Classics in the Carolinas: Remembering Alicia Rhett, India Wilkes in “Gone with the Wind”

COH Alicia Rhett2

Leslie Howard with his on-screen sister Alicia Rhett.
(Scanned from “The Filming of Gone with the Wind”)

She was a true Southern lady.

Alicia Rhett was discovered on George Cukor’s Southern search for Scarlett O’Hara for the epic film “Gone with the Wind” (1939).

Rhett was cast as Ashley Wilkes’ sister, India Wilkes, in one of the biggest films of all time.

But Rhett’s art was more important to her than stardom.

“I enjoyed it (filming) immensely. I had the time of my life there (California). But when the film ended, I was happy to come home (to Charleston),” Rhett said in an interview in “The Rise of Charleston” by W. Thomas McQueene. “I liked to paint. It was what made me most happy. I really wasn’t interested in making more movies. I was interested in my art.”

Rhett was born in 1915 in Savannah, GA.   After her father was killed in World War I, her family moved to Charleston, SC, according to McQueene’s book.

Casting the role of Scarlett O’Hara for the 1939 movie wasn’t an easy. Hundreds of actresses were considered. Director George Cukor made a trip through Southern states, believing an unknown actress may be the answer to their problem.

Director George Cukor with interviews actresses to play the role of "Scarlet O'Hara": Louisa Robert, Atlanta; Susan Fallingant, Atlanta; Alicia Rhett, Charleston. (Scanned from "The Pictorial History of Gone with the Wind")

Director George Cukor with interviews actresses to play the role of “Scarlet O’Hara”: Louisa Robert, Atlanta; Susan Fallingant, Atlanta; Alicia Rhett, Charleston.
(Scanned from “The Pictorial History of Gone with the Wind”)

Hundreds of Southern women auditioned for the role of Scarlett, Melanie and Mammy, but only six women were considered for follow up auditions, according to “The Art of Gone with the Wind: The Making of a Legend,” by Judy Cameron and Paul J. Christman.

The auditions took place in 1937 in New York and the only Southerners who won roles were Alicia Rhett from Charleston, Mary Anderson who was cast as Maybelle Merriwether from Birmingham, AL and Marcella Martin of Shreveport, LA who was cast as Cathleen Calvert. Martin’s lines were dubbed because her accent wasn’t considered Southern enough, according to the Cameron and Christmas book.

“Alicia Rhett was an amateur actress. This young woman was so good,” Ann Rutherford is quoted by Cameron and Christman. Rutherford played the role of Careen, Scarlett’s younger sister. “She wasn’t Scarlett but Selznick cast her as India Wilkes. And she was excellent.”

During the filming of "Gone with the Wind," Alicia Rhett made sketches between takes. Here with Evelyn Keyes and Ann Rutherford. (Scanned from "The Filming of Gone with the Wind" by Herb Bridges)

During the filming of “Gone with the Wind,” Alicia Rhett made sketches between takes. Here with Evelyn Keyes and Ann Rutherford.
(Scanned from “The Filming of Gone with the Wind” by Herb Bridges)

The character of India Wilkes is the sister of Ashley Wilkes (Leslie Howard) and sister-in-law of Melanie Wilkes (Olivia De Havilland). In the film, India hates Scarlett O’Hara, because Scarlett marries the man India is in love with, Charles Hamilton. India never marries and Scarlett refers to her as an “old maid.”

Rhett was acting when Cukor found her in Charleston.

She was performing in the Oscar Wilde play “Lady Windermere’s Fan” at the Dock Street Theater. Her performance in the Wilde play had “style and élan,” said “Pictorial History of Gone with the Wind” by Gerald Gardner and Harriet Modell Gardner.

COH alicia rhett

Alicia Rhett visits with Mrs. John Woodbury from Louiseville, KY. Woodbury was the past-president-general of the United Daughters of the Confederacy. The Daughters dropped by to visit the filming of the Civil War film.
(Scanned from The Filming of Gone with the Wind by Herb Bridges)

“Gone with the Wind” novel author Margaret Mitchell liked Rhett for her name, according to the Gardner book.

As Rhett performed in the epic Technicolor film about the Civil War and the Reconstruction of the South, Rhett had her own family Civil War history.

Her great-grandfather was Robert Barnwell Rhett, a secessionist politician from South Carolina, according to “A Short History of Charleston” by Robert S. Rosen.

Robert Rhett became a member of the South Carolina legislature in 1826 and resigned from the United States Senate in 1852 when South Carolina seceded from the Union.

Though she was an unknown actress, Rhett enjoyed the company of her A-list co-stars.

She said Leslie Howard, who played her on-screen brother Ashley Wilkes, was “delightful” and Clark Gable, who played Rhett Butler was “charming,” she said in an interview with McQueene.

Rhett (bottom right) in a scene with Marjorie Reynolds, Evelyn Keyes and Olivia De Havilland.

Rhett (bottom right) in a scene with Marjorie Reynolds, Evelyn Keyes and Olivia De Havilland.

Rhett kept in touch with her on-screen sister-in-law Olivia De Havilland, who played Melanie Wilkes, for many years after filming. And she said Vivien Leigh was “just as pretty in person as she was on-screen,” McQueen quoted her.

But she returned to South Carolina after filming to embrace her first love: art.

Alicia Rhett who played India Wilkes, sister of Ashley Wilkes, in "Gone with the Wind" (1939)

Alicia Rhett who played India Wilkes, sister of Ashley Wilkes, in “Gone with the Wind” (1939)

Rhett went on to be one of the most important artists in Charleston, specializing in children’s portraits and also having her work hung in the president’s office at The Citadel.

Rhett passed away on January 4, 2014 at the age of 98. She was the oldest surviving member of “Gone with the Wind.”

Still living from the cast includes Olivia De Havilland, Mickey Kuhn who played Beau Wilkes and Mary Anderson.

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Woman of a Thousand Faces: Remembering Eleanor Parker

Eleanor Parker as the Baroness in "Sound of Music" (1965).

Eleanor Parker as the Baroness in “Sound of Music” (1965).

Today’s audiences know her as the Baroness; the mean blond who was Julie Andrews’ romantic rival in “The Sound of Music” (1965).

Though her role in the 1965 musical is memorable, the talents of Eleanor Parker are so much more than that.

Parker started out at Warner Brothers studios in the early 1940s. She was fresh faced, pretty and red-headed.

Born in Ohio, Parker moved to Hollywood in 1942 and was discovered while sitting in the audience at the Pasadena Community Playhouse by a Warner Brothers talent scout, according to Glamour Girls of the Silver Screen.

Parker’s first role was in 1941, a deleted scene in the Errol Flynn and Olivia De Havilland film “They Died With Their Boots On.” This role was followed by short films, bit parts and B-movies. One of these early jobs included a voice on a record to a soldier husband in the Cary Grant war film, “Destination Tokyo” (1943).

Eleanor Parker in the 1940s

Eleanor Parker in the 1940s

But her first major role with Warner Brothers was alongside John Garfield, Sydney Greenstreet and Paul Henried in “Between Two Worlds” (1944). The all-star cast is on a boat in the afterlife; waiting to see if they will go to heaven or hell.

Her next major role came in the romantic World War II drama, “The Very Thought Of You” (1944) with Dennis Morgan as her romantic co-star. Beulah Bondi and Henry Travers as Parker’s parents, who vehemently disapprove of her romance and eventual marriage to a soldier.

Parker showed her versatility as an actress from films like “Pride of the Marines” (1945), a drama about disabled war veterans co-starring John Garfield, to “Never Say Goodbye” (1946), a comedic romp set around Christmas with Errol Flynn.

She displays her acting abilities best in one of her top, and possibly most disturbing, roles in the prison drama “Caged!” (1950). Parker goes into jail as a naïve and innocent young woman and leaves hardened and cold. One horrifying scene includes Parker’s head getting shaved as a punishment. She was nominated for an Academy Award for Best Actress for her performance in “Caged” but lost to Judy Holliday for “Born Yesterday.”

A year later she was getting drunk on tequila and flirting with Fred MacMurray in the comedy “Millionaire For Christy” (1951).

It’s no wonder that Eleanor Parker has been dubbed “Woman of a Thousand Faces.”

John Garfield, Clark Gable, Stewart Granger, Kirk Douglas, Glenn Ford, Errol Flynn and Humphrey Bogart are just a few of the top leading men she acted with.

“You didn’t go to her films to see Miss Parker being Miss Parker in a different dress and locale,” wrote Doug McClelland in his book “Eleanor Parker: Woman of a Thousand Faces.” “You went to see what person she had created on film.”

Parker helps husband John Garfield adjust to living life without sight in "Pride of the Marines" (1945). (LIFE)

Parker helps husband John Garfield adjust to living life without sight in “Pride of the Marines” (1945). (LIFE)

Parker was nominated for an Academy Award for Best Actress two other times:

-“Detective Story” (1951) –Parker plays the wife of Kirk Douglas who was involved with and got pregnant from a racketeer before their marriage.

-“Interrupted Melody” (1956) –the biographical film about Australian opera singer Marjorie Lawrence who becomes paralyzed due to polio.

She also played a woman with multiple personality disorder in “Lizzie” (1957), the same year Joanne Woodward played a similar role in “The Three Faces Of Eve.” It was Woodward who won the Oscar that year.

In a 1988 interview, she said she was a character actress. That her roles were too diverse that her own personality never “emerged on screen,” according to an article from USA Today.

In her private life, she was shy and collected classical records, according to an April 30, 1945, LIFE article, “Eleanor Parker: Actress plays ‘Of Human Bondage,’ role that made Bette Davis famous.”

McClelland’s book suggests one reason Parker is forgotten today is because of her quiet, private life.

“I’ve prided myself on not dreaming up tales to see my name in print,” McClelland quotes her as saying in an interview.

Some of my personal favorite films of Parker’s include: “The Voice of the Turtle” (1947), “Woman in White” (1948), “Never Say Goodbye” (1946), “The Very Thought of You” (1945), “Pride of the Marines” (1945) and “Valley of the Kings” (1954).

Parker plays a fiesty female in "Scaramouche" (1952)

Parker plays a fiesty female in “Scaramouche” (1952)

Eleanor Parker is one of those actresses that lights up the screen and makes the movie. The only films I remember not enjoying of Parker’s were the Rudolph Valentino biopic “Valentino” (1951) and “The Oscar” (1966). Neither of the films were bad because of Parker, but bad script writing.

Parker passed away today at the age of 91 due to complications from pneumonia, according to the Associated Press.

“Eleanor Parker was and is one of the most beautiful ladies I have ever known,” said “Sound of Music” co-star Christopher Plummer in Parker’s USA Today obituary. “Both as a person and as a beauty. I hardly believe the sad news for I was sure she was enchanted and would live forever.”

Goodbye to one of Warner Brothers’ brightest and most talented stars. “The Very Thought of You” will always make your fans smile.

Turner Classic Movies will be honoring Eleanor Parker on Tuesday, Dec. 17 (ET):
6 a.m. – The Very Thought of You (1944)
7:45 a.m. – Of Human Bondage (1946)
9:45 a.m – The Woman in White (1948)
11:45 p.m. – Caged (1950)
1:30 p.m. – Scaramouche (1952)
3:30 p.m. – Interrupted Melody (1955)
5:15 p.m. – Home from the Hill (1960)

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The All-American Aphrodite: Remembering Esther Williams

My cinema relationship with Esther Williams helped shape my film interests.

I didn’t full watch any of her films until 2003 when my film appetite craved musicals.

A swimming scene from "This Time for Keeps"

A swimming scene from “This Time for Keeps”

As I gorged on her candy-colored, aqua musical extravaganzas, I couldn’t wait until I could see another film. Each of her musicals brings back memories of spending weekends endlessly watching her movies.

When I was 15 I read her autobiography, “The Million Dollar Mermaid.” It’s my favorite film autobiography that I’ve read so far.

When I was 17, I bought one of her Esther Williams bathing suits.

Williams inspired me to practice swimming strokes and try to learn how to swim (I failed swimming lessons when I was five years old. How embarrassing).

I remember in 2004 when she was highlighted during TCM’s August Summer under the Stars series. I wasn’t looking forward to going back to school in August but my excitement of Esther Williams’ day out-weighed my dread.

Esther Williams and frequent co-star Van Johnson in "Easy to Wed"

Esther Williams and frequent co-star Van Johnson in “Easy to Wed” dressed for the number “Bonecu de Pixe.” Carmen Miranda helped them with the Portuguese lyrics.

But it’s not just how she affected my every day actions, but my film knowledge that makes her important to me.

To date, I have seen all but two of Esther Williams’ films: “A Raw Wind in Eden” and “The Big Show.”

Esther Williams’s films are a textbook example of the mid-1940s to early 1950s MGM musicals: brightly colored, beautiful clothing and lavish musical numbers that may include Williams swimming, Xavier Cugat and his band shaking maracas or opera singer Lauritz Melchior belting a tune.

Her films also introduced me to my biggest film crush- Van Johnson.

Something I have always found appealing about Williams is that she is very attainable.

Her beauty is natural and girl-next-door like and her figure is athletic, rather than actress anorexic. In her 1996 Private Screenings Interview with Robert Osborne, she said becoming a star was all an accident.

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For the Love of Deanna: Remembering Deanna Durbin

Deanna Durbin in "I'll Be Yours" (1947)

Deanna Durbin in “I’ll Be Yours” (1947)

The first time saw Deanna Durbin was on the front of a DVD case.

The DVDs that introduced me to Deanna

The DVDs that introduced me to Deanna

I was 14 and gazed at this pretty, young lady happily looking back at me on the front of the “Deanna Durbin: Sweetheart Pack.”

Though I had no idea who Durbin was, I bought the DVDs.

The first film I watched was “Three Smart Girls” (1936) and immediately fell in love with Durbin’s smile, singing voice and charm.

Through the years, I’ve tried to watch as many musicals as possible- now up to 470 movie musicals-and Durbin’s films have been some of my favorite.

Debuting in films at age 15, Durbin’s popularity pulled Universal Studios out of bankruptcy, won her a Juvenile Oscar in 1938 and made her one of the top paid women in the United States.

Her popularity was world wide with fans such as Winston Churchill and Anne Frank. She influenced fashion in “Nice Girl” (1941) with a white organdy, ruffled dress, according to USA Today.

LIFE photo of Durbin

1938 LIFE magazine photo of Durbin

She was considered for the role of Dorthy in “Wizard of Oz” (1939) (as was Shirley Temple) and to be the voice of Snow White in the 1937 Walt Disney cartoon. However her voice was considered too mature at 14.

Similar to fellow child star Shirley Temple, Durbin had dolls and other merchandise created in her likeness. Today, it’s difficult to find a Deanna Durbin doll under $200.

After her first on-screen kiss with Robert Stack in “First Love” (1939) she transitioned into teen and adult roles with leading men such as Joseph Cotton, Gene Kelly and Tom Drake.

But after 21 films and at the height of her popularity, Durbin left films and lived the remainder of her life in France.

“I hated being in a fishbowl,” she was quoted as saying in her New York Times obituary.

Long after she had left films, her influence and sunny disposition continued to spread, this time to fans like myself. Durbin quickly became one of my favorite movie stars and singers as I worked my way through her films. In 2005, she was kind enough to respond to a fan letter with an autograph and even paying for postage from France.

Durbin in color

Durbin in color

My favorite Deanna Durbin films include “The Amazing Mrs. Holliday” (1943) where she plays a missionary caring for World War II orphans, and “It Started With Eve” (1941). Though Durbin has great chemistry with “Eve” leading man Robert Cummings, she has even more impressive chemistry with Charles Laughton. The rumba scene with Laughton is one of my favorite comedic scenes of the English actor.

My favorite songs of Durbin’s include “Amapola” and “Les Filles de Cadiz.”

It was announced Tuesday that Durbin passed away at the age of 91.

Though she is gone, she will forever be singing in our hearts.

Rest in peace, Deanna.

Autograph she sent to me in 2005

Autograph she sent to me in 2005

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“Now it’s time to say goodbye”: Remembering Annette Funicello

Just thinking about her makes me smile.

annette funicello 2

Annette Funicello

Annette Funicello has always been a source of happiness in my household. Her films, the Annette mystery book series, her music- she has always been a favorite of the Pickens’ family.

Though I didn’t grow up in the 1960s, I grew up with Annette. My mom was a huge fan so I was introduced to “The Shaggy Dog” (1959) and “Babes in Toyland” (1961) at a young age.

“I had Annette books, coloring books and paper dolls growing up,” my mom, Lisa Pickens, said. “I really liked her a lot. Since she was only in movies while she was young, we didn’t see her age. There was something special about Annette.”

Annette was an original Mousketeer on the Mickey Mouse Club. She autographed a photo for me in 2008

Annette was an original Mousketeer on the Mickey Mouse Club. She autographed a photo for me in 2008

Even in the past two years, summer afternoons were spent downloading her songs on iTunes and watching old Mickey Mouse Club episodes and the Annette series. In the serial Annette was a “country cousin” who moves to the city to live with her wealthy aunt and uncle.

“Throughout all the years we were friends she never changed from that sweet person who cared so much about others,” said Mousketeeer Sharon Baird, on the Official Disney Fan Club. “She always had time for everyone; family, friends and fans alike. It’s no wonder she was America’s sweetheart.”

In the 1950s, Annette Funicello stood out as a Mousketeer on the Mickey Mouse Club. Her background was Italian and she looked different than the other, Anglo-Saxon children.

She even suggested that she change her last name to “something more American,” but Walt Disney disagreed, saying her own name made her more unique, according to IMDB.

And her uniqueness is what made her the most popular of the original Mousketeers.

“The Disney studio wasn’t like other studios. It was just like home – it always had a small-town, family atmosphere,” she said.
Along with The Mickey Mouse Club, Annette starred in Disney films such as “The Misadventures of Merlin Jones” (1964) and “Babes in Toyland.”

Her fame brought her to recording career, with records like “Hawiaannette,” “Itallianette” and “Danceannette,” but Miss Funicello didn’t think she could sing.

“The Sherman Brothers wrote a song for me for the Annette series called ‘How Will I Know My Love,’” she said in an interview. “They told me we have to put this on a single. People are writing us like crazy wanting to buy it. I told them I don’t sing. And they said, ‘Well I’m signing you to a recording contact, young lady.’ And I said yes sir, and that’s what started my singing career.”

Composer Tutti Camarata was the one who created “The Annette Sound.” This is where she would sing the song once. She then would listen to the song with headphones, while trying to sing along as exact as she could, she said.

“It gave me that larger sound that I needed, because my voice is very small with a range of about of three notes,” she laughed. “It worked. I think my favorite song was ‘Pineapple Princess.’ I was lucky enough to have five songs that made the Top 10.”

Stevie Wonder, early in his career, with Annette Funicello and Frankie Avalon in "Muscle Beach"

Stevie Wonder, early in his career, with Annette Funicello and Frankie Avalon in “Muscle Beach”

Annette was also one of the first performers to sing with the Beach Boys as they were growing in fame.

“I really shouldn’t put down my singing career, because I’m so appreciative of everything that came my way,” she said.

In interviews and in her autobiography “A Dream is a Wish Your Heart Makes,” Annette seems like somebody you would run in to at the store. Annette was sweet and down to Earth, making her more relatable for her fans.

With Tommy Sands in "Babes in Toyland"

With Tommy Sands in “Babes in Toyland”

Even while she was in movies, her father still worked at a gas station, and Annette wasn’t allowed to date until she was 16, according to her New York Times obituary.

In real life, she stayed friends with fellow teen stars Frankie Avalon, Shelley Fabres and fellow Mousketeers Doreen Tracey and Cheryl Holdridge, who passed away in 2009. She was good friends with Jimmy Dodd from the Mickey Mouse Club until his death in 1964.

While she was 21-years-old and still under contract at Disney, she was approached about roles in beach films. Walt Disney approved Annette doing the films as long as she didn’t show her belly button in bathing suits, according to the New York Times.

These films included the silly, but fun, “Beach Blanket Bingo” (1965) and “Beach Party (1963).

Annette Funicello and Frankie Avalon in "Beach Party"

Annette Funicello and Frankie Avalon in “Beach Party”

Annette retired from films, only making a few appearances, after she married her first husband in 1965 to raise her family.

“She was always there for car pools, Hot Dog Day and the P.T.A,” her daughter said in 1994.

After they divorced, she remarried in 1986 to Glen Holt. They remained married until she passed away.

Annette returned for a few appearances in the 1980s including “Back to the Beach” (1987) with Frankie Avalon, and an appearance on the TV Show “Full House” where Michelle pronounced her last name as “Funny-Jello.”

It was in 1987, she learned she had Multiple Sclerosis and established the Annette Funicello Research Fund for Neurological Diseases.

Miss Funicello passed away today at the age of 70, and the world seems a little dimmer.

“Everyone who knew Annette, loved and respected her,” said Walt Disney’s daughter Diane Miller.  “She was one of the loveliest people I’ve ever known, and was always so kind to everyone. She was also the consummate professional and had such great loyalty to my father. Annette will always be very special to me.”

Rest in peace, Annette. You will always remain in our hearts as you chant “Meeska-Mooska-Mouseketeer” and surf the beaches of California.

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Metropolitan Opera singer dies at age 99

Actress, opera singer Rise Stevens in 1941

Actress, opera singer Rise Stevens in 1941

A Kennedy Center Honoree, 351 performances at the Metropolitan Opera House and handful of Hollywood films.

Opera singer and actress Risë Stevens had an impressive resume, including a 62 year marriage.

The singer who performed “Carmen” 124 times passed away March 20 at the age of 99.

Stevens with Barry Fitzgerald and Bing Crosby in Going My Way, 1944

Stevens with Barry Fitzgerald and Bing Crosby in Going My Way, 1944

She is best known in the opera world for being a successful operatic singer on the stage. However, classic film fans will recognize her from her role in the Bing Crosby film “Going My Way” (1944).

In the film, Stevens plays an old girlfriend of Crosby, who is now a Catholic priest, Father O’Malley. After he turned to life as a priest Stevens becomes a successful singer and performs selections from “Carmen” in the movie. Stevens helps save the church from financial troubles by performing a piece of music written by Father O’Malley, “Going My Way.”

“I probably would never have reached that vast public had I not done films,” said Stevens. “At least, I won a lot of people over to opera.”

Stevens’s first film was in 1941 with fellow opera singer, Nelson Eddy in “The Chocolate Soldier.”

Rise Stevens and Nelson Eddy in The Chocolate Soldier, 1941

Rise Stevens and Nelson Eddy in The Chocolate Soldier, 1941

“He really could have had an operatic career, but he just made too much money, too soft and too easy,” she said.

But her career is much vaster than a few Hollywood films.

Stevens performed with the Metropolitan Opera from 1938 until 1961, leaving the opera while she still had her voice, according to her obituary in the Miami Herald.

“It always bothered me, these great singers when I heard them again and again, remembering how magnificent they sounded once and no more,” she said.

Born in New York, she sang on the “Children’s Hour” radio show when she was a little girl. She later studied at Julliard. When she was invited to perform with the Metropolitan Opera, she declined. She said she wasn’t ready and made her formal debut in Europe, according to her New York Times obituary.

“I had a good career,” she is quoted in her Miami Herald obituary. “Now the joy is in watching the young musicians grow, mature, and perhaps become successes.”

Rest in peace to one of America’s best singers: Rise Stevens.

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His father called him Dobe: Remembering Harry Carey, Jr.

The heavens gained several stars this year as classic film stars passed away in 2012.

Since Comet Over Hollywood did not give several of them the full attention they deserved, the first month of 2013 will be dedicated to some of the notable celebrities who left us. This is the last of Comet’s 2012 rememberances.

Harry Carey, Jr.

Harry Carey, Jr.

He could be seen frequently along side John Wayne, and his father nicknamed him Dobe for his red hair that resembled adobe soil.

Along with actors Paul Fix, Ward Bond and Mildred Natwick, Harry Carey, Jr. was a staple in John Ford westerns.

Following in the footsteps of his character actor father, Harry Carey, Carey Jr. usually seemed to play a baby faced innocent in westerns.

Coming from the acting family, Carey, Jr. appeared with his father in “Red River” and with his mother, Olive Carey in “The Searchers” and “Two Rode Together.

Three of his first movies starred John Wayne: “Red River” (1948), “3 Godfathers” (1949) and “She Wore a Yellow Ribbon” (1949).

But Carey, Jr. wasn’t just a character actor in John Ford’s films but also was close friends with Ford and John Wayne.

“I loved Duke and he loved me,” Carey said in an interview with in 2009 for the book Duke, We’re Glad We Knew You. “The thing is, I don’t think he ever forgave me for being the son of Harry Carey. Harry Carey was his absolute hero.”

 John Wayne, Harry Carey Jr., Ben Johnson, John Agar and George O'Brien on the set of "She Wore a Yellow Ribbon".

John Wayne, Harry Carey Jr., Ben Johnson, John Agar and George O’Brien on the set of “She Wore a Yellow Ribbon”.

TCM Greatest Classic Film Collection: Legends – John Ford (She Wore a Yellow Ribbon / Three Godfathers / Cheyenne Autumn / Wagon Master)

Carey, Jr. even married within the John Ford stock company, marrying Paul Fix’s daughter, Marilyn from 1944 until his death at the age of 91 on Dec. 27, 2012.

Though Carey, Jr. usually didn’t have  a large role, he always added something special to his films, whether it be a comedic moment or an emotional scene.

Out of all of the John Ford stock players, he was one of my favorites.

“My journey has been that of a character actor,” the New York Times quoted from Carey’s autobiography. “I’ve worked with the great and the not-so-great. But mostly I’ve worked with men and women who loved their profession, and who like me, had kids to raise and houses to pay for.”

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