Favorite Films: So Proudly We Hail (1943)

 

Claudette Colbert, Paulette Goddard, Veronica Lake

Claudette Colbert, Paulette Goddard and Veronica Lake.

The three very different Paramount Pictures actresses are brought together to star in one of my favorite 1940s films, “So Proudly We Hail” (1943).

The film follows a group of U.S. Army nurses- Claudette Colbert (as Lt. Janet Davidson) and Paulette Goddard (as Lt. Joan O’Doul)- who leave for Hawaii for their tour of duty. Shortly after they leave, Pearl Harbor is attacked and the United States is brought into World War II. The military ship picks up nurses and wounded from Pearl Harbor, one a troubled nurse Lt. Olivia D’Arcy, played by Veronica Lake. The nurses are then sent to the Philippines, first assisting soldiers in Bataan and then evacuating to Corregidor.

From a dramatization of Doolittle’s Raid in “Thirty Seconds Over Tokyo” to “Mrs. Miniver” showing life on the British home front and the Battle of Dunkirk, Hollywood made several films that depicted what was going on overseas during World War II.

While I enjoy most 1940s era World War II films, I love “So Proudly We Hail” because of its focus on military nurses.

Lt. Summers (George Reeves) and Lt. Davidson (Claudette Colbert)

Lt. Summers (George Reeves) and Lt. Davidson (Claudette Colbert)

Colbert is the real star of the film; the rock of the group of nurses, leading them to aid injured soldiers. Goddard and Lake flank her as secondary female leads: Goddard the flirty, glamor girl and Lake the troubled, quiet nurse.

Their differences in real life as actresses as well as the differences in their characters illustrate the wide range of people who were brought in to serve together during war time.

“The events in this movie were still very much on the minds of Americans when this film came out,” said Turner Classic Movies prime time host Robert Osborne in the DVD introduction. “Events in the movie had happened for real recently and news reports were still coming out.”

Movies like this are made to make viewers feel proud and patriotic of their country, but what I like about “So Proudly We Haill” is that I feel it’s fairly realistic.

Nurses with 104 degree temperatures from malaria are still caring for men while others are craving tomatoes and milk, items that can’t be found on the military front.

“What is a heroine,” One nurse asks, tired of all the attention on their voyage home.

“I don’t know. Anyone who is still alive,” another says.

Joan (Paulette Goddard) and Kansas (Sonny Tufts)

Joan (Paulette Goddard) and Kansas (Sonny Tufts)

While Claudette Colbert is consistently good in all of her films, “So Proudly We Hail” gave Veronica Lake and Paulette Goddard the chance to show off their acting chops.

One scene that sticks out is when Goddard and Colbert find out why Lake acts cold towards the other nurses:

She opens up to Colbert about why she is angry and is there to “kill Japs”:

“Today is Christmas, isn’t it? The time for cheer and good fellowship and for peace. Well, today’s my wedding day. He and I were to be married today in St. Louis. And why weren’t we? Because he’s dead. He died that first morning. They killed him. I saw him. He was running across the field to his plane and they killed him. Sixty bullets – sixty! By the time I got to him he was dead. His face was gone – I couldn’t see him anymore. Just blood – blood all over.”

For Goddard, the scene that sticks out is when she tearfully says goodbye to soldiers in a military hospital before being shipped back to the United States.

When the film starts, Goddard is flirty, saying she has two fiancés, because she can’t say no to an engagement. But throughout the film, as she sees the horrors of war, she wants to help in every way she can, attending to soldiers and never sleeping. At the end she gives the wounded soldiers small gifts of hers and her old love letters for some laughs.

Other scenes that stick out to me:

• When Pearl Harbor is attacked, the nurses and military personnel are on a boat several miles out watch the bombing. There are screams of horror and disbelief, though they watch the attacks.

• Lt. O’Doul (Goddard) wearing a lacy black nightgown throughout the film. The night gown first enters as a dress for the Christmas party. Later she wears it every night to keep her moral up.

• The son of Nurse Capt. “Ma” McGregor has his legs amputated and soon after dies. Her son never knew his father, because he died in battle, and now Ma’s grandson won’t know his father either.

“My son like his father died for what he knew what is right. And if we don’t make it right, then they will all rise up and destroy us,” she says.

•The scene when the nurses are left behind during an evacuation. The nurses are the last to ship out during evacuation as the Japanese move closer. Lt. O’Doul forgets her nightgown, holding their truck up and the male drivers are shot. As Lt. Davidson (Colbert) searches for the truck keys to drive them out the nurses panic.

Veronica Lake "surrendering" to Japanese.

Veronica Lake “surrendering” to Japanese.

“I was in Nanking. I saw what they did. They fight over the women like dogs,” said Lt. Peterson (Ann Doran) panicking.

-During this scene is when Lt. D’Arcy dies. She takes a grenade, pulls out the pin, puts it in her uniform and walks towards the Japanese pretending to surrender. She dies to protect her peers and to “kill Japs” which is what she originally said she wanted to do. The scene is horrifying and shocking for a 1940s film.

• When the Japanese bomb the military hospital, sweet nurse Lt. Rosemary Larson, (Barbara Britton) is killed when the roof of the hospital collapses.

• When Lt. Davidson and Lt. Summers (George Reeves) get married and are given gifts of bread and peanut butter. Another sign of how much items we take for granted were valued.

The movie also has two romances: A playful and joking one between Paulette Goddard and a marine played by Sonny Tufts, and a more serious, passionate one with Claudette Colbert and a soldier played by George Reeves. However, I don’t feel the relationship takes away from the true purpose of the film.

As mentioned before, the three actresses were very different, and it has been rumored that they didn’t get along.

“All three were popular actresses and not accustomed to sharing close-ups,” Osborne said.

In Veronica Lake’s autobiography, she said she got along with her co-stars while it was Colbert and Goddard who locked horn. However, actor George Reeves disagreed.

“George Reeves said Veronica was the difficult one,” Osborne said. “Claudette was the moral builder for the whole cast, and if there was a problem it was because all three were so different. Reeves said it takes three to make a quarrel and Colbert wasn’t into that. She was too busy doing her work.”

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“Merry Christmas, Mama”: Christmas scenes in non-Christmas films

For me, it’s always a treat when there is a Christmas scene in a film that isn’t considered a holiday film.

Not only is it because I’m a lover of Christmas, but usually something important or climatic happens during Christmas related scenes.

Below are a few non-Christmas films with important holiday scenes:

1. Battleground (1949): “Battleground,” starring a plethora of stars such as Van Johnson, John Hodiak and George Murphy, is a World War II film set during the Battle of the Bulge in Bastogne. The Battle of the Bulge (Dec. 16 to Jan. 25) is when the Allies were surrounded by the Germans and were unable to get airborne assistance due to heavy fog and snow.

During one scene, a Lutheran Chaplain played by Leon Ames delivers a Christmas sermon for the men. It is a particularly moving scene, because he describes the importance of why they are fighting this war. It’s my favorite scene in the whole movie and still holds meaning today.

2. A Summer Place (1959): “Summer Place” is a stereotypical late-1950s sleezy melodrama. Already married Sylvia Hunter (Dorothy Malone) and Ken Jorgenson (Richard Egan) were teenage sweet hearts and rekindle their romance one summer when their families meet on vacation in Maine. This breaks up their marriages with Bart Hunter (Arthur Kennedy) and Helen Jorgenson (Constance Ford). To complicate things further, Sylvia’s son Johnny (Troy Donahue) and Ken’s daughter Molly (Sandra Dee) fall in love.

While over-bearing Helen is decorating their Christmas tree, she discovers her daughter Molly has been writing and meeting up with Johnny.

In a rage, Helen slaps her daughter and sends her hurtling into their plastic Christmas tree which she earlier described as “solid plastic” and that it should “last for 10 years.”

Helen Jorgensen angrily slaps her daughter Molly in "A Summer Place" sending her into their plastic Christmas tree- Screen capped by Hollywood Comet

Helen Jorgensen angrily slaps her daughter Molly in “A Summer Place” sending her into their plastic Christmas tree- Screen capped by Hollywood Comet

In this unintentionally hilarious scene, Molly looks up from behind the strewn Christmas tree branches, tinsel and ornaments and says, “Merry Christmas, Mama.”

Helen looks at 18 stockings in "Yours, Mine and Ours"

Helen looks at 18 stockings in “Yours, Mine and Ours”

3. Yours, Mine and Ours (1968):  Frank (Henry Fonda), who has 10 children, marries Helen (Lucille Ball), who has 8 children, putting entirely too many people into one home.

The comedy follows the adventures of how a family that large serves breakfast, gets to school and how the older children accept their new parents.

Christmas also gets complicated. Frank is up all night playing Santa trying to put toys together and is still working when the children get up in the morning. Christmas morning is chaos with one daughter eating candy canes off the Christmas tree and a bicycle breaking as a child rides it around the house.

But the real climax comes when Helen finds out that she is pregnant again…with their 19th child.

4. Since You Went Away (1944): A film that is my all-time favorite movie, “Since You Went Away” follows Anne Hilton (Claudette Colbert) and her two daughters Bridget (Shirley Temple) and Jane (Jennifer Jones) as they adjust to life on the home front during World War II. Though this film gets shown frequently during the Christmas season, it really isn’t a Christmas movie.

It begins when Anne’s husband leaves for war and goes through fall, summer, spring and ends at Christmas.

The last 20 minutes of the movie is Christmas making you laugh and cry. Jane has transformed from a selfish young teenager to a young lady, who has lost her boyfriend to the war and is now working as a nurse. Anne has come to terms that her husband is lost in action and is trying to have a normal Christmas with her family.

Christmas party scene in "Since You Went Away" with everyone playing charades. -screencapped by the Hollywood Comet

Christmas party scene in “Since You Went Away” with everyone playing charades. -screencapped by the Hollywood Comet

The Hiltons throw a Christmas party with a woman Anne met through her war work, a soldier Jane helped nurse, a family friend Lt. Tony Willet (Joseph Cotton) and his friend (Keenan Wynn) and their boarder Col. Smollett (Monty Woolley).

The party scene is fun and happy, but after all the guests leave Anne sees their servant Fidelia (Hattie McDaniel) putting presents under the tree that Tim sent her both he was reported missing.

Anne Hilton (Claudette Colbert) receiving the cable gram that her husband is home safe. -screen capped by the Hollywood Comet

Anne Hilton (Claudette Colbert) receiving the cable gram that her husband is home safe. -screen capped by the Hollywood Comet

Anne opens her gift from her husband, a musical powder box that plays their song, and starts to cry. Then the phone rings and it’s a cable gram saying Tim has been found and is coming home.

The movie ends with happy tears, hugging and excitement.

What are some of your favorite non-Christmas movie holiday scenes? Share them below!

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Birthday Blogathon: Film #4 Since You Went Away 1944

For my fourth evening of birthday favorite films I chose:

Since You Went Away (1944)

Jane and Bridget listening to Anne read a letter from their father. (This actually is my desktop background).

Brief plot: The story of Anne Hilton and her two daughters Jane and Bridget on the American World War II home-front while their father is overseas fighting. The film stars Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotton, Robert Walker, Hattie McDaniel, Monty Wooley and Agnes Moorehead (among several cameo appearances).

Why I love it: 

Jane and Bridget talking about a boarder with their mom

My favorite time period is the World War II era. One thing that particularly fascinates me about this time is the war effort on the home front-what this film call the “unconquerable fortress”. This movie chronicles life on the home front and daily adjustments Americans went through in order to help soldiers overseas-there aren’t many films that show this. But aside from the historical aspect of the film, the actors, camera shots and script make “Since You Went Away” absolutely perfect.

Cast: This film has a very strong, star-studded cast and every actor is perfect. Claudette Colbert does an excellent job as Anne Hilton and Shirley Temple (Bridget) and Jennifer Jones (Jane) embody how I think a 1940s teenager would act. Joseph Cotton plays family friend Tony Willett who used to carry a flame for Anne. Monty Wooley is Col. Smollett who boards at the Hilton home during tough financial times and Robert Walker is his grandson Bill who falls in love with Jane.  Hattie McDaniel is the Hilton’s maid, Fidelia, who has to quit and work at another reason residence, because the Hiltons can no longer afford her. However she comes back to live with them, because she doesn’t like the other servants at the new employers home. Lastly, Agnes Moorehead is Emily Hawkins, Anne’s catty friend who thinks war sacrifices mean hoarding food in a cold storage unit and hosting canteen dances.

But one very special thing this film is the plethora of uncredited cameos. Tim Hilton, Anne’s husband that has already left for basic training when the movie begins, can be seen in photos. The actor who is supposed to be Tim is Neil Hamilton-known for his role of the commissioner in the 1960s show “Batman” and who usually played cads in early 1930s films.

Throughout the film, you can see:
-Dorothy Dandridge and Ruth Roman at the train station
-Guy Madison as the sailor Bill and Jane meet at the bowling alley
-Lionel Barrymore as a clergyman in the Hilton’s church
-Kennan Wynn at the Hilton’s Christmas party as Tony’s friend
-Silent star Alla Nazimova as Anne’s immigrant friend who works in the shipyards with her.
-Rhonda Flemming as a girl at the dance
-Terry Moore as a refugee child on the train
-Character actor Grady Sutton (who pops up in so many movies!) looking for Suzy Flemming at the dance-I wonder if he ever finds her?
-Jimmie Dodd of Mickey Mouse Club fame as a train passenger
-And other recognizable faces like Jackie Moran, Craig Stevens, Lloyd Corrigan and Irving Bacon.

Emily and Anne in the background of the Paradise Cocktail Lounge-strangers talking in the front.

Script:  
One that makes me laugh every time is when Fidelia brings in a cake for Col. Smullett’s birthday and says she did something different to it.
Col: “What was the experiment with this cake?”
Fidelia: “I tried something new:I bought it!
I also like when Jane tells Emily Hawkins off after Hawkins said well-bred girls shouldn’t be war nurses: “Please don’t worry if our hands come in contact with their mangled bodies. We’ll survive even if they don’t!”
But my absolute favorite part of script is something I’ve always thought was very creative. During four separate scenes-Anne and Emily at the cocktail lounge, the canteen dance, the train on the way to see ‘pop’ and the train station as Bill is about to leave.

The camera takes the audience through crowds of people, and we hear snippets of several different conversations. It gives you a sense of what different people were talking about during the war, patriotic or unconcerned with the country’s conditions. Here is the dialogue from each of those scenes:
-The Paradise Cocktail Lounge scene:
1.”The moral breakdown of this country is caused by drinking….this is lousy scotch.” 2. “I don’t mind red finger nails but red toe nails is going too far”
3. “I went shopping before the hoarders got there.”
4. “I can’t write everything the baby says down on those little V-cards.”
-The Canteen Dance scene:
1.“I feel so good, don’t you feel good?”
2. “Now Suzy Flemming, she’s a one man woman.”
3. “I love to read books, don’t you think they are so….”
4.”Why do they call you Walt, is that your nickname?”
-The Train to see pop:
1. Business Man: “If we keep stopping like this, I’ll miss the biggest deal of my life.’ Armless Soldier: “Well I’m in no hurry, I’ve got plenty of time from now on”
2.“My husband’s never seen the baby”
3.“And after the Germans came we didn’t have milk or meat at all”
4.“Only serving two meals a day is simply outrageous”
-Train Station as Bill is leaving:
1.“Let me look at your darling so I can picture you always…now go and don’t look back” (Said to two different girls by the same soldier)
2. To a crying baby held by Dorothy Dandridge: “Look at the nice apple daddy got you”
3. “I’m sorry mom I’ve only got 5 minutes, my furlough was canceled.”
4.”I swear I can’t tell any difference between it and butter.”
5. Little girl to MP: “Hello, my mommy’s a sergeant.” MP squats down to child: “She is!”
6.”What’s a good excuse for being AWOL?”
7. Ruth Roman: “Agnes, look at that dame, nylons!”
8. Soldier: “Five months pay…give me some War Bonds! Plenty of them!”
9. Two soldiers: “I wonder where we can go for free where we don’t have to dance with hostesses.”

Jane at the train station

Camera technique: I feel some of the camera techniques in this film might compete with Hitchcock. The director took advantage of light and shadows. One example of this is Bill and Jane sitting on the Hilton’s back porch talking. The two are back-lit so we only see their silhouettes. The only light from the couple is when Bill lights his cigarette. Another is when Jane is saying goodbye to Bill at the train station. She stands there waving goodbye, the camera pulls back and her shadow stretches about 100 feet across the station. Another shot I really like is when Guy Madison leaves Jane and Bill after they walk around downtown. He gets on the bus and walks to the back, but the camera stays on him as he walks and the bus is driving away to the left and going off screen. But some of my shots are during the dance at the canteen.  One part is the shadows as couples waltz (seen at 2:05 in the video below). Also right after they find out Johnny Mahoney dies, there is a shot through a star emblem and you see everyone dancing in the background, very beautiful.

Home front: I feel like this movie is so natural and believable not just a bunch of Hollywood stars playing roles. No, not all families were as well off as the Hiltons were before Mr. Hilton went off to war and not everyone’s mother looked like Claudette Colbert-but we see a lot of what I think is pretty realistic.
-A cop pulls Tony and Anne over just to chat, because he doesn’t see cars much since gas rationing.
-Bridget keeps a plant in the sink to make sure it gets water, because her father gave it to her.
-Anne initially doesn’t really understand why Tim enlisted. She doesn’t do much for the war effort to start out with, because she feels like missing her husband and taking in a boarder is enough. By the end she is working in a shipyard.
-Jane starts off as a silly, boy crazy high school girl and matures throughout the film. Part of it has to do with falling in love with Bill, but another part of it has to do with her work as a nurse and what she sees at the hospital.
-Bridget is in her early teens throughout the film, so she still is pretty young and unchanging, but she seems to be the average, patriotic teenager saying her “Pop looks like a parade all by himself” when he is in his uniform.
-We also see a glimpse of war life as people talk about rationing. There isn’t any ice cream at the soda fountain and instead they have a “Victory Punch,” and we see Bridget sorting scrap metal.
-Along with the patriotism we also see those who didn’t care about the war, like Emily Hawkins. At one point she flippantly says to Anne after Tim is missing in action, “Oh, and I’m sorry about Tim. I’m sure he’ll show up sometime.”

Hotel, after Tim couldn’t meet them

Drinking Victory sodas at the soda fountain

Bridget and Monty Woolley looking for “We-Took-It,” Texas on the map

To review: This film is two and a half hours so I feel like I could write on and on and on about it forever, but in a nut shell-I adore this film. It’s perfect. The shots, the characters, the American life on the home front. Its one that makes you laugh at some scenes and crying in the next. It’s one emotional roller coaster of a film-and I can sincerely say it’s my all time favorite.

This concludes Night 4 of Birthday Blogathon Week.

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Jessica Pickens: Girl Reporter

Comet Over Hollywood is moving!

Well…not the blog, but the blogger!

The backstory

Ever since I’ve been in the fourth grade I wanted to be a writer. I had a big imagination and pictured myself on the cover of Good Housekeeping magazine with my best seller.

In high school I got more interested in newspapers and majored in mass communications-journalism at Winthrop University getting involved in the school newspaper The Johnsonian, TV show, Winthrop Close-Up and radio station, WINR.

Starting in March, I started looking for a reporter position in the southeast. By the time I graduated in May, I figured out that getting a job at a newspaper was going to be harder than I thought (as some of you in media related fields might also have found).

For the past two months I’ve been working at a local Greenville newspaper as an advertising representative while still looking for a reporter position.

Two weeks ago, I got a job at The Elkin Tribune in Elkin, N.C. So I will be packing up and moving up to North Carolina-spreading my classic movie love to a whole new state!

Celebration

In honor of this exciting, nerve-wracking event, I’m dedicating this post to journalists in movies. Everyone is invited to the party!

Glenda Farrell as Torchy Blaine most likely up to no good.

Torchy Blaine Series: Torchy Blaine was a series of films made during the 1930s much like Boston Blackie, The Falcon or Andy Hardy. Torchy Blaine snooped and got into trouble in eight films from 1937 to 1939 (yep, they knew how to churn them out in those days). Torchy Blaine is a wise-cracking and troublesome female reporter. She eavesdrops, bugs rooms and follows people in order to get information-all highly illegal in these days, according to my Media Law and Ethics classes at Winthrop. Not only does Torchy usually get caught by the bad guys she is spying on, but she is constantly at odds with her policeman boyfriend, Steve McBride. At the end of each film, Steve and Torchy usually agree to get married but Torchy has to agree to give up her reporter career-as we all know, this doesn’t happen. Review: These films are very silly but equally entertaining. Through the eight part series, Glenda Farrell, Lola Lane and Jane Wyman all play Torchy.  But Glenda is my favorite Torchy. However, Lola wears some adorable lounging pajamas in “Torchy Blaine in Panama.”

Citizen Kane (1940): I don’t feel that I can discuss journalism movies without mentioning Citizen Kane. The film follows Orson Welles as Charles Foster Kane and his rise as the top newspaper publisher. We all know this film is based off the life of William Randolph Hearst-who was still living at the time. In Joseph Cotton’s autobiography “Vanity Gets You Somewhere,” Cotton says “Kane” was set to premiere in Radio City Music Hall. Hearst made sure it did not play there-or in several other movie houses across the United States. That goes to show just how powerful he was. Review: I do really like this film. It was a bit of an ‘Indie’ film in its day so its funny that is revered so much now. I really enjoy it for the historical background of it as well.

Cary Grant and Rosalind Russell getting the scoop in “His Girl Friday”

His Girl Friday (1940): When you say “female reporters in film” Rosalind Russell with her crazy hats in “His Girl Friday” automatically comes to mind.  Roz plays the ex-wife of Cary Grant, her reporter co-worker, and is engaged to Ralph Bellamy. On the day that Roz and Ralph are supposed to get married, a huge murder story breaks and news hound that she is, Roz can’t stay away. Not surprisingly, Ralph Bellamy doesn’t get the girl in the end (like always), and Roz and Cary fall back in love in the midst of copy and photography. Review: I really enjoy this movie, but you REALLY HAVE TO PAY ATTENTION.  For comedic value, Cary and Rosalind talk very, very fast. Several actresses turned down this role including Carole Lombard, Ginger Rogers, Claudette Colbert, Irene Dunne and Jean Arthur. I think Carole, Jean and Irene would have been perfect for the role, but I like seeing Rosalind in a role that is both sexy, funny and strong. Around this time she was flexing her comedic muscles with “The Women” and “No Time For Comedy,” and this is most definitely one of her best during this period.

Foreign Correspondent (1940): Though the United States had not yet joined the war, this Alfred Hitchcock directed film follows American reporter, John Jones-played by my heartthrob Joel McCrea-is sent on assignment to report on the war. Jones starts to uncover a spy ring in England that is aiding the Axis. Jones also meets and falls in love with Carol Fisher-played by one of my favorites, Laraine Day. I don’t want to say too much, because I don’t want to ruin this Hitchcock thriller, but watch for a disaster ending. Hitchcock does it ingeniously. Review: I actually think this is the film the secured in my mind that I wanted to be a journalist. The excitement and discovery that Joel McCrea experienced was irresistible. To this day my AIM name is even the title of this film.

Claudette Colbert and Ray Milland in “Arise My Love.” This photo has nothing to do with journalism. Just makes me happy!

Arise, My Love (1940): This film also follows a reporter in Europe during the start of World War II. This time our hero reporter is Claudette Colbert as Augusta Nash, based off real life reporter Martha Gellhorn. Nash saves pilot Ray Milland (as Tom Martin) before he is about to be executed by Fascists for his involvement in the Spanish Civil War. Nash saves him, exclusively for the purpose of a story. Martin is thankful for his life, but also a little peeved. The two begin to fall in love though they resist because of their conflicting life styles: Nash doesn’t want to give up her career and Martin wants to fight in the upcoming war. Review: Colbert said this was one of her favorite films that she made. It might be one of my favorites too. There is a good mix of romance, adventure and journalism. Ray Milland is probably at his handsomest here.

Meet John Doe (1941): This is another film about unethical journalism. Barbara Stanwyck as Ann Mitchell is fired from her reporter job. To get her job back Ann prints a fake suicide letter in the newspaper signed by “John Doe” who says he will kill himself on Christmas Eve because he can’t take the world’s ‘social ills’ any longer. To prove the letter isn’t a fake (which it obviously is) Ann searches for a man who agrees to pose as John Doe. Gary Cooper (Long John Willowby) and his friend The Colonel (played by Walter Brennan) are in need of money and John agrees to play the part. John Doe becomes a national figure, inspiring people all over to change their ways and come together. However, the role of John Doe requires John to commit suicide. If he doesn’t, it will let down his believers, and newspaper publisher D.B. Norton (played by loveable or hateable Edward Arnold) doesn’t want to disappoint his readers. Review: I love love love this movie. It’s a perfect example at just what journalism can do. Barbara Stanwyck and Gary Cooper are so perfect together. We also get a treat of seeing Walter and Gary break out in mouth organ music. One of THE perfect examples of Frank Capra’s ‘social change’ films.

For other ‘Gary Cooper duped by the press’ films see Mr. Deeds Goes to Town.

The real Ernie Pyle who is portrayed by Burgess Meredith in “The Story of G.I. Joe”

Story of G.I. Joe (1945): This is a semi-autobiographical film about World War II war correspondent Ernie Pyle, played by Burgess Meredith.  Pyle joins Company C, 18th Infantry, lead by Lit. Walker played by Robert Mitchum, and fights with them in North Africa and Italy, documenting their experiences along the way. Pyle learns more about the men personally and we watch as battle wears on their nerves. The film follows real life and ends with Pyle being killed by a Japanese sniper. Review: This is one of my favorite war films, mostly because Ernie Pyle is one of my role models. When I interviewed at Fort Jackson-an Army base in Columbia, S.C.- there was a display about Ernie Pyle. I was so proud that they were honoring him and really wanted to be part of that newspaper. “G.I. Joe” was the only film Robert Mitchum was ever nominated for an Academy Award and unfortunately lost. I really feel that he deserved it.

There is an unintentional running theme throughout all of those films. All of them were made during war years and several from 1940. Here is a brief list of other films featuring journalists. I’ve listed the actors who portray reporters.

Other films:

My Dear Miss Aldrich (1937) -Maureen O’Sullivan and Walter Pidgeon

Nothing Sacred (1937)- Frederic March

Everything Happens at Night (1939)- Ray Milland and Robert Cummings

Philadelphia Story (1940)- James Stewart and Ruth Hussey

Lifeboat (1944)-Tallulah Bankhead

Objective Burma (1945)- Henry Hull

Close to My Heart (1951)- Ray Milland

The Sell Out (1952)- Walter Pidgeon

Roman Holiday (1953)-Gregory Peck

Never Let Me Go (1953)- Clark Gable

Teacher’s Pet (1958)- Doris Day and Clark Gable

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Actress beauty tip #8: Milk bath

This is the eighth installment of my monthly classic actress beauty tips that I have tested. Sorry this is late, Christmas festivities slowed down the beauty testing!

In Cecil B. DeMille’s ancient Rome epic “The Sign of the Cross” (1932), Claudette Colbert plays the cruel, seductive Empress Poppaea.   The VERY pre-code film features Claudette Colbert bathing lavishly in donkey’s milk in a pool size tub.  A little trivia: In reality, Colbert wasn’t bathing in donkey’s milk, but powdered cow’s milk.  The scene wasn’t very pleasant for Colbert to film, because the milk spoiled under the hot studio lights and smelled bad, according to IMDB.

Claudette Colbert in Sign of the Cross (1932)

After “The Sign of the Cross” inspired this beauty tip, I did some research on the benefits of milk baths.  The protein and fat in milk helps make skin feel soft.  Milk is also a natural exfoliant, according to She Radiance.

I have to say, this is one of those beauty tips (like the champagne hair rinse)  that I feel pretty ridiculous for trying but is really fun.  Here is what I did:

1. I showered earlier this morning, the milk bath was NOT a substitute for a shower or bath.
2. I bought a gallon and a half of two percent Southern Home milk from Bi-Lo.  Some websites said you only needed to add four to six cups, but I wanted as much milk in my bath as I could afford. I certainly wasn’t going to fill the whole tub with milk, though, because that would have been too expensive.
3. I filled the tub with warm water and dumped the gallon and a half of milk into the tub.  You can heat your milk on the stove, but after the cold milk and hot water mixed, the water was at a good temperature.
4. Soak in the tub. I wasn’t really sure how long to bathe, so I soaked for about 20 to 30 minutes.
5. Dry off with an old towel and rinse out your tub with water.  I didn’t notice the bad milk smell that was warned. However, to be on the safe side I rinsed out the tub so my bathroom wouldn’t smell like sour milk.

To review:  After the bath my skin felt smooth and not as dry as it had before. Apparently the milk baths also makes you taste good, because my dachshund is licking my arm as I type.
In the future I may only put a half-gallon or a few cups in to save money. I do suggest this, it was fun and ridiculous a the same time.

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Merry Christmas from Claudette Colbert and Brandon Flowers

Wishing you all a very Merry Christmas and Happy Holidays!

Merry Christmas also from Priscilla Lane

On this special holiday I am sharing two clips of two of my favorite things.

First is my favorite scene from my favorite movie, “Since You Went Away” (1944). The movie stars Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotton, Monty Wooley and Robert Walker. It follows a woman and her daughters as they fight the war on the home front during World War II. The clip is at the end of the film during Christmas while their father is fighting during the war.  It’s a little long, but it’s heart warming and seems to be the spirit of Christmas to me.

The second clip is vastly different. My favorite band is The Killers and I really like their frontman, Brandon Flowers who just came out with a new solo album. For the past six years they put out Christmas songs to raise money for AIDS. The clip below is their song from 2007 and it is my favorite of them all.  No, the Killers aren’t old, but they have referenced several classic films as I mentioned in a June post. I also feel like Brandon Flowers has some really old-fashioned values, which I like.  Anyhow, its a funny, clever video and song and I hope you like it.

Merry Christmas all!

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Island of misfit Christmas movies

 

Stanyck, Bondi, MacMurray, Patterson and Holloway in “Remember the Night”: My favorite Christmas movie

Tis the season for Christmas posts. For these last five days before Christmas, I’m going to try to post several posts. Probably not every day, but at least throughout the week.

This post deals with two things my family and I love combined together: Christmas and movies.

For at least the past 22 years, it’s a Christmas family tradition for us to watch “Rudolph The Red-Nosed Reindeer” (1964), “A Charlie Brown Christmas” (1965) and “A Garfield Christmas” (1987) on Christmas Eve or Christmas Day.

Of course we also watch classic holiday films such as “The Bishop’s Wife” (1947), “Miracle on 34th Street” (1947), “White Christmas” (1954), “Christmas in Connecticut” (1945) and “It’s A Wonderful Life” (1946); just to name a few.

But instead of doing a worn out review of all of these wonderful classic films, I want to highlight some holiday films that are sometimes forgotten by the general public:

 

Rogers and Niven celebrating the New Year in “Bachelor Mother”

Bachelor Mother (1939):

I always forget this is a Christmas movie and I bet you do too. Polly Parish (Ginger Rogers) is working as a sales girl in a department store during the Christmas holidays. One day she finds a baby on the steps outside an orphange and picks it up before it rolls down the stairs. No one believes that it isn’t her’s and she is forced to take it home.  The store owner, J.B. Merlin (Charles Cobern) and his son David (David Niven) make sure that Polly doesn’t get rid of her baby, all during the Christmas season. To review: I love movies with babies and this is a very funny movie. My favorite part is when Rogers and Niven go out to celebrate the New Year.

Beyond Christmas (original title: Beyond Tomorrow) (1940): Last year, I had my mother tape this movie and we randomly watched it in the middle of the summer. This is one of my favorite Christmas movies. The movie stars Harry Carry, C. Aubrey Smith and Charles Winninger as three old bachelors who live together. Every Christmas they drink their Tom and Jerry’s and do nothing more.  But this year, the men decided to invite strangers off the street for Christmas dinner. The strangers (Jean Parker and Richard Carlson) eventually fall in love. The three old men die shortly after Christmas in a plane accident, but their ghosts help bring the couple together and work through rough times.  To review: It’s a really heartwarming, cute film. The whole thing might not take place during Christmas, but it reflects the spirit of Christmas.

 It Happened on 5th Avenue (1947): I only just saw this movie last Christmas and think it is really charming. McKeever the hobo (Victor Moore) lives in wealthy folks mansions when he knows they are away in another home. He invites recently evicted Jim Bullock (Don DeFore) and Bullock’s homeless army buddies to stay in millionaire Jim O’Connors (Charles Ruggles) mansion for the Christmas season. O’Connor and his daughter and ex-wife (Gail Storm and Ann Harding) come back to their mansion after family problems and live amongst the homeless folks, never telling them their real identity. To review: Its a really cute movie and also rather funny. Charles Ruggles and Ann Harding are perfect in it, and Victor Moore always plays the best absent-minded characters.

Love Finds Andy Hardy (1938): Mickey Rooney usually drives me bananas, but I really enjoy the Andy Hardy movies and this is my favorite.  Christmas doesn’t come without crisis for the Hardy family.  Mom Hardy has to go take care of sick grandma and Andy is swamped with girls:
– Polly Benedict (Ann Rutherford) is going away for the holidays leaving Andy without a date for the Christmas dance
– Andy Hardy agrees to take Beezy’s girl, Cynthia Potter, (Lana Turner) to a dance to discourage other dates
-Betsy Jenkins (Judy Garland) comes back to Carvel a grown up woman.
All the women causes a lot of confusion and crazy Mickey Rooney moments.  The Hardy’s are worried mom won’t be able to come home for Christmas, but in the end it all works out. Andy gets his date to the dance, Betsy sings and mom makes it home on Christmas Eve. To Review: It’s a really cute movie, and a chance to see Judy Garland treated like a young woman rather than a child. It’s also fun to see three of Andy’s love interests all in one movie.

Remember the Night (1940): A couple of years ago, Turner Classic Movies premiered this Preston Sturges film. With the release of the DVD last year, it’s gaining popularity, but still isn’t up to par with other Christmas classics. Lee Leander (Barbara Stanwyck) steals an expensive diamond bracelet and is on trial only a few days before Christmas. Prosecuting lawyer John Sargent (Fred MacMurray) postpones the trial until after Christmas, since it is hard to get a jury to convict someone as guilty before Christmas. John hates to see Lee spend Christmas in jail so offers to for her to stay with his mother (Beulah Bondi), aunt (Elizabeth Patterson) and farm hand (Sterling Holloway) in Indiana.  To review: This is my favorite Christmas movie. The two old women together bickering is adorable, Fred MacMurray and Barbara Stanwyck have fantastic chemistry and Sterling Holloway offers a lot of comic relief.

Hattie McDaniel putting the presents under the tree that General Hilton sent to her in “Since You Went Away”

Since You Went Away(1944): 

This is a World War II movie that takes place on the American home front. The film follows a year with the Hilton family: Ann (Claudette Colbert), Jane (Jennifer Jones) and Brig (Shirley Temple) as they struggle with their father away at war, rationing and taking in boarders. The whole movie isn’t a Christmas movie, only at the very end. The family has a Christmas party with friends and a few soldiers. They play games and try to forget that their father isn’t there to join in the fun and some loved ones were killed in the war. But in the end, they get the best Christmas present they could ever ask for. To review: This is sort of like “Meet Me in St. Louis”: The whole thing isn’t a Christmas movie, but can be considered a Christmas movie. It’s one of my all time favorite films. I think that it really shows the true Christmas spirit and what is imporant at Christmas: family.

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Actress beauty tip #7: False Eye Lashes

1940s: Subtle lashes on Claudette Colbert

This is the seventh installment of my monthly classic actress beauty tips that I have tested. Sorry that this is a week late, finals have started at Winthrop and life has gotten busy!

Whether it be minimalistic eye make-up of the 1940s and 1950s or emphasized eyes of the 1960s, it is obvious actresses wore false eye lashes.  The lashes give their eyes an extra boost.  Prior to the 1950s it seemed like they weren’t wearing much make-up, but their lashes stood out looking full and beautiful. In the 1960s, the lashes only added more glamour too eyes already caked with eyeliner and eye shadow.

Actress Natalie Wood is one actress that wore false eye-lashes off screen.   Wood wore TWO layers of false eyelashes in the late 1960s and early 1970s, according to Suzanne Finstad’s book “Natasha: The Biography of Natalie Wood.”  Wood did this as her interest in fashion heightened and she was trying to have a darker look that she felt matched her Russian roots.

Natalie Wood in the 1960s wearing false eyelashes

Like Wood, I’ve worn false eye-lashes four or five times in the last seven years.  I love the way they make my lashes look, but I don’t find them very comfortable.  My eyes get dried out easily, especially because I wear contacts.  I’m always too afraid to blink, because I don’t want my lashes to fall off so for the rest of the day my eyes feel kind of dry and scratchy.

I also use the type that you apply the glue yourself, because I think it sticks better.  Self adhesive doesn’t stick very well and I usually end up applying more glue to it.  Though the glue sticks better, it also gets awfully messy and makes it hard to put mascara or eyeliner on your top lashes.

To review: False eyelashes make your lashes and eyes look great, but you pay a price of possible discomfort and sticky glue.

Stay tuned for some upcoming Christmas posts and January’s beauty tip!

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