Musical Monday: Thoroughly Modern Millie (1967)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Thoroughly Modern Millie (1967) – Musical #366

Universal Pictures

George Roy Hill

Julie Andrews, James Fox, Mary Tyler Moore, Carol Channing, John Gavin, Jack Soo, Pat Morita, Beatrice Lillie, Lisabeth Hush, Mae Clarke (uncredited)

Set in 1922 New York, Millie Dillmount (Andrews) strives to be a modern woman; dressing as a flapper, becoming a stenographer and marrying her boss. She becomes friends with sweet, naive Miss Dorothy (Moore), who is also new to New York. Millie encounters many adventures along the way, including eccentric millionairess Muzzy Van Hossmere (Channing). She also uncovers a white slavery ring, which kidnaps orphans.

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Travels with My Parents: TCMFF Through New Eyes

I returned to Hollywood by way of North Carolina last week for my third Turner Classic Movies Classic Film Festival (TCMFF). I was excited to visit with my fellow film lovers and bloggers, hear classic film stars discuss their careers, and watch films on the big screen- the way they should be seen.

But this year had a new layer of excitement: My parents were joining me for their first ever TCMFF. After going to the festival on my own for two years, my travel buddies were the people who originally introduced me to classic film when I was a baby.

After we left Hollywood, I realized our only photo together was documenting their first In-N-Out Burger experience. (Comet Over Hollywood/Jessica P)

After we left Hollywood, I realized our only photo together was documenting their first In-N-Out Burger experience. (Comet Over Hollywood/Jessica P)

This wasn’t Mom and Dad’s first time in Hollywood. My family took a trip to Los Angeles in 2006, so they were familiar with the craziness of Hollywood Boulevard complete with people dressed in disheveled Spongebob costumes or impersonating Prince’s singing.

Since my first year at TCMFF, I knew they needed to come. After two years of care giving for my grandmother and her estate, my parents took a much needed vacation to what like to call “The Disney World of Classic Film.”

We pretty much stuck together the whole festival, because we shared similar interests in the films that we watched. These are their post festival reactions:

Julie Andrews was wisked quickly down the red carpet before "Sound of Music." (Comet Over Hollywood/Jessica P)

Julie Andrews was wisked quickly down the red carpet before “Sound of Music.” (Comet Over Hollywood/Jessica P)

Mom (Lisa):
I really had a good time. I enjoyed seeing a lot of the movies and meeting all of the bloggers of websites that I have been reading for so long. My favorite was the Disney film “So Dear to My Heart,” because it was such a sweet, simple story and I really enjoyed it. It would be nice if Disney would put it out on DVD. My other favorite was “Why Be Good?” with Colleen Moore. It’s almost 90 years old and it raised a lot of the same concerns that you see now, which I thought was interesting. I also really liked “Reign of Terror.” We were one of the last people in the theater and by pure accident we were on the front row, five feet away from where Norman Lloyd was going to be interviewed. Errol Flynn’s family sat beside us during “The Sea Hawk,” which was also really cool. I loved hearing Jane Withers speak during the Hollywood Homes Movies at the Roosevelt because she was a hoot. I also loved seeing Sophia Loren. We were two rows away and she looked fantastic. The overall festival was a great experience. It was very well done and everybody there was very friendly and helpful. There wasn’t anything that I didn’t enjoy, except I wish I could have seen even more films. We will definitely have to go back another year to see Robert Osborne. I hope he’s feeling better so he can be there. I would love to hear his interviews.

Actress Sophia Loren being interviewed by TCM host Ben Mankiewicz before "Marriage Italian Style" (Comet Over Hollywood/Jessica P)

Actress Sophia Loren being interviewed by TCM host Ben Mankiewicz before “Marriage Italian Style” (Comet Over Hollywood/Jessica P)

Dad (Bill):
The two movies I enjoyed the most were “Why Be Good?” and “Don’t Bet on Women.” I liked the earlier movies, because it was interesting to see that many of the ideas between then and now are relatively the same. Cinematically, my favorite was “Psycho.” It was really worked well on the big screen. It’s one of my favorite films, and I have never seen it on the big screen. The way it was presented was very impactful. I enjoyed all of the interviews we saw. Norman Lloyd was interesting because he is 100 years old and has amazing commentary with all of his stories. He has worked with so many different people! I enjoyed seeing Sophia Loren, because she is truly an icon. I have heard about her since I was a kid and it was amazing seeing her in person. The whole film festival was very organized. My only disappointment was there were several movies that I wanted to see all scheduled at the same time and I couldn’t see them all.

I always love meeting and visiting with readers, film fans and fellow blogger friends. My favorite film of the whole trip was “Reign of Terror,” a new-to-me film. It was my top pick of the festival and I was thrilled that I was able to see it; I was actually the last person who got into the theater before they filled up. The cinematography by John Alton under the direction of Anthony Mann was breathtaking and innovative. I enjoy Robert Cummings as an actor and loved having the opportunity to see him in darker role. “Reign of Terror” is unique, because it is a mix of film noir set during the French Revolution with some humor mixed in; not something you come across very often. Character actor Arnold Moss was probably my favorite character in the film as the delicious snake-in-the-grass Fouché. He had all the best lines.

Robert Cummings and Arnold Moss in "Reign of Terror."

Robert Cummings and Arnold Moss in “Reign of Terror.”

Another notable feature about TCMFF is you have the opportunity to see several films that either haven’t been seen in many years, because they were lost or in a restoration process, or it’s a screening of the restoration’s debut. It’s always a special experience to watch a silent film with a live accompaniment, but it was extra special to be there for Carl Davis’s premiere of the new score for “Steamboat Bill, Jr.” Live accompaniments may not be anything new for some people but that is something you seldom (or never) experience in many areas of the southeast.

Along with my parents joining, this year was a little different, because I had a few new experiences. We got into Los Angeles a little earlier and had the opportunity to do a little sight seeing. It was also my first year in the bleachers watching the red carpet events. It was fun cheering for Julie Andrews, Shirley Jones, and even the passholders, as they entered Gruaman’s Chinese Theater. I also took some time to see the handprint ceremony with Christopher Plummer, who seemed like a gentleman. It was a hilarious coincidence that I ended up sitting beside Errol Flynn’s grandson, Sean, in “The Sea Hawk.”

The 2015 TCMFF may be my favorite year so far, because nine of the 14 films I saw were new-to-me. The only downside was that TCM host Robert Osborne was unable to attend. Along with all of his other fans, I send warm wishes for a speedy recovery.

Shirley Jones on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Shirley Jones on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Queen Christina (1933)
Sea Hawk (1940)
Reign of Terror (1949)
Young Mr. Lincoln (1939)
Steamboat Bill, Jr. (1928)
On Her Majesty’s Secret Service (1969)
Why Be Good? (1929)
So Dear to My Heart (1948)
Air Mail (1932)
The Loved One (1965)
Nothing Lasts Forever (1984)
Don’t Bet On Women (1931)
Psycho (1960)
Marriage Italian Style (1964)

Christopher Plummer exits Grauman's Chinese before his handprint ceremony. (Comet Over Hollywood/Jessica P.)

Christopher Plummer exits Grauman’s Chinese before his handprint ceremony. (Comet Over Hollywood/Jessica P.)

Special Guests:
Robert Morse- red carpet and “The Loved One”
Shirley Jones- red carpet
Marty Ingles- red carpet
Diane Baker- red carpet
Norman Lloyd- red carpet and “Reign of Terror”
Film editor, Anne V. Coates- red carpet
Julie Andrews- red carpet
Christopher Plummer- red carpet and his handprint ceremony
William Shatner – Plummer’s handprint ceremony
Shirley MacLaine – Plummer’s handprint ceremony
Alex Trebek – Plummer’s handprint ceremony
Errol Flynn’s daughter, Rory Flynn- “The Sea Hawk”
Errol Flynn’s grandson, Sean Flynn (Sean and Rory sat next to me in The Sea Hawk)
Peter Fonda- “Young Mr. Lincoln”
Film Historian, Leonard Maltin
Composer Carl Davis – “Steamboat Bill Jr.
George Lazenby- “On Her Majesty’s Secret Service”
Director Tom Schiller- “Nothing Lasts Forever”
Zach Galligan- “Nothing Lasts Forever”
Director Edgar Wright- “Psycho”
Sophia Loren – “Marriage Italian Style”


Norman Lloyd on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Norman Lloyd on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

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Classic film in music videos: Wind it Up by Gwen Stefani

This is March’s edition of Comet Over Hollywood’s classic film references in music videos.

Lead singer of No Doubt, Gwen Stefani made two solo albums after the band’s split- Love.Angel.Music.Baby (2004) and Sweet Escape (2006). Personally, I was a big fan of both and disappointed Gwen hasn’t made another, but that’s beside the point.

“Wind it Up” is the first single released from the Sweet Escape album and it loops part of the Rogers and Hammerstein song “Lonely Goatherd” throughout the song.

Still from the 1965 film "Sound of Music" starring Julie Andrews, Christopher Plummer and Eleanor Parker.

In the music video Stefani recreates several scenes from the 1965 film version of “Sound of Music” including:
-Dressing up in a (rather short) nun costume
-Dancers in blond wigs and plaid uniforms dressed to look like the Von Trap children
-Recreating the “My Favorite Things” scene by singing in bed to the dancing Von Trap children
-Gwen looks at curtains and makes them into outfits, like Maria does in “Sound of Music”
-Playing a giant key like a guitar, much like the “Do Re Mi” scene

What do you think?

Before the video was released in 2007, Gwen Stefani got Julie Andrews’ approval to recreate her iconic role in the video.

“She actually called and asked if I would mind if she used it,” Julie Andrews said in 2007.  “She does a lot of good yodelling. She’s great. She yodels better than I do. It’s a wonderful video too.”

Check back in April for the next classic film reference in music videos.

Contest info coming soon!

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