Birthday Blogathon: Film #2 The Uninvited 1944

This is part of the 2nd Annual Birthday mini-blogathon, sharing my favorite movies leading up to my birthday week.

Starring: Ray Milland as Rick, Ruth Hussey as Pamela, Gail Russell as Stella, Donald Crisp as Stella’s grandfather the commander, Cornelia Otis Skinner as Miss Holloway, Alan Napier as Dr. Scott

Brief Plot: Brother and sister Rick and Pamela move into a beautiful, abandoned home along the English seaside. Rick falls in love with mysterious Stella who was born in the house and is strangely drawn to it. Rick and Pamela discover the house is haunted and Stella is connected to the ghosts.

Pamela (Ruth Hussey) and Rick (Ray Milland) listen to ghostly sobbing.
Screencap by J.P.

Why I love it: I’m not a fan of scary movies, but “The Uninvited” has the perfect mix of class, suspense and comedy to draw in a scaredy-cat like me. The film movies at a fairly quick pace and has an intriguing twist at the end.

The Actors:  Ruth Hussey and Ray Milland are an interesting pair to be the leads in a film as brother and sister, Pamela and Rick. Hussey is usually seen in a supporting role. In “The Uninvited,” she may also be considered a supporting star to Gail Russell, but the two may have equivalent screen time.

Milland and Hussey may not be names that casual movie fans would know, which make them even more entertaining to watch.

To round out the cast, Gail Russel’s exotic beauty is perfect for the haunting character of Stella, and Donald Crisp is always the perfect curmudgeon old man, as Stella’s grandfather.

One actor I enjoy spotting in classic films is Alan Napier who plays a doctor in the film. You may know Napier as Alfred, Batman’s butler, in the 1960s “Batman” television show.

It is also a real treat to see Cornelia Otis Skinner as batty Miss Holloway. Skinner was primarily on Broadway and also author of books such as “Our Hearts Were Young a Gay,” a book about Skinner’s youth. Oddly enough, Gail Russell went on to play Skinner in the film adaptation of the book.

Stella is in a trance during the sceance.

Scary:  I have a hard time with scary films, but I enjoy 1940s horror films such as “The Uninvited.” Unlike horror movies of the 1970s to today, “The Uninvited” has some scary moments but has enough heart and humor to balance it out.

A few scenes hair raising scenes (spoilers):

-Pamela and Rick standing on top of the stairs, looking down into the darkness and hearing ghostly sobbing.

-Fresh flowers dying in the room that seems the most haunted

-The fact that they hold a séance and then Stella goes into a trance and starts speaking other languages.

Mad mama ghost

-When they realize they have two ghosts

-When Stella’s dead mom appears in ghost form and is out to get her

You can also learn some lessons on how to tell if your house is haunted. For example, if your dog and cat refuse to go up the stairs, and rooms suddenly get cold, your home may be haunted. Also, if a woman like Cornelia Otis Skinner has a 20 foot painting of her dead best friend in her office, she may be off her rocker.

It’s really unnatural to have such a large photo of your dead best friend, as Cornelia Otis Skinner does.

Comedic: Though “The Uninvited” is categorized as mystery and horror, it has some very funny scenes:

-As Rick and Pamela are listening to the sobbing ghost, Pamela is calm and Rick is freaking out. He says to his calm sister, “Take hold of yourself, Pam, I’m going to search the place. There has to be a logical explanation for this” when Rick is the one out of his wits.

-Rick goes sailing with Stella and gets sea sick

-Some humorous lines, such as prior to the séance Rick discusses how they are foolish, “People just get messages from Uncle Oswald on how to find an old tooth brush.”

 To review: The English seashore setting, the actors and the touching plot all wrap up to be a perfect present of a film. The 1940s seem to have produced some of my favorite movies, with perfect casting and scripts. “The Uninvited” isn’t just suspenseful but also funny and heartfelt.

This concludes Day 2 of Birthday Blogathon Week. Please stop by again tomorrow for another favorite film of mine!

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Jessica Pickens: Girl Reporter

Comet Over Hollywood is moving!

Well…not the blog, but the blogger!

The backstory

Ever since I’ve been in the fourth grade I wanted to be a writer. I had a big imagination and pictured myself on the cover of Good Housekeeping magazine with my best seller.

In high school I got more interested in newspapers and majored in mass communications-journalism at Winthrop University getting involved in the school newspaper The Johnsonian, TV show, Winthrop Close-Up and radio station, WINR.

Starting in March, I started looking for a reporter position in the southeast. By the time I graduated in May, I figured out that getting a job at a newspaper was going to be harder than I thought (as some of you in media related fields might also have found).

For the past two months I’ve been working at a local Greenville newspaper as an advertising representative while still looking for a reporter position.

Two weeks ago, I got a job at The Elkin Tribune in Elkin, N.C. So I will be packing up and moving up to North Carolina-spreading my classic movie love to a whole new state!

Celebration

In honor of this exciting, nerve-wracking event, I’m dedicating this post to journalists in movies. Everyone is invited to the party!

Glenda Farrell as Torchy Blaine most likely up to no good.

Torchy Blaine Series: Torchy Blaine was a series of films made during the 1930s much like Boston Blackie, The Falcon or Andy Hardy. Torchy Blaine snooped and got into trouble in eight films from 1937 to 1939 (yep, they knew how to churn them out in those days). Torchy Blaine is a wise-cracking and troublesome female reporter. She eavesdrops, bugs rooms and follows people in order to get information-all highly illegal in these days, according to my Media Law and Ethics classes at Winthrop. Not only does Torchy usually get caught by the bad guys she is spying on, but she is constantly at odds with her policeman boyfriend, Steve McBride. At the end of each film, Steve and Torchy usually agree to get married but Torchy has to agree to give up her reporter career-as we all know, this doesn’t happen. Review: These films are very silly but equally entertaining. Through the eight part series, Glenda Farrell, Lola Lane and Jane Wyman all play Torchy.  But Glenda is my favorite Torchy. However, Lola wears some adorable lounging pajamas in “Torchy Blaine in Panama.”

Citizen Kane (1940): I don’t feel that I can discuss journalism movies without mentioning Citizen Kane. The film follows Orson Welles as Charles Foster Kane and his rise as the top newspaper publisher. We all know this film is based off the life of William Randolph Hearst-who was still living at the time. In Joseph Cotton’s autobiography “Vanity Gets You Somewhere,” Cotton says “Kane” was set to premiere in Radio City Music Hall. Hearst made sure it did not play there-or in several other movie houses across the United States. That goes to show just how powerful he was. Review: I do really like this film. It was a bit of an ‘Indie’ film in its day so its funny that is revered so much now. I really enjoy it for the historical background of it as well.

Cary Grant and Rosalind Russell getting the scoop in “His Girl Friday”

His Girl Friday (1940): When you say “female reporters in film” Rosalind Russell with her crazy hats in “His Girl Friday” automatically comes to mind.  Roz plays the ex-wife of Cary Grant, her reporter co-worker, and is engaged to Ralph Bellamy. On the day that Roz and Ralph are supposed to get married, a huge murder story breaks and news hound that she is, Roz can’t stay away. Not surprisingly, Ralph Bellamy doesn’t get the girl in the end (like always), and Roz and Cary fall back in love in the midst of copy and photography. Review: I really enjoy this movie, but you REALLY HAVE TO PAY ATTENTION.  For comedic value, Cary and Rosalind talk very, very fast. Several actresses turned down this role including Carole Lombard, Ginger Rogers, Claudette Colbert, Irene Dunne and Jean Arthur. I think Carole, Jean and Irene would have been perfect for the role, but I like seeing Rosalind in a role that is both sexy, funny and strong. Around this time she was flexing her comedic muscles with “The Women” and “No Time For Comedy,” and this is most definitely one of her best during this period.

Foreign Correspondent (1940): Though the United States had not yet joined the war, this Alfred Hitchcock directed film follows American reporter, John Jones-played by my heartthrob Joel McCrea-is sent on assignment to report on the war. Jones starts to uncover a spy ring in England that is aiding the Axis. Jones also meets and falls in love with Carol Fisher-played by one of my favorites, Laraine Day. I don’t want to say too much, because I don’t want to ruin this Hitchcock thriller, but watch for a disaster ending. Hitchcock does it ingeniously. Review: I actually think this is the film the secured in my mind that I wanted to be a journalist. The excitement and discovery that Joel McCrea experienced was irresistible. To this day my AIM name is even the title of this film.

Claudette Colbert and Ray Milland in “Arise My Love.” This photo has nothing to do with journalism. Just makes me happy!

Arise, My Love (1940): This film also follows a reporter in Europe during the start of World War II. This time our hero reporter is Claudette Colbert as Augusta Nash, based off real life reporter Martha Gellhorn. Nash saves pilot Ray Milland (as Tom Martin) before he is about to be executed by Fascists for his involvement in the Spanish Civil War. Nash saves him, exclusively for the purpose of a story. Martin is thankful for his life, but also a little peeved. The two begin to fall in love though they resist because of their conflicting life styles: Nash doesn’t want to give up her career and Martin wants to fight in the upcoming war. Review: Colbert said this was one of her favorite films that she made. It might be one of my favorites too. There is a good mix of romance, adventure and journalism. Ray Milland is probably at his handsomest here.

Meet John Doe (1941): This is another film about unethical journalism. Barbara Stanwyck as Ann Mitchell is fired from her reporter job. To get her job back Ann prints a fake suicide letter in the newspaper signed by “John Doe” who says he will kill himself on Christmas Eve because he can’t take the world’s ‘social ills’ any longer. To prove the letter isn’t a fake (which it obviously is) Ann searches for a man who agrees to pose as John Doe. Gary Cooper (Long John Willowby) and his friend The Colonel (played by Walter Brennan) are in need of money and John agrees to play the part. John Doe becomes a national figure, inspiring people all over to change their ways and come together. However, the role of John Doe requires John to commit suicide. If he doesn’t, it will let down his believers, and newspaper publisher D.B. Norton (played by loveable or hateable Edward Arnold) doesn’t want to disappoint his readers. Review: I love love love this movie. It’s a perfect example at just what journalism can do. Barbara Stanwyck and Gary Cooper are so perfect together. We also get a treat of seeing Walter and Gary break out in mouth organ music. One of THE perfect examples of Frank Capra’s ‘social change’ films.

For other ‘Gary Cooper duped by the press’ films see Mr. Deeds Goes to Town.

The real Ernie Pyle who is portrayed by Burgess Meredith in “The Story of G.I. Joe”

Story of G.I. Joe (1945): This is a semi-autobiographical film about World War II war correspondent Ernie Pyle, played by Burgess Meredith.  Pyle joins Company C, 18th Infantry, lead by Lit. Walker played by Robert Mitchum, and fights with them in North Africa and Italy, documenting their experiences along the way. Pyle learns more about the men personally and we watch as battle wears on their nerves. The film follows real life and ends with Pyle being killed by a Japanese sniper. Review: This is one of my favorite war films, mostly because Ernie Pyle is one of my role models. When I interviewed at Fort Jackson-an Army base in Columbia, S.C.- there was a display about Ernie Pyle. I was so proud that they were honoring him and really wanted to be part of that newspaper. “G.I. Joe” was the only film Robert Mitchum was ever nominated for an Academy Award and unfortunately lost. I really feel that he deserved it.

There is an unintentional running theme throughout all of those films. All of them were made during war years and several from 1940. Here is a brief list of other films featuring journalists. I’ve listed the actors who portray reporters.

Other films:

My Dear Miss Aldrich (1937) -Maureen O’Sullivan and Walter Pidgeon

Nothing Sacred (1937)- Frederic March

Everything Happens at Night (1939)- Ray Milland and Robert Cummings

Philadelphia Story (1940)- James Stewart and Ruth Hussey

Lifeboat (1944)-Tallulah Bankhead

Objective Burma (1945)- Henry Hull

Close to My Heart (1951)- Ray Milland

The Sell Out (1952)- Walter Pidgeon

Roman Holiday (1953)-Gregory Peck

Never Let Me Go (1953)- Clark Gable

Teacher’s Pet (1958)- Doris Day and Clark Gable

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