It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.
This week’s musical:
Reveille With Beverly (1943)– Musical #323
Ann Miller, William Wright, Dick Purcell, Andrew Tombes, Franklin Pangborn, Adele Mara, Douglas Leavitt, Barbara Brown, Larry Parks, Doodles Weaver (uncredited), Irene Ryan (uncredited), Lee and Lynn Wilde
- Bob Crosby and his orchestra
- Freddie Slack and his orchestra with Ella Mae Morse
- Duke Ellington
- Count Bassie
- Frank Sinatra
- Mills Brothers
- The Radio Rogues
A switchboard operator, Beverly Ross (Miller), at the local radio station KFEL has dreams of having her own jive radio show. She eventually gets her own time slot and features all of the top jive music. While on the radio, Beverly catches ear (and eye) of soldier Barry Lang (Wright), who is wealthy and switches places with his chauffeur buddy Andy Adams (Purcell) to see if he can win Beverly without his millions.
Andrew Tombes and Ann Miller in “Revellie with Beverly”
-The film is based off the radio show Reveille with Beverly which was hosted by Jean Ruth Hay. Jean Hay served as technical adviser to the film and narrates the trailer for the film.
-All of the musical performances
-“Cow Cow Boogie” performed by Ella Mae Morse
-“Big Noise from Winnetka” performed by Bob Crosby and his Bobcat Orchestra, singers Lyn and Lee Wilde
-“Take the A Train” performed by Duke Ellington, sung by Betty Roche
-“One O’Clock Jump” performed by Count Bassie
-“Night and Day” performed by Frank Sintra
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“Reveille with Beverly” is one of those guilty pleasure musicals. It has very little plot but for fans of 1940s big band and jive, it’s a dream.
“Reveille with Beverly” is based on a real radio show called “Reveille with Beverly” which was DJed be a young lady named Jean Ruth Hay. The Los Angeles radio show was on the air from 1941 to 1944 for soldiers fighting in World War II. They could hear it on ships, fighting or in the air.
Advertisement for Jean Ruth Hay’s radio show.
The idea of the radio show came when soldiers Jean knew said they hated starting their day with the blast of a bugle. Hay also said that government officials would sometimes provide a script to read which included names of songs that didn’t exist. These scripts turned out to be code for the French Underground. Hay even married bandleader Freddie Slack, who is featured in this film.
The real show is merely a premise for the plot and all else is fictional. The movie has multiple laugh-out-loud funny scenes, particularly with Franklin Pangborn who is furious that Beverly’s show is in his time slot. While there is a bit of a plot, the majority of the film are musical performances of 1943 hits. When Beverly’s record starts spinning, we’re transported to a video of Bob Crosby and his band or Duke Ellington performing “Take the A Train” on a train.
All the songs had me dancing in my seat. I saw this movie for the first time in 2009 and it introduced me to Ella Mae Morse, who I wasn’t familiar with prior. Now she is one of my favorites.
Admittedly, there may be some who don’t enjoy this style of movie. If you aren’t interested in a string of jive musical numbers, you should probably stay away.
This isn’t your usual Ann Miller film, who was still early in her career. Ann only tap dances once and it’s a patriotic number at the end of the film.
Just writing this review makes me want to watch “Reveille with Beverly” again. It’s a brief hour and 18 minutes that will leave you dancing and humming by the end.
Ann Miller in her tap dancing finale.
If anyone knows where to listen to some of Jean Ruth Hay’s original broadcasts, leave me a message! I would love to hear them.
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