Review: Geordie (1955)

Never have I stumbled over a more delightful film.

While searching for films about sports, the 1955 British film “Geordie,” released in the U.S. as “Wee Geordie,” came up in the results. I hadn’t heard of this film or several of the stars, but I decided to give it a go and I’m glad I did.

Geordie is smaller than the other students and gets picked on.

Geordie is smaller than the other students and gets picked on.

Directed by Frank Launder, “Geordie” follows a young boy named Geordie MacTaggart (Paul Young) who is the smallest in his class and Scottish village. The “wee” boy is fed up with being picked on at school and harassed about his height.

Geordie spots an advertisement for a mail-order body-building course on the back of his father’s (Jameson Clark) newspaper. He orders Henry Samson’s (Francis DeWolff) exercise correspondence and continues to work through the course until he’s a tall, strong 21 year-old man (Bill Travers — who was 6′ 6″). Geordie’s girl Jean (Norah Gorsen) is aggravated by the exercises and feels like it takes up all of his time.

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Review: Orry-Kelly and the “Women He’s Undressed” (2015)

Poster WOMEN HE'S UNDRESSED - Courtesy of Wolfe VideoAt 14, loving both classic films and fashion, I always kept my eyes peeled for the film’s costume designer. With 293 credits to his name from 1932 to 1963, Orry-Kelly was a name I often spotted.

Dark Victory (1939), Now Voyager (1940), Casablanca (1940), American in Paris (1951), Auntie Mame (1958), Some Like it Hot (1959), and Gypsy (1963) are just a few films that he added to his resume.

While many today will name Edith Head when put on the spot to name a costume designer, she wasn’t the only one in Hollywood. Head’s costumes were lovely and she deserves all her accolades, but many costume designers seem to be cast in a shadow as dark as her round black glasses.

“Women He’s Undressed” (2015), a new documentary directed by Gillian Armstrong, gives audiences the opportunity to learn more about the prolific costume designer, Orry-Kelly.

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Review: Gidget’s Summer Reunion (1985) TV Movie

From 1959 to 1986, there were nine versions of “Gidget” on TV and film, live action and animated.

I’ve refrained from calling versions made from 1959 to 1972 “the worst” of the Gidget series, because they aren’t.

“Gidget Goes Hawaiian” isn’t great but it has some bright spots and is colorful. “Gidget Goes to Rome” is a little too syrupy sweet, and “Gidget Gets Married” was just goofy.

gidgetBut the worst came in 1985 with the two hour made-for-TV movie “Gidget’s Summer Reunion.”

Gidget (Caryn Richman) and Moondoggie/Jeff (Dean Butler) are married, living in a house they can’t afford and working paycheck to paycheck. Gidget runs a travel agency and Jeff works as a contractor and has a sexy blond boss, Anne (Mary Frann). Their 15-year-old niece Kim (Allison Barron) comes to stay the summer and is ready to learn how to surf and gets tangled with a college-aged surfing jerk (Vincent Van Patten) who only has one thing on his mind.

Gidget is so busy at work that her marriage is falling apart and Anne is reaching out her claws for Jeff. Just as Gidget attempts to patch up her married and is planning a surprise birthday party for Jeff with the old surfing gang, she has to take over on a tour of Hawaii when her tour guide gets sick.

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Review: Gidget Grows Up (1969) TV movie

The world was changing in the late-1960s.

The anti-authority, anti-capitalism, anti-war and free-love movements brought a shift in popular culture.

The surf culture that erupted after Fredrick Kohner’s book “Gidget” hit the shelves was starting to fade with dissatisfaction of establishment. This caused a shift in pop culture, and films and music focused more on social movements and issues rather than wanting to hold hands or surf the USA. There no longer was a place for Technicolor fluff films focusing on beach parties, surfing and wahinis in wild bikinis.

So how does Frances “Gidget” Lawrence, the surfing “girl midget” who first appeared in 1957, fit in a changing world?

She goes to work at the United Nations.

Gidget (Karen Valentine) and her friends Diana (Susan Batson) and Minnie (Helen Funai) become United Nations guides. (Comet Over Hollywood screencap)

Gidget (Karen Valentine) and her friends Diana (Susan Batson) and Minnie (Helen Funai) become United Nations guides. (Comet Over Hollywood screencap)

After three feature “Gidget” films and a 1965 television show that lasted one season, the 1969 television film “Gidget Grows Up” places Gidget in New York City. She’s ready to change the world at the United Nations (UN), which she describes as “one of humanity’s noblest achievements.”

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Christmas on Film: Junior Miss (1945)

junior missThe same year Peggy Ann Garner performed her award winning role in “A Tree Grows in Brooklyn,” the 13-year-old actress found herself in a coming of age comedy, “Junior Miss” (1945).

Similar to “And So They Were Married” (1936), Christmas is merely a backdrop to adolescent antics in “Junior Miss” (1945), but the holidays play larger roles in this coming of age film.  Continue reading

Reviews: Gidget Goes to Rome (1963)

Gidget_Goes_to_Rome_1963_posterGidget Goes to Rome” isn’t the best of the three Gidget feature films, but it isn’t the worst.

While Sandra Dee is the best actress who plays Gidget, Cindy Carol is a distance second.

In this film, we join Gidget and her friends for a third summer. Gidget (Carol) is about to go off to college and is planning a trip to Rome, Italy with her friends—Lucy (Noreen Corcoran) and Libby (Trudi Ames). She’s trying to convince her boyfriend Moondoggie/Jeff (James Darren) and his buddies—Judge (Joby Baker) and Clay (Peter Brooks)—to come along. But before they can head abroad, Gidget’s parents need some convincing. They will only let Gidget go if she has a chaperon. Judge enlists his rich, eccentric Aunt Albertina (Jessie Royce Landis). Without her knowledge, Gidget’s father (Don Porter) writes to an old friend he met in Italy during World War II, Paolo Cellini (Cesare Danova).

When the group arrives in Italy, Gidget is ready to have a romantic trip with Jeff while they explore the Eternal City. But Jeff abandons her and falls for their pretty tour guide, Daniela (Danielle De Metz). While Gidget is hurt, Paolo enters the picture to stealthily watch after Gidget; saying he wants to write a magazine article about a young American exploring Italy. She develops a crush and leaves her friends to explore the people of Rome with Paolo.

Gidget and Jeff/Moondoggie while they are still in love in Rome.

Gidget and Jeff/Moondoggie while they are still in love in Rome.

If you are looking for a beach film, “Gidget Goes to Rome” isn’t for you. The film starts with an obligatory scene of Gidget on the beach carrying a surf board. That maybe lasts five minutes before launching into an Italian adventure. Shot on location in Rome, the Technicolor scenery is gorgeous, colorful and travelogue-esque.

James Darren is smitten with Daniela the travel guide.

James Darren is smitten with Daniela the travel guide.

Cindy Carol as Gidget is no Sandra Dee, but she is better than most of the actresses that tried their hand at the role. Carol is admittedly syrupy sweet and squealy, but she has more of a Gidget personality than Deborah Walley had in “Gidget Goes Hawaiian.” In the 1959 film, Gidget is painted as a straight-A, intelligent, Tom boy who finally finds her place on the beach. Walley’s Gidget was written as man crazy and impulsive, which wasn’t accurate. But Carol brings back the intelligence of Gidget, as she spouts off facts about Italy and quotes authors.

Gidget even says to her friends, “We are not here for the sole purpose of looking at men,” which seems more along the lines of the 1959 Gidget who wasn’t interested in man-hunts.

The only beach scene in the film.

The only beach scene in the film.

Cindy Carol was cast because Walley was pregnant. The film’s credits say “introducing Cindy Carol” but this was actually one of her last film roles; with her career ending in 1965. Prior to this film she had acted on the “New Loretta Young Show,” “Leave It To Beaver” and a bit part in “Cape Fear (1962).”

James Darren and Joby Baker are the only two actors who appeared in all three of the feature-film. Jessie Royce Landis is my favorite actor in the film whose role had the wittiest lines in the funniest scenes.

When Landis first meets Gidget, she immediately says, “Oh God, you’ll be the sweet one.”

While “Gidget Goes to Rome” ranks second for me in the three Gidget feature films, the plot still bugs me. I hate the kind of plot where a couple goes on a trip together, one of the partners immediately falls in love with new person and then the couple is together again by the end of the film. That irks me to no end.

Gidget and Paolo.

Gidget and Paolo.

Another silly aspect of this film is Gidget’s daydreams. If you remember in “Gidget Goes Hawaiian,” Gidget has odd daydreams about being a loose woman and then of being a stripper. In “Gidget Goes to Rome,” Gidget imagines that she’s Cleopatra and another daydream as a Christian martyr in the gladiator ring as Daniela, Judge and Jeff watched.

The Sept. 12, 1963, New York Times Bosely Crowther review was brief and neither praised nor criticized “Gidget Goes to Rome.” Crowther noted, Carol played Gidget with “proper pout and correct ingenuousness.”

“As one of Gidget’s friends explains, it’s part of her ‘growing up.’ Gidget falls out of love in time…and all ends happily. Jeff sums up the entire experience in two immortal sentences: ‘I guess everybody falls in love in Rome in the summer time. It’s that old devil Italian moon.’”

“Gidget Goes to Rome” sums the whole experience as “part of growing up.” While the feature film portion of the Gidget series ends with this movie, the television aspect began two year later and continued for 20 years.

To read our reviews of the other two films:

Gidget (1959)

Gidget Goes Hawaiian (1961)

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Review: “Gidget Goes Hawaiian” (1961)

gidget-goes-hawaiian-movie-poster-1961-1010681749I almost stopped this movie after watching for 20 minutes.

Gidget Goes Hawaiian” (1961) is the worst of the Gidget series. Even the 1969 made-for-TV film, “Gidget Grows Up” starring Karen Valentine, is better.

The success of the 1959 “Gidget” film was followed by two feature films, three made-for-TV movies and two television shows.

As previously mentioned, I adore the film “Gidget” (1959) that spawned a beach culture craze. However, the film that followed two years later is abysmal.

In the film, Moondoggie/Jeff Matthews (James Darren) returns from college. He and Gidget spend a carefree summer together, and Moondoggie gives Gidget his fraternity pin. All is bliss until Gidget’s parents (Jeff Donnell, Carl Reiner) surprise her with a trip to Hawaii. Rather than being overjoyed, Gidget is outraged, because she will have to leave Moondoggie, who only has two weeks of summer vacation left. In a tizzy, she runs to tell him the bad news. Rather than being angry with her, Moondoggie is happy that she has the opportunity to go on this trip. Naturally Gidget assumes that this means he doesn’t love her, so she flies off the handle, gives him back his fraternity pin and decides she wants to go to Hawaii.

On the flight to Hawaii, Gidget meets Abby Stewart (Vicki Trickett) who is spoiled and boy crazy. Also on their flight is popular TV dancer Eddie Horner (Michael Callan), who Abby immediately sets her sights on, but Eddie is more interested in Gidget. Once in Hawaii, Gidget mopes around and misses Moondoggie. To cheer her up, Dad invites Moondoggie to Hawaii so the two can patch up their relationship. But when Moondoggie arrives, he finds Gidget with Eddie. Filled with anger, Moondoggie sets out to have a good time with Abby and the two work to make the other jealous. Abby is also jealous of all the male attention Gidget is receiving and starts a rumor that she is a loose woman and sleeps around.

Moondoggie (Darren) catches Eddie (Callan) and Gidget (Walley) together.

Moondoggie (Darren) catches Eddie (Callan) and Gidget (Walley) together.

The whole purpose of the original story of “Gidget” is the fact that she is a petite girl who surfed. There are two surfing scenes in the movie, but surfing is not the focus here. While the 1959 film is a splash of Malibu color, the cinematographer and director did not take advantage of the lush Hawaiian scenery while shooting on location.

The issue with “Gidget Goes Hawiian” boils down to this is the casting of Gidget.

Deborah Walley simply is no Gidget. She is whiney, shrill, squealy and honestly isn’t cute. Of the actresses that played Gidget (Sandra Dee, Cindy Carol, Sally Field, Karen Valentine, Monie Ellis, Kathy Gori, Caryn Richman), Walley is probably the worst.

Walley has a jazzy moment on the dance floor with Michael Callan—the original Riff in the Broadway version of “West Side Story—and later does a solo hula, which comes across as awkward. She later has a bizarre dream sequence where she imagines herself as a streetwalker and fan dancer.

Gidget (Walley) imagines herself as a street walker?

Gidget (Walley) imagines herself as a street walker?

“Frankly, we’ll take Miss Dee’s direct sweetness to Miss Walley’s squealing, calliope innocence any day,” Howard Thompson wrote in his Aug. 10, 1961, New York Times review.

Even the real Gidget, Kathy Kohner, agreed Sandra Dee was the best fit for the character. Gidget went from a cute, tomboy to being just like her boy crazy friends in this film.

Columbia wanted Sandra Dee to reprise her role, but she was under contract at Universal Pictures who would not release her for the film.

Moondoggie (Darren) tries to make Gidget jealous with Abby (Trickett)

Moondoggie (Darren) tries to make Gidget jealous with Abby (Trickett)

Walley apparently didn’t want to be cast in the film, because she considered herself a serious actor who was acting in New York. More than 150 other actresses were considered, according to “Hollywood Surf and Beach Movies: The First Wave” by Thomas Lisanti.

James Darren reprised his role as Moondoggie and is the best reason to watch the film. Jeff Donnell and Carl Reiner are fine as Gidget’s parents, though it is odd to see THE Carl Reiner in a “Gidget” film. The cast is rounded off by Peggy Cass and Eddie Foy, Jr.—another odd casting choice—as Abby’s parents.

This film does something which most sequels are guilty of, which is assuming the audience is stupid. “Gidget Goes Hawaiian” begins with Moondoggie giving Gidget his pin…but Gidget already agreed to wear his pin at the end of the 1959 film.

“James Darren is the steady lad who lands Gidget (as before, if we recall),” the New York Times also notes that we already knew they were going steady.

However, this film doesn’t ignore the fact that the 1959 film exists. As Gidget recounts her romance with Moondoggie to Abby, there are three painful reenactments of the 1959 version with Deborah Walley acting as Sandra Dee’s character, down to her wearing the same red, white and blue striped bathing suit.

L to R: 1959 Gidget in red bathing suit, 1961 Gidget reenactment of the original film, the scene Walley is reenacting.

L to R: 1959 Gidget in red bathing suit, 1961 Gidget reenactment of the original film, the scene Walley is reenacting.

The film also assumes the audience is stupid with Joby Baker’s role of Judge Hamilton, a college student Gidget meets on the plane to Hawaii and one of the many males flanking. In the 1959 film, Baker played one of the surf bums Stinky who sells Gidget her surf board.

Gidget’s moping about Moondoogie is pretty ridiculous as she says things such as, “I can’t swim in Hawaii, it’s the same ocean Jeff and I used to swim in.”

The film gets even more painful to watch once Moondoggie arrives in Hawaii and he and Gidget work to make each other jealous. Gidget hangs all over the guys and also does crazy stunts—such as a dangerous water ski jump—to give a thrill seeking vibe and show Moondogie she no longer cares for him, though this is false. These types of plots are frustrating to me anyways. I’m watching the film for their romance; not their petty arguement.

Though Sandra Dee is a spunkier fit for “Gidget,” I’m not even sure if she could have saved this film with its ridiculous script.

“Gidget Goes Hawaiian” is just one of many films proving that the original will generally be better than the sequel.

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Gidget: Bringing the Surf Culture to Mainstream

When I first started getting interested in classic films, my mom would get excited about movies she wanted to introduce to me. “Gidget” (1959) was one that she could hardly wait to show me.

Views of Sandra Dee in some of my favorite swimsuits and dresses from "Gidget."

Views of Sandra Dee in some of my favorite swimsuits and dresses from “Gidget.”

Sitting there on a Sunday night at age 14, I fell in love with this film. It’s an explosion of color on the gorgeous backdrop of Malibu beach. It features awesome surfing shots and has excellent cast filled with one-liners that are real gems. It’s the perfect fun-in-the-sun Southern California travelogue. To date, it also has one of my favorite film wardrobes.

The movie was pivotal in my film love and got me further entrenched in 1960s pop culture. I read up on famous surfers, researched surfer lingo, listened to the Beach Boys, plastered 1960s surf images around my room and hunted for bathing suits that gave off a 1960s vibe. Of course, I wanted to learn how to surf, which has still never happened since I live four hours away from the beach on the east coast.

“Gidget” is the story of a teenage tomboy, Francie Lawrence (Sandra Dee), who isn’t interested on going on “man-hunts” with her shapely female friends. Up until this summer, her extracurricular activities involved playing the cello and making straight A’s in school. Her dismay with her one-track-minded friends leads to joining a group of male surfers, much to their chagrin. Once they realize she’s interested in surfing and can hold her own in their group, Francie becomes their mascot and is nicknamed “Gidget”- the girl midget. Most of the boys live for surfing and some are “surf bums,” living on the beach all summer with the Big Kahuna (Cliff Robertson) as their leader. Of course, Gidget’s summer doesn’t come without romance, as she is smitten with Moondoggie (James Darren).

"Gidget" film poster featuring Cliff Robertson, Sandra Dee, James Darren.

“Gidget” film poster featuring Cliff Robertson, Sandra Dee, James Darren.

On the surface, this is a teen beach romance. However, the film is also exploring if should Gidget follow the mainstream and chase boys with her friends or if she should do what she loves as one of the few females surfing in Malibu. Gidget’s loving but concerned parents (Arthur O’Connell, Mary LaRoche) support their daughter in her new outdoor activity but are still concerned about the type of people she is hanging around.

While “Gidget” may seem like a piece of fluff, this film was not only influential in the life of an impressionable 14 year old, but also in American culture. The first film started a popular franchise of “Gidget” sequels and television shows. But outside of the sequels, it also spawned a film subgenre of beach party films. These mainly low budget teenage beach films featured attractive teens in bathing suits, surfing, slapstick comedy and performances from popular 1960s musicians.

Every surfing film from “Beach Blanket Bingo” to “The Endless Summer” was a result of “Gidget,” though “Gidget” remains to be one of the better beach films. But it didn’t stop at movies; the popularity of beach music such as Dick Dale, The Ventures or the Beach Boys was also a direct correlation.

However, “Gidget” wasn’t just a story that started a popular franchise and culture. It was all based off a southern California teenager who wanted to write a story about her summer.

Cover of the 1956 by Frederick Kohner- featuring Kathy Kohner- about his daughter's surf adventures.

Cover of the 1956 by Frederick Kohner- featuring Kathy Kohner- about his daughter’s surf adventures.

The film is based off the 1956 book “Gidget: The Little Girl with Big Ideas” by Hollywood screenwriter Frederick Kohner. Kohner’s 15-year-old daughter, Kathy, started surfing one summer and would share her beach stories with her father. When Kathy wanted to write a story about her adventures as the mascot “Gidget,” Kohner offered to write it for her. It took Kohner six weeks to write the book which involved reading excerpts from her diary, listening in on phone calls (both with her permission) and conversations with his daughter. Kathy shared the nicknames of the surfers and the surfer slang, from “kuks” to “bitchin’” to “shootin’ the curl.” The book became a bestseller and spawned the film.

The real Gidget was fairly amused by the film, writing in her dairy, “Saw Gidget today, it was funny.” Kathy said in “Hollywood Surf and Beach Movies: The First Wave” by Thomas Lisant that she had never heard of Sandra Dee, but when they met she was very sweet. The sweet, innocent Sandra Dee character was a far cry from her experiences at the beach. In the book, Gidget talks about wearing a particular sweater to make her breasts look perky, smoked cigarettes or frequently uses the word “bitchin’” to describe the waves.

Sandra Dee as Gidget with the real Gidget, Kathy Kohner in 1959.

Sandra Dee as Gidget with the real Gidget, Kathy Kohner in 1959.

“It was quite funny seeing Sandra Dee and these other people acting in a movie that some of us lived,” Kathy said in Lisant’s book. “I think Miss Dee did an outstanding, memorable job and captured a moment in time…I am a real person. I’m shorter than Dee and have dark hair. I was a bit tenacious and bit fearless…Certainly I had a different personality but of all the actress that played Gidget, Sandra Dee came the closest in capturing my experiences from surfing to wishing my breasts would grow bigger to my relationship with my parents.”

As the surfing subculture reached mainstream, the once calm Malibu were overcrowded. The number of surfboards in the water seemed dangers to Kathy, according to Lisant. Once the film was released, Kathy was in college at Oregon State, but the real Gidget stopped surfing in 1960. The beaches were over populated with the craze that she unintentionally began.

Photos below from an Oct. 28, 1957, LIFE photo spread on Kathy Kohner and her father: 

Kathy2 Kathy and surfers Kathy and Fredrick Kathy 1957 life Kathy 1956 16 year old kathy

 

What is your favorite beach film? Which Gidget is your favorite? 

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Review: Battleground (1949)

Originally posted in 2011, this review on “Battleground” and is now repurposed for the William Wellman Blogathon.

Battleground (1949)

Van Johnson and John Hodiak listening to a Christmas Eve sermon in “Battleground”

Brief plot: The film depiction of the 101st Airborne Division when they are trapped in Bastogne during the Battle of the Bulge. The division is surrounded by Germans and unable to get any air support due to heavy fog that lasts for days. The World War 2 film has a star-studded cast with Van Johnson, John Hodiak, James Whitmore, Marshall Thompson, Riccardo Montalbon, George Murphy, Don Taylor and Leon Ames.

Why I love it:

I originally saw this film when I was in high school-the sole reason I wanted to see it was because of my insane crush on Van Johnson.  But as I watched it, I feel in love with the script, the way it is shot, all of the characters and the tone of the film.

James Whitmore discovering the sun finally breaks through the fog, shouts “It’s shinin’!”

Accuracy: World War 2 is my favorite period in history-the way the whole United States bonded together in a way that we will most likely never see again. I really like war films made during war time, but there is a certain amount of patriotic propaganda mixed in that makes war time battle films not as credible-I’m not saying I like them less for this, they just generally aren’t as historically accurate.

I also enjoy several war films made in the 1950s and 1960s, but they also have their own historical inaccuracies. The hairstyles and dresses are usually 1950s or 1960s styles, rather than 1940s styles. An example of this is Gina Lollabridgda in “Never So Few.” Her outfits are all wrong for wartime-let alone for a woman living in war torn Asia.

“Battleground” is made just soon enough after the war to be patriotic, but also very accurate. I’ve heard that it is one of the most accurate war films of the Golden Era- depicting conditions and sentiments of the soldiers. I would like to clarify that I say its the most accurate WW2 depiction of the Golden Era, because I realize that in recent years, films like “Sands of Iwo Jima” and “Band of Brothers” have given a better historic account of the events.

George Murphy as “Pop”

Filming: I love the way this film is shot. The darkness of their uniforms against the snow and fog that lead the soldiers to be trapped in Bastgone is perfect. There is almost a grittiness to it too. Though the snow is pure and white, it is ugly and dangerous because the reason why they are surrounded and with no help from air support. William “Wild Bill” Wellman directed the film, and this might have alot to do with the gritty feel of the film.

Cast: Look at the actors I listed above. Could you ask for a better cast? Sure, none of them were ever as big as Clark Gable or Spencer Tracy, but they were all amazing actors. I really think this film helped both John Hodiak and Van Johnson flex their acting muscles better than fluff films they were in before.  I also love Marshall Thompson’s performance. He starts off as a young kid, eager and excited to fight, but as the situation in Bastogne gets more serious, he becomes bitter.

Script: I enjoyed the story line, but I also liked the little Army jokes or lingo they used. For example, whenever they were talking about the Army, they had an ongoing joke of “I found a home in the Army.” Or how they called bombs “In-coming mail.”  Though the film is only 2 hours and doesn’t give us enough time to really get to know the characters, we learn their personalities enough by things they say or sing. The country character, Abner always says “That’s for sure, that’s for dang sure” and butchers the name of Bastogne calling Baaast-oog-nee.” Another example is John Hodiak’s character is well spoken, educated and was a newspaper man.  Douglas Fowley, who plays Private Kippton, always clicks his false teeth in the film-something he really knew how to do in real life and it added a bit of his personality to the script.

Another thing I like about the film is that the screenwriter actually fought in the Battle of the Bulge, so he had some knowledge of the events. Things like Ricardo Montalbon’s character never seeing snow before and getting excited, isn’t just hokey Hollywood glitter-it actually happened.

Marching back to Bastonge

To Review: This film was made at a time that MGM was switching from L. B. Mayer to Dore Schary as studio head, so it’s a little different from the frothy MGM movies we are used to.

Though I realize there are several World War 2 movies, more realistic than this one, “Battleground” is my favorite war movie. I think this film was made at the right time, giving the U.S. a few years to recover from the war but also before the downward spiral of the communist scare began.

Before I leave, I’d like to share with you my favorite scene:

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Jessica Pickens: Girl Reporter

Comet Over Hollywood is moving!

Well…not the blog, but the blogger!

The backstory

Ever since I’ve been in the fourth grade I wanted to be a writer. I had a big imagination and pictured myself on the cover of Good Housekeeping magazine with my best seller.

In high school I got more interested in newspapers and majored in mass communications-journalism at Winthrop University getting involved in the school newspaper The Johnsonian, TV show, Winthrop Close-Up and radio station, WINR.

Starting in March, I started looking for a reporter position in the southeast. By the time I graduated in May, I figured out that getting a job at a newspaper was going to be harder than I thought (as some of you in media related fields might also have found).

For the past two months I’ve been working at a local Greenville newspaper as an advertising representative while still looking for a reporter position.

Two weeks ago, I got a job at The Elkin Tribune in Elkin, N.C. So I will be packing up and moving up to North Carolina-spreading my classic movie love to a whole new state!

Celebration

In honor of this exciting, nerve-wracking event, I’m dedicating this post to journalists in movies. Everyone is invited to the party!

Glenda Farrell as Torchy Blaine most likely up to no good.

Torchy Blaine Series: Torchy Blaine was a series of films made during the 1930s much like Boston Blackie, The Falcon or Andy Hardy. Torchy Blaine snooped and got into trouble in eight films from 1937 to 1939 (yep, they knew how to churn them out in those days). Torchy Blaine is a wise-cracking and troublesome female reporter. She eavesdrops, bugs rooms and follows people in order to get information-all highly illegal in these days, according to my Media Law and Ethics classes at Winthrop. Not only does Torchy usually get caught by the bad guys she is spying on, but she is constantly at odds with her policeman boyfriend, Steve McBride. At the end of each film, Steve and Torchy usually agree to get married but Torchy has to agree to give up her reporter career-as we all know, this doesn’t happen. Review: These films are very silly but equally entertaining. Through the eight part series, Glenda Farrell, Lola Lane and Jane Wyman all play Torchy.  But Glenda is my favorite Torchy. However, Lola wears some adorable lounging pajamas in “Torchy Blaine in Panama.”

Citizen Kane (1940): I don’t feel that I can discuss journalism movies without mentioning Citizen Kane. The film follows Orson Welles as Charles Foster Kane and his rise as the top newspaper publisher. We all know this film is based off the life of William Randolph Hearst-who was still living at the time. In Joseph Cotton’s autobiography “Vanity Gets You Somewhere,” Cotton says “Kane” was set to premiere in Radio City Music Hall. Hearst made sure it did not play there-or in several other movie houses across the United States. That goes to show just how powerful he was. Review: I do really like this film. It was a bit of an ‘Indie’ film in its day so its funny that is revered so much now. I really enjoy it for the historical background of it as well.

Cary Grant and Rosalind Russell getting the scoop in “His Girl Friday”

His Girl Friday (1940): When you say “female reporters in film” Rosalind Russell with her crazy hats in “His Girl Friday” automatically comes to mind.  Roz plays the ex-wife of Cary Grant, her reporter co-worker, and is engaged to Ralph Bellamy. On the day that Roz and Ralph are supposed to get married, a huge murder story breaks and news hound that she is, Roz can’t stay away. Not surprisingly, Ralph Bellamy doesn’t get the girl in the end (like always), and Roz and Cary fall back in love in the midst of copy and photography. Review: I really enjoy this movie, but you REALLY HAVE TO PAY ATTENTION.  For comedic value, Cary and Rosalind talk very, very fast. Several actresses turned down this role including Carole Lombard, Ginger Rogers, Claudette Colbert, Irene Dunne and Jean Arthur. I think Carole, Jean and Irene would have been perfect for the role, but I like seeing Rosalind in a role that is both sexy, funny and strong. Around this time she was flexing her comedic muscles with “The Women” and “No Time For Comedy,” and this is most definitely one of her best during this period.

Foreign Correspondent (1940): Though the United States had not yet joined the war, this Alfred Hitchcock directed film follows American reporter, John Jones-played by my heartthrob Joel McCrea-is sent on assignment to report on the war. Jones starts to uncover a spy ring in England that is aiding the Axis. Jones also meets and falls in love with Carol Fisher-played by one of my favorites, Laraine Day. I don’t want to say too much, because I don’t want to ruin this Hitchcock thriller, but watch for a disaster ending. Hitchcock does it ingeniously. Review: I actually think this is the film the secured in my mind that I wanted to be a journalist. The excitement and discovery that Joel McCrea experienced was irresistible. To this day my AIM name is even the title of this film.

Claudette Colbert and Ray Milland in “Arise My Love.” This photo has nothing to do with journalism. Just makes me happy!

Arise, My Love (1940): This film also follows a reporter in Europe during the start of World War II. This time our hero reporter is Claudette Colbert as Augusta Nash, based off real life reporter Martha Gellhorn. Nash saves pilot Ray Milland (as Tom Martin) before he is about to be executed by Fascists for his involvement in the Spanish Civil War. Nash saves him, exclusively for the purpose of a story. Martin is thankful for his life, but also a little peeved. The two begin to fall in love though they resist because of their conflicting life styles: Nash doesn’t want to give up her career and Martin wants to fight in the upcoming war. Review: Colbert said this was one of her favorite films that she made. It might be one of my favorites too. There is a good mix of romance, adventure and journalism. Ray Milland is probably at his handsomest here.

Meet John Doe (1941): This is another film about unethical journalism. Barbara Stanwyck as Ann Mitchell is fired from her reporter job. To get her job back Ann prints a fake suicide letter in the newspaper signed by “John Doe” who says he will kill himself on Christmas Eve because he can’t take the world’s ‘social ills’ any longer. To prove the letter isn’t a fake (which it obviously is) Ann searches for a man who agrees to pose as John Doe. Gary Cooper (Long John Willowby) and his friend The Colonel (played by Walter Brennan) are in need of money and John agrees to play the part. John Doe becomes a national figure, inspiring people all over to change their ways and come together. However, the role of John Doe requires John to commit suicide. If he doesn’t, it will let down his believers, and newspaper publisher D.B. Norton (played by loveable or hateable Edward Arnold) doesn’t want to disappoint his readers. Review: I love love love this movie. It’s a perfect example at just what journalism can do. Barbara Stanwyck and Gary Cooper are so perfect together. We also get a treat of seeing Walter and Gary break out in mouth organ music. One of THE perfect examples of Frank Capra’s ‘social change’ films.

For other ‘Gary Cooper duped by the press’ films see Mr. Deeds Goes to Town.

The real Ernie Pyle who is portrayed by Burgess Meredith in “The Story of G.I. Joe”

Story of G.I. Joe (1945): This is a semi-autobiographical film about World War II war correspondent Ernie Pyle, played by Burgess Meredith.  Pyle joins Company C, 18th Infantry, lead by Lit. Walker played by Robert Mitchum, and fights with them in North Africa and Italy, documenting their experiences along the way. Pyle learns more about the men personally and we watch as battle wears on their nerves. The film follows real life and ends with Pyle being killed by a Japanese sniper. Review: This is one of my favorite war films, mostly because Ernie Pyle is one of my role models. When I interviewed at Fort Jackson-an Army base in Columbia, S.C.- there was a display about Ernie Pyle. I was so proud that they were honoring him and really wanted to be part of that newspaper. “G.I. Joe” was the only film Robert Mitchum was ever nominated for an Academy Award and unfortunately lost. I really feel that he deserved it.

There is an unintentional running theme throughout all of those films. All of them were made during war years and several from 1940. Here is a brief list of other films featuring journalists. I’ve listed the actors who portray reporters.

Other films:

My Dear Miss Aldrich (1937) -Maureen O’Sullivan and Walter Pidgeon

Nothing Sacred (1937)- Frederic March

Everything Happens at Night (1939)- Ray Milland and Robert Cummings

Philadelphia Story (1940)- James Stewart and Ruth Hussey

Lifeboat (1944)-Tallulah Bankhead

Objective Burma (1945)- Henry Hull

Close to My Heart (1951)- Ray Milland

The Sell Out (1952)- Walter Pidgeon

Roman Holiday (1953)-Gregory Peck

Never Let Me Go (1953)- Clark Gable

Teacher’s Pet (1958)- Doris Day and Clark Gable

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