 3 until March 13 while the family is away.

McKeever eats their food, wears Mr. O’Connor’s clothes and occasionally dusts off the furniture.

When the O’Connor’s come back to New York, McKeever heads to their winter home in Virginia.

Homeless McKeever (Victor Moore) dressed in Michael O'Connor's clothes as he stays in his home.

Homeless McKeever (Victor Moore) dressed in Michael O’Connor’s clothes as he stays in his home.

With a set of keys to several mansions in New York, McKeever explains one day he got tired of working and has been house hopping for the last 20 years and never has been caught.

But this winter, McKeever has company for the first time.

He meets Jim Bullock (Don DeFore), a veteran who was recently evicted from his apartment. The apartments are going to be torn down by Michael O’Connor’s company to build a skyscraper.

McKeever finds Jim sleeping on a park bench and invites him to his home, vaguely explaining that he is a guest of the O’Connor family.

But the O’Connor house gets more crowded than just the two men.

O’Connor’s daughter Trudy (Gale Storm) runs away from finishing school and goes to the house for clothes. The men think she is a thief, and she doesn’t correct them, but they let her stay.

Then Jim runs into his old Army buddies (Alan Hale, Jr., Edward Ryan) with their wives and children who are living in a car. They are invited to the O’Connor mansion too until they can find a home.

Wives of Jim's Army buddies use the foyer of the O'Connor home for hanging laundry as the house gets more crowded.

Wives of Jim’s Army buddies use the foyer of the O’Connor home for hanging laundry as the house gets more crowded.

The kicker is when Michael J. O’Connor (Charles Ruggles) and his ex-wife, Mary (Ann Harding), stay at their home-pretending to be homeless- in search of their daughter.

All the while, Jim and his Army friends are trying to bid on an Army camp for veterans who can’t find a home. Their bidding opponent is O’Connor.

“It Happened on Fifth Avenue” was originally supposed to be a Frank Capra Liberty Film, but he chose to make “It’s a Wonderful Life” (1946) instead, according to “Have Yourself a Movie Little Christmas” by Alonso Duralde.

Wealthy Michael O'Connor (Charles Ruggles) exchanges his fancy clothes to dress like he is homeless.

Wealthy Michael O’Connor (Charles Ruggles) exchanges his fancy clothes to dress like he is homeless.

The film was originally supposed to be released during the Christmas season in 1946 but wasn’t released until Easter of 1947, Duralde wrote.

It isn’t surprising that Capra considered this film. The theme of the poor creating life lessons for the rich is similar to many of his other films.

“It Happened on Fifth Avenue” is funny, far-fetched and charming.

It’s a comedy that makes fun of the rich, like the O’Connors, and makes the poor the heroes. The O’Connors have an opportunity to look at their lives with the help of McKeever: Michael has disregarded everything for money, Mary lives in Palm Springs and denies she’s middle aged, and Trudy is unhappy.

Romance blossoms between Trudy (Gale Storm) and Jim (Don DeFore)

Romance blossoms between Trudy (Gale Storm) and Jim (Don DeFore)

Money is what broke up Michael and Mary O’Connor’s marriage. It takes a homeless man to bring them back together again. Trudy finds love and happiness with Jim, the unemployed veteran.

“There are richer men than I,” O’Connor says of McKeever.

Amongst the life lessons and heartwarming scenes, the movie is also very funny.

With lines such as:

“That joint is as empty as a sewing basket in a nudist camp”


“He called me ‘Sugar,’ because I was hard to get”-referencing rationing during World War II.

While on a mission to see every classic Christmas film I could get my hands on, I came across “It Happened on Fifth Avenue” back in 2010 when it was shown on Turner Classic Movies. Since then, it has become a family favorite in the Pickens household.

Add this one to your yearly Christmas viewing and see that, “a house is only what its occupants make it.”

Catch “It Happened on Fifth Avenue’ on Turner Classic Movies at 6 p.m. ET on December 24.

This is part of the Christmas Movie Blogathon hosted by our friends at Family Friendly Reviews! Check out the posts over there!


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“Is that Pedro?” -Happy Thanksgiving from Comet Over Hollywood

Sometimes holiday family gatherings can be awkward, if not disastrous.

One cinematic example of an unhappy Thanksgiving is in “Giant” (1956) starring Elizabeth Taylor, James Dean and Rock Hudson.

The film follows Bick (Hudson) and Leslie (Taylor) and their life as cattle ranchers in Texas. Leslie, originally from Maryland, marries Bick after knowing him for a short time, and their marriage is tumultuous.

At one part of the film, Leslie travels back to Maryland with her children to evaluate her marriage, participate in her sister’s wedding and spend Thanksgiving with her family.

During the visit, Leslie’s three children become attached to the turkey named Pedro…


(Comet Over Hollywood/Screen Cap by Jessica P)

Here is to hoping your Thanksgiving is less dramatic.

Happy Thanksgiving! I am thankful for everyone of you who reads Comet Over Hollywood and shares the love of classic film.

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My dad, the practical movie watcher

My dad, Bill Pickens, is a practical movie watcher.

When the Wicked Witch of the West cries “I’m melting!” after water is thrown on her in “The Wizard of Oz” (1939) he says, “Water wouldn’t make her melt. She would dissolve.”

James Stewart as George Bailey asks Thomas Mitchell as Uncle Billy how he lost the money in "It's a Wonderful Life."

James Stewart as George Bailey asks Thomas Mitchell as Uncle Billy how he lost the money in “It’s a Wonderful Life.”

When Uncle Billy in “It’s A Wonderful Life” (1946) loses the check that would save George Bailey’s bank, my financially responsible father is furious.

In mystery films, he is always trying to figure out the plot twist or who-done-it before the movie is over.

Maybe it’s because he’s an engineer.

But along with teaching me to drive, helping me with long nights of math homework and moving me into new apartments in college and for jobs, my dad has always been supportive of my classic film watching.

Classic films are what my parents grew up on and in return, showed my sisters and me when we were young.

It was even my dad who suggested that I watch “West Side Story” (1961) in 2003 since I was starting to show an interest in musicals.

When I became obsessed with the movie, trying to learn the dances and listening to the soundtrack every day my dad later said he “created a monster.”

But without my dad suggesting that film, I wouldn’t have gone on to see 502 musicals.

Whenever I’m home, my mom, dad and I pick out a classic movie to watch together in the evening. I try to pick out one I didn’t want to watch without them or that I feel everyone would enjoy.

Doris Day as a sheep raising suffragette in "The Ballad of Jose" (1967)

Doris Day as a sheep raising suffragette in “The Ballad of Jose” (1967)

My dad has been a pretty good sport over the last 10 years with my selections. He has sat through frothy musicals such as “Luxury Liner” (1948) starring Jane Powell and even sat through Doris Day’s last and probably worst film “The Ballad of Josie” (1967).

Another time my mom and I had him watch the smutty 1950s film “A Summer Place” (1959) starring Sandra Dee and Troy Donahue.

We chuckled as Dad shouted things about Sandra Dee’s crazy mother in the film. He made jokes like “Whatever you do that woman shoots dogs, I wouldn’t trust her” about Dorothy McGuire who was also in “Old Yeller.”

Doris Day singing "Deadwood Stage" in "Calamity Jane" (1953)

Doris Day singing “Deadwood Stage” in “Calamity Jane” (1953)

One of the only movies he has ever snuck out on and never returned was “Calamity Jane” (1953). I think it was the rather long song “The Deadwood Stage” that starts as soon as the movie begins that drove him from the room. I guess I don’t blame him.

But my favorite movies to watch with my parents are World War II films and thrillers. We all seem to enjoy those.

Films like “Battleground” (1949), “The Longest Day” (1962), “Thirty Seconds Over Tokyo” (1944) and “Objective Burma” (1945) are some of our favorite war films.

Alfred Hitchcock, John Wayne movies and live action Disney films are more of our favorites.

Some of dad’s other favorite films are “Lawrence of Arabia” (1962), “TThe King and I” (1956) and “To Kill a Mockingbird” (1962).

I guess I’m a pretty terrible daughter. After my dad has watched everything down to “Gold Diggers of 1935” (1935) and “Rose Marie” (1936), I have never seen “Lawrence of Arabia.” I guess well have to watch that sometime.

Peter O'Toole in "Lawrence of Arabia" (1962)

Peter O’Toole in “Lawrence of Arabia” (1962)

I call my mom the agent of my blog Comet Over Hollywood, because she proof reads everything and listens to my ideas.

But my dad has helped out with my film interest as well.

In 2006 we went on a family vacation to Hollywood to tour studios such as Paramount and take pictures of the hand prints in the cement outside of Grauman’s Chinese Theater.

Recently when I was traveling again to Hollywood for the Turner Classic Movies Film Festival, my parents drove me two hours to the Atlanta airport. Atlanta was a straight flight to Los Angeles and they worried about their youngest child making a connecting flight.

When I was a child, I don’t think my parents had any idea what sort of film fanatic they were creating as they introduced us to old movies, but I don’t think they mind.

Happy Father’s Day!

2007 at Disney World with dad

2007 at Disney World with Dad

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The forgotten Hollywood war hero: Wayne Morris

Warner Brothers star, Wayne Morris in he 1930s

Warner Brothers star, Wayne Morris in he 1930s

He can be seen playing alongside Bette Davis as a boxer in “Kid Galahad” (1937) or a cadet running amok at the Virginia Military Institute in “Brother Rat.”

Wayne Morris may not be a name you’re familiar with but you have most likely seen the husky, affable blond in Warner Brothers 1930s and 1940s films.

But you may not be familiar with Morris’ war time record.
We frequently hear about Hollywood actors such as James Stewart, Clark Gable and Mickey Rooney who enlisted and were decorated for their bravery during World War II.

However, Morris is rarely recognized for his service and was one of World War II’s first flying aces.

His interest in flying started in Hollywood.

While filming “Flying Angles” (1940) with Jane Wyman and Dennis Morgan, Morris learned how to fly a plane.

Morris in 1944 in his plane "Meatball." The decals show how many Japanese planes he shot down.

Morris in 1944 in his plane “Meatball.” The decals show how many Japanese planes he shot down.

Once World War II began, Morris joined the Naval Reserve and became a Naval flier in 1942 on the U.S.S. Essex. He put his career on hold to fight. The same year he was married to Olympic swimmer Patricia O’Rourke.

“Every time they showed a picture aboard the Essex, I was scared to death it would be one of mine,” Morris said. “That’s something I could never have lived down.”

Morris flew 57 missions-while some actors only flew 20 or less- and made seven kills, which qualified him as an ace.  He also helped sink five enemy ships.

He originally was told he was too big to fly fighter planes until he went to his uncle-in-law, Cdr. David McCampbell who wrote him a letter, allowing him to fly the VF-15, according to “McCampbell’s Heroes: the Story of the U.S. Navy’s Most Celebrated Carrier Fighter of the Pacific”, Edwin P. Hoyt.

Three of his planes were so badly damaged by enemy fire that they were deemed unfit to fly and were dumped in the ocean, according to IMDB.

“As to what a fellow thinks when he’s scared, I guess it’s the same with anyone. You get fleeting glimpses in your mind of your home, your wife, the baby you want to see,” Morris said. “You see so clearly all the mistakes you made. You want another chance to correct those mistakes. You wonder how you could have attached so much importance to ridiculous, meaningless things in your life. But before you get to thinking too much, you’re off into action and everything else is forgotten.”

For his duty, Morris was honored with four Distinguished Flying Crosses and two Air Medals.

When he returned to Hollywood after four year at war, his once promising career floundered and Warner Brothers did not allow him to act for a year.

Jack Warner welcoming actors home from the war in 1945 including Wayne Morris, Ronald Reagan, Army Air Forces; Jack Warner; Gig Young, Coast Guard; and Harry Lewis, Army.

Jack Warner welcoming actors home from the war in 1945 including Wayne Morris, Ronald Reagan, Army Air Forces; Jack Warner; Gig Young, Coast Guard; and Harry Lewis, Army.

Morris’s most notable post-war films include “The Voice of the Turtle,” “John Loves Mary” and “Paths of Glory.” His career ended with several B-westerns.

At the age of 45, Morris passed away in 1959 from a massive heart attack.

But his service to his country was not forgotten. Morris is buried in Arlington Cemetery and was given full military honors at his funeral.

Morris with his wife Patricia and daughter Pamela in 1946.

Morris with his wife Patricia and daughter Pamela in 1946.

Though I am thankful for all men and women who serve our country, I wanted to recognize Wayne Morris.

For years I saw Wayne Morris in films and knew nothing about him except that I liked him. He is one of those character actors that can make a movie special.

Morris seemed like a regular guy. Before he started out in Hollywood, he played football at Los Angeles Junior College and worked as a forest ranger.

After I researched him and discovered his war record, I wanted to honor his service and his work in films.

Thank you to Wayne Morris and men and women in the military for serving our country.

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Without mom, I’d never see any classic films

My mother has been instrumental in my classic film interest.

Without her, I wouldn’t have seen 501 musicals…or any classic films for that matter.

When I was five, my mom introduced “Seven Brides for Seven Brothers” (1954) to my sisters and me. My sisters and I giggled at “The Lonesome Polecat” song but even in the “pan and scan” VHS format, I loved it.

When I was 10, we watched “The Philadelphia Story” (1940) and I remember laughing when Cary Grant pushes Katharine Hepburn in the face and knocks her down at the beginning.

One of our all-time favorites "Since You Went Away" (1944)

One of our all-time favorites “Since You Went Away” (1944)

Along with life lessons and quizzing me on how photosynthesis works, Mom was my IMDB before I knew what IMDB was.

She told me about Ingrid Bergman’s exile from Hollywood because of her affair with Roberto Rossellini, about Annette Funicello’s battle with Multiple Sclerosis and that John Wayne was dying of cancer in “The Shootist.”

My mother has even been amazing enough to record movies off of Turner Classic Movies via VHS for nine years.

Since 2004, I’ve made lists of about 30 films a month that I would like to see.

An example of all the movies my mom records.

An example of all the movies my mom records.

And since then, even when I’m not living at home, my mom still records movies for me and rarely misses any. I probably have at least 200 VHS recorded films waiting to be watched thanks to my mother’s help. If it wasn’t for her, I wouldn’t see any movies.

Each night, when I’m picking out a movie to watch, I set aside movies that I know my mother would want to see.

“Oh this one has Loretta Young,” or “I don’t think she’d want to miss Myrna Loy in this one,” I think as I save the films to watch with her.

Colorful musicals, down to Earth stories and heartwarming romances are some of our favorites to watch together.

Here are a few movies that make me think of my mom:

-Since You Went Away (1944): My mom was dying to introduce “Since You Went Away.” She’s a huge Claudette Colbert fan. I saw it for the first time back in 2005 when TCM showed it during a “Films of the 1940s” series. Between us, there isn’t a dry eye in our living room when we watch this movie. After that, it became my favorite movie, replacing my past favorite, “West Side Story” (1961).

One of our favorite outfits in "Gidget"

One of our favorite outfits in “Gidget”

-Gidget (1959): My mom and I categorize the Sandra Dee and James Darren movie as one that we never want to end. She showed it to me for the first time in 2004 and I was enchanted. Our favorite things about this film are Dee’s outfits, the lighthearted theme and looking at James Darren.

-Doris Day movies: When Doris Day was Star of the Month in January 2003, I had only seen “Pillow Talk” (1959). To make sure I was introduced to more Day films, my mom recorded several including “The Glass Bottom Boat” (1966), “The Tunnel of Love” (1958), “Julie” (1956) and “Love Me or Leave Me” (1955). After that, Doris Day became my favorite actress.
Since then, Mom has aided me and in seeing all but three of Day’s films. Our favorites to watch together are “On Moonlight Bay” (1951) and “I’ll See You in My Dreams” (1951).

-Jane Powell Films: Whether it’s “Seven Brides for Seven Brothers” (1954), “Luxury Liner” (1948) or “Two Weeks With Love” (1950), we adore Jane Powell. One of my mom’s personal favorites is “A Date with Judy” (1948).

-MGM Series films: There isn’t a “Maisie” or “Dr. Kildaire” movie that we dislike, and we have seen them all. Ann Sothern, Lew Ayers and Lionel Barrymore brighten our evenings. Even though we aren’t huge Mickey Rooney fans, we also love the Andy Hardy series, especially “Love Finds Andy Hardy” (1938).

Dana Andrews and Jeanne Crain's dresses are just two of the reasons why we love "State Fair"

Dana Andrews and Jeanne Crain’s dresses are just two of the reasons why we love “State Fair”

-State Fair (1945): We die for Jeanne Crain’s dresses and Dana Andrews in “State Fair.” We also mourn that no state or county fair is actually like the one in this Roger’s and Hammerstein musical. The colors, the music and the spiked mince meat scene always leaves us smiling.

-Classic Christmas films: I think it’s safe to say that my family has seen nearly every classic Christmas film, because we go out of our way searching for them. “Holiday Affair,” “Christmas in Connecticut,” “White Christmas” and “It Happened on 5th Avenue” are just a few we enjoy.

Other movies we like: Trashy 1950s ones such as “Susan Slade” or “A Summer Place,” Judy Garland Films, the “Four Daughters” trilogy, Hayley Mills films and most 1940s World War II era movies.

I could go on all day with movies my mother and I love, but instead I should thank her for introducing her to my hobby of classic films.

Even with my blog (which she is probably proof reading as she reads this), she’s been supportive of the beauty tips-even bathing in milk and washing my hair with champagne- just as long as I wash out the tub. She also helped me make my fruit hat when I was Carmen Miranda for Halloween in 2010.

I even got a little sad during the Turner Classic Film Festival, because she wasn’t there to hear Kate MacMurray talk about Fred MacMurray or to see Ann Blyth in person.

When I was a child, I’m sure she had no idea what sort of fanatic she was creating as she introduced us to old movies, but I don’t think she minds.

Happy Mother’s Day, Mom!

Myrtle Beach with mom

Myrtle Beach with Mom

College graduation in 2011 from Winthrop University with my mom and gradmother

College graduation in 2011 from Winthrop University with my Mom and grandmother

Dressed as Ado Annie when my mom and sister came to see me in Oklahoma

Dressed as Ado Annie when my mom and sister came to see me in Oklahoma

Easter at the Hollywood Bowl

The Hollywood Bowl has held historic performances from Olivia de Havilland and Mickey Rooney in “A Midsummer Night’s Dream” in 1934 to the Beatles in 1964 and 1965.

It also holds an Easter sunrise service every year.

The tradition started in 1919 when silent film stars held a sunrise service near the area of the Hollywood Bowl. The service was then moved to the site in 1921, when the Bowl was basically a rocky, weedy hillside that had excellent natural acoustics, according to the Hollywood Bowl’s website.

Los Angeles Philharmonic at the Hollywood Bowl in 1921.

Los Angeles Philharmonic at the Hollywood Bowl in 1921.

At the 1921 service, the Los Angeles Philharmonic performed and over 800 people attended.

In 1922, the Los Angeles Philharmonic performed for 50,000 at the Easter Service and the Hollywood Bowl officially opened four months later on July 11, 1922.

Easter Service in 1922 with 50,000 people in attendance.

Easter Service in 1922 with 50,000 people in attendance.

The shell on the stage at the Hollywood Bowl was designed by Frank Lloyd Wright’s son, Lloyd Wright, in 1928 but seems to have been removed for the service.

Hollywood Bowl Easter service in 1928

Hollywood Bowl Easter service in 1928

The Hollywood Bowl Easter Sunrise Service is held every year but has been canceled at least three times in recent years: in the mid-1990s for renovations, 2010 due to lack of funding and 2012 for maintenance on the Hollywood Bowl, according to a Los Angeles Times article.

Ariel view of the 1929 Easter service

Ariel view of the 1929 Easter service

Mary Pickford attends the Hollywood Bowl Easter Service in 1953 on her 61 birthday. She is recites the "Salutation to the Dawn."

Mary Pickford recites “Salutation to the Dawn” in 1953 on her 61 birthday.

17,000 attend the service in 1956

17,000 attend the service in 1956

Easter service in 1962

Easter service in 1962

Happy Easter everyone!

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