Part of why I love Christmas is getting to watch my favorite classic holiday films such as “Christmas in Connecticut”, “White Christmas” and “Remember the Night.”
But I also love looking at Christmas related photos with classic actors and actresses.
Every day since December 1, I’ve been posting a Christmas related photo on Comet Over Hollywood’s Facebook Page, and searching for the day’s photo can be an addicting task.
Even long after I find the photo of the day, I keep browsing-marveling at the ridiculousness of vintage Christmas photos.
I’ve found these classic photos can be divided into categories. Here are some examples:
Glamour: These photos show actors looking beautiful and wealthy at their homes during Christmas.
Gina Lollabrigida looking glamorous in her Christmas tree
Carole Lombard
Paulette Goddard
Jean Harlow
Anita Page in 1932
Jennifer Jones
Adorable and cute: These involve child actors or actresses looking sweet and angelic.
Jackie Cooper
The Bogart: Humphrey Bogart, Lauren Bacall and their son Stephen.
Joan Leslie
Buster Keaton and Natalie Talmadge with Junior and Bob
The children of Our Gang
Little Natalie Wood
Shirley Temple in 1935
Priscilla Lane
Rita Hayworth
Ridiculous or funny: Photos that try way to hard to make a photo Christmasy or make it a sexy Christmas photo.
Dorothy Jordan and Gwenn Lee, I don’t even understand what’s happening.
This is the twenty-fourth installment of the monthly classic actress beauty tips that I have read about and tested.
This post is part Day 8 TCM Summer Under the Stars Blogathon for Rita Hayworth Day on TCM.
Rita Hayworth in the 1940s
Rita Hayworth is best known for her beautiful, flowing red hair. The love goddess was one of the most beautiful actresses of the 1940s and 1950s and caused an outrage when she cut her long hair short and dyed it blond for “Lady from Shanghai.” Her hair cut was part of the reason the movie failed in the box offices.
I’ve always wanted to look more like Rita Hayworth, who is one of my favorite actresses, but I didn’t go as far as dying my hair from blond to auburn. Instead, tried something that kept Hayworth’s locks looking lush.
Hayworth used to condition her hair with oil after shampooing for shine and softness, according to Glamour magazine.
As someone with oily hair, I balked at this beauty tip. But tried it anyways.
This is what I did, as instructed by Glamour:
WARNING: This will leave your shower slippery due to the olive oil, so make sure to use soap to clean your shower afterwords. I’ll admit, I almost fell a few times.
1. I shampooed my hair (shampoo of choice-Drama Clean by Herbal Essences) and rinsed. 2. Poured a large amount of olive oil in my hand and worked it through my hair. 3. Wrapped my wet hair in a towel with the olive oil in it, and let it sit for 15 minutes. 4. Rinsed my hair with hot water. Then used a small amount of shampoo to wash out the oil. 5. Poured lemon juice over my hair to cleanse my hair of the remainder oil out. Rinse. 6. Dried hair with hair dryer.
At the end of it all, my hair felt a little bit oily, but not as much as expected. It ended up feeling very soft and flowy. I tested the beauty tip in the evening and washed my hair again this morning. I still felt like I could see a difference in softness after being washed again.
To review: While reviewing actress beauty tips I’ve rinsed my hair with champagne, taken a milk bath and exfoliated with sugar, but none of that bothered me as much as putting olive oil in my hair. Though it left my hair soft and silky, it was too much of a mess to actually use in my daily life. I also had planned on this to be a two-part beauty tip, ending with a Rita Hayworth hair style tutorial. However, I was concerned the lemon juice left my hair too dry and didn’t want to risk using a curling iron.
This is the ninth installment of my monthly classic actress beauty tips that I have tested. This month I’m actually on time!
Rita Hayworth wore Max Factor Rose Red. Lana Turner wore Elizabeth Arden’s Victory Red.
Rita Hayworth in Max Factor lipstick ad
The 1940s and 1950s was a time of minimal eye make-up and concentration on the lips. Popular lip colors during the 1940s were pink red, bright red, cherry red or deep red, according to a 20s-to-40s make-up guide.
Rita Hayworth in particular was known for her red lipstick, along with her long red finger nails. The lipstick was a style constant from the 1930s to the 1960s for Hayworth. She was also involved in a 1949 Max Factor lipstick advertising campaign. Hayworth’s lips were even voted the best in the world by the Artist’s League of America.
Bright red lipstick looks beautiful on many other actresses including Betty Grable, Linda Darnell and Gene Tierney.
However, I think the bright reds are a hard look to pull off today. I’m not sure why people of the 1940s and 1950s look naturally better with bright red lipstick than people today. Maybe it’s their complexion. Maybe its because we emphasize eyes more with liner, mascara and shadow now.
But red lipstick is so enticing. It makes you feel powerful, feminine and glamorous. I bought two Maybelline lipstick shades on a whim: Are You Red-dy and Peachy Scene.
Though I’ve worn red lipstick out, I look horrible. I don’t really know anyone who looks good with red lipstick. It either doesn’t go with their skin tone or they put on gobs of lipstick without bothering to blot it.
To review: Red lipstick may look great on Lana Turner and Rita Hayworth in the 1940s, but its hard to recreate this pin-up look while looking fabulous at the same time. I personally look better in peach and pink shades. Approach bright shades of red lipstick with caution.
Top pin-ups of WW2: Betty Grable and Rita Hayworth
Betty Grable and Rita Hayworth.
The two pin-up girls that almost all soldiers pinned on their barracks and hearts during World War II. The two glamour girls duked it out to be Number 1 pin-up thanks to two famous LIFE photos. Betty with her coy over the shoulder bathing suit glance, and Rita perched on a bed in lacy negligee.
Both women were no doubt enviously beautiful but in very different ways. Hayworth had major glamorous sex appeal. Long wavy red hair, a slender figure and smoldering beauty. Grable’s sparkling eyes, blonde hair and sunny smile gave way to an all-American girl look. In the 1940s Time magazine said, “She can lay no claims to sultry beauty or mysterious glamour. Her peach-cheeked, pearl blonde good looks add up to mere candy- box-top prettiness.”
This was no doubt the reason Grable was the top pin-up girl. She had attainable beauty that soldiers could find in their wives and childhood sweethearts.
But though Grable wins in the pin-up photo battle, she may lose in other areas.
I adore Betty Grable so in the past week I’ve been watched both “Springtime in the Rockies” (1942), “Song of the Islands” (1942) and assorted YouTube clips of Betty. While watching these, I’ve noticed something that very much disturbs me. Betty Grable isn’t the best dancer.
In “Rockies” her dance numbers weren’t overly exciting or impressive. She danced gracefully with Cesar Romero, but somehow it wasn’t as good as I expected. In “Song of the Islands” I felt like her hula dancing was a bit haphazard. She almost frantically waved her arms and hips around. I will say the sand that she was dancing on looked like a hinderance. I was pleased to note that several of her hula moves were authentic based off my “Island Girl” work out DVDS.
In comparison, a recent clip I watched of Rita Hayworth and Fred Astaire dancing in “You Were Never Lovlier” (1942) or Hayworth dancing solo in “Down to Earth” (1947) were impressive to say the least. Her moves were graceful and well thought out, and footwork was complicated but done with ease. Hayworth was an excellent tap dancer, but-to be fair- she also had the upper hand since she was part of her father’s dance troop.
Grable can really sell a song and do a fun dance number, but when compared to her contemporaries like Rita Hayworth- Grable really falls short.
Here are too numbers I found to compare their dancing styles.
I chose these two clips for specific reasons: 1. Both Grable and Hayworth are wearing pants, so you can see their feet better 2. They are both meant to look like practice routines 3. Hermes Pan and Fred Astaire have very similar dancing styles
Betty Grable and Hermes Pan in “Footlight Serenade” (1942):
Rita Hayworth and Fred Astaire in “You’ll Never Get Rich” (1941):
Both dance well, but I think Rita does a better job. Astaire and Hayworth seem to be on the same skill level in their number while Pan is much more graceful than Grable.
Seeti Maar- Literal meaning "Blow the Whistle". Movie goers in India, have the tendency to appreciate a scene or a dialogue or a song, by whistling and clapping aloud. The blog is dedicated to those movies, their makers, the actors, the music directors, who have often made me feel like doing the "seeti maar" act, or actually made me do it in theaters.
"Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul." -INGMAR BERGMAN