Classic Movie Dogathon: Since You Went Away

As many of you know the wartime film “Since You Went Away” (1944) is one of my all time favorite movies.

It has everything: An excellent cast filled with cameos, poignant moments, and magnificent camera work. But one of my favorite things about the film is the Hilton’s English Bulldog Soda.

Soda plops himself on a map as Col. Smollett and Bridget look for her father's military base.

The movie revolves around Ann Hilton (Claudette Colbert), her two daughters Jane and Bridget (Jennifer Jones and Shirley Temple), their boarder Col. Smollett (Monty Wooley) and a slew of other characters that move in and out of their lives.  However, though Soda is just their pet, he still plays an instrumental role in the film-he even has his own theme music during the movie. When ever Soda has an appearance, a little tune is played by an oboe.

Soda seems to respond or foreshadow the main characters emotions throughout the film.

A few examples: 

Soda sitting on Mr. Hilton's bed

•When we enter the film, Ann is coming back from seeing Mr. Hilton off to fight in the war. Soda is lying sadly, flat on the floor in front of his Mr. Hilton’s favorite chair. One of his owners has left him.  Jane and Bridget come home from school and Mrs. Hilton tries to put on a happy front for them. But her daughters start to cry, because they realize nothing will be the same without their dad. At this moment, Soda trots into the room-sensing his family is sad and he needs to be with them. Soda hops up on to Mr. Hilton’s bed and rests his head on his master’s robe.

•Another moment the girls are gathered around their mother as she reads a letter from Mr. Hilton. Soda is laying near the chair with her as if he is listening too.

•The Hilton’s rent the master bedroom to a boarder while trying to make ends meet without Mr. Hilton’s salary.  Col. Smollett ends up renting the room.  Smollett is very particular- he wants his eggs boiled exactly at 2.5 minutes and is irritated by the laundry hanging in the bathroom-among other things. It comes to no surprise that he has a low tolerance for dogs. So of course,  Soda attaches himself to Smollett, much to his dismay. The Colonel announces his displeasure for the dog right when he comes into the house.

Soda pestering Col. Smollett during a game of charades.

Soda growls and barks at Col. Smollett as he starts to put his belongings in the room, most likely saying, “This is my master’s bedroom, you shouldn’t be here.”  When Smollett is about to go to bed, Soda is laying on Mr. Hilton’s bed and Col. Smollett says, “That monstrous animal seems to have attached himself to this bed.”

Soda is protecting his family against this strange man in their household, but Soda gets more friendly towards Col. Smollett-as Smollett does towards Soda. At first he complains about the dog and doesn’t like how Soda follows him around. At his birthday party, Soda begs for cake beside Smollett’s chair. During a game of charades at the Christmas party, Smollet is lying on the floor, and Soda walks up and starts licking him on the face. Though Col. Smollett won’t admit it, he likes Soda’s company towards the end of the movie and even calls him when its time to go to bed.

Comforting Mrs. Hilton

•Soda seems to be in tune with what is going on around him and his family. Like I mentioned earlier, he is aware when his master has left, but he is also aware when Mr. Hilton is in danger. Mrs. Hilton receives bad news about her husband from the War Department. That night, she sits in her husband’s chair and looks through their scrap book which includes a dance card from the night they were engaged, the horoscope for the day they were married and their daughter’s birth announcements. As Ann Hilton starts to cry, Soda trots into the room, puts his front paws on the chair and she hugs Soda as she sobs.

On Christmas Eve, Mrs. Hilton gets a telephone call with a cable gram message containing good news about her husband. As Mrs. Hilton happily calls out to her daughters that their father is coming home, Soda perks up from his spot in bed with Col. Smollett, barks and runs to join his family.

Though several of Soda’s scenes are rather emotional, Soda also offers a good bit of comic relief.  Some of the funny scenes are when he is bothering Col. Smollett. My personal favorite is when Soda is sitting on the front lawn and the sprinkler turns on, he runs away and shakes himself. Unfortunately, the scene directly after this is when Mrs. Hilton gets a message from the War Department.  Soda’s water sprinkler scene gives us a false sense of security and happiness with the Hilton family, but also offering a funny moment before we receive bad news.

Running from the sprinkler!

Though Soda isn’t the star of “Since You Went Away,” his performance is as enjoyable as the cameos of Guy Madison, Keenan Wynn and Lionel Barrymore. He is my personal favorite movie dog, and I’d like to name a dog ‘Soda’ after him.  Soda is aware of his surroundings and family’s emotion during wartime and tries to take care of them.

This is my contribution for Classic Film and TV Cafe‘s dog blogathon.

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Loves of Lana

For Valentine’s Day, I want to pay tribute to an actress who liked to love and be loved. Her daughter Cheryl Crane said Lana would describe love as “heels-over-chin, pinwheels-on-fire in love.” She was once quoted as saying, “I think men are exciting, and the gal who denies that men are exciting is either a lady with no corpuscles or a statue.”

Lana Turner was classy about her past relationships when they got married. Crane says, “There were past beaux, like Tony (Martin), who she later came to adore as part of a couple. George Montgomery and Dinah Shore, Robert and Rosemary Stack, James and Gloria Stewart, Ronald and Nancy Reagan, and Tony and Cyd (Charisse) were some of Mother’s favorite married couples. They were friends she thought were perfectly matched. Once a former boyfriend became part of what she saw as a great couple, she downplayed her pas with him.”

Cheryl Crane provides a long list of men that Lana had in her life in her book “LANA: The Memories, the Myths, the Movies,” but explains that several of them were just dates, friends and not all of them went past kisses  goodnight.

Wayne Morris: Morris was a good looking, stocky Warner Brothers player who ended up being a highly decorated World War II flyer. Lana said Wayne Morris was her first big crush when she was under contract to Mervyn LeRoy.

Lana and Ronald Regan in 1937

Ronald Reagan: Reagan was Lana’s first studio arranged romance at Warner Brothers. The two started at the studio around the same time. Crane says the most the two did together was go horseback riding. When Reagan became president, she had a hard time thinking of “that young guy from Warners” as the president.

Don Barry: Barry played one of the interns in “Calling Doctor Kildare” (1939) with Lana, who plays a bad girl in the movie. He wasn’t Lana’s type because he wasn’t much taller than she was, but Crane said they had a good time together.

Lana and Mickey Rooney

Mickey Rooney: Lana and Mickey Rooney met in 1938 and starred together in “Love Finds Andy Hardy” (1938). Like several other pretty young starlets, the Andy Hardy series helped launch Lana’s career. In 1991, Mickey Rooney published an autobiography that said he and Lana had a love affair resulting in pregnancy and an abortion. Crane said Lana was furious and denied it. Lana called her attorney and wanted to fight Rooney’s statements, which Crane said wasn’t like her mother at all. Whenever something untrue was printed about Lana she said to ignore it because fighting brought more attention to yourself. In the end, it is a story of he said, she said.

Robert Stack:  Robert Stack and Lana dated on and off during the 1930s and 1940s, mostly in between Lana’s more serious relationships. Stack fought in the Navy during World War II and while on leave, visited Lana on the set of “Keep Your Powder Dry.”

Lana and Greg Bautzer

Greg Bautzer: Bautzer was Lana Turner’s first love. She was 17 and he was an attorney and ladies’ man. Bautzer proposed to Lana, but he was also dating Joan Crawford at the time. Crawford confronted Lana saying she and Bautzer were getting married and that Lana should get lost. However, Bautzer didn’t marry either woman. Lana stayed friends with Bautzer on a professional basis but never was romantically involved with him again. She later said, “I learned how to be hurt from Greg.”

Lana and Artie Shaw

Artie Shaw (Husband #1):  Lana and Artie Shaw met on the set of “Dancing Co-Ed” and the couple did not hit it off. She fond him to be arrogant and too serious and he thought she was a brainless star.     Regardless, he asked her on dates and she turned him down. Shaw happened to call one evening after Greg Bautzer stood her up, so she said yes. Shaw wooed her by driving down to Santa Monica and talking about his life philosophies. That same night, on Feb. 13, 1940, the two flew to Las Vegas and got married. According to Crane, Lana soon realized she married a stranger-she wasn’t even aware that he had been married twice before, but she tried to make the marriage work.    However, Shaw tried to change Lana.
“He was only interested in trying to change me completely,” she said.
The couple fought constantly and were only married for four months and 11 days-from Feb. 1940 to Sept. 1940. He wouldn’t part with a piano Lana’s mother had given them, so she took his clarinet.
During the divorce proceedings, Lana found out she was pregnant, but Shaw said he didn’t believe it was his baby. She decided to get an abortion and Shaw didn’t stop her.

Lana and Victor Mature

Victor Mature: Lana and Victor Mature dated in 1941 before Mature started a serious relationship with Rita Hayworth. They later starred together in the horrible World War II movie, “Betrayed” (1954).

Lana and Tony Martin

Tony Martin:  Before marrying Cyd Charisse in 1948 and after divorcing Alice Faye in 1940, Tony Martin dated Lana after meeting her in “Ziegfeld Girl” (1941). The couple was engaged to be married for a short time and Lana had several piece of jewelry that were engraved from Martin, Crane said.

Gene Krupa: Lana was a music lover, something that drew her to Artie Shaw.  Crane said she enjoyed late night jam sessions and dated several popular musicians of the 1940s.  Some of these include drummer Buddy Rich, clarinetist Benny Goodman and Tommy Dorsey- who once gave her a trombone engraved “Lana, Happy New Year, The Boys in the Band.”  She dated Gene Krupa, while he was in the middle of of a divorce. But the main thing that scared her away was his marijuana use, Crane said.

George Montgomery: Lana and George Montgomery dated before he married Dinah Shore in 1943. Montgomery was also engaged to Hedy Lamarr before going over seas to fight in World War II. Lamarr married John Loder while Montgomery was away.

Publicity still of Lana and Robert Taylor in “Johnny Eager” (1941)

Robert Taylor: Lana and Robert Taylor starred together in “Johnny Eager” (1941) and Crane said their chemistry was electric: “these two beautiful people got carried away during the filming.”  This was one of the few times Lana ever got involved with a co-star, Crane said.
However, Taylor was married to Barbara Stanwyck at this time so Lana tried to resist, but they “fell into a heavy flirtation.” Stanwyck heard about it and headed down to the set to tell Lana hands off. Taylor told Lana he was going to leave Stanwyck for her and Lana backed off completely after that, Crane said.

Lana and Frank Sinatra

Frank Sinatra: Lana dated Frank Sinatra while he was married to Nancy and before and after his marriage to Ava Gardner. However, the two never were involved while Sinatra was married to Ava Garnder-her best friend and his love of his life.

Lana, Stephen Crane and baby Cheryl

Stephen Crane (Husband #2):  Stephen Crane met Lana at the Mocambo night club. He was a struggling actor and said he was a tobacco heir. The two married on July 17, 1942, after knowing each other for a short time.
In 1942, Lana discovered she was pregnant with Cheryl and that their marriage was invalid-he married Lana before his divorce with his first wife was finalized, Crane said.  She got an annulment and didn’t want to take him back, but the couple remarried in July 1943-mainly because Lana didn’t want her child to be illegitimate.
Crane went to fight in the war, but was discharged for foot and back injuries that didn’t let him go overseas. On a trip home to Crane’s hometown in Indiana, Lana found out he was a phony and about a year later she divorced him in Aug. 1944.
He was able to get a few acting jobs, but made his mark in the restaurant business. The couple stayed friends for Cheryl’s sake. Crane said she thinks her father always loved Lana and found several scrap books he had kept of her after he died in 1985.

Lana and John Hodiak

John Hodiak: John Hodiak  unfortunately got mixed up in Lana and Crane’s divorce, Crane said. Lana made up a story about dating another man to get Stephen Crane to divorce her, and the name she blurted out was John Hodiak-her  “Marriage was a Private Affair” (1944) co-star. Crane said Lana never spoke of Hodiak except that she felt bad that she had used him to end her marriage.

Lana and Turhan Bey

Turhan Bey: Turhan Bey and Lana dated shortly after she separated from Stephen Crane. However, Bey’s mother didn’t approve of Lana so the romance ended, Crane said.   Bey never married.  Crane ran into Bey at a party 50 years after the romance ended and he asked about Lana calling her the love of his life. He wanted to take her out to dinner, but Lana was too ill to accept the invitation but was touched by his remarks.

Lana and Howard Hughes

Howard Hughes: Howard Hughes dated Lana Turner briefly, and Crane believes he would have had a better chance with her if he had dressed neater. Lana’s mother got to know him as he would wait for Lana to get ready and mother would him Hughes’s pants that were always too long. He helped Lana out after their relationship ended once. In 1949, she suffered a miscarriage and wanted her mother with her. Lana’s mother called Hughes and he chartered a flight for her and even rode along to make sure she got there okay.

Lana and Peter Lawford

Peter Lawford: Crane thinks Peter Lawford was more attracted to Lana than she was with him. They dated in the mid-1940s and were also dating other people at the same time.

Lana and Robert Hutton

Robert Hutton: Robert Hutton and Lana stared dating while she was making “The Postman Always Rings Twice.”  The gossip columnists closely watched the couple, but he was not Lana’s main focus. She went on a trip to South America and when she returned in 1946 he was married to model Cleatus Caldwell.

Lana and Tyrone Power

Tyrone Power: Lana said Tyrone Power was the love of her life. She had been an acquaintance of his, but he was married to Annabelle. In 1946, he and Annabelle separated. He invited Lana over for a cocktail and kissed her goodnight, which Crane said made Lana weak in the knees. Lana and Tyrone were separated due to filming, but she flew to Mexico to see him for New Year’s. Tyrone’s divorce was granted and Lana was hoping the they could get married.  She also was thrilled to find out she was pregnant but Tyrone didn’t share her sentiments.
Tyrone went on a 12 week airplane trip he had been planning and Lana threw him an extravagant party. While he was gone, she let him know that she decided to get an aboration.
When he returned they did not resume their relationship. He heard she had been seen with Frank Sinatra and he admitted to her that he had fallen in love with actress Linda Christian. Crane said their split always hurt Lana.

Lana and Bob Topping

Bob Topping (Husband #3): Bob Topping quickly popped into the picture after Tyrone Power was out. Topping was a millionaire who wooed Lana with expensive gifts. The couple got married in April 1948, and it was Lana’s first big wedding and went on a five month honeymoon. Lana enjoyed the lavish rich lifestyle, Crane said.  In 1949, Lana got pregnant but the child was stillborn.
Topping had faults such as drinking and gambling. He was on an allowance and Lana ended up paying several of the bills and the couple would fight about money. Lana’s mother told her, “You can’t afford to keep a millionaire.” They divorced in 1952.

Lana and Fernando Lamas

Fernando Lamas:  Fernando Lamas and Lana made “Merry Widow” together in 1951. It was a stormy romance, and they fought a good bit. Lamas was jealous, particularly if Lana danced with someone else. The fight that ended it was at a Marion Davies party in 1952. Lamas and Lana were at a table with Arlene Dahl and husband Lex Barker, and Esther Williams and her husband Ben Gage, Crane said. Barker wanted to dance with Lana and she said yes. Lamas was fuming and an arguement that night ended their romance. Ironically, Lamas later married both Arlene Dahl and Esther Williams and Lana married Lex Barker.

Lana and Lex Barker

Lex Barker (Husband #4):  Lex Barker and Lana started dating in the spring of 1952, after Lex and Arlene Dahl divorced. The two traveled across Europe together. Barker and Lana married in Sept. 1953, in Italy. Lana wanted another child and became pregnant again but again lost the child for a third time, Crane said.
Barker and Lana traveled a good bit, which Cheryl Crane said she liked.  Barker would sexually abuse Cheryl, and she finally confided in her grandmother. When Lana’s mother told her what Barker had been doing, Lana ordered him out of her house. Barker said, “Whatever your daughter told you, it’s a lie,” but Lana hadn’t mentioned Cheryl.
Their marriage ended in 1957 and he died in 1973. At the time Lana said, “It wasn’t soon enough.”

Lana and Johnny Stompanato

Johnny Stompanato: ‘John Steele’ began sending flowers to her in 1957. When she found out his real name and that he was trouble, she was in too deep with the relationship. He was a body guard to mobster Mickey Cohen and known for draining wealthy women’s money, Crane said. The more Lana learned about him, the more dangerous the relationship got, but she thought she could handle it. Stompanato traveled with her while she filmed movies and her make-up artist once had to cover bruises on her face. Crane said Lana was frightened.
Cheryl was home for Easter vacation when Lana told her about Sompanato’s attacks, and Lana said she was going to get rid of him. Cherly heard them arguing and in a panic grabbed a knife off the counter, planning to scare him off. Cheryl stood outside and listened, Lana opened the door and Stompanato was about to hit Lana. Cheryl stepped forward and he ran into her knife.
“There is no gentle way to put it: at the age of 14, I stabbed and killed John Stompanato, my mother’s boyfriend, during an episode of physical abuse,” Cheryl Crane said. “Mother and I both attempted to set the record straight in our respective autobiographies.”
Lana and Cheryl were taken to the police department and gave their statements. Cheryl was booked on suspicion of murder and taken to juvenile hall. The coroner’s inquest was broadcast live. Stompanato’s murder was ruled justifiable homicide and Cheryl was released to the custody of her grandmother.
Crane said the events that occurred over Good Friday weekend in 1958 were forever mentioned when Lana or Cheryl were mentioned in the news, regardless of the topic.
“I took a life and that is something that remains with me always,” Crane said. “By it is a nightmare that my family and I lived through together and survived.”

Lana and Fred May

Fred May (Husband #5): Crane said Lana was fonder of Fred May than any of her other of her other husbands. May reminded Lana of Tyrone Power, but she wasn’t ready to get married yet. They lived together for a year and then married in November 1960 when Cheryl left reform school. May fell in love with Lana the person, not the star and made her feel like she was loved for herself.  There wasn’t a tangible reason why the couple split up in 1962, Crane said, but they remained friends until his death in 1964.

Lana and Robert Eaton

Robert Eaton (Husband #6): Robert Eaton was part of a new set of friends that Lana hung around with in the mid-1960s. He was 10 years younger than she was, but Lana and Eaton married in Virginia in 1965.  Crane believed Eaton was an opportunist using her mother, but Lana didn’t want to listen. Lana went abroad to shoot a film, and when she returned she found Eaton with another woman. They divorced in 1969.

Lana in Ronald Dante

Ronald Dante (Husband #7): Lana went to popular 1960s night stops and met Ronald Dante at the “Candy Store.” Crane said, “Dante had long hair, rode a motorcycle and worked as a nightclub hypnotist.” The couple got married in May 1969. Crane said she thinks Lana married Dante because he made her feel young. However, he stole from her and they divorced in 1972. “Husband six and seven are best left unmentioned,” Lana said.

Which is your favorite Lana romance or Lana husband? I think mine might be Fred May and Tyrone Power. Let us know!

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Classic film in music videos: Good Boys by Blondie

Norma Shearer and Lon Chaney

This is February’s edition of Comet Over Hollywood’s classic film references in music videos.

Blondie, rock star of the 1980s, released an album in 2003 called “The Curse of Blondie.” This album included a new wave pop song “Good Boys.”

The music video is in black and white and modeled after a silent film and is very similar to the Lon Chaney movie “He Who Gets Slapped” (1924).

In the music video one clown, dressed in white, is in love with a beautiful circus performer. She laughs at his love and keeps company with a mean clown who wears black. At the end of the video, the white clown gets killed by a tiger.

This is similar to “He Who Gets Laughed” because Lon Chaney is in love with Norma Shearer, who also laughs at his love. She is in love with horseback rider John Gilbert, but is determined to marry an evil rich man. In the end, Lon Chaney dies from a tiger attack like in the video and it is caused by the rich baron.

What do you think?

Check back in March for the next classic film reference in music videos.

February’s beauty tip is also coming soon!

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Upcoming Comet blogathon: Gone Too Soon

I’ve been promising details and banners for my blogathon on March 9 and 10, and I finally have both ready to share with you all!

The theme is “Gone Too Soon”-spotlighting stars who died before the age of 50.

Everyone can write up to three posts. To avoid repeated stars, as you know who you want to write about, comment below and I will add you to a list of topics on this page.

Don’t know who you want to discuss yet? That’s okay, you have until March 9! Still let me know you are interested and post one of the below banners on your page (feel free to resize banners if they are too large).

Make sure your comment includes your what blog you write for-sometimes it’s hard to keep everyone straight :)

When it gets closer to time, I will let everyone know how we are going about posting.

Hope everyone is excited as I am!

Participants:

100 Years of Movies- F.W. Murnau

A Person in the Dark- John Gilbert

And Then They Start to Sparkle- Laird Cregar

All Good Things- Natalie Wood

Blame Mame – Jayne Mansfield

Classic Movies -Robert Williams (1930s actor of Platinum Blonde)

Comet Over Hollywood-Brandon de Wilde and Virginia Weidler

Crankshafts and Curse Words- Steve McQueen

Critica Retro – Olive Thomas

Far From Camelot- Leslie Howard

Forever Classics- James Dean

Frankly, My Dear- Jean Harlow

Great Entertainment Media Archive- Billie Holliday

Hollywood Revue-Judy Holiday or Rudolph Valentino

I Shoot the Pictures- Zbigniew Cybulski

Immortal Ephemera- Dorothy Dell

In the Mood- Errol Flynn

Kitty Packard’s Pictorial- Robert Walker

Lindsay’s Movie Musings- Alan Ladd

The Most Beautiful Fraud in the World- Helen Twelvetrees

My Love for Old Hollywood- Thelma Todd

Noir and Chick Flicks- Marilyn Monroe

Old Movies Nostalgia- Tyrone Power

Portraits by Jenni- Sal Mineo

Random Ramblings- Linda Darnell

Scarlett Olive- Judy Garland

ScribeHard On Film- John Cazale

Shadows and Satin- Steve Cochran

Sittin’ on a Backyard Fence- John Garfield

They Don’t Make ‘em Like They Used To- Montgomery Clift

Thrilling Days of Yesteryear- Renee Adoree

True Classics- Bobby Driscoll

Wide Screen World- Carole Lombard

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