Musical Monday: Wintertime (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

winterposterThis week’s musical:
Wintertime” (1943) – Musical #560

Studio:
20th Century Fox

Director:
John Brahm

Starring:
Sonja Henie, Cornel Wile, Cesar Romero, Jack Oakie, Carole Landis, S.Z. Cuddles Sakall, Helene Reynolds
Himself: Woody Herman

Plot:
Business partners Skip Hutton (Oakie) and Freddy Austin (Wilde) own a struggling Canadian hotel and are on the brink of foreclosure. When a Norwegian millionaire Hjalmar Ostgaard ( Sakall) and his niece Nora (Henie) stay at the hotel, Uncle Hjalmar is conned into buying the hotel. Nora falls in love with Freddy, but she’s mad that he has to spend most of his time with pretty reporter Marion Daley (Reynolds) so that the hotel can get publicity. Nora also starts performing as an ice skater to earn more money. While Nora is chasing Freddy, singers for Woody Herman’s band Flossie and Brad (Landis, Romero) are having love problems of their own.

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Musical Monday: Sun Valley Serenade (1941)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

sun valleyThis week’s musical:
Sun Valley Serenade –Musical #539

Studio:
20th Century Fox

Director:
Bruce Humberstone

Starring:
Sonja Henie, John Payne, Glenn Miller, Milton Berle, Lynn Barrie, Joan Davis, Ann Doran (uncredited)
Themselves in Specialty Performance: Tex Beneke, Ray Anthony, Angela Blue, The Nicholas Brothers, Dorothy Dandridge

Plot:
A down on their luck band lands a Christmas Eve gig in Sun Valley, Idaho, after they hook up with temper mental singer Vivian Dawn (Bari). To help with publicity for the band, their publicist Nifty Allen (Berle) set up for pianist Ted Scott (Payne) to adopt a European war orphan. While Ted and bandleader Phil Corey (Miller) have prepared for a baby orphan, their adoptee is fully grown Norwegian Karen (Henie). When the band leaves for Sun Valley, Karen sneaks along, threatening a budding romance between Ted and Vivian.

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Musical Monday: One in a Million (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

one-in-a-million-sonja-henie-1936-everettThis week’s musical:
One In A Million” (1936)–Musical #478

Studio:
20th Century Fox

Director:
Sidney Lanfield

Starring:
Sonja Henie, Don Ameche, Adolph Menjou, Jean Hersholt, Ned Sparks, June Wilkins, the Ritz Brothers

Plot:
Tad Spencer (Menjou) is broke and takes his female band (including his wife) to the Swiss Alps. They come to an inn run by Henriech Muller (Hersholt) and his daughter Greta (Henie). Greta is a figure skater training for the Winter Olympics. Henriech lost out on a figure skating medal in 1908 and has been training his daughter as a skater. Tad sees dollar signs when he see her skate and wants him in her act. The only problem is Greta is being paid for a nightclub act would hurt her amateur standing in the games. Bob Harris (Ameche) and his photographer Danny Simpson (Sparks), also arrives at the hotel to investigate a fire that may have been an assassination attempt.

Trivia:
-First film of Olympic figure skater medalist Sonja Henie.
-The film features footage from the 1936 Winter Olympics. Henie won her won her third consecutive gold medal in woman’s figure skating at the 1936 games in Bavaria, Germany.
-After winning three gold medals a the Olympics in 1928, 1932 and 1936, Henie was signed to 20th Century Fox for this film and “Thin Ice.” In his memos, studio head Darryl F. Zanuck wrote to give the Norwegian skater “as little and as simple dialogue” and “give her only questions and answers; questions which are questions, answers which are direct statement.” He picked this script for Henie, because it had very few acting scenes, according to Memo from Darryl F. Zanuck: The Golden Years at Twentieth Century Fox.
-MGM was originally the studio interested in Henie as soon as she turned pro. Zanuck wanted to sign Henie as a featured performer, but she stood her ground because she wanted to be a star. “I have an all-consuming desire to become a movie star, and nothing will stop me in that effort,” Henie said to American reporters, according to Skating on Air by Kelli Lawrence
-Don Ameche’s sixth film.
-This film was a box office success and made Henie a star at Fox. Film critic Frank Nugent called Henie’s films the “Sonie Henie riddle” of how to plan a plot around figure skating scenes, according to Twentieth Century-Fox: The Zanuck-Skouras Years, 1935-1965 by Peter Lev.

Arline Judge and Adolph Monjou check in to an inn run by Jean Hersholt and Sonja Henie in "One in a Million."

Arline Judge and Adolph Monjou check in to an inn run by Jean Hersholt and Sonja Henie in “One in a Million.”

Awards:
-Jack Haskell was nominated for an Academy Award for Best Dance Direction for “Skating Ensemble.”

Highlights:
-Sonja Henie skating 20 minutes into the film to show off her talent. She starts off simply practicing on the ice and then Menjou has a dream sequence of how he could make money off of her talent.
-Sonja’s skating performance for the Olympics in the film.

Notable Songs:
-Who’s Afraid of Love sung by Leah Ray and Don Ameche

Review:
This movie is notable because of it started the film career of figure skater Sonja Henie. It was also the start of another “film novelty.” Henie’s films were successful- similar to swimmer Esther Williams later on- because they offered something different that most movie goers had not seen before.
The plot is thin, but fun with a good supporting cast of Don Ameche, Adolph Menjou, Jean Hersholt and the always sour-faced (yet delightful) Ned Sparks.
My main complaint with this movie is the Ritz Brothers. I have seen them in several films, and still do not understand their appeal. They had three or four gigantic chunks in the film where they performed worn out vaudeville routines. I can’t deny that I fast-forwarded through the majority of their scenes.
Ritz Brothers aside, Henie’s skating routines are lovely and it’s interesting to see how figure skating has evolved since the 1930s.

The film ends with a lavish ice skating performance with Sonja Henie and several skating men.

The film ends with a lavish ice skating performance with Sonja Henie and several skating men.

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