Favorite new-to-me films of 2021

At the end of each year, I think back on my favorite new-to-me film discoveries.

For the past few years, I’ve shared these in just a Twitter thread, but this year, I decided to write a formal blog post. As of Dec. 29, 2021, I have watched 517 feature films. The following or the films I’ve continued to think about long after they were over. The first three may be a tie:

crimson

The Crimson Kimono (1959)
Written and directed by Samuel Fuller
Over the past few years, I have really gotten into director Sam Fuller’s films, and I was blown away by THE CRIMSON KIMONO. The story is powerful but it’s also visually stunning.

that man from rio

That Man From Rio/ L’homme de Rio (1964)
Directed by Philippe de Broca
I watched this in memory of Jean-Paul Belmondo and was left in a glittering haze of a love of cinema — in love with this film, Belmondo and the whole idea of traveling to Rio de Janerio. I daydreamed about this movie the whole next day of watching it. Its thoroughly charming.

dog fight max resolution

Dogfight (1991)
Directed by Nancy Savoca
If you follow me on any social media platform or have spoken with me in person, you’ve heard me mention DOGFIGHT.
As of Dec. 29, 2021, I watched DOGFIGHT six times from May 2021 to the end of the year. Why? I don’t really know – do you have to have a reason for why a film moves you? All I know is that I couldn’t stop thinking about it. Don’t just go off the plot description that is given for this film. Watch it for yourself.

smallest show

The Smallest Show on Earth (1957)
Directed by Basil Dearden
This is the sweetest, most charming movies. I love to see real-life married couple Virginia McKenna and Bill Travers act together for starters. And then some of the actors are their co-stars, Margaret Rutherford, Peter Sellers and Bernard Miles. It’s just plain lovely.

come next spring

Come Next Spring (1956)
Directed by R.G. Springsteen
Steve Cochran usually plays a bad dude. And here, he plays a reformed bad dude and I loved it. Come Next Spring is really lovely and visually stunning in Technicolor. Ann Sheridan is also a major highlight in this film, but Steve Cochran’s sensitive performance blew me away.

home of the brave3

Home of the Brave (1949)
Directed by Mark Robson
I didn’t expect to cry as much as I did during this movie. Not only does HOME OF THE BRAVE look at racial tensions with Black and White soldiers serving in World War II, but it also looks at the complicated emotions of soldiers when their friends are killed in action. James Edwards is not recognized enough as an actor and he shines here.

no regrets

No Regrets for Our Youth/Waga seishun ni kuinashi (1946)
Directed by Akira Kurosawa
An incredible film that left me speechless. I was blown away. Actress Setsuko Hara is always wonderful, but I enjoyed seeing her play a different type of character than I’m used to seeing. Hara’s character is complex and transforms from a selfish, conflicted youth to a woman who sacrifices her life and reputation for a loved one.

here i am stranger3

Here I am a Stranger (1939)
Directed by Roy Del Ruth
This was my favorite new-to-me film from 1939 of this year. Richard Dix gave an emotional and sensitive performance of a father who reconnects with his son after many years. I also loved seeing Brenda Joyce play against type.
My full review here.

tickle me 7

Tickle Me (1965)
Directed by Norman Taurog
Have you ever remembered a movie scene that you watched as a child but you never knew what it was? Watching Tickle Me solved that mystery for me this year—I remembered Elvis and a woman in a haunted house and never knew what it was. Tickle Me is wacky and ridiculous, but it also made me laugh more than any other new-to-me movie I watched this year. Sometimes a feel good silly film is needed at the right moment. A movie doesn’t have to be the best, most serious Academy Award winner to find its way on a list like this. Shout out to my friend Nikki who loves this film. My full review here.

St. Louis Blues

St. Louis Blues (1958)
Directed by Allen Reisner
After wanting to see this film for years, I was happy to finally discover this musical. It’s interesting to see Nat King Cole in a lead performance, when he generally only appeared as a specialty act in feature films. This film is chock full of musical performances, and Eartha Kitt naturally steals the show. My full review here.

mad

Madeleine (1950)
Directed by David Lean
Why did I put off watching this film for so long? This had me on the edge of my seat, and also feeling heartbroken for Madeleine’s suiter, Mr. Minnoch. Even more interesting that this is based on a true story.

green for

Green for Danger (1946)
Directed by Sidney Gilliat
This “whodunit” had me guessing until the very end of the film. Thoroughly enjoyable, and Alastair Sim was wonderful (per usual).

magnificent

The Magnificent Dope (1942)
Directed by Walter Lang
I didn’t know what to expect from THE MAGNIFICENT DOPE, and judging by the title, I feared it would be an irritating, zany comedy. Far from it. Don Ameche as a bullish, unsuccessful business man and lazy Henry Fonda gets caught up in his success scheme when he wins the “biggest failure” contest. Both are in love with Lynn Bari. It sounds silly but it works in a charming way.

Heres-to-the-young-lady-still-1

Here’s to the Young Lady/Ojôsan kanpai (1949)
Directed by Keisuke Kinoshita
What a joy! This lovely romantic comedy made me laugh and left me feeling wistful.

strange

Strange Bargain (1949)
Directed by Will Price
Martha Scott and Jeffrey Lynn? Sign me up! I thought this was an exciting film noir with interesting twists. Now I need to watch the follow-up “Murder, She Wrote” episode.

song of the open road3

Jackie Moran, Bonita Granville, Jane Powell in SONG OF THE OPEN ROAD

Song of the Open Road (1944)
Directed by S. Sylvan Simon
This was the only Jane Powell film I hadn’t seen, and after she died I sought it out. It may be low budget, but I had such fun watching it. The film begins with teens riding bikes and singing and I was charmed at that moment. My full review here.

under pup3

The Under-Pup (1939)
Directed by Richard Wallace
This was another favorite 1939 new-to-me film discovery. I haven’t seen many Gloria Jean films, because they can be difficult to access. My full review here.

Honorable Mention
Films I loved but didn’t quite make the favorites list
Rembrandt (1936)
Convicts 4 (1962)
The Lovers (1958)
Invitation to Happiness (1939)
Murder at the Vanities (1934)
Seven Keys to Baldpate (1929)
Tennessee Champ (1954)
Crooks and Coronets (1969)
As Long as They’re Happy (1955)

I joined Letterboxd this year, so if you’d like to see my thoughts on other films I watch, you can find me here: https://letterboxd.com/HollywoodComet/

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: Song of the Open Road (1944)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

song of the open roadThis week’s musical:
Song of the Open Road (1944) – Musical #679

Studio:
United Artists

Director:
S. Sylvan Simon

Starring:
Jane Powell, Regis Toomey, Reginald Denny, Rose Hobart, Jackie Moran, Bonita Granville, Peggy O’Neill, Bill Christy, Hugh Beaumont, Irving Bacon (uncredited), Edward Gargan (uncredited), Irene Tedrow (uncredited)
Themselves in cameo appearances: Edgar Bergan, Charlie McCarthy, W.C. Fields, Sammy Kaye and His Orchestra, the Condos Brothers (Nick Condos, Steve Condos), Chuck Faulkner Band

Plot:
When child actress Jane Powell (Powell) meets a group of kids from the American Youth Hostels while making a picture, she realizes the fun she’s missing out on while having a busy movie schedule. Tired of the pressures of movie making, Jane runs away and joins another youth hostel under a different name.

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Musical Monday: Athena (1954)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

athena-movie-poster-1954-1020706063This week’s musical:
Athena (1954) – Musical #77

Studio:
Metro-Goldwyn-Mayer

Director:
Richard Thorpe

Starring:
Jane Powell, Jane Powell, Edmund Purdom, Debbie Reynolds, Vic Damone, Louis Calhern, Virginia Gibson, Jane Fischer, Cecile Rogers, Nancy Kilgas, Dolores Starr, Evelyn Varden, Linda Christian, Ray Collins, Richard Sabre, Henry Nakamura, Steve Reeves, Kathleen Freeman, Bess Flowers (uncredited)

Plot:
The life of stuffy Massachusetts lawyer Adam Shaw (Purdom) is turned upside down when he meets Athena (Powell) and her family. Athena is a numerologist and lives with her grandparents and seven sisters. Her family believes in health, exercise and that life is directed by the stars. Athena finds that she and Adam are a love match through numbers and the stars and works to convince him.

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Musical Monday: Delightfully Dangerous (1945)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Delightfully Dangerous (1945) – Musical #638

Studio:
United Artists

Director:
Arthur Lubin

Starring:
Ralph Bellamy, Constance Moore, Jane Powell, Louise Beavers, Arthur Treacher, Ruth Tobey, Christian Drake (uncredited), Bess Flowers (uncredited), Harold Miller (uncredited)
Himself: Morton Gould

Plot:
Sherry Williams (Powell) is in school studying to be an opera singer. Sherry believes that her older sister Josephine (Moore) is a musical comedy star on Broadway. When Sherry travels to New York City to see her sister’s show, Josephine’s stage career isn’t quite what she expected.

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Review: Enchanted Island (1958)

With bright blue eyes and a soprano singing voice, Jane Powell won over audiences with her first screen appearance in 1944.

She became one of Metro-Goldwyn-Mayer’s top musical starts from 1946 to 1955 — every one of her movies was filmed in Technicolor. Her co-stars were other bright new stars from “Holiday in Mexico” (1946) with Roddy McDowall to “Two Weeks with Love” (1950) with Riccardo Montalban.

But as the studio system declined and musicals failed to reign supreme, Powell’s career declined too. The last time movie audiences saw her in a starring role in a feature film was in 1958 in “Enchanted Island.”

But rather than a singing sweetheart, Powell dons a long black wig, a sarong and a tan as she plays a Typee woman who lives on a South Sea Island.

Set in 1842, a ship stops at a South Sea Island. Sailor Abner Bedford (Dana Andrews) is belligerent with the captain (Ted de Corsia), because the sailors are refused shore leave. The captain eventually relents, but Abner argues with the captain when he disapproves of drinking and carrying on with the native women; warning Abner and the crew that anything beyond the shore is dangerous.

After a fight, Abner jumps ship and sailor Tom (Don Dubbins) tags along. Abner’s intentions all along were to escape the ship, because he wants to be a free man.

Abner and Tom travel deeper into the island jungle and come across a tribe, the Typees, who are rumored to be cannibals. Abner falls in love with one of the Typees, Fayway (Jane Powell). The two are going to marry and Tom disapproves, believing that Abner needs to return to Western Civilization.

Tom runs away to return to civilization, and Abner and Fayaway live happily together. However, their happiness fades when Abner believes the Typees are watching him — making him feel less free — and he also has suspicions about what happened to Tom.

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Musical Monday: Royal Wedding (1951)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Royal Wedding – Musical #55

Studio: Metro-Goldwyn-Mayer

Director: Stanley Donen

Starring:
Fred Astaire, Jane Powell, Peter Lawford, Sarah Churchill, Keenan Wynn, Albert Sharpe, John R. Reilly (uncredited), Mae Clarke (uncredited), William Cabanne (uncredited), John Hedloe (uncredited), Viola Roache (uncredited)
Himself: Les Baxter

Plot:
Brother and sister Tom (Astaire) and Ellen (Powell) Bowen are a dance team and travel to England to perform for the royal wedding of Princess Elizabeth and Prince Philip, the Duke of Edinburgh. On the way, the two both fall in love which threatens to break up the act.

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Musical Monday: Three Daring Daughters (1948)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Three Daring Daughters (1948) – Musical No. 64

Studio: Metro-Goldwyn-Mayer

Director: Fred M. Wilcox

Starring:
Jane Powell, Jeanette MacDonald, Edward Arnold, Elinor Donahue, Ann E. Todd, Harry Davenport, Moyna MacGill, Tom Helmore, Dick Simmons, Thurston Hall (uncredited), Ian Wolfe (uncredited)
Themselves: José Iturbi, Larry Adler, Amparo Iturbi

Plot:
Three sisters (Powell, Todd, Donahue) want their divorced parents to get back together. After an illness, their mother Louise Morgan (MacDonald) goes on a cruise to Cuba without her daughters for a rest. While Louise is gone, the sisters work with businessman Robert Nelson (Arnold) to get their father back home. Unbeknownst to her daughters, Louise falls in love with pianist José Iturbi (as himself).

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Musical Monday: Rich, Young and Pretty (1951)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Rich, Young and Pretty (1951) – Musical #149

Studio:
Metro-Goldwyn-Mayer

Director:
Norman Taurog

Starring:
Jane Powell, Danielle Darrieux, Wendell Corey, Vic Damone, Fernando Lamas, Richard Anderson, Una Merkel, Marcel Dalio, Hans Conried
Themselves: Four Freshmen

Plot:
Jim Stauton Rogers (Corey) and his daughter Elizabeth (Powell) travel from Texas to Paris so Jim can give a speech for the United Nations. Jim has a past living in Paris, his wife and Elizabeth’s mother Marie Devarone (Darrieux) who left the two of them when Elizabeth was a baby. In the meantime, Elizabeth meets and falls in love with Andre (Damone) and Jim is worried she will face the same heartbreak he did.

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Musical Monday: Luxury Liner (1948)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Luxury Liner (1948) – Musical #60

Studio:
Metro-Goldwyn-Mayer

Director:
Richard Whorf

Starring:
George Brent, Jane Powell, Lauritz Melchior, Frances Gifford, Marina Koshetz, Thomas E. Breen, Richard Derr, John Ridgely, Connie Gilchrist, Juanita Quigley (uncredited)
Themselves: Xavier Cugat, The Pied Pipers

Plot:
Polly Bradford (Powell) goes to boarding school while her cruise ship captain father Captain Jeremy Bradford (Brent) is at sea. After unsuccessfully begging to go along, Polly runs away from school and stows away from school to be with her dad and also to meet opera singer Olaf Eriksen (Melchior).

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Musical Monday: Hit the Deck (1955)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Hit the Deck (1955) – Musical #63

Studio:
Metro-Goldwyn-Mayer

Director:
Roy Rowland

Starring:
Jane Powell, Tony Martin, Debbie Reynolds, Ann Miller, Russ Tamblyn, Walter Pidgeon, Vic Damone, Gene Raymond, J. Carrol Naish, Richard Anderson, Jane Darwell, Kay Armen, Alan King, Henry Slate, Alvin Greenman (uncredited), Dabbs Greer (uncredited)

Plot:
Three sailors go on leave — Bill Clark (Martin), Rico Ferrari (Damone), and Danny Smith (Tamblyn). Bill goes to find his girlfriend Ginger (Miller), Rico goes to find his mother (Armen), and Danny goes home to visit his admiral father (Pidgeon) and sister Susan (Powell). The sailors find that everyone is too busy to see them or uninterested in their visit. Danny finds out that his sister Susan is on a date in the hotel room of actor Wendell Craig (Raymond). Danny worries about Susan’s safety and he and his friends break into Wendell’s hotel room to beat him up and protect his sister. Because of this, they have to outrun shore patrol for the remainder of their leave.

Debbie Reynolds in “Hit the Deck”

Trivia:
– The last film Jane Powell made for Metro-Goldwyn-Mayer
– Russ Tamblyn was dubbed by two different people in the film: Rex Dennis and Clark Burroughs
– A version of Follow the Fleet (1936), which starred Ginger Rogers and Fred Astaire
– Kay Armen was billed as “introducing.”

Ann Miller performing in “Hit the Deck”

Notable Songs:
– “Why, Oh Why?” performed by Tony Martin, Russ Tamblyn and Vic Damone, and also by Debbie Reynolds, Jane Powell and Ann Miller
-“Lucky Bird” performed by Jane Powell
– “The Lady from the Bayou” performed by Ann Miller

Jane Powell and Vic Damone in “Hit the Deck”

My review:
Coming off the high of “Seven Brides for Seven Brothers,” singing actress Jane Powell thought she was going to start getting better and more adult roles. However, “Seven Brides” was the beginning of the end of her musical career.

And “Hit the Deck” was her last musical and film at Metro-Goldwyn-Mayer, just a year after “Seven Brides” was released.

“Hit the Deck” is fun and star-studded but it’s not the quality that she hoped for. The cast includes some of MGM’s many musical stars, Jane Powell, Tony Martin, Debbie Reynolds, Ann Miller, Russ Tamblyn, Walter Pidgeon, Vic Damone and Gene Raymond.

Jane Powell is the star of the film, but I do feel like her role takes a backseat to Debbie Reynolds and Ann Miller. They certainly get the better numbers than Powell. However, all three girls are charming.

With the exception of Russ Tamblyn, I’m not a fan of the romantic leads of Tony Martin and Vic Damone, simply because they aren’t my favorite crooners. I do love seeing Walter Pidgeon and Gene Raymond, which is a special treat. Kay Armen is built up with a big “introducing” in the credits. Armen sings a few songs but she didn’t have a large film career.

Along with the large cast, the film is very colorful. But the songs aren’t very catchy (except for “Why, Oh Why.”)

One odd thing is Russ Tamblyn is able to sing but is dubbed in the song “Hallelujah.” And the voice he’s given is ridiculous, especially when he has a high-pitched while performing that song.

While “Hit the Deck” isn’t my favorite musical or one of MGM’s best, but it is an enjoyable way to spend two hours.

Jane Powell and Vic Damone, Ann Miller and Tony Martin, and Debbie Reynolds and Russ Tamblyn

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