Musical Monday: The Stars are Singing (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Stars are Singing (1953) – Musical #848

Studio:
Paramount Pictures

Director:
Norman Taurog

Starring:
Rosemary Clooney, Anna Maria Alberghetti, Lauritz Melchior, Bob Williams, Tommy Morton, Fred Clark, John Archer, Mikhail Rasumny, Lloyd Corrigan, Red Dust the Dog, Ross Bagdasarian (uncredited)
Themselves: Don Wilson

Plot:
Katri Walenska (Alberghetti) is a stowaway on a ship from Poland to the United States. She jumps off the ship and swims to shore, searching for family friend, opera singer Jan Poldi (Melchoir), with the authorities hot on her trail. Katri, however, doesn’t realize the serious trouble she is now in. While looking for Jan, Katri finds entertainers, Terry Brennan (Clooney), Homer Tirdell (Homer) and Buddy Fraser (Morton) who devise a way for Katri to stay in the country.

Trivia:
• Rosemary Clooney’s first film
• Final feature film of Lauritz Melchior
• Only feature film of Bob Williams
• As an inside joke, Rosemary Clooney performs her 1951 hit song, “Come On-a My House.” The song’s co-writer, Ross Bagdasarian, appears in the film as she’s performing the song.
• The film’s world premiere was held in Rosemary Clooney’s hometown of Maysville, Kentucky.
• The working title was “Reach for the Stars.”

Highlights:
• Rosemary Clooney singing her theme song “Come On-a My House” and then saying she won’t sing it, because it will never sell a record.

Notable Songs:
• “Come On-a My House” performed by Rosemary Clooney
• “Vesti la Giubba” performed by Lauritz Melchior
• “Because” performed by Lauritz Melchior
• “Ah, Forsè lui che l’anima” performed by Anna Maria Alberghetti

My review:
There are some movies that aren’t much to speak of, but play an influential role in the career of its stars. This week’s Musical Monday is one of them.

In THE STARS ARE SINGING (1953), Anna Maria Alberghetti plays Katri Walensk, a young girl from Poland trying to travel to the United States. She’s a stowaway on a ship and jumps off the ship and swims to shore, searching for family friend, opera singer Jan Poldi (Melchoir), with the authorities hot on her trail. Katri, however, doesn’t realize the serious trouble she is now in. While looking for Jan, Katri finds entertainers, Terry Brennan (Clooney), Homer Tirdell (Homer) and Buddy Fraser (Morton) who devise a way for Katri to stay in the country.

Already a successful recording star, this film was Rosemary Clooney’s acting film debut. Though it’s her first film, the plot truly revolves around Clooney, who plays a plucky and spirited character. A highlight is hearing Clooney perform her theme song of “Come On-a My House” and then her dismissing the song and saying, “This will never make it.”

Paramount Pictures was trying to build Clooney as the next Betty Hutton, according to Bosley Crowther’s New York Times review. Crowther praises Clooney and dismissed the rest of the film as “claptrap of the most reckless and uninspired sort.”

I adore Anna Maria Alberghetti and love to see her in these films, but it’s an unfortunate display of her talents. Alberghetti was 17 and had a beautiful voice, but had a poorly written character and frankly made lots of dumbfounded faces.

“Miss Alberghetti, in pigtails and a blank, depressing look, sings one aria from “La Traviata” and a couple of folksy popular songs,” Crowther wrote. He’s not wrong.

Lauritz Melchior first appeared in MGM films when Louis B. Mayer wanted the studio to be high class. Here he plays an entirely different role of a drunk. We don’t get as much of an opportunity to hear his wonderful voice like we do in the MGM films.

As for the rest of the stars, they would’ve been better off left off the cast. This film would have been much better had we had Clooney, Alberghetti and Melchoir and not these two other dopes played by Bob Williams and Tommy Morton, who are EXCRUTIATINGLY bad.

You may be thinking, I’m not familiar with Williams or Morton. That’s because both unsurprisingly were not in very many films.

Bob Williams does this supposed comedic number THREE TIMES (THREE TIMES!!) with a dog, Red Dust the Dog, and it’s painfully unfunny.

“ Mr. Williams with his woe-begone pooch repeats and repeats a comedy routine that is disspiriting the first time around,” Crowther wrote. I’m glad we agreed.

Another bright spot is to see character actor Lloyd Corrigan, who is maybe one of the only good performers in the film. I would’ve liked to see more of that.

The thing is, Anna Maria Alberghetti is lovely and has a beautiful voice. It’s a shame she didn’t have better opportunities than this film.

THE STARS ARE SINGING truly could have better with fewer actors. It’s a shame this wasn’t better.

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Musical Monday: Out of Sight (1966)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Out of Sight (1966) – Musical #847

Studio:
Universal Pictures

Director:
Lennie Weinrib

Starring:
Jonathan Daly, Karen Jensen, Robert Pine, Carolyne Barry (billed as Carole Shelyne), Wende Wagner, Maggie Thrett, Deanna Lund, Norman Grabowski, John Lawrence, Jimmy Murphy, Richard Dawnson (uncredited)
Themselves: Gary Lewis and the Playboys, The Turtles, Freddie and The Dreamers, Dobie Gray, The Knickerbockers, The Astronauts

Plot:
Villainous Big D (Lawrence) has a plan to get rid of teenagers and their rock n’ roll music. Beach partier Sandra (Jensen) overhears the plot, and the only thing she can think of to do is enlist the help of top secret agent John Stamp. However, she taps the wrong person for the job, and gets his butler, Homer (Daly), to help instead.

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Musical Monday: The Milkman (1950)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Milkman (1950) – Musical #846

Studio:
Universal Pictures

Director:
Charles Barton

Starring:
Donald O’Connor, Jimmy Durante, Piper Laurie, Joyce Holden, William Conrad, Henry O’Neill, Paul Harvey, Jess Barker, Elisabeth Risdon, Frank Nelson

Plot:
Wealthy Roger Bradley (O’Connor) wants a job, but his father (O’Neill) who owns a milk company. Roger goes to work as a milkman for a competing milk company, where milkman Breezy Albright (Durante) takes him under his wing. Complications arise when Roger falls for the daughter of his employer (Laurie) and can’t expose who he is. He then gets mixed up with a murderous gambling ring.

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Watching 1939: Bridal Suite (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

1939 film:
Bridal Suite (1939)

Release date:
May 26, 1939

Cast:
Annabella, Robert Young, Billie Burke, Walter Connolly, Reginald Owen, Gene Lockhart, Arthur Treacher, Virginia Field, Felix Bressart, Sig Arno (uncredited), Robert Blake (uncredited), Mary Beth Hughes (uncredited), Mitchell Lewis (uncredited),

Studio:
Metro-Goldwyn-Mayer

Director:
Wilhelm Thiele (billed as William Thiele)

Plot:
Wealthy playboy Neil McGill (Robert Young) has missed his wedding to Abbie Bragdon (Field) twice. While Neil’s father (Lockhart) is furious and feels his son is spoiled, Mrs. McGill (Billie Burke) thinks there has to be an underlying health reason for his behavior. Mrs. McGill takes Neil to the Swiss Alps so he can be treated by Dr. Grauer (Connolly) for amnesia. Dr. Grauer immediately knows nothing is wrong with Neil. Neil also meets the doctor’s ward, Luise Anzengruber (Annabella), who he falls for.

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Musical Monday: Merry Andrew (1958)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Merry Andrew (1958) – Musical #241

Studio:
Metro-Goldwyn-Mayer

Director:
Michael Kidd

Starring:
Danny Kaye, Pier Angeli, Salvatore Baccaloni, Noel Purcell, Robert Coote, Patricia Cutts, Rex Evans, Walter Kingsford, Peter Mamakos, Rhys Williams, Tommy Rall, Richard Anderson (uncredited), Frank Jenks (uncredited), John Dodsworth (uncredited)

Plot:
School teacher Andrew Larabee (Kaye) wants to be taken seriously by his father, the headmaster (Purcell) and asks if he can go on an archaeological excursion to find the missing statue of Greek mythology figure, Pan. When Andrew travels to where he believes the statue is located, a circus is performing on the spot where he would like to dig. Andrew friends the circus family, and falls in love with performer, Selena (Angeli). The problem is Andrew is engaged to be married to someone else.

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Musical Monday: Sweethearts on Parade (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Sweethearts on Parade (1953) – Musical #844

Studio:
Republic Pictures

Director:
Allan Dwan

Starring:
Ray Middleton, Lucille Norman, Eileen Christy, Bill Shirley, Estelita Rodriguez (billed as Estelita),
Clinton Sundberg, Harry Carey Jr., Irving Bacon, Leon Tyler, Marjorie Wood, Mara Corday, Elinor Donahue (uncredited), Mimi Gibson (uncredited)

Plot:
Kathleen Townsend (Norman) and her daughter, Sylvia (Christy), live a quiet and peaceful life in Kokomo, Indiana in the late 1800s. Sylvia misses having a father, Cam Ellerby (Middleton), who Kathleen left when Sylvia was a baby due his philandering ways. Years later, Cam and his traveling medicine show comes to Kokomo, the three are reunited.

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Watching 1939: Two Thoroughbreds (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

1939 film:
Two Thoroughbreds (1939)

Release date:
Dec. 8, 1939

Cast:
Jimmy Lydon, Joan Leslie (billed as Joan Brodel), Arthur Hohl, Marjorie Main, J.M. Kerrigan, Selmer Jackson, Spencer Charters, Paul Fix, Bob Perry, Al Ferguson, Frank Darien, Paul Harvey
Animals: Rex the Dog, Crystal Jack the Horse

Studio:
RKO Radio Pictures

Director:
Jack Hively

Plot:
When thieves steal the horse, Larkspur, from her stable, her colt runs after and gets loss. David Carey (Lydon) finds the colt while working on his Aunt Hildy (Main) and Uncle Thaddeus’s (Hohl) farm. David’s parents are dead and his Aunt and Uncle are not kind to him, but let him keep the colt, believing it could bring them money. When David meets Wendy (Leslie), he realizes the colt belongs to her family and fears they will think he’s the thief.

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Musical Monday: I’ll Get By (1950)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
I’ll Get By (1950) – Musical #843

Studio:
20th Century Fox

Director:
Richard Sale

Starring:
June Haver, William Lundigan, Gloria DeHaven, Dennis Day, Thelma Ritter, Steve Allen, Danny Davenport, Harry Antrim
Himself: Harry James
Cameos: Jeanne Crain, Dan Dailey, Reginald Gardiner, Victor Mature

Plot:
William Spencer (Lundigan) is a song plugger with aspirations of getting into the publishing business. When he runs across songwriters Freddy Lee (Day) and Chester Dooley (Davenport), they buy into his business. They realize they need to promote their music with singers. They meet singing duo, Liza Martin (Haver) and Terry Martin (DeHaven), who agree to sing thor songs. As Spencer and Lee rise to fame a song publishers, Liza and Terry feel they are more career driven than caring about anything else.

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Musical Monday: Rhythm in the Clouds (1937)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Rhythm in the Clouds (1937) – Musical #842

Studio:
Republic Pictures

Director:
John H. Auer

Starring:
Patricia Ellis, Warren Hull, William Newell, Richard Carle, Zeffie Tilbury, Charles Judels, Robert Paige, Joyce Compton, Suzanne Kaaren, Esther Howard, Eddie Parker (billed as Ed Parker), James C. Morton

Plot:
Judy Walker (Ellis) is an aspiring composer and is down-on-her luck. When she’s evicted, she concocts a scheme to stay in the posh apartment of composer Phil Hale (Paige). While staying in the apartment, Judy and her wall neighbor, lyricist Bob McKay (Hull) have a feud about both being too loud – though neither has seen each other. Walker and McKay begin to work together on the radio without knowing that they are their hated neighbors.

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Musical Monday: Happy Go Lucky (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Happy Go Lucky (1943) – Musical #841

Studio:
Paramount Pictures

Director:
Curtis Bernhardt

Starring:
Mary Martin, Dick Powell, Betty Hutton, Rudy Vallee, Eddie Bracken, Mabel Paige, Eric Blore, Clem Bevans, Irving Bacon (uncredited), Dorothy Dandridge (uncredited), Kay Linaker (uncredited), Lillian Randolph (uncredited)
Themselves: Rita Christiani, Sir Lancelot

Plot:
Marjory Stewart (Martin) travels to Trindad posing as an heiress trying to hunt for a wealthy husband, with the help of her friend, Bubbles Hennessy (Hutton). She meets Pete Hamilton (Powell), who is also financially down-on-his-luck. Pete quickly figures out Marjory is a phony, but offers to help her catch a real millionaire, the stuffy Alfred Monroe (Vallee). All the while, Pete’s pal, Wally Case (Bracken) is outrunning Bubbles.

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