Musical Monday: Blonde from Brooklyn (1945)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Blonde from Brooklyn (1945) – Musical #575

Columbia Pictures

Del Lord

Bob Haymes (billed as Robert Stanton), Lynn Merrick, Thurston Hall, Mary Treen, Gwen Verdon (uncredited), Matt Willis (uncredited), Hugh Beaumont (uncredited)

Dixon Harper (Haymes/Stanton) is a soldier returning from World War II. The military lets him know about his G.I. rights, Dixon’s goal is to get back on the stage to perform like he did before the war. Dixon’s routine is to act southern, though he is not southern. He meets jukebox operator and struggling singer, Susan Parker (Merrick). The two team up for a southern act and work with an old southern colonel to be convincing as southerners and Susan masquerades as a southern belle.

-Lead actor Bob Haymes was billed as Robert Stanton in this film. He is the younger brother of Dick Haymes.

Notable Songs:
-“Baby, Save Him for Me” performed by Lynn Merrick
-“Comin’ Around the Corner” performed by Lynn Merrick and Bob Haymes
-“It’s Just a Prayer Away” performed by Bob Haymes
-“Lost, a Wonderful Girl” performed by Bob Haymes

Bob Haymes in “Blonde from Brooklyn”

Mary Treen and Lynn Merrick in Blonde from Brooklyn

My review:
“Blonde from Brooklyn” is one of those entertaining 1940s B-musicals that offers more in the way of music than plot.

Bob Haymes, younger brother of Dick Haymes, is a soldier returning home from World War II and wanting to get his old act off the ground. He meets a jukebox operator (see also Swing Hostess for similar 1940s technology) Lynn Merrick, who he convinces to join him in his act. The act focuses on being southern, though neither one is. They meet a southern colonel, played by Thurston Hall, who helps them create a convincing persona.

Merrick and Haymes both have wonderful singing voices and sing catchy and toe-tapping tunes throughout the film. I wasn’t very familiar with either actor, but found them equally pleasant. Bob Haymes doesn’t look like his older brother Dick, but he has a similar deep, soothing voice.

The only irritating thing about the film is that Bob Haymes, who originally hailed from White Plains, NY, talks with a supposed drawl and throws out some “honey-childs” and “you alls.” He eventually stops once everyone figures out his character isn’t from the south (thank goodness). But as someone who actually lives in the south, that sort of thing really grates on your nerves. Interestingly enough, Haymes retired and passed away in Hilton Head, SC.

Lynn Merrick was lovely and had some lovely costumes.

The best part of “Blonde from Brooklyn” is that it runs only 65 minutes, which is the perfect length for this kind of film. It tells the story adequately with songs sprinkled throughout. The plot isn’t very interesting but the songs are entertaining. If you’re a lover of 1940s tunes, give this one a look (and listen).

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4 thoughts on “Musical Monday: Blonde from Brooklyn (1945)

  1. Very confusing. You write Bob Haymes as Robert Stanton, but the poster clearly shows that Robert Stanton is the star who plays Dixon Harper. The poster doesn’t even list Bob Haymes as even appearing in the movie. Thanks for a confusing start to my Monday morning.


    • At the time of this film, Bob Haymes was working professionally under the name of Robert Stanton (which explains why he was billed as this on the poster). It’s similar to how Dennis Morgan worked under both Stanley Morner and then Richard Stanley before being billed as Dennis Morgan. Another example would be Dawn O’Day before she became Anne Shirley. Here is Bob Hayme’s IMDB page, where you can see several films where he was credited as Robert Stanton in 1945 and 1946


      • Thank you for clearing this up. You could understand my confusion. Love your Musical Monday blog. Especially your
        comments on the “little” bottom of the bill B musicals that gave moviegoers in those days a lot more entertainment for their their money. ‘Tis a lovely service you perform. With gratitude.


      • I tried to specify a bit more so I hope that helps! Thank you for reading! I like watching the small musicals too! I figured they all needed some attention and couldn’t all be “American in Paris” or “Band Wagon” 🙂


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