This post is part of the 31 Days of Oscar Blogathon, hosted by Once Upon a Screen, Outspoken & Freckled and Paula’s Cinema Club. It runs Feb. 1 – Mar. 3, in conjunction with Turner Classic Movies’ 31 Days of Oscar.
Occasionally you look at Academy Award winners, raise an eyebrow and say, “Really?”
Luise Rainer’s 1936 Best Actress win for “The Great Ziegfeld” is one of those for me.
Now don’t get me wrong. I adore Rainer, nicknamed “The Viennese Teardrop.”
It’s amazing that she was the first actress to win two Best Actress Awards back to back and is still with us at age 103. She did a good job with her role in “The Great Ziegfeld” but it did not leave me wowed.
“The Great Ziegfeld” is a fictionalized biography of Broadway producer Florenz Ziegfeld, played by William Powell.
Rainer plays Anna Held, who the film says is Ziegfeld’s first wife. In reality, Held and Ziegfeld lived together for a year while she was getting divorced. After the divorce was finalized, the couple announced that they considered themselves married, though they never officially were, according to Musicals 101. Ziegfeld later went on to marry Billie Burke, who many people know as Glenda the Good Witch in “The Wizard of Oz” (1939). Burke is played by Myrna Loy in the film.
Out of the nearly three hour movie, Rainer is in roughly 40 minutes.
In the film, Held is a bit of a diva. For example, she throws a temper tantrum (and orchids) when Ziegfeld tells the press that Held bathes in milk for publicity. Another time she gets upset because Ziegfeld is producing two shows, and will only let her be in one.
“I’m so disappointed in you I could scream,” she cries. “I thought you loved me more than anything else in the world. I thought I was your one ideal, your only ambition.”
In the end, Ziegfeld treats Held rather badly, going after a character played by Virginia Bruce in the film. I think Bruce’s character is supposed to be Lilliane Lorraine, who Ziegfeld left Held for in real life. In the movie, Anna Held leaves Ziegfeld after seeing him embracing another woman.
So let’s see who was Rainer up against in 1936:
-Irene Dunne for “Theodora Goes Wild ”
-Gladys George for Valiant is the Word for Carrie
-Carole Lombard for My Man Godfrey
-Norma Shearer for Romeo and Juliet
Of those films, the only one I haven’t seen is “Valiant is the Word for Carrie.”
Shearer, Dunne and Lombard were already established stars and are all excellent in their films.
However here is why I don’t believe they won:
1. “Theodora Goes Wild” and “My Man Godfrey” both were comedic roles. Though comedy is usually more difficult to perform, it doesn’t seem to be taken as seriously with awards.
2. Shearer is good as Juliet in “Romeo and Juliet,” but she is a 34-year-old woman playing a 16-year-old girl. That may not have had anything to do with her not winning the award, but it does make the role less believable.
The 1936 Academy Awards had other odd nominations:
-Deanna Durbin musical “Three Smart Girls” was nominated for Best Picture
-Stuart Erwin was nominated for Best Supporting Actor for “Pigskin Parade”
-Best Song nomination for “Do I Remember?” from “Suzy,” a song performed by a dubbed Jean Harlow.
Apparently, Rainer’s win was also controversial at the time, since she was still rather unknown and the role was considered more a supporting one.
Some say she won because of the $2 million budget MGM studio head Louis B. Mayer spent on the film (though this doesn’t make since to me, since it also won Best Picture). Others say it’s because of the broken hearted telephone call to Ziegfeld, congratulating him on his marriage to Billie Burke.
Why do I think Rainer won the 1936 Best Actress Award?
I personally wonder if it was process of elimination and reluctance to give the award for a comedic performance.
Who do I feel deserved the award? Either Dunne or Lombard.
Rainer went on to win the Academy Award for Best Actress in 1937 for her role as O-Lan, a Chinese woman, in “The Good Earth.” The role is a personal favorite of Rainer’s, and an award I feel she deserved.
Winning the Academy Award two years in a row is something Rainer said was one of the worse things that could have happened to her.
“The Oscar is not the curse,” she said. “The real curse is that once you have an Oscar, they think you can do anything.”
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I’m not a fan of Rainer. I can’t believe Dunne and Lombard lost out to her in 1936, and am damn sure baffled that she beat Garbo (or my beloved Babs for that matter) in 1937. Obviously she was sleeping with everyone in the Academy.
I agree, I think Stanwyck deserved the Academy for “Stella Dallas.” It is pretty curious, especially when she left Hollywood by the early 1940s.
Nice article. I had heard to much about The Great Godfrey but was very disappointed when I finally watched. How could Godfrey think that was a deserving family? Realized that I do not like screwball comedies.
I enjoy My Man Godfrey but will admit I’m not a huge fan of slapstick either. Movies that get too goofy, like Bringing Up Baby, can annoy me
I think studios had a lot of clout in deciding who Oscar winners would be during the 30s and 40s, and Rainer, being in an MGM movie, would have had the biggest studio supporting her. That said, I agree that Lombard or Dunne should have won. And while Rainer is fine in The Good Earth, Garbo should have clinched the ’37 award.
You know, for some reason I didn’t look up the 1937 nominations. That was a tough year, with Stanwyck being nominated for “Stella Dallas” and Gaynor for “Star is Born”? Lord.
I love Luise Rainer but I’m absolutely baffled that she beat Lombard & Dunne. The award definitely should have gone to one of them — Theodora and My Man Godfrey are two of the greatest comedies of the entire decade! I always have trouble deciphering why the Academy makes the decisions it makes, though.
It was confusing to me as well. The Academy also leaves me scratching my head as well. I’m still confused by Stuart Erwin getting a Supporting Actor nom? What??
Might be boring to say but I agree with everything you mention. Although it’s been a while, I’ve seen The Great Ziegfeld and don’t even remember much of Rainer’s performance in it. Either Dunne or Lombard would have had my vote as well – though I’m not sure which of the two I’d choose. Great read!
I’m not sure who I would pick either! Dunne actually lost out again to Rainer the next year; she was nominated for the Awful Truth.
MAN! The Awful Truth is probably my absolute favorite comedy – with the extraordinary chemistry between Ms Dunne and Mr. Grant. Sheesh, they were wonderful. But then – how can I not adore Lombard?!
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Luise Rainer doesn’t do much for me – a bit too melodramatic. She didn’t seem to have much in the way of dramatic competition that year (assuming Dunne and Lombard weren’t serious contenders because their roles were comedic) – though I haven’t seen the Gladys George film.
Yes, she is a bit melodramatic. But I think you are right. Since her role was the only dramatic one, it was sort of process of elimination. I’m really curious about that Gladys George film though!
It didn’t help Lombard that “Godfrey” was made at Universal, a studio with little industry clout at the time. Had it been made at her home studio of Paramount (which, until “Hands Across The Table” the previous year, had largely squandered her talents), things might have been different, although Paramount didn’t quite have the bloc voting muscle of MGM.
I didn’t realize that the film was made for Universal! Thanks for sharing! I guess I didn’t realize that studios had so much clout when it came to the Oscars!
Thought provoking post! I’ve seen The Great Ziegfeld and thought she was charming — in a supporting role. I love her on the phone, with that delightful accent, saying, “Flo? Flo?” Hearing that Carole Lombard lost to that performance makes me realize anew how lucky Diane Keaton/Mira Sorvino/Penelope Cruz were to win for Woody Allen movies. Woody’s considered an auteur in a way LaCava never was, and so the usual prejudice against comic performances doesn’t apply. PS What a year William Powell had!
I hadn’t noticed William Powell’s year, but you are right! And I hadn’t thought of it, but Diane Keaton and the others certainly are lucky. Thanks for dropping by 🙂
Personally I just found Ms Rainer irritating. Whereas Lombard and Dunne were just a sheer joy.
BuT as we know, screwball comedy was never an Oscar candidate.
An interesting post. Thank you.
Yes, it’s sad to think that comedic actresses aren’t taken more seriously when it’s a more difficult medium.