Musical Monday: The Stars are Singing (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Stars are Singing (1953) – Musical #848

Studio:
Paramount Pictures

Director:
Norman Taurog

Starring:
Rosemary Clooney, Anna Maria Alberghetti, Lauritz Melchior, Bob Williams, Tommy Morton, Fred Clark, John Archer, Mikhail Rasumny, Lloyd Corrigan, Red Dust the Dog, Ross Bagdasarian (uncredited)
Themselves: Don Wilson

Plot:
Katri Walenska (Alberghetti) is a stowaway on a ship from Poland to the United States. She jumps off the ship and swims to shore, searching for family friend, opera singer Jan Poldi (Melchoir), with the authorities hot on her trail. Katri, however, doesn’t realize the serious trouble she is now in. While looking for Jan, Katri finds entertainers, Terry Brennan (Clooney), Homer Tirdell (Homer) and Buddy Fraser (Morton) who devise a way for Katri to stay in the country.

Trivia:
• Rosemary Clooney’s first film
• Final feature film of Lauritz Melchior
• Only feature film of Bob Williams
• As an inside joke, Rosemary Clooney performs her 1951 hit song, “Come On-a My House.” The song’s co-writer, Ross Bagdasarian, appears in the film as she’s performing the song.
• The film’s world premiere was held in Rosemary Clooney’s hometown of Maysville, Kentucky.
• The working title was “Reach for the Stars.”

Highlights:
• Rosemary Clooney singing her theme song “Come On-a My House” and then saying she won’t sing it, because it will never sell a record.

Notable Songs:
• “Come On-a My House” performed by Rosemary Clooney
• “Vesti la Giubba” performed by Lauritz Melchior
• “Because” performed by Lauritz Melchior
• “Ah, Forsè lui che l’anima” performed by Anna Maria Alberghetti

My review:
There are some movies that aren’t much to speak of, but play an influential role in the career of its stars. This week’s Musical Monday is one of them.

In THE STARS ARE SINGING (1953), Anna Maria Alberghetti plays Katri Walensk, a young girl from Poland trying to travel to the United States. She’s a stowaway on a ship and jumps off the ship and swims to shore, searching for family friend, opera singer Jan Poldi (Melchoir), with the authorities hot on her trail. Katri, however, doesn’t realize the serious trouble she is now in. While looking for Jan, Katri finds entertainers, Terry Brennan (Clooney), Homer Tirdell (Homer) and Buddy Fraser (Morton) who devise a way for Katri to stay in the country.

Already a successful recording star, this film was Rosemary Clooney’s acting film debut. Though it’s her first film, the plot truly revolves around Clooney, who plays a plucky and spirited character. A highlight is hearing Clooney perform her theme song of “Come On-a My House” and then her dismissing the song and saying, “This will never make it.”

Paramount Pictures was trying to build Clooney as the next Betty Hutton, according to Bosley Crowther’s New York Times review. Crowther praises Clooney and dismissed the rest of the film as “claptrap of the most reckless and uninspired sort.”

I adore Anna Maria Alberghetti and love to see her in these films, but it’s an unfortunate display of her talents. Alberghetti was 17 and had a beautiful voice, but had a poorly written character and frankly made lots of dumbfounded faces.

“Miss Alberghetti, in pigtails and a blank, depressing look, sings one aria from “La Traviata” and a couple of folksy popular songs,” Crowther wrote. He’s not wrong.

Lauritz Melchior first appeared in MGM films when Louis B. Mayer wanted the studio to be high class. Here he plays an entirely different role of a drunk. We don’t get as much of an opportunity to hear his wonderful voice like we do in the MGM films.

As for the rest of the stars, they would’ve been better off left off the cast. This film would have been much better had we had Clooney, Alberghetti and Melchoir and not these two other dopes played by Bob Williams and Tommy Morton, who are EXCRUTIATINGLY bad.

You may be thinking, I’m not familiar with Williams or Morton. That’s because both unsurprisingly were not in very many films.

Bob Williams does this supposed comedic number THREE TIMES (THREE TIMES!!) with a dog, Red Dust the Dog, and it’s painfully unfunny.

“ Mr. Williams with his woe-begone pooch repeats and repeats a comedy routine that is disspiriting the first time around,” Crowther wrote. I’m glad we agreed.

Another bright spot is to see character actor Lloyd Corrigan, who is maybe one of the only good performers in the film. I would’ve liked to see more of that.

The thing is, Anna Maria Alberghetti is lovely and has a beautiful voice. It’s a shame she didn’t have better opportunities than this film.

THE STARS ARE SINGING truly could have better with fewer actors. It’s a shame this wasn’t better.

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Musical Monday: The Milkman (1950)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Milkman (1950) – Musical #846

Studio:
Universal Pictures

Director:
Charles Barton

Starring:
Donald O’Connor, Jimmy Durante, Piper Laurie, Joyce Holden, William Conrad, Henry O’Neill, Paul Harvey, Jess Barker, Elisabeth Risdon, Frank Nelson

Plot:
Wealthy Roger Bradley (O’Connor) wants a job, but his father (O’Neill) who owns a milk company. Roger goes to work as a milkman for a competing milk company, where milkman Breezy Albright (Durante) takes him under his wing. Complications arise when Roger falls for the daughter of his employer (Laurie) and can’t expose who he is. He then gets mixed up with a murderous gambling ring.

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Musical Monday: Merry Andrew (1958)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Merry Andrew (1958) – Musical #241

Studio:
Metro-Goldwyn-Mayer

Director:
Michael Kidd

Starring:
Danny Kaye, Pier Angeli, Salvatore Baccaloni, Noel Purcell, Robert Coote, Patricia Cutts, Rex Evans, Walter Kingsford, Peter Mamakos, Rhys Williams, Tommy Rall, Richard Anderson (uncredited), Frank Jenks (uncredited), John Dodsworth (uncredited)

Plot:
School teacher Andrew Larabee (Kaye) wants to be taken seriously by his father, the headmaster (Purcell) and asks if he can go on an archaeological excursion to find the missing statue of Greek mythology figure, Pan. When Andrew travels to where he believes the statue is located, a circus is performing on the spot where he would like to dig. Andrew friends the circus family, and falls in love with performer, Selena (Angeli). The problem is Andrew is engaged to be married to someone else.

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Musical Monday: Sweethearts on Parade (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Sweethearts on Parade (1953) – Musical #844

Studio:
Republic Pictures

Director:
Allan Dwan

Starring:
Ray Middleton, Lucille Norman, Eileen Christy, Bill Shirley, Estelita Rodriguez (billed as Estelita),
Clinton Sundberg, Harry Carey Jr., Irving Bacon, Leon Tyler, Marjorie Wood, Mara Corday, Elinor Donahue (uncredited), Mimi Gibson (uncredited)

Plot:
Kathleen Townsend (Norman) and her daughter, Sylvia (Christy), live a quiet and peaceful life in Kokomo, Indiana in the late 1800s. Sylvia misses having a father, Cam Ellerby (Middleton), who Kathleen left when Sylvia was a baby due his philandering ways. Years later, Cam and his traveling medicine show comes to Kokomo, the three are reunited.

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Musical Monday: I’ll Get By (1950)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
I’ll Get By (1950) – Musical #843

Studio:
20th Century Fox

Director:
Richard Sale

Starring:
June Haver, William Lundigan, Gloria DeHaven, Dennis Day, Thelma Ritter, Steve Allen, Danny Davenport, Harry Antrim
Himself: Harry James
Cameos: Jeanne Crain, Dan Dailey, Reginald Gardiner, Victor Mature

Plot:
William Spencer (Lundigan) is a song plugger with aspirations of getting into the publishing business. When he runs across songwriters Freddy Lee (Day) and Chester Dooley (Davenport), they buy into his business. They realize they need to promote their music with singers. They meet singing duo, Liza Martin (Haver) and Terry Martin (DeHaven), who agree to sing thor songs. As Spencer and Lee rise to fame a song publishers, Liza and Terry feel they are more career driven than caring about anything else.

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Musical Monday: Rock n’ Roll Revue (1955)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Rock n’ Roll Revue (1955) – Musical #834

Studio:
Studio Films Inc.

Director:
Joseph Kohn

Starring:
Host: Willie Bryant
As themselves: Duke Ellington and His Orchestra, Larry Darnell, Cholly Atkins and
Charles ‘Honi’ Coles (billed as Cole & Atkins), The Clovers, Dinah Washington, Nat King Cole, Big Joe Turner

Plot:
A musical review of the top performers of the time.

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Musical Monday: Cinderella (1957)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Cinderella (1957) – Musical #143

Studio:
CBS

Director:
Ralph Nelson

Starring:
Julie Andrews, Ilka Chase, Edie Adams, Jon Cypher, Howard Lindsay, Dorothy Stickney, Alice Ghostley, Kaye Ballard

Plot:
Set to music by Richard Rodgers and Oscar Hammerstein II, the story focuses on Cinderella (Andrews), a lonely young woman whose father has died and she lives only with her stepmother (Chase) and stepsisters (Ballard, Ghostley). Her stepmother and stepsisters have made Cinderella their servant, while Cinderella dreams of a better life. The Prince (Cypher) is in search of a wife, and the King and Queen (Lindsay, Stickney) hold a ball so he can find a wife. Cinderella’s fairy godmother (Adams) helps her get to the ball, but she must leave by midnight.

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Musical Monday: Jack and the Beanstalk (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Jack and the Beanstalk (1952) – Musical #809

Studio:
Produced by Executive Productions, Distributed by Warner Bros.

Director:
Jean Yarbrough

Starring:
Bud Abbott, Lou Costello, Buddy Baer, Dorothy Ford, Shaye Cogan, James Alexander, Barbara Brown, David Stollery, Arthur Shields

Plot:
Two unlikely babysitters, Jack (Costello) and Mr. Dinkle (Abbott) are hired to watch Donald Larkin (Stollery). While they are reading “Jack & the Beanstalk” to him, both babysitters fall asleep. Told in a dream sequence, the pair are transported into the story. In the story, Jack (Costello again) and his mother (Ford) live in a village that has hit hard times and the Giant (Baer) has kidnapped the Princess Eloise (Cogan), a goose that lays golden eggs, and Prince Arthur (Alexander), who is pretending to be a to be a troubadour. When Jack is asked to sell the family cow, he squanders the money by buying magic beans. The bean grows into a giant stalk that goes into the sky. Jack climbs the stalk to rescue everyone that the Giant has kidnapped, and is followed by the town butcher Mr. Dinklepuss (Abbott again), who’s interested in the golden goose.

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Musical Monday: Scared Stiff (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

scared stiff

This week’s musical:
Scared Stiff (1953) – Musical #797

Studio:
Paramount Pictures

Director:
George Marshall

Starring:
Dean Martin, Jerry Lewis, Lizabeth Scott, Carmen Miranda, George Dolenz, Dorothy Malone, William Ching, Paul Marion, Jack Lambert, Tony Barr, Leonard Strong, Henry Brandon, Earl Holliman (uncredited)
Cameo appearances: Bob Hope, Bing Crosby

Plot:
Mary Carroll (Scott) has inherited an estate in Cuba, but throughout her travels, she receives death threats and notes of warning. Before sailing to Cuba, Mary meets performers Larry Todd (Martin) and Myron Mertz (Lewis). Larry believes that he killed someone in New York at Mary’s hotel, so Larry and Myron stowaway on the ship for Cuba. Once they arrive at the home, that’s believed to be haunted, the trio tries to figure out who is behind the warnings.

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Musical Monday: Those Redheads from Seattle (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Those Redheads from Seattle (1953) – Musical #826

Studio:
Paramount Pictures

Director:
Lewis R. Foster

Starring:
Rhonda Fleming, Agnes Moorehead, Teresa Brewer, The Bell Sisters, Gene Barry, Guy Mitchell, Jean Parker, Roscoe Ates, John Kellogg, Frank Wilcox, Walter Reed

Plot:
Vance Edmonds (Wilcox) is a newspaper man in Yukon Territory, trying to clean up a crooked town with his newspaper articles. Not knowing his life is being threatened, his family in Seattle, decides that it’s time to go be with their father including his wife, Mrs. Edmonds (Moorehead) and four daughters, Kathie (Fleming), Pat (Brewer), and Connie and Neill (the Bell Sisters). When they arrive in the Yukon, the Edmond family finds that things are not what they expected and have to find ways to support themselves amongst encounters with saloon owners (Barry) and saloon women.

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