Musical Monday: Going My Way (1944)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Going My Way (1944) – Musical #595

Paramount Pictures

Leo McCarey

Bing Crosby, Barry Fitzgerald, Frank McHugh, Risë Stevens, Gene Lockhart, Jean Heather, James Brown, Porter Hall, Fortunio Bonanova, Eily Malyon, Stanley Clements, Carl ‘Alfalfa’ Switzer, Adeline De Walt Reynolds, William Frawley (uncredited), Anita Sharp-Bolster (uncredited)
The Robert Mitchell Boy Choir

Father Fitzgibbon (Fitzgerald) is the head of a church that is facing financial troubles. Father Chuck O’Malley (Crosby) is assigned to help get the church back on its feet. Father O’Malley has new, unconventional ideas of how to help the community and raise money for the church. O’Malley and Fitzgibbon face differences of opinions, while they both try to do what’s best.

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Review: The Very Thought of You (1944)

World War II films are my favorite genre. This doesn’t just include films about battle—I love looking at life on the home front, the Army Nurse Corps, and how actors were involved in the war effort in real life.

Then there are the World War II romance films, which often can involve a quick love affair that leads to marriage. A girl and a soldier meet while he’s on leave, and they marry, hardly knowing each other. They often marry so they will have someone to write home to or the girl falls in love with the uniform (we see this in Best Years of Our Lives).

One of the best in this genre is “The Very Thought of You” (1944). Directed by Delmer Daves and starring Dennis Morgan and Eleanor Parker, “The Very Thought of You” looks at whirlwind wartime marriages, and the disapproval a girl might meet from her family. War era films often show families happily welcoming soldiers into their homes and feeding them sandwiches and milk. But not in “The Very Thought of You”—we see the opposite.

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