Musical Monday: Let’s Go Collegiate (1941)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

let's go collegiateThis week’s musical:
Let’s Go Collegiate (1941) – Musical #748

Studio:
Monogram Pictures

Director:
Jean Yarbrough

Starring:
Frankie Darro, Marcia Mae Jones, Jackie Moran, Keye Luke, Gale Storm, Frank Sully, Mantan Moreland, Billy Griffith, Barton Yarborough, Frank Faylen, Marguerite Whitten, Paul Maxey, Tristram Coffin

Plot:
The Rawley University rowing team is eagerly awaiting a star stroke for the crew, Bob Terry. But when Terry is drafted into the Army, the team’s coxswain, Frankie (Darro) and his teammates Tad (Moran) and Buck (Luke), think fast for a replacement. Instead of coming clean to their classmates and girlfriends, Bess (Jones) and Midge (Storm), they decide to hire someone to play the role of Bob Terry. Frankie and Tad see Hercules Bevans (Sully) loading a truck and think he will be perfect for the job as Bob Terry. However, their plan does not run smoothly, as Hercules is rough around the edges, needs to be tutored in his classes and rowing, and their girlfriends fall for him.

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Page to Screen: Gidget Goes Hawaiian

“It’s not the same, down by the sea … since the Gidget came to Waikiki …” It’s especially not the same since in the second Gidget film, “Gidget Goes Hawaiian” (1961), the whole cast except for Moondoggie is different.

Thankfully, the book version of “Gidget Goes Hawaiian” is much better than the film.

gidget goes hawaiia

To recap: In 1957, screenwriter Frederick Kohner wrote the bestselling novel “Gidget: The Little Girl with Big Ideas,” which was based on the summer adventures of his daughter, Kathy. Gidget discovers surfing, hangs out with a college-aged male surfers at Malibu and has a crush on one in particular, named Moondoggie. The bestselling book was adapted into the hit film, “Gidget” (1959), starring Sandra Dee, James Darren and Cliff Robertson.

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Watching 1939: East Side of Heaven (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

east side of heaven1939 film:
East Side of Heaven (1939)

Release date:
April 7, 1939

Cast:
Bing Crosby, Joan Blondell, Mischa Auer, Irene Hervey, C. Aubrey Smith, Robert Kent, Jerome Cowan, Baby Sandy, Jane Jones, Helen Warner, Rose Valyda, Jack Powell, Matty Malneck, Chester Clute (uncredited), Phyllis Kennedy (uncredited), Sterling Holloway (uncredited), J. Farrell MacDonald (uncredited),
Specialty Acts: The Music Maids

Studio:
Universal Pictures

Director:
David Butler

Plot:
Denny Martin (Crosby) is a singing cab driver is engaged to telephone operator Mary Wilson (Blondell), but they have had to postpone their wedding four times. Their nuptials are again in danger of being put on hold when Denny is saddled with a baby (Baby Sandy). His friend Mona Barrett (Hervey) is in the process of divorcing her alcoholic husband Cyrus Barrett Jr. (Kent). In response to the split, her father in law Cyrus Barrett, Sr. (Smith) decides Mona and Junior’s baby (Baby Sandy) needs to stay in his care and tries to legally take the baby away from her. To protect her baby, Mona leaves him with Denny who tries to secretly care for the baby with his roommate Nicky (Auer), while the whole town is searching for the baby.

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Pages to Screen: Gidget (1959)

From Frankie and Annette beach party films to the Beach Boys singing “Surfin’ U.S.A,”— it all started because of one book: Gidget by Frederick Kohner.

Published in 1957, Kohner based the book on the summer adventures of his daughter, Kathy.

gidget

Kohner was a Hollywood screenwriter who left his home of Austria-Hungary when the Nazis invaded. Some of his screenwriting credits include MAD ABOUT MUSIC (1938) and IT’S A DATE (1940). One day, while riding in the car with her father, Kathy said she wanted to write a story about her days at the beach, Kathy Kohner-Zuckerman told Comet Over Hollywood in a 2015 interview.

“I told him, ‘There is a guy who lives in a shack,’” Zuckerman said. “Dad said, ‘Well, you aren’t a writer, but I know you keep diaries, and I’ll write the story. Sounds like fun.’ I told my dad pretty much everything; I had a very good relationship with him. I still have those diary pages.”

kathy-and-fredrick

Screenwriter Frederick Kohner with his daughter Kathy, who served as inspiration for Gidget.

From her diary and conversations together, Frederick Kohner wrote the best-selling novel “Gidget: The Little Girl with Big Ideas.” The main character, Franzie, becomes interested in surfing and tries to break into a male-dominated sport. Because of her short stature, the guys nickname her Gidget, short for girl midget. As she learns to shoot the curl, Franzie has a crush on one of the surfers, Jeff, nicknamed Moondoggie.

The book is filled with surfer slang and nicknames and includes some truths. For example, while Kathy had a crush on one of the surfers, she never dated any of them, like Gidget and Moondoggie. The name Franzie was also inspired by Kathy’s mother, according to Comet’s 2015 interview with Kohner-Zuckerman.

“Most of our friends were shocked when we let Kathy go around with those surfers, and sometimes I was shocked too,” Frederick Kohner said in a 1957 LIFE magazine interview. “But she isn’t the sort of girl who can hide anything, and she would come home and tell us everything she had done. The more I heard, the more interested I became.”

While some of the book is primarily fiction, a good bit is based on actual events.

“There was someone who lived in a shack, I did have a big crush on one of the surfers, I did buy a board with a totem pole on it, I did learn how to surf, I did get tonsillitis a lot, I did bring food to the beach for the guys, I did try very hard to be liked,” she said in the 2015 interview. “But as for the big crush, I don’t know whether it was reciprocated or not. I think sometimes he did like me, and other times he thought I was a kid sister. There was no big romance, but I was definitely charged on Bill. That was his name.”

The book was an immediate success, and Kohner-Zuckerman worried what the other surfers would say. While Kathy received national attention, including a LIFE magazine article in the Oct. 28, 1957, issue, she never felt the success was hers.

“It was my father’s success,” she told Comet in 2015.

Gidget on screen
“Published this month, it already has been sold to the movies,” Life magazine said in the Oct. 28, 1957, article.

gidget2

The book was brought to the screen in 1959, starring Sandra Dee in the title role. While the film version of “Gidget” and the novel are similar, there are several differences. In general, Kohner’s Gidget is a bit more street savvy, clever, and a bit of a smart ass. Sandra Dee’s Gidget is sweet and demure. Here are other differences:
• The film begins with Gidget reluctantly going on a “manhunt” with her friends. There isn’t a manhunt in the book, just a division with her friends. She keeps surfing a secret from both her family and friends.
• The book Gidget is bright but not as academic as Sandra Dee.
• Surfing is a secret from her friends and family.
• In the book, Gidget’s parents aren’t home when she leaves for the luau. The luau plot is entirely different: Gidget attends alone, Moondoggie is mad about it, and there is a fire because the guys surf with torches.
• The Kahuna isn’t so sensitive in the book. He doesn’t have a bird and doesn’t become a pilot. Maybe this was because the movie didn’t encourage people to become surf bums.
• Moondoggie has a steady girlfriend.

Elements that are the same:
• Gidget does bring food for the other surfers, though more regularly, and legs of lamb are mentioned.
• Gidget does have tonsillitis.
• Gidget stays overnight in Kahuna’s shack after the luau, but it’s because she can’t get home after the fire. It doesn’t play out the same and is innocent.

Interestingly, other plot points in the book that aren’t used in the 1959 film are used in the 1965 Sally Field TV show. Like on the TV show, in the book, Gidget has a friend named LaRue who loves horses (there is a whole episode about her love of horses). Also, like on the TV show, Gidget has a sister and a psychologist brother-in-law named Larry in the novel.

While there are several differences, I think Cliff Robertson is well-cast as the easygoing Kahuna, and James Darren fits the bill for the moody Moondoggie.

gidget5

gidget4

While there are several differences, I love both the book and the film. This was my fourth time reading the book, and I enjoyed revisiting it every time. And both the book and the film were incredibly important to the surf craze.

Kohner-Zuckerman remembers meeting the cast and seeing the film.

“It’s odd being that person and watching the films about what Gidget does,” she told Comet in 2015. “Sandra Dee is Gidget. There’s me, the real person, but she was great as the character. In the Sally Field TV show- that wasn’t my life. She got involved in high school and the band and journalism. As cute as it was, that wasn’t me. I wanted to be one of the gang or one of the guys. I didn’t like high school. I wanted to be in Malibu.”

Most of all, Kohner-Zuckerman still loves the story because it’s about a young girl having the guts to buck societal standards and do what she wants.

“A large element of the Gidget story is having the attitude to pursue what you want.”

This article is part of the 2023 Classic Film Summer Reading Challenge hosted by Out of the Past.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet, follow me on Letterboxd or e-mail at cometoverhollywood@gmail.com

Musical Monday: Get Yourself a College Girl (1964)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

get yourself a college girlThis week’s musical:
Get Yourself a College Girl (1964) – Musical #240

Studio:
Metro-Goldwyn-Mayer

Director:
Sidney Miller

Starring:
Mary Ann Mobley, Joan O’Brien, Nancy Sinatra, Chris Noel, Chad Everett, Willard Waterman, Fabrizio Mioni, James Millhollin, Paul Todd, Donnie Brooks, Hortense Petra, Dorothy Neumann, Percy Kelton (uncredited)
Musical acts as Themselves: The Standells, The Dave Clark Five, Stan Getz, Astrud Gilberto, Roberta Linn, The Bellboys, the Animals, The Rhythm Masters, Freddie Bell, Jimmy Smith Trio

Plot:
Theresa Taylor (Mobley) is a student at a strict girl’s college and has been secretly writing and selling music on the side to pay her way through school. Her tantalizing, sexual songs get Theresa in hot water with the deans and college board right before the Christmas holidays. Rather than expel her, they move the day of judgement after the holidays, and ask her to avoid trouble (and men). Unfortunately, Gary Underwood (Everett) has followed her to Sun Valley, Idaho, for the winter holidays with the goal of getting a pin up painting of Theresa.

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Watching 1939: The Three Musketeers (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

three musketeers31939 film:
The Three Musketeers (1939)

Release date:
Feb. 17, 1939

Cast:
Don Ameche, The Ritz Brothers, Binnie Barnes, Gloria Stuart, Pauline Moore, Joseph Schildkraut, John Carradine, Lionel Atwill, Miles Mander, Douglass Dumbrille, John “Dusty” King, Russell Hicks, Gregory Gaye, Lester Matthews, Egon Brecher, Moroni Olsen, Georges Renavent, C. Montague Shaw

Studio:
20th Century Fox

Director:
Allan Dwan

Plot:
In a musical comedy adaptation of “Three Musketeers,” D’Artagnan of Gascony (Ameche) is headed to Paris to become a Musketeer. On the way, he meets three Musketeers, Athos (Dumbrille), Aramis (King), and Porthos (Hicks), who insult him. When D’Artagnan arrives in Paris, he’s prepared to fight them. After Athos, Aramis and Porthos have passed out from drinking, and D’Artagnan mistakes three lackeys (the Ritz Brothers) for the Musketeers. After taking a room, D’Artagnan meets Lady Constance (Moore) who accompanies the Queen (Stuart) to meet her lover. D’Artagnan and Constance get caught up in intrigue.

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Musical Monday: Pan-Americana (1945)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

pan americana 2This week’s musical:
Pan-Americana (1945) – Musical #435

Studio:
RKO Radio Pictures

Director:
John H. Auer

Starring:
Phillip Terry, Eve Arden, Audrey Long, Robert Benchley, Lita Baron (billed as Isabelita), Ernest Truex, Mac Cramer, Jane Greer (uncredited)
Specialty Acts: Rosario, Antonio El Bailarín, Miguelito Valdés, Harold and Lola Liebman, Louise Burnette, Chinita, Chuy Reyes and His Orchestra, Nestor Amaral and His Samba Band

Plot:
Western World magazine sends a womanizing photographer, Dan Jordan (Terry), to South America to photograph beautiful women. The magazine’s editor, Helen Hopkins (Arden), and staff writer Jo Anne Benson (Long), travel with Dan. Jo Anne is using the assignment to get to South America where her fiancé (Cramer) awaits. Meanwhile, Dan and Jo Anne fall in love.

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Musical Monday: Tea for Two (1950)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Tea for Two (1950) – Musical #171

tea for two2

Studio:
Warner Bros.

Director:
David Butler

Starring:
Doris Day, Gordon MacRae, Gene Nelson, Eve Arden, Billy De Wolfe, S.Z. Sakall, Bill Goodwin, Patrice Wymore, Virginia Gibson, Elinor Donahue (uncredited), Carol Haney (uncredited), Dee Turnell (uncredited), John Wilder (uncredited)

Plot:
Told in the flashback from modern times, we are transported back from the 1950s to the stock market crash of 1929. At the same time Nanette Carter (Day) agrees to finance a Broadway musical, she has lost everything during the stock market crash. However, she doesn’t know and her financier Uncle J. Maxwell Bloomhaus (Sakall) doesn’t know how to tell her. Instead of telling Nanette she has no money, Uncle Max tells her to say “no” to everything for 48 hours. She believes that if she wins this bet, she can get the $25,000 to finance the show.

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Clarence Brown Film Festival in Knoxville, Tenn.: Aug. 16-20

A film festival celebrating the career of director Clarence Brown begins this evening, Wednesday, Aug. 16, and runs through Sunday, Aug. 20, in Knoxville, Tenn.

clarence brown

Director Clarence Brown

Hosted by the Knox County Public Library, the Clarence Brown Film Festival will feature film screenings and presentations from speakers including Brown’s biographer Gwenda Young, film critic and historian Farran Nehme, actor Claude Jarman, Jr., and more. Information on the festival, including a full list of screenings and speakers, can be found here.

With a career spanning from 1920 to 1952, Brown is sometimes not as recognized as his contemporaries.

“In an interview with (historian) Kevin Brownlow, (director) Jean Renoir observed ‘I think more of Brown than Brown thinks of himself,’” Young said in an email with Comet Over Hollywood. “Renoir’s comment reveals, I think, just how highly regarded Brown was by his peers but also alludes to Brown’s reticence in seeking out acclaim. There’s no doubt Brown was viewed as an important and innovative filmmaker during his long career, but it’s also true to say that he has been overlooked in many film histories…”

Brown worked with some of Hollywood’s top stars, such as Rudolph Valentino, Greta Garbo, Joan Crawford, Clark Gable, and Mickey Rooney. Free film screenings during the Clarence Brown Film Festival include Anna Karenina (1935), National Velvet (1944), The Yearling (1946), The Eagle (1925), Intruder in the Dust (1949), and a rare screening of The Signal Tower (1924).

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Musical Monday: Good Times (1967)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Good Times (1967) – Musical #226

good times

Studio:
Metro-Goldwyn-Mayer

Director:
William Friedkin

Starring:
Cher, Sonny Bono, George Sanders, Charles Smith, Mickey Dolenz (uncredited), Paul Frees (uncredited)

Plot:
Producer Mordicus (Sanders) is trying to convince singing stars Sonny and Cher (as themselves) into making a movie. Sonny is interested in making a movie, though Cher isn’t so sure. Sonny dreams of playing various roles, such as in a western, a Tarzan-like film, or a detective film.

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