It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.
This week’s musical:
“Pin-Up Girl” –Musical #224
20th Century Fox
H. Bruce Humberstone
Betty Grable, Joe E. Brown, Martha Raye, John Harvey, Eugene Pallette, Dorothea Kent, Adele Jergens (uncredited), Hermes Pan (uncredited dancer)
As themselves: bandleader Charlie Spivak, Nat King Cole (uncredited pianist), Skating Vanities, the Condos Brothers (specialty dancers), The Pied Piper singers
Lorry (Grable) is a popular pin up girl at the local USO canteen during World War II. She has a bad habit of stretching the truth including saying she’s engaged to every serviceman she gives a photo to. Her latest lie is that she and her friend Kay (Kent) are going to Washington, DC to join a USO show, when they are really going to work as military stenographers. En-route to DC, the girls stop over in New York and go to an exclusive night club. Another lie gets them seated at a table with war hero Tommy Dooley (Harvey), who thinks Lorry is a musical comedy star. When Lorry runs into Tommy in DC, she disguises herself (using the Clark Kent approach by just putting on a pair of glasses) so he doesn’t know it’s her.
-Betty Grable was pregnant during the making of this film. While her waist line is slightly larger than you are used to seeing, she is still quite small. You can tell the most when there is a side shot of her marching at the end of the “The Story of the Very Merry Widow” musical number.
-During the military drill at the end of “The Story of the Very Merry Widow,” the real Women’s Auxiliary Corp (WAC) drill team was used, rather than actresses.
-Linda Darnell and Don Ameche were originally set to star in the movie.
-The film is based on the famous 1941 pin-up photo of Betty Grable taken by Frank Powolny, according to “Twentieth Century Fox: “The Zanuck-Skouras Years, 1935-1965” by Peter Lev.
-The Skating Vanities is a roller skating sequence after the “Red Robins, Bobwhites and Blue Birds” number. It’s like a Sonja Henie ice skating number….but with roller skates. It’s almost less impressive because roller skating is more common place than ice skating.
-Joe E. Brown and Eugene Pallette may be the best part of the film.
-Though rather long, Betty Grable’s drill sequence with WAC’s is pretty interesting.
-Don’t Carry Tales Out of School sung by Betty Grable
-The Story of the Very Merry Widow sung by Betty Grable
-Once Too Often sung by Betty Grable
-Red Robins, Bobwhites and Blue Birds sung by Martha Raye
-You’re My Little Pin-Up Girl sung by Betty Grable
-Yankee Doodle Haydown sung by Martha Raye
“Pin Up Girl” is colorful, World War II themed and has great music, but it isn’t Betty Grable’s best film. The plot is crazy and her constant lies can be a bit frustrating.
This is also probably stupid, but I hate when Twentieth Century Fox changed Betty Grable’s honey blond hair and made it bleached blond. This bothers me more than it should in this film.
This movie also ends with what I call “the smile resolution.” A couple has a misunderstanding. One of the parties is informed by a secondary character of the truth. The film ends with the misunderstood party performing on stage, the informed lead sitting in the audience and the couple grin at each other–letting the viewers know everything is alright.
I can list several movies off of the top of my head that practice this, and it leaves me feeling unfulfilled.
Though Betty Grable is the star of this film, I think Joe E. Brown and Eugene Pallette steal the show with their minor roles.
The plot is pretty silly, but then it was written to capitalize on her famous 1941 pin-up photo. Wonky plot aside, the real reason I like this movie is I love the music. There isn’t a song I don’t adore in this film. “Don’t Carry Tales Out of School” is my favorite.
If you have never seen a Betty Grable musical, try something like “Moon Over Miami,” “Tin Pan Alley” or “Springtime in the Rockies” first. They better display Grable’s appeal than “Pin Up Girl.”
My boyfriend watched this with me, and while he teaches high school theatre, he is just starting to learn about movies before the 1970s. Here is what he thought:
“It was entertaining, though some parts stretched the limits of believability quite far. The songs were enjoyable and the drill scene at the end was impressive, though a bit long. I give it a C+.”
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