Category Archives: Musical Monday

Musical Monday: “Broadway Melody of 1936” (1935)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

BROADWAY MELODY 1936This week’s musical:
“Broadway Melody Of 1936” (1935) –Musical #206

Studio:
MGM

Director:
Roy Del Ruth

Starring:
Eleanor Powell, Robert Taylor, Jack Benny, Una Merkel, Buddy Ebsen, June Knight, Frances Langford (as herself)

Plot:
This is the second “The Broadway Melody” film, following the “Broadway Melody of 1929” and is considered one of the best Broadway Melody films, according to “All about Oscar: The History and Politics of the Academy Awards” By Emanuel Levy. Bob Gordon (Taylor) wants to put on a show and his high school sweetheart Irene (Powell) is hoping he will recognize her talent. However, Lillian Brent (Knight) is putting money in the show and wants to star in the show in return. Irene poses as a sexy French star in order to get the leading role. Bert Keeler (Benny) is a Broadway columnist adding comic relief, always getting punched in the nose.

Trivia:

Parker posing as Mademoiselle Arlette-the fake French star invented by gossip columnist Bert Keeler

Powell posing as Mademoiselle Arlette-the fake French star invented by gossip columnist Bert Keeler

-MGM was apparently in danger of going bankrupt in 1935. “Broadway Melody of 1936” and other Eleanor Powell films is what saved the studio, according to the musical documentary “That’s Entertainment III” (1994).
-Powell was originally given the smaller role of a secretary played by Una Merkel and along with another dance. Powell did a dance a screen test before the film started to see her versatility and she did a dance combination of tap, ballet and acrobatics, according the book “American Classic Screen Profiles” edited by John C. Tibbetts, James M. Welsh. Because of the dance, Powell was moved to a role with higher billing.
-Buddy Ebsen performs with his real life sister Vilma Ebsen in the film. Broadway Melody of 1936 is Vilma’s only film. The two started out as a vaudeville act and were once known as the “Baby Astaires”
-Part of a series of “Broadway Melody” films starting with “Broadway Melody” (1929) and followed by “Broadway Melody of 1938” (1937) and “Broadway Melody of 1940” (1940). Taylor, Powell and Ebsen starred again together in “Broadway Melody of 1938.” However, other than show business, the movies have no plot connection.
-Nominated for an Academy Award for Best Picture. “Mutiny on the Bounty” was the Best Picture winner that year.
-Also nominated for Best Writing, Original Story and won for Best Dance Direction.
-Tap dancer Eleanor Powell’s first leading role.
-Buddy Ebsen’s first film.
-Powell’s singing is dubbed by Marjorie Lane.

Robert Taylor as Bob Gordon.

Robert Taylor as Bob Gordon.

Highlights:
-Robert Taylor singing “I’ve Got a Feelin’ You’re Foolin’.” Taylor is not known for his singing, but he does a good job performing. The song is performed on a rooftop dance floor and tables and chairs pop up out of the floor.  The number is a great example of the excessively wealthy often represented in early to mid-1930s films.
-The odd man at the talent agency who is looking to get into show business with his different snoring sounds.
-Buddy Ebsen tap dancing with his real life sister Vilma Ebsen in the fun song “Sing Before Breakfast.”
-Eleanor Powell does a Katharine Hepburn impression from “Morning Glory.”
-In a dream sequence, Powell ballet dances to “You Are My Lucky Star” showing her versatility of dance
-Bert Keeler’s stooge dresses up like a woman to fool people about a fake French actress.

Notable songs:
The whole score is excellent because it is made up by song by composer Nacio Herb Brown including:
-“Broadway Rhythm” sung by Frances Langford
-“You Are My Lucky Star” sung by Frances Langford. Langford sings it straight and sweet and then swings the song, characterizing it with her singing style.
-“Broadway Melody”
-“I’ve Got a Feelin’ You’re Foolin'” sung by Robert Taylor and June Knight
-“Sing Before Breakfast” performed by Buddy and Vilma Ebsen

Powell in the film's finale

Powell in the film’s finale

My review:
“Broadway Melody of 1936” is a fun musical with excellent songs. It’s a good example of the frothy, escapism films that were relevant during the Great Depression. Eleanor Powell is a delight to watch tap dancing in any film, but especially her first starring role. While tap dancers were a dime a dozen in the 1930s, she was innovative and stood out against the rest. Robert Taylor was still in his “pretty boy” phase of his career, but aside from his looks, you can see that he has talent as an actor.
The Ebsens are wonderful to watch and it’s a treat to see the brother and sister dance together in their only film.
My only complaint is joke about the man who snores wears very thin.
“Broadway Melody of 1936” is considered the best of the “Broadway Melody” films. “Broadway Melody of 1938” is very similar with a similar cast-with the addition of Judy Garland and the great Sophie Tucker. “Broadway Melody of 1940” teams Eleanor Powell for the only time with Fred Astaire.

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.

Musical Monday: “Lili” (1953)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

liliThis week’s musical:
“Lili“– Musical #473

Studio:
MGM

Director:
Charles Walters

Starring:
Leslie Caron, Mel Ferrer, Jean-Pierre Aumont, Zsa Zsa Gabor, Kurt Kasznar

Plot:
An orphan young girl named Lili (Caron) goes to work for a baker who has already died. She is taken in by a carnival group and develops a crush on the lecherous magician Marc (Aumont). After she loses a waitressing job in the carnival, she doesn’t know who to turn to. Just as she considers taking her life, a puppet calls to her from the puppet booth (with Mel Ferrer behind the curtain). Lili sings and jokes with the puppets, and a crowd grows behind her. The angry Paul (Ferrer) sees the crowd and stars an act with Lili. The whole time, Lili is still infatuated with Marc, which angers Paul.

Trivia:
-Leslie Caron is supposed to play a 16 year old girl in the film. She really was 22 years old.
-Gower Champion directed a stage version on Broadway of the movie in 1961 called “Carnival.” The Leslie Caron role was played by Anna Marie Alberghetti.
-The song “Hi-Lilli Lo-Lilli” reached #30 on the charts
-Based on the Saturday Evening Post short story “The Man Who Hated People” by Paul Gallico. The story was based on the puppet show “Kukla, Fran and Ollie”.
-Bronislau Kaper won an Academy Award for Best Music Scoring
-Other Academy Award Nominations: Leslie Caron was Best Actress, Best Art Direction for a Color film, Best Cinematography for a Color film, Charles Walters for Best Director, Helen Deutsch for Best Writing, Screenplay
-Cabaret puppeteers Walton and O’Rourke made the puppets for the film.
-Professional puppeteers worked the puppets of Carrot Top, Golo the Giant, Marguerite and Reynardo—not Mel Ferrer.

Leslie Caron as Lili talks with puppets

Leslie Caron as Lili talks with puppets

Highlights (and unintentional humorous scenes):
-Lecherous Aumont says about young Lili “The female soul is like a chestnut, it has to go through fire before it gets delicious”
-Mel Ferrer’s character used to be a great dancer, but his leg was injured in the war so he can no longer dance. And he’s bitter. At one point, he angrily shouts, “I shall now perform a double pirouette!” and then dramatically slams into a cabinet and says he no longer can dance. It’s hilariously awkward.
-During a dream sequence, Caron sort of dances with Aumont. She first wears a sexy waitress outfit and then is transformed into a slinky sequin dress that his assistant (Gabor) wears.
-Caron says that Carrot Top the puppet is her boyfriend.
-Ferrer walks in as Aumont is trying to seduce Caron. Ferrer basically calls her a whore, but a short time later is calling her sweet and as pure as a silver bell.
-After being hurt by both Ferrer and Aumont, Caron decides to leave. Ferrer convinces her to stay through the puppets. Caron hugs the puppets. Then Caron asks, “Why do you hide behind these puppets?” Ferrer yells, “I am the puppets!”
-Caron finally leaves town and has another dream sequence and has a dream sequence where she is walking with life sized versions of Ferrer’s puppets.

Lili dances with life size puppets during a dream sequence.

Lili dances with life size puppets during a dream sequence.

Notable Songs:
-Though this is said to be a musical, “Lili” only has one song that is sung multiple times: “Hi-Lilli, Lo-Lilli”

My Review:
Several reviews says that “Lili” is refreshing, charming and whimsical, but I can’t say that I was as enchanted. The premise of the story is fairly charming, but the puppets, the lecherous men and Mel Ferrer’s dramatic outbursts killed it for me.
The movie-dubbed a musical- was a huge waste of Leslie Caron’s immense talent as a ballet dancer. Caron’s film career started off with the extravaganza “An American in Paris” (1951) where she had elaborate dance scenes. Even in the dream sequences, Caron only made a few prances here and there, but nothing that showed off her professional dancing skills.
Following “Lili,” Caron once again got to show off her ballet skills in “The Glass Slipper” (1955) and “Daddy Long Legs” (1955).
All in all, I found “Lili” rather strange and couldn’t close my mouth from disbelief when the film ended.

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Mondays: “Three Smart Girls” (1936)

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It’s no secret that the Hollywood Comet loves musicals.

In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Three Smart Girls” (1936) Musical #132

Three_Smart_Girls_Poster

Studio:
Universal Pictures

Director:
Henry Koster

Starring:
Deanna Durbin, Ray Milland, Charles Winneger, Binnie Barnes, Alice Brady, Mischa Auer, Nan Grey, Barbara Read, Lucile Watson,

Plot:
Three sisters (Read, Gray, Durbin) living with their mother in Switzerland hear that their father (Winneger) is remarrying. The sisters travel to New York to see their father- who they haven’t seen in 10 years- to stop the wedding so their parents can get back together. The sisters scheme to make the new, gold-digging bride (Barnes) turn her attention to a wealthier fellow

Babara Read, Deanna Durbin and Nan Grey as sisters in "Three Smart Girls"

Barbara Read, Deanna Durbin and Nan Grey as sisters in “Three Smart Girls”

Trivia:
-Opera singing actress Deanna Durbin’s first film
-Louis B. Mayer had Durbin and Judy Garland both tested for MGM Studios. Garland was signed with MGM while Universal signed Durbin. Garland cried when she saw Universal had faith in Durbin to lead in her first films, and MGM was sticking Garland into supporting roles, according to the 2010 book “The Songs of Hollywood” by Philip Furia and Laurie Patterson.
-“Three Daring Daughters” (1948) is not officially said to be a remake, the movies are very similar. Opera singing Jane Powell is similar to the Deanna Durbin role and the daughters are trying to get their newly married mother back with their father. The films end differently, though.
-The plot can also be compared to the Hayley Mills Disney film, “The Parent Trap” (1961).
-Followed by “Three Smart Girls Grow Up” (1939) and “Hers To Hold” (1943)
-Nominated for an Academy Award for Best Picture of 1936 against films such as “The Great Ziegfeld,” “Libeled Lady,” “Anthony Adverse,” “Mr. Deeds Goes To Town,” “Romeo and Juliet” and “San Francisco.” “The Great Ziegfeld” was the Best Picture winner that year.
-The film was also nominated for an Academy Award for Best Sound Recording and Best Writing for Original Screenplay.

Notable songs:
None of the songs are terribly familiar or familiar, other than “Il Bacio,” but they all showcase Durbin’s beautiful voice. Aside from a brief song from Binnie Barnes, the four songs sung in the comedy are all by Durbin.

My review:

Young Ray Milland (Screencap by Michael Troutman at I Shoot the Pictures http://ishootthepictures.com/2011/12/15/my-deanna-durbin-punishment-part-i-three-smart-girls-1936-worth-a-look/)

Young Ray Milland (Screencap by I Shoot the Pictures)

Though I’m not sure how the movie was nominated for Best Picture, I really enjoy “Three Smart Girls” (1936).
The film would have catered to both adult and child audiences in 1936 with the adult and child stars in the film.
It’s also a joy to see young Ray Milland early in this film career. Though he started in films in the early 1930s, “Three Smart Girls” was around the time when he started playing credited roles.
This is not your average musical full of singing and dancing in the middle of the street. “Three Smart Girls” is a comedy serving as a vehicle for up and coming star Deanna Durbin. The plot tells that she is taking singing lessons to become an opera singer, and she will break into song when asked.

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: “Summer Magic” (1963)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500.
To celebrate and share this musical love, I’m starting a weekly feature about musicals.

This week’s musical:
Summer Magic (1964) — Musical Number 44

summer magic poster

Starring:
Hayley Mills, Burl Ives, Dorothy McGuire, Deborah Walley, Una Merkel, Peter Brown, James Stacey, Eddie Hodges, Jimmy Mathers

Director:
James Neilson

Studio:
Walt Disney Studios

Plot:
Set at the turn of the century, the Carey family finds themselves penniless after their father dies. The family moves from Boston, Mass. to Beulah, MN to a home Nancy (Mills) remembers the family admiring while they were on vacation. Once they arrive at the home, they find it run-down, but with the help of post master Osh Popham (Ives), the family fixes up the home. Surrounding the bustle of fixing up the home, the Carey’s snobby orphan cousin Julia (Walley) comes to live with them, and Julia and Nancy fall for the same boy (James Stacey).

Nancy (Mills) and Julia (Walley)

Nancy (Mills) and Julia (Walley)

Trivia:
-“Summer Magic” is based off the book “Mother Carey’s Chickens” by Kate Douglas Smith Wiggin
-The film is also a remake of the non-musical 1938 film “Mother Carey’s Chickens” starring Anne Shirley, Ruby Keeler, James Ellison, Walter Brennan, Fay Bainter, Virginia Weidler and Ralph Morgan.
-The movie was originally supposed to star Annette Funicello
-The song “On the Front Porch” is songwriter Robert Sherman’s personal favorite song from his own work, according to Sherman’s 1998 book “Walt’s Time: Before and Beyond”
-Walt Disney didn’t like the song “Ugly Bug Ball” sung by Burl Ives. Sherman persuaded Disney to keep the song and it went on to be a popular song from the film, according to Sherman’s book.
-The youngest brother, Peter Carey, is played by Jimmy Mathers—brother to Jerry Mather’s of “Leave It To Beaver” fame.
-Dorothy McGuire’s singing is dubbed by Marilyn Hooven

Osh (Burl Ives) sings “On the Front Porch”

Notable Songs:
-Most of the songs are silly and forgettable but are still pretty catchy, lighthearted and enjoyable. Some of my favorites include:
– Femininity- Nancy (Mills) and Julia (Walley) sing this song to Lallie Joy Popham (Wendy Turner) so that Nancy’s brother Gilly (Hodges) will notice her.
The song tells Lallie Joy to “hide the real you,” “men adore good listeners” and “don’t laugh too loud”
-Pink of Perfection- Gillie (Hodges) and Nancy (Mills) sing a song making fun of Julia saying she is a “dainty baboon,” has the “the charm of a moose” and has knock knees. The song is sung in their distain when they hear Julia is coming to stay with them.
-Ugly Bug Ball sung by Osh (Ives) and Peter (Mathers). It’s not personally my favorite song in the film and is mainly footage of different bugs crawling, but it’s catchy and cute.
-Flitterin’- sung by Mills, Hodges and McGuire (dubbed). The family sings it when they get a player piano as they are packing to Maine. It’s a brief little tune, but it’s catchy. Really, I enjoy it because I sang this song in the four times I have moved in the last two years.

My Review:
I’ll never forget the summer my mom introduced “Summer Magic” to my sisters and I. My dad was out of town on a business trip and she recorded it special off the Disney Channel for us to watch.

Since then, it has been a special favorite, filled with color, catchy Sherman brothers’ songs, and an outstanding cast. The turn-of-the-century costumes by Bill Thomas are also beautiful. Thomas dressed Deborah Walley in pink and Hayley Mills in yellow and it’s just gorgeous to see.

“Summer Magic” isn’t as well known as other Disney films such as “Old Yeller” or “The Parent Trap,” but it is a lot of fun and is a movie I grew up on.

If you like Hayley Mills films, you can’t go wrong with this one. But aside from Hayley, the supporting cast is gold! Dorothy McGuire as the mom and Burl Ives and Una Merkel are a hilarious treat as a quarreling married couple. Not to mention James Stacey and Peter Brown who round out the cast as handsome male leads (though Peter Brown disappointingly has very little screen time). You also see pre-Bonnie and Clyde Michael J. Pollard.

This is a remake of the 1938 film “Mother Carey’s Chickens,” starring Anne Shirley, Ruby Keeler, James Ellison, Frank Albertson, Fay Bainter and Donnie Dunagan (the voice of Bambi). While that is a fun (non-musical) film, I do prefer this one better. “Mother Carey’s Chickens” shows the audience when the father (Ralph Morgan) passes away. But I don’t feel like we get as deep into the romance aspect as “Summer Magic.” Also, Donnie Dunagan’s character is just annoying.

I would have loved to see what this movie would have been like had it really starred Annette Funicello, but it’s still pretty wonderful with Hayley Mills.

Even through it’s silly, forgettable songs and sometimes crazy plot, “Summer Magic” is one of my favorites. I’m fairly certain you will be “flitterin'” also.

Nancy (Mills) enters the Halloween party with handsome Tom Hamilton (Peter Brown) in “Summer Magic”

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.

Musical Mondays: “Thank Your Lucky Stars” (1943)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500.
To celebrate and share this musical love, I’m starting a weekly feature about musicals.

Poster - Thank Your Lucky Stars_01

This week’s musical:
Thank Your Lucky Stars (1943) –Musical Number 470

Starring:
All top Warner Brothers stars: Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia De Havilland, Ida Lupino, Errol Flynn, Ann Sheridan, John Garfield, George Tobias, Dennis Morgan, Jack Carson, Dinah Shore, Alexis Smith, Joan Leslie, Alan Hale, S.Z. Sakall, Edward Everett Horton,

Director:
David Butler

Studio:
Warner Brothers Studios

Plot:
“Thank Your Lucky Stars” is a movie with less of a plot and more musical numbers from the top stars of the 1940s.
The plot that runs between the musical numbers is about producers (played by S.Z Sakall and Edward Everett Horton) who want to put on a wartime charity event for soldiers. Egotistical Eddie Cantor, playing himself, takes over the production. Singer Tommy Randolph, played by Dennis Morgan, and his girlfriend Pat, played by Joan Leslie, try to get into the show and replace the real Cantor with a bus driver who looks just like Cantor (also played by Eddie Cantor). Zany comedic moments and confusion ensue as Eddie Cantor has to prove he is the real Eddie Cantor.
Stars who usually don’t appear in musicals perform in the film such as Bette Davis, Ida Lupino and Errol Flynn.

Dennis Morgan and Joan Leslie are one of the few stars in "Thank Your Lucky Stars" who don't play themselves.

Dennis Morgan and Joan Leslie are one of the few stars in “Thank Your Lucky Stars” who don’t play themselves.

Trivia:
-This is one of the few movies where Bette Davis sings- another film where she sings is “What Ever Happened to Baby Jane.” She performs the musical number “They’re Either Too Young or Too Old.”

-During Bette Davis’s musical number, she jitterbugs with champion jitterbugger Conrad Wiedell. Davis never rehearsed the dance with Wiedell, because she was afraid she could only get through the dance once, according to the book “The Girl Who Walked Home Alone” by Charlotte Chandler.
 “Look, I’m not a movie star. I’m just some dame you picked up at the dance hall,” she told him.
She hurt her leg during the dance, and you can see she is limping at the end of the dance and rubs her leg but completes the number. Davis didn’t want to spoil the take, because she didn’t think she could do the dance again, according to Chandler’s book.
-This is the last of nine movies Errol Flynn and Olivia De Havilland star in together.
-Though not dubbed in every movie, Joan Leslie is dubbed by Sally Sweetland.
-Olivia De Havilland is dubbed by Lynn Martin.
-All of the stars were paid $50,000 for the film which was donated to the Hollywood Canteen, according to “Errol Flynn: The Life and Career” by Thomas McNulty.
-Errol Flynn proposed singing as the cockney bar patron, because he wanted to do something different, according to McNulty’s book.

Notable Songs and Highlights:
Almost every song in the movie is worth noting because so many unique performances from stars you usually don’t get to hear singing:
-Errol Flynn sings “That’s What You Jolly Well Get” as a braggart Cockney. Flynn does an EXCELLENT job. He dances and sings with ease and sells the song well, while being humorous at the same time.
-John Garfield sings “Blues in the Night.” Garfield is no crooner and the song is a bit rough. However, he gives it his all-while telling a story between the lyrics-and is very entertaining.
-Ida Lupino, George Tobias and Olivia de Havilland sing “The Dreamer.” Lupino and De Havilland sings as gum chomping, jitterbugging dames and make a hilarious trio with Tobias.
My only disappointment is that de Havilland is dubbed and it’s obvious. Tobias and Lupino sing well but their unpolished voices don’t mix well with the de Havilland’s dubbed voice.

-Hattie McDaniel belts out sings “Ice Cold Katie”
-Bette Davis sings “They’re Either Too Young or Too Old” and jitterbugs. The song was nominated for an Academy Award and became a hit because of Davis.
-Ann Sheridan sings “Love Isn’t Born” with a group of Warner Brothers starlets, including Joyce Reynolds. Her song is one of the best in the movie. Sheridan is a great singer was in a few musicals, though that isn’t what she’s known for.
My Review:
This movie is a delight!
If you are expecting a movie with a firm plot and a moral, this may not be for you. But if you want to laugh and smile, “Thank Your Lucky Stars” will do the trick. Every single musical performance brings a smile to my face, especially those performed by Errol Flynn, Bette Davis, Ann Sheridan and John Garfield.
Movies that were basically musical reviews were not rare in the 1940s. Several World War II films took on a canteen-style approach with thin plots and dominate musical numbers such as Hollywood Canteen (1944), Stage Door Canteen (1943), Two Girls and A Sailor (1944) and Thousands Cheer (1943). Warner Brothers made a similar, but less appealing, musical review in the 1950s for the Korean War called “Starlift.”
“Thank Your Lucky Stars ” also gives you an education of who the top actors and actresses were at Warner Brothers Studios during the 1940s.
I own this movie via the Warner Brothers Homefront Collection which includes “This is the Army” and “Hollywood Canteen” released in 2008. If you don’t own it, I highly suggest it.

Eddie Cantor in the "Thank Your Lucky Stars" finale

Eddie Cantor in the “Thank Your Lucky Stars” finale

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.

Musical Mondays: Something for the Boys (1944)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500.
To celebrate and share this musical love, I’m starting a weekly feature about musicals.

something for the boysThis week’s musical:
Something for the Boys (1944) – Musical number #469

Starring:
Vivian Blaine, Carmen Miranda, Phil Silvers, Michael O’Shea, Perry Como, Shelia O’Ryan

Director:
Peter Seiler

Studio:
Twentieth Century Fox

Plot:
Three cousins find they are heirs to a southern plantation in Georgia. The cousins couldn’t be more different: singer Blossom Hart (Blaine), defense worker Chaquita Hart (Miranda) and con man Harry Hart (Silvers). The mansion isn’t quite what they expected and they turn it into a home for the wives of soldiers who are stationed at a nearby Army base. To help raise money for the home, they put on a show and Blossom meets and falls in love with soldiers Rocky Fulton (O’Shea).

Trivia:
-Ethel Merman starred in the original Broadway production that opened on Jan. 7, 1943 and ran for 422 performances.
-Judy Holliday can be spotted in a brief role six minutes into the film. This is her third film.

Judy Holliday in a brief role in "Something for the Boys" (Comet Over Hollywood/ Screen Cap by Jessica P.)

Judy Holliday in a brief role in “Something for the Boys” (Comet Over Hollywood/ Screen Cap by Jessica P.)

-“Something for the Boys” is one of four films Vivian Blaine and Carmen Miranda were in together. The other films included “If I’m Lucky” (1946), “Doll Face” (1945) and “Greenwich Village” (1944).

Notable Songs:
-Carmen Miranda sings “Batuca Nega” and “Samba-Boogie.” Any Miranda performance in a film is notable for her energy and colorful outfits.
-Phil Silvers performs the song “Southland.” Though he’s from New York, it seems to be a running tradition in Silvers’s films to sing songs about the South. His songs are similar to songs Al Jolson would sing.
-We get to hear songs from popular 1940s singer Perry Como, who performs “In the Middle of Nowhere” and “I Wish We Didn’t Have to Say Goodnight.”

Perry Como singing "I Wish I Didn't Have to Say Goodnight" to Cara Williams. (Comet Over Hollywood/ Screen cap by Jessica P.)

Perry Como singing “I Wish I Didn’t Have to Say Goodnight” to Cara Williams. (Comet Over Hollywood/ Screen cap by Jessica P.)

Highlights:
-A running joke in the movie is that Carmen Miranda has carborundum in her tooth filling from working as a machinist. Because of this, she always hears the radio, whether it is on or off. It’s pretty silly but a unique joke. At one point in the film, they use her to send Morse Code.

Due to Carmen Miranda's short wave radio tooth-she is being used to send Morse Code. Also pictured-Michael O'Shea, Vivian Blaine, Phil Silvers. (Comet Over Hollywood/Screen cap by Jessica P.)

Due to Carmen Miranda’s short wave radio tooth-she is being used to send Morse Code. Also pictured-Michael O’Shea, Vivian Blaine, Phil Silvers. (Comet Over Hollywood/Screen cap by Jessica P.)

-Judy Holliday says one line six minutes into the movie. Her line explains the problem Miranda may be having with carborundum in her teeth.
-Seeing Vivian Blaine star in the film. Blaine is an energetic, beautiful and talented performer who I enjoying seeing in any film. It’s a shame she is not as well remembered as other 20th Century Fox actresses.
-Jimmie Dodd of Mickey Mouse Club fame can be spotted 51 minutes into the film as a “gambling soldier.”

Vivian Blaine singing "Eighty Miles Outside of Atlanta" (Comet Over Hollywood/ Screen cap by Jessica P.)

Vivian Blaine singing “Eighty Miles Outside of Atlanta” (Comet Over Hollywood/ Screen cap by Jessica P.)

My review:
“Something for the Boys” is a light but fun musical filmed during World War II. It is in color, has catchy songs and gorgeous costumes, but it somehow falls short of other Fox musicals that starred Betty Grable or Rita Hayworth.
There are some very silly jokes such as Carmen Miranda’s short-wave-radio-tooth, but it’s entertaining nonetheless. My only complaint is that I find Phil Silvers annoying and Michael O’Shea to be a weak leading man.
It’s not a well-known film with a cast of stars who are fairly forgotten today, with the exception of Carmen Miranda and Phil Silvers.
However, it’s a glittering and colorful musical comedy that will brighten a lazy afternoon.

Carmen Miranda performing "Samba-Boogie" (Comet Over Hollywood/Screen cap by Jessica P.)

Carmen Miranda performing “Samba-Boogie” (Comet Over Hollywood/Screen cap by Jessica P.)

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.

Musical Mondays: “Second Chorus” (1940)

Posted on by

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500.
To celebrate and share this musical love, I’m starting a weekly feature about musicals.

second chorusThis week’s musical: 
“Second Chorus” (1940) – Musical #169

Starring:
Paulette Goddard, Fred Astaire, Artie Shaw, Burgess Meredith, Charles Butterworth

Director:
H.C. Potter

Studio:
Paramount Pictures

Plot:
Danny O’Neill (Astaire) and Hank Taylor (Meredith) are seventh year college students who flunk on purpose to continue playing the trumpet in their college jazz band.
They meet Ellen Miller (Goddard) who becomes their manager for the band. And when band leader Artie Shaw (as himself) hires Ellen, Danny and Hank scheme and double cross each other to get into Shaw’s band.

Trivia:
-Astaire and Meredith are both supposed to be college students. Though they were supposed to be in college for seven years, they were both much too old to be students. Astaire was 41 and Meredith was 33.
-Meredith and Goddard were married at one time, but no during this film. The two actors didn’t get married until 1944.
-Billy Butterfield dubbed Meredith’s trumpet playing and Bobby Hackett dubbed Astaire’s. If you play a musical instrument or were ever in band, it’s pretty obvious that neither is playing. They are pretty terrible at faking it.

Artie Shaw and his band performing in "Second Chorus."

Artie Shaw and his band performing in “Second Chorus.”

Notable Songs:
-No song really stands out, though you do get to hear Artie Shaw and his band perform several time. This is another example of having the opportunity to hear a popular band leader of that time period.

Highlights:
-Goddard and Astaire dance together in the song “Dig It.”


-A good comedic moment for Goddard is when she talks to varying groups of people to sell the Astaire and Meredith’s bands. She talks to proper old women, thugs and teenagers-acting like she is one of them with each.

-Astaire works in a Russian restaurant and plays in the restaurant band, dressed as a Cossack. He does the Cossack dance while (pretending) to play the trumpet.

Astaire, dressed as a Cossack, does the Cossack dance while playing the trumpet. (Comet Over Hollywood/ Screencap by Jessica Pickens)

Astaire, dressed as a Cossack, does the Cossack dance while playing the trumpet. (Comet Over Hollywood/ Screencap by Jessica Pickens)

-The finale includes Astaire directing a band while tap dancing and eventually while tap dancing and playing the trumpet. Far-fetched but fairly entertaining.

Astaire leaps while directing Artie Shaws band and tap dancing in the finale of "Second Chorus." (Comet Over Hollywood/Screen cap by Jessica Pickens)

Astaire leaps while directing Artie Shaws band and tap dancing in the finale of “Second Chorus.” (Comet Over Hollywood/Screen cap by Jessica Pickens)

 

My Review:
This is a fairly enjoyable film but one of Fred Astaire’s more forgettable movies. However, I would rank it better than the Astaire and Joan Fontaine musical, “A Damsel In Distress.”
Also, for a Fred Astaire musical, he had far fewer musical numbers than usual and the film seemed more like a vehicle to highlight Artie Shaw and his band.
The thing that bugged me the most were how badly Meredith and Astaire faked playing the trumpet. Bad form, puffing of cheeks, one hand playing. I guess that comes from being in the band for several years.
Also, though Astaire and Meredith are good actors, I would say Paulette Goddard acted circles around them both and was the best part of the movie.

Astaire, Goddard and Meredith in "Second Chorus"

Astaire, Goddard and Meredith in “Second Chorus”

Check back next week for Musical Monday.

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Musical Mondays: “Thrill of a Romance” (1945)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

thrill posterThis week’s musical:
“Thrill of a Romance” (1945)- Musical #502*

Studio:
Metro-Goldwyn-Mayer

Director:
Richard Thorpe

Starring: 
Esther Williams, Van Johnson, Frances Gifford, Henry Travers, Spring Byington, Lauritz Melchior, Tommy Dorsey and his band

Plot:
Pretty swimming teacher Cynthia Glenn (Williams) is swept off her feet by wealthy Robert Delbar (Carelton Young) who charms her in a whirlwind romance. After a short time, Cynthia and Robert are married and head to a resort for their honeymoon.
However, after only being married a few hours, Robert abandons his new bride for a business deal, leaving her alone on her honeymoon. As she mopes about being left alone, World War II hero, Major Thomas Milvaine (Johnson) sweeps in to cheer her up.
All of this happens on a glittering backdrop of Technicolor outdoor scenery, swimming sequences and musical performances from big band leader Tommy Dorsey and opera singer Lauritz Melchior.

Trivia:

Van Johnson and Esther Williams. This is my favorite outfit Esther wears in the film.

Van Johnson and Esther Williams. This is my favorite outfit Esther wears in the film.

-“Thrill of a Romance” is the first of four full-length films Esther Williams and Van Johnson made together. But this wasn’t their first film together. Williams has a brief part in “A Guy Named Joe” (1943) with Johnson. Their other films include “Easy to Wed,” “Duchess of Idaho” and “Easy to Love.”
-A young girl plays the piano and sings and is supposed to be Tommy Dorsey’s daughter in the film.  The girl isn’t Dorsey’s daughter and is actress Helene Stanley playing Susan Dorsey in the film. However, he did have a daughter named Susie in real life.

Notable songs:
-Tommy Dorsey plays one of his famous songs, “Song of India.” Aside from that song, it’s always fun to hear big band music in films, especially since that would have been the “pop standard” of that time period.
-Famous Danish opera singer Lauritz Melchior performs several songs in the film. This is notable since he was influential as an opera singer.

Highlights:
-Young Jerry Scott hiding on the terrace singing “Please Don’t Say No, Say Maybe.”
-Van Johnson lip syncing (though he can sing in real life) as Lauritz Melchior sings “Please Don’t Say No, Say Maybe.”
-Esther Williams swimming with Van Johnson

Esther and Frances Gifford.

Esther and Frances Gifford.

My review:
Not only is “Thrill of a Romance” my favorite Esther Williams film, but it is a perfect example of a mid-1940s MGM musical.
It’s not the type of musical where people break into song because they are so full of emotion they can’t speak. It is more a romantic story with a backdrop of musical performances.

Esther and Van dancing to Tommy D

Esther and Van dancing to Tommy D

The film has a beautiful set, gorgeous costumes, catchy songs and vibrant, young actors.
MGM films always have that something extra special, and while there are a lot of special things about this movie-Esther Williams and swimming sequences stand out.
Louis B. Mayer liked to add class and culture to his films. While some musicals would have contemporary musicians featured, such as Tommy Dorsey in this one, he also featured classical performers in his films. This could vary from pianist Jose Iturbi or opera singer Lauritz Melchior, in the case of this film.
Though this movie may be dismissed as sugar coated, I always find it thoroughly enjoyable.
It will make you want to visit the resort they are staying at–and you will want Williams’s wardrobe. I don’t believe she wears more beautiful clothing in any of her other films.
It’s one of those films that if you are down, it will immediately lift your spirits.

*Though I saw this musical over eight years ago, I discovered I had never put it down on my musical list. Egads!

You can find my Esther Williams tribute here. Williams passed away at the age of 91 on June 6, 2013.

Check back next week for Musical Monday.

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.

Musical Mondays: Rose of Washington Square (1939)

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It’s no secret that the Hollywood Comet loves musicals.

In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500.

To celebrate and share this musical love, I’m starting a weekly feature about musicals.

This week’s musical:
“Rose of Washington Square” (1939)- Musical #462

roseStarring:
Alice Faye, Tyrone Power, Al Jolson, William Frawley, Joyce Compton

Director: 
Gregory Ratoff

Studio:
Twentieth Century Fox

Plot:
Set in the 1920s, Rose (Faye) and Ted (Jolson) dream of becoming singing stars. While Ted’s career takes off, Rose works her way up while singing in speakeasies. Then Rose meets and falls in love with gambling, con-artist Bart (Power). Bart has trouble with the law but somehow keeps his troubles away from her. When Rose is discovered by Ziegfeld and makes it big on Broadway, she and Bart marry but he disappears because of trouble with the law.

Trivia:
The plot of this film strongly resembled Fanny Brice’s relationship with Jules W. Arndt Stein. Faye even sings Brice’s signature song “My Man.”

Alice Faye as Rose falls in love with gambler Tyrone Power who plays Bart.

Alice Faye as Rose falls in love with gambler Tyrone Power who plays Bart.

Brice sued 20th Century Fox for $750,000 and the studio settled with Brice for an undisclosed amount, according to the Biography documentary on Alice Faye.

The publicity made “Rose of Washington Square the biggest musical hit of 1939.

Notable songs:
-Al Jolson sings his signature songs “My Mammy,” “Toot, Toot, Tootsie” and “California, Here I Come”

-Alice Faye sings Fanny Brice’s signature ballad “My Man”

Highlights:
-Louis Prima has an appearance playing the trumpet as Alice Faye sings. Not only is it always great to have a Prima appearance in a film, but Faye later married Phil Harris who performed with Prima in Disney’s “The Jungle Book.”

-When Alice Faye sings “Rose of Washington Square” specialty dancers Igor and Tanya perform a dizzying dance. Also dancers sing and dance as they smoke a cigarette, toss the cigarette and another appears in their hand.

"Rose of Washington Square" cigarette dancing

“Rose of Washington Square” cigarette dancing

My review:
Alice Faye once said, “My voice was deeper than the plot” of many of her movies and this applies to “Rose of Washington Square.”

I love Alice Faye and will watch her in anything, but my favorite part was getting to see her perform with Louis Prima. Though Jolson was in black face, it was interesting to see him perform several of the songs that made him famous.

The movie was released during Hollywood’s best year, has a stellar cast and well-known songs, but it lacks something. Aside from the Brice vs. 20th Century Fox publicity, it is a run of the mill singer-trying-to-make-it-big musical.

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Weekend One-Hundred: Musicals 301-400

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Betty Grable and June Haver in “The Dolly Sisters”

Several of you requested to see my musical list, this is the last of the musicals on the list-in the order I watched and recorded them.  This list goes from October 2007 to March 2010. Enjoy!

301.) Strike Up the Band (1940)
302.) You Can’t Run Away From It (1956)
303.) Follow the Boys (1963)
304.) Shipmates Forever (1935)
305.) Sweeny Todd (2007)
306.) Pot O’ Gold (1941)
307.) On the Avenue (1937)
308.) That Night in Rio (1941)
309.) My Wild Irish Rose (1947)
310.) The Gang’s All Here (1943)
311.) Road to Hong Kong (1962)
312.) The Pleasure Seekers (1964)
313.) Ice Follies of 1939 (1939)
314.) The Fabulous Dorsey’s (1947)
315.) Torch Song (1953)
316.) Blue Skies (1946)
317.) The Merry Widow (1934)
318.) Pajama Party (1964)
319.) Kid Nightingale (1939)
320.) My Sister Eileen (1955)
321.) Smilin’ Through (1941)
322.) Las Vegas Nights (1941)
323.) Reveille with Beverly (1943)
324.) Winter A-Go-Go (1965)
325.) So This is Love (1953)
326.) That’s Right, You’re Wrong (1939)
327.) Excuse My Dust (1951)
328.) Across the Universe (2007)
329.) Robin and His Seven Hoods (1964)
330.) Jam Session (1944)
331.) The Benny Goodman Story (1954)
332.) The Gene Krupa Story (1959)
333.) The Dolly Sisters (1945)
334.) Guys and Dolls (1954)
335.) Syncopation (1942)
336.) West Point Story (1950)
337.) Fun in Acapulco (1963)

“Li’l Abner”: One of the worst musicals I’ve ever seen

338.) Roustabout (1964)
339.) Stage Mother (1933)
340.) Viva Las Vegas (1964)
341.) The Great Caruso (1951)
342.) The Jazz Singer (1927)
343.) Interrupted Melody (1955)
344.) The Great Waltz (1938)
345.) A Song to Remember (1945)
346.) One Night of Love (1934)
347.) G.I. Blues (1960)
348.) George White’s Scandals (1945)
349.) Rose Marie (1954)
350.) An Alligator Named Daisy (1955)
351.) Li’l Abner (1958)
352.) A Star is Born (1954)
353.) Around the World (1943)
354.) Let Freedom Ring (1939)
355.) Chasing Rainbows (1930)
356.) Vagabond Lovers (1929)
357.) When Boys Meet Girls (1965)
358.) The Smiling Lieutenant (1931)
359.) The Gay Desperado (1936)
360.) Juke Box Rhythm (1959)
361.) Crooner (1932)
362.) Red, Hot and Blue (1949)
363.) Never Give a Sucker an Even Break (1941)
364.) The Big City (1948)
365.) Marianne (1929)
366.) Thoroughly Modern Millie (1967)
367.) Twenty Million Sweethearts (1934)
368.) One Hour with You (1932)
369.) I’ll Cry Tomorrow (1955)
370.) Artists and Models (1937)
371.) Grounds for Marriage (1951)
372.) I Married an Angel (1942)
373.) Slightly French (1947)
374.) New Moon (1940)
375.) Playmates (1941)
376.) You’ll Find Out (1940)
377.) Music in Manhattan (1944)
378.) Carolina Blues (1944)
379.) Cabin in the Sky (1943)
380.) Mad About Music (1938)
381.) Three Smart Girls Grow Up (1939)
382.) About Face (1952)
383.) Going Wild (1930)
384.) Rock, Rock, Rock (1956)
385. Sweet Kitty Bellairs (1931)
386.) Hot Heiress (1931)
387.) Daughter of Rosie O’Grady (1950)
388.) Sally (1929)
389.) Hearts Divided (1936)
390.) Time Square Lady (1935)
391.) Swing Fever (1943)
392.) Orchestra Wives (1942)
393.) Song of the Islands (1942)
394.) That Lady in Ermine (1948)
395.) She’s Working Her Way Through College (1952)
396.) Sunnyside Up (1929)
397.) Say One for Me (1959)
398.) Band Waggon (1940)
399.) Scrooge (1970)
400.) Coney Island (1943)

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