Musical Monday: Three Little Girls in Blue (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Three Little Girls In Blue (1946) – Musical #535

Studio:
20th Century Fox

Director:
H. Bruce Humberstone

Starring:
June Haver, George Montgomery, Vivian Blaine, Vera-Ellen, Celeste Holm, Frank Latimore, Charles Smith, Coleen Gray (uncredited), Gary Gray (uncredited), Ruby Dandridge (uncredited)

Plot:
Set in 1902, Pam (Haver), Liz (Blaine) and Myra (Ellen) are three sisters hoping to come into a large inheritance. When their windfall is less than expected, they decide to head to Atlantic City, NJ, to find rich husbands. Pam dresses as an elegant lady while Liz is her secretary and Myra the maid.

Trivia:
-A remake of Three Blind Mice (1938) and Moon Over Miami (1941)
-Celeste Holm’s first film
-Victor Mature was originally slated for George Montgomery’s role
-Several cast members’ singing voices were dubbed including: Carol Stewart for Vera-Ellen; Ben Gage for George Montgomery; Bob Scott for Frank Latimore and Del Porter for Charles Smith

Vivian Blaine, Vera-Ellen and June Haver playing sisters in “Three Little Girls in Blue”

Notable Songs:
-“You Make Me Feel So Young” performed by Vera-Ellen and Charles Smith, dubbed by Carol Stewart and Del Porter
-“Somewhere in the Night” performed by Vivian Blaine

My review:
“Three Little Girls in Blue” was a movie that I always wanted to see judging by the female cast, colorful sounding title and 20th Century Fox musicals are generally delightful. And while it’s colorful, I was rather disappointed.

Knowing it was a remake of “Moon Over Miami” (1941), I had high expectations because I love the version with Betty Grable and Carole Landis so much. “Three Little Girls in Blue” is cute, but it falls flat. I can’t put my finger on why, but I found it a little annoying. It may be the music. This movie may only be 10 minutes longer than “Moon Over Miami” but it feels like it lasts an eternity.

Some of the songs are okay, but they also like to reprise the same songs two or three songs. We hear “On the Boardwalk in Atlantic City” twice in a span less than 10 minutes. Then Vera-Ellen performs “I Like Mike” at least three times. This is the most annoying song in the film because it’s awfully simplistic and has lyrics that rhyme a little bit too much.

“I Like Mike” is even featured in a long dream sequence with Vera-Ellen and Charles Smith and it’s pretty terrible. And while Charles Smith is sweet, I couldn’t help but wonder why they couldn’t get her a more dynamic leading man.

Celeste Holm’s role may be the highlight of the film, but she sings a song and it’s like she’s trying to be Ado Annie again (Holm originated the role on Broadway in 1943). I also always love to see Vivian Blaine in this film. She is a lovely and underrated actress.

Somehow this film lacks the formula that adds up to make a fantastic musical. Like someone calculated the equation wrong. It’s a happy and colorful little movie, but I felt it could be better.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

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Musical Monday: Stowaway (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

stowaway2This week’s musical:
Stowaway – Musical #544

Studio:
20th Century Fox

Director:
William A. Seiter

Starring:
Shirley Temple, Robert Young, Alice Faye, Eugene Pallette, Arthur Treacher, Willie Fung, Philip Ahn, Allan Lane

Plot:
Barbara (Temple), nicknamed Ching-Ching, is an orphan in China after her missionary parents were killed and now lives with other missionaries. When there’s danger in town, Ching-Ching’s friend, Sun Lo (Philip Ahn) puts her on a boat for Shanghai so she will be safe. Ching-Ching gets lost in Shanghai and is befriended by American Tommy Randall (Young). Ching-Ching accidentally ends up on a boat for the United States. On the ship, Tommy and Susan Parker (Faye) care for Barbara/Ching-Ching, but neither can adopt her because they aren’t married. The two get married to give Barbara a home.

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Musical Monday: Song of the Islands (1942)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

islandsdThis week’s musical:
Song of the Islands” (1942)– Musical #393

Studio:
20th Century Fox

Director:
Walter Lang

Starring:
Betty Grable, Victor Mature, Thomas Mitchell, Jack Oakie, Billy Gilbert, George Barbier, Hilo Hattie, Harry Owens and His Royal Hawaiians

Plot:
Eileen O’Brien (Grable) returns to her beach combing father’s (Mitchell) home in Hawaii after going to school in the states. At the same time, Jeff Harper (Mature) shows up on the island with his buddy Rusty (Oakie) on the island to help transport his father’s (Barbier) cattle. Jeff and his father want Dennis O’Brien’s (Mitchell) land to build a pier to help transport the cattle. The cattle business gets in the way of the budding romance of Jeff and Eileen.

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Musical Monday: Do You Love Me? (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

do-you-love-me-movie-poster-1946-1020705247This week’s musical:
“Do You Love Me” –Musical #511

Studio:
Twentieth Century Fox

Director:
Gregory Ratoff

Starring:
Maureen O’Hara, Dick Hyams, Harry James, Reginard Gardiner, Richard Gaines, Lex Barker (uncredited)
Cameo: Betty Grable appears uncredited as James’ fan in a taxi cab.

Plot:
Conservative Katherine Hilliard (O’Hara) is dean of a stuffy music school, following in her father’s footsteps, and is allergic to popular music. She is engaged to her similarly stuffy colleague Ralph (Gaines). Katherine takes a trip to New York to plan with her composer colleague Herbert Benham (Gardiner) about the upcoming spring music festival. On her way to New York, Katherine meets trumpet player Barry Clayton (James) who insults her by saying she is too stuffy to appreciate popular music. After relaying this to Herbert, he encourages her to loosen up and have fun. Katherine takes her advice, catching the attention of Barry and crooner Jimmy Hale (Haymes).

Dick Haymes, Maureen O'Hara, Harry James in "Do You Love Me."

Dick Haymes, Maureen O’Hara, Harry James in “Do You Love Me.”

Trivia:
-Maureen O’Hara called this “The worst picture I ever made,” in her autobiography “Tis Herself.”
-Produced by George Jessel
-Betty Grable, who was married to Harry James at the time, makes a cameo as a fan of his.

Highlights:
-Fashion show shopping montage of outfits.
-Betty Grable’s cameo at the end of the film.

Notable Songs:
-“St. Louis Blues” performed by Harry James and his band
-“Do You Love Me” performed by Dick Haymes
-“Moonlight Propoganda” performed by Dick Haymes

My Review:
Though I know Maureen O’Hara said this was the worst film of her career, but I had a great time watching this film.
The plot isn’t substantial and fairly predictable. It is the usual but fun 1930s or 1940s plot of a conservative teacher coming from a stuffy college and eventually letting her hair down and having fun. It may not be O’Hara’s best performance, but it is fun and has some great music if you like big band.
For me the two biggest highlights:
1. Seeing O’Hara and her glorious film wardrobe in Technicolor. I’m a sucker for film fashion and movie makerovers and I enjoyed seeing her transformation from teacher to glamour girl. This film also features a highlight for any lover of vintage clothing: a scene where the main actress goes shopping at an upscale store and multiple gowns are modeled for her.
2. Hearing bandleader and trumpeter Harry James perform. It’s a highlight to see big band leaders of the time in classic films. It gives you a good feel of what was popular and music at that time, and you also get to see these performers talking and in person rather than just hearing them on a recording.
The biggest highlight was a cameo by Betty Grable at the end as a fan of Harry James. Betty Grable was one of Fox’s top stars and she and James were married at the time. It was a witty and adorable comedic moment. The brief scene is similar to any joke in a contemporary film or TV show that tied in a pop culture or current event reference.
I would also be remiss if I did not mention Reginald Gardiner’s role in this as O’Hara’s colleague and friend. Gardiner is the one who encourages O’Hara’s character to literally let down her hair and have fun for once. Whether he is playing a snob, a cad or the humorous best friend, Gardiner’s characters are always a delight.
“Do You Love Me?” was down right fun with some geniune laugh out loud moments. If you have the opportunity to see this film and are looking for a colorful way to brighten your day, I encourage you to do so.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com