Musical Monday: Rich, Young and Pretty (1951)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Rich, Young and Pretty (1951) – Musical #149

Studio:
Metro-Goldwyn-Mayer

Director:
Norman Taurog

Starring:
Jane Powell, Danielle Darrieux, Wendell Corey, Vic Damone, Fernando Lamas, Richard Anderson, Una Merkel, Marcel Dalio, Hans Conried
Themselves: Four Freshmen

Plot:
Jim Stauton Rogers (Corey) and his daughter Elizabeth (Powell) travel from Texas to Paris so Jim can give a speech for the United Nations. Jim has a past living in Paris, his wife and Elizabeth’s mother Marie Devarone (Darrieux) who left the two of them when Elizabeth was a baby. In the meantime, Elizabeth meets and falls in love with Andre (Damone) and Jim is worried she will face the same heartbreak he did.

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Musical Monday: The Merry Widow (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Merry Widow (1952) – Musical #237

Studio:
Metro-Goldwyn-Mayer

Director:
Curtis Bernhardt

Starring:
Lana Turner, Fernando Lamas, Una Merkel, Richard Haydn, Thomas Gomez, John Abbott, King Donovan, Robert Coote, Lisa Ferraday, Sujata Rubener, Joi Lansing (uncredited), Gwen Verdon (uncredited)

Plot:
Crystal Radek (Turner) is a rich widow of a man from the kingdom of Marshovia, who left $80 million to his widow. Now living in America, she is invited to Marshovia under false pretenses. The kingdom is in financial distress and has invited her there with hopes that playboy Count Danilo (Lamas) will woo and marry Crystal for her money so the country won’t be annexed to Austria. However, Crystal switches place with her secretary Kitty (Merkel) to see if people will love her for herself.

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Watching 1939: Four Girls in White (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 Film: Four Girls in White

Release date: January 27, 1939

Cast: Florence Rice, Ann Rutherford, Una Merkel, Mary Howard, Alan Marshal, Kent Taylor, Buddy Ebsen, Jessie Ralph, Sara Haden, Phillip Terry, Tom Neal, Joy Anderson (uncredited)

Studio:
Metro-Goldwyn-Mayer

Director:
S. Sylvan Simon

Plot:
Four nurses (Rice, Rutherford, Merkel, Howard) are student nurses trying to make it through their three years at a hospital until graduation. Norma (Rice) is looking for a rich husband, Mary (Howard) pines way for her young daughter, Patricia (Rutherford) is sweet and diligent, and Gertie (Merkel) looks forward to her next meal. The girls face the stresses of becoming a nurse and making mistakes. Norma falls in love with a doctor (Marshal) but is frustrated that he always gets called into work.

1939 notes:
• Ann Rutherford was in seven films released in 1939. This one was released first.

• Phillip Terry was in 12 feature films in 1939. This is one of four films that was credited. The rest were uncredited.

Mary Howard, Florence Rice, Ann Rutherford and Una Merkel in “Four Girls in White” (1939)

My review: Searching for the “1939 feature”:
I love nurse films and this one is no exception. The 1930s were filled with nurse films, but many of the Pre-Code era featured sassy, fast-talking nurses who have at least one scene in their skivvies and rolling up or down their stockings. An example of this would be Night Nurse (1931), where Barbara Stanwyck ends up as a private nurse to children of an alcoholic mom.

Others were very dramatic accounts, like Prison Nurse (1938) or The Nurse from Brooklyn (1938).

While there have been many films focusing on the nursing field throughout the 1930s, I feel that “Four Girls in White” (1939) provides something a little different.

I felt that “Four Girls in White” showed girls working to become nurses in a hospital with the same tone and feeling that the Dr. Kildare film series (which began in 1937) showed about young doctors coming into the medical field.

Each nurse is independent and eager for a career in the medical field. Now, some of these nurses had different agendas other than just helping sick people. One, in particular, was looking to marry a rich husband, but we see each of them studying and working hard to learn (and also messing up). Much of their learning is shown through montages that give a feel for the four nurses’ personalities.

These low-budget Metro-Goldwyn-Mayer films of the late 1930s and early 1940s all have a brisk brightness that is especially pleasing. There are some overly dramatic moments (a few disasters strike and all nurses are needed) but it really is a fun film.

Is it a great film? Probably not, but it has a fresh and hopeful feeling that is found in MGM films of this time.

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