Tag Archives: biopic

Musical Monday: Scott Joplin (1977)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Scott Joplin (1977) – Musical #800

Studio:
Produced by Motown Pictures, Distributed by Universal Pictures

Director:
Jeremy Kagan

Starring:
Billy Dee Williams, Clifton Davis, Art Carney, Margaret Avery, Eubie Blake, Godfrey Cambridge, Otis Day, Mabel King, Taj Mahal, Spo-De-Odee, Samuel Fuller, Seymour Cassel, David Healy, Lionel Richie (uncredited)

Plot:
Composer Scott Joplin (Williams) works his way up from being pianist in a brothel, known as “a Professor,” to becoming a successful composer — transforming the landscape of music with ragtime hits. While largely known as a genius, Joplin wants to be seen as a high-brow composer and works to compose his opera, “Treemonisha.” His life and career are hindered by heartache and tragedy, like an illness and death of a child.

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Musical Monday: Incendiary Blonde (1945)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Incendiary Blonde (1945) – Musical #411

Studio:
Paramount Pictures

Director:
George Marshall

Starring:
Betty Hutton, Arturo de Córdova, Charles Ruggles, Bill Goodwin, Barry Fitzgerald, Albert Dekker, Mary Phillips, Eduardo Ciannelli, Frank Faylen (uncredited), Catherine Craig (uncredited), Johnny Johnston (uncredited), Catherine Craig (uncredited)
Themselves: Maurice Rocco, The Maxellos

Plot:
Biographical film on the life and career of performer and speakeasy owner, Texas Guinan (Hutton). Guinan was known as “queen of the nightclubs” in the 1920s. The film shows Guinan leaving home to work in a Wild West Show and then working her way up to fame through Broadway shows, films and then a leading nightclub entertainer. Along the way, Guinan pines for Bill Romero Kilgannon (de Cordova).

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Musical Monday: Love Me or Leave Me (1955)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Love Me or Leave Me – Musical #39

Studio: Metro-Goldwyn-Mayer

Director: Charles Vidor

Starring:
Doris Day, James Cagney, Cameron Mitchell, Robert Keith, Tom Tully, Harry Bellaver, Richard Gaines, Claude Stroud, Audrey Young, Dorothy Abbott, Veda Ann Borg, Robert Dix (uncredited), Jay Adler,

Plot:
Biographical musical on Ruth Etting (Day). Etting has dreams of becoming a singer. Etting is discovered by gangster Marty Snyder (Cagney) after she is fired as a taxi dancer. Using his force, Snyder helps Etting get singing bookings. Etting’s talent carries other offers, but Snyder still continues to control Etting’s life and career from Broadway to Hollywood, including having her marry him. Etting is also in love with her piano player Johnny Alderman (Mitchell), but is trapped by Snyder.

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Musical Monday: The Great Caruso (1951)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Great Caruso (1951) – Musical #341

Studio:
Metro-Goldwyn-Mayer

Director:
Richard Thorpe

Starring:
Mario Lanza, Ann Blyth, Dorothy Kirsten, Jarmila Novotna, Richard Hageman, Carl Benton Reid, Yvette Duguay, Angela Clarke, Mario Siletti, Alan Napier, Ludwig Donath, Pál Jávor, Mae Clarke (uncredited), George Chakiris (uncredited)

Plot:
Biographical musical about Italian tenor Enrico Caruso (Lanza). The film begins when he is a boy in Naples and follows his rise to fame. He faces struggles along the way, such as disapproval from the fathers of girlfriends and American opera audiences not welcoming him with open arms.

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