About Jnpickens

Classic film lover and reporter in North Carolina.

Musical Monday: Three Daring Daughters (1948)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Three Daring Daughters (1948) – Musical No. 64

Studio: Metro-Goldwyn-Mayer

Director: Fred M. Wilcox

Starring:
Jane Powell, Jeanette MacDonald, Edward Arnold, Elinor Donahue, Ann E. Todd, Harry Davenport, Moyna MacGill, Tom Helmore, Dick Simmons, Thurston Hall (uncredited), Ian Wolfe (uncredited)
Themselves: José Iturbi, Larry Adler, Amparo Iturbi

Plot:
Three sisters (Powell, Todd, Donahue) want their divorced parents to get back together. After an illness, their mother Louise Morgan (MacDonald) goes on a cruise to Cuba without her daughters for a rest. While Louise is gone, the sisters work with businessman Robert Nelson (Arnold) to get their father back home. Unbeknownst to her daughters, Louise falls in love with pianist José Iturbi (as himself).

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Watching 1939: Over the Moon (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Over the Moon (1939)

Release date:  Oct. 13, 1939

Cast:  Merle Oberon, Rex Harrison, Ursula Jeans, Robert Douglas, Louis Borel, Peter Haddon, David Tree, Carl Jaffe, Mackenzie Ward, Ethel Griffies (uncredited)
As themselves: Elisabeth Welch

Studio:  London Film Productions

Director:  Thornton Freeland

Plot:
Jane (Oberon) was a formerly wealthy girl who can’t make ends meet and is in love with the local doctor Dr. Freddie Jarvis (Harrison). However, Jane learns that she has inherited £18 million. Dr. Jarvis isn’t interested in being involved with Jane, because her money would ruin his ambition and her fun. Fortune hunters chase Jane, all the while she pines for Dr. Jarvis.

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Musical Monday: The Gang’s All Here (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Gang’s All Here (1943) – Musical #310

Studio: 20th Century Fox

Director: Busby Berkeley

Starring: Alice Faye, Carmen Miranda, James Ellison, Phil Baker, Eugene Pallette, Charlotte Greenwood, Edward Everett Horton, Dave Willock, Sheila Ryan, Jeanne Crain (uncredited), June Haver (uncredited), Adele Jergens (uncredited), Adele Jergens (uncredited), Mary Stewart (uncredited), Frank Faylen (uncredited), Charles Saggau (uncredited)
Themselves: Benny Goodman and his Orchestra, Tony De Marco

Plot:
Nightclub performer Edie Allen (Faye) meets soldier Andy Mason (Ellison) in a night club. Andy falls for her, but gives her a false name. Edie writes to Andy (or Casey which is the name he gave her), while he is fighting in the Pacific. When he returns home a hero, a War Bond benefit is given in his honor starring Edie and the rest of the nightclub performers. The problem is, Andy is engaged to another girl (Ryan).

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Watching 1939: Each Dawn I Die (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

1939 film: Each Dawn I Die (1939)

Release date: July 22, 1939

Cast: James Cagney, George Raft, Jane Bryan, Victor Jury, Louis Jean Heydt, Alan Baxter, Maxie Rosenbloom, Stanley Ridges, Paul Hurst, Thurston Hall, Willard Robertson, Edward Pawley, Pete Wray, George Brancroft

Studio: Warner Bros.

Director: William Keighley

Plot:
Reporter Frank Ross (Cagney) is hot on the trail of a story that will expose corruption in the district attorney’s office. To stop him from writing further, the district attorney’s frames him in a murder and Frank lands in jail.

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Musical Monday: Love Me or Leave Me (1955)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Love Me or Leave Me – Musical #39

Studio: Metro-Goldwyn-Mayer

Director: Charles Vidor

Starring:
Doris Day, James Cagney, Cameron Mitchell, Robert Keith, Tom Tully, Harry Bellaver, Richard Gaines, Claude Stroud, Audrey Young, Dorothy Abbott, Veda Ann Borg, Robert Dix (uncredited), Jay Adler,

Plot:
Biographical musical on Ruth Etting (Day). Etting has dreams of becoming a singer. Etting is discovered by gangster Marty Snyder (Cagney) after she is fired as a taxi dancer. Using his force, Snyder helps Etting get singing bookings. Etting’s talent carries other offers, but Snyder still continues to control Etting’s life and career from Broadway to Hollywood, including having her marry him. Etting is also in love with her piano player Johnny Alderman (Mitchell), but is trapped by Snyder.

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Saying goodbye to Doris Day

On the first day of eighth grade in 2002, I was a changed girl.

I was sporting contact lenses after wearing glasses for years, and I had a new favorite actress that changed my life over the summer: Doris Day.

I excitedly asked my friends as we walked through the halls if they had seen “Pillow Talk” (1959). Only one friend, Chelsey, had but most hadn’t. I think this is when I started to realize I was different from the other middle school kids … but I didn’t care.

Doris continued to affect my day-to-day life. I sought out her movies, and I saw the majority of them when she was the Turner Classic Movies Star of the Month in January 2003. “Romance on the High Seas,” “It Happened to Jane” and “On Moonlight Bay” became some of my favorite films. I listened to her music and tried to sing like her, and checked her autobiography out from the library. I even tried to mimic her behavior in films, such as wanting to learn how to play the ukulele like she does in “Please Don’t Eat the Daisies” (1960).

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Musical Monday: Maytime in Mayfair (1949)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Maytime in Mayfair (1949)– Musical #594

Studio:
Herbert Wilcox Productions

Director:
Herbert Wilcox

Starring:
Anna Neagle, Michael Wilding, Peter Graves, Nicholas Phipps, Thora Hird, Michael Shepley, Tom Walls, Mona Washbourne

Plot:
Michael Gore-Brown (Wilding) is a broke aristocrat who inherits the fancy lady’s dress shop in the fashionable neighborhood, Mayfair. Michael is planning to sell the shop until he meets and falls in love with the shop’s owner and designer Eileen (Neagle). He tries to run the shop on his own but realizes he needs Eileen to compete with another sophisticated shop owner, D’Arcy Davenport (Graves).

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