It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.
RKO Radio Pictures
Charles “Buddy” Rogers, George Barbier, Barbara Kent, Grace Bradley, Betty Grable, Eric Blore, Erik Rhodes, John Arledge, Johnny Mercer, Donald Meek, Evelyn Poe, Joy Hodges, Lucille Ball (uncredited), Douglas Fowley (uncredited)
John Roberts, Sr. (Barbier) hears his son John Roberts, Jr. (Rogers) is doing poorly at college. His grades dropped when he started dating Marion (Bradley), rather than Edith (Kent), who John’s father prefers.
To help get John’s grades back on track and together with Edith, John, Sr. enrolls at the college as a freshman.
But while studying at school, wealthy Roberts’s company begins to suffer.
-Johnny Mercer acts in this film and wrote the lyrics to all of the songs.
-Betty Grable tap dancing in toe shoes after the “Comes a Revolution” number.
-“Boys Will Be Boys” sung by Betty Grable, Evelyn Poe, Joy Hodges
-“Comes a Revolution, Baby” sung by Johnny Mercer and Evelyn Poe
-“There’s Nothing Like a College Education” sung by the whole cast
“Old Man Rhythm” is an entertaining B-musicals with some actors who later became big names in Hollywood.
It’s hard to resist an old Hollywood collegiate film that makes you wish- Why wasn’t college really like this? The students ride on a train to school together, the dorm rooms like like a 4-star hotels and there is a weenie roast every night.
Of course all the while, the co-eds are singing songs that have lyrics like, “There’s nothing like a college education to teach you how to fall in love.”
This movie is also fun because you can spots stars who later became big names in Hollywood. Betty Grable is one, who has a couple of songs and close-ups in the film. Songwriter Johnny Mercer is also in the film, and not only does he sing, he wrote all of the songs in the film.
There is also an uncredited Lucille Ball as a student.
I would also say that the father, George Barbier, steals the show here-even though the film ends with him goofily beating on timpani drums-alluding that he is “Old Man Rhythm.”
I am also always happy to see actor John Arledge in most films.
This is a cute little film that could help occupy a dull afternoon.