Musical Monday: Strike Me Pink (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Strike Me Pink – Musical #607

Studio: Samuel Goldwyn Company

Director: Norman Taurog

Starring:
Eddie Cantor, Ethel Merman, Sally Eilers, Harry Parke (billed as Parkyakarkus), William Frawley, Brian Donlevy, Jack LaeRue, Dona Drake (billed as Rita Rio), Helen Lowell, Gordon Jones, Sunnie O’Dea, Edward Brophy, Charles C. Wilson, Theresa Harris (uncredited), Dennis O’Keefe (uncredited), Mickey Daniels (uncredited)
Featuring: The Goldwyn Girls (including Jinx Falkenburg, Joan Barclay, Harriett De Busman, Dorothy Dugan, Gail Goodson, Mary Gwynne, Carol Hughes, Kay Hughes, Elaine Johnson, Charlotte Russell, Gail Sheridan, Marcia Sweet, Anya Taranda, Vicki Vann, Blanca Vischer)

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Musical Monday: Show Business (1944)

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. show biz

This week’s musical: “Show Business” –Musical #516

Studio: RKO Pictures

Director: Edwin L. Marin

Starring: Eddie Cantor, George Murphy, Joan Davis, Nancy Kelly, Constance Moore, Donald Douglas, Dorothy Malone (uncredited)

Plot: Supposedly loosely based on Eddie Cantor’s rise to stardom, popular burlesque star George Doane (Murphy) takes Eddie Martin (Cantor) under his wing after Cantor wins amatuer night. The men meet Joan (Davis) and Connie (Ford) and the four of them decide to team up and try to strike it big in vaudeville. In between the singing and dancing, George and Connie fall in love.

Trivia:

-Produced by Eddie Cantor

-This picture was to celebrate Eddie Cantor’s 35th year in entertainment and is supposed to be a fictional biography of Cantor’s career, according to the 1944 New York Times review.

Highlights: -Joan Davis pretending to sing opera

Eddie Cantor, Constance Ford, Joan Davis, George Murphy in

Eddie Cantor, Constance Ford, Joan Davis, George Murphy in “Show Business.”

Notable Songs:

-“Good Ole Fashioned Girl” performed by the four leads

-“They’re Wearin’ ‘Em Higher in Hawaii” performed by George Murphy

-“I Don’t Want to Get Well” performed by Eddie Cantor

-“It Had to Be You” performed by George Murphy and Constance Ford

My Review: For a movie that is celebrating Eddie Cantor’s 35th year in entertainment, “Show Business” seems pretty lackluster. While I love George Murphy and enjoy Joan Davis’s humor, you somehow think a celebratory anniversary film would be in Technicolor with loads of stars. However, in comparison to the “Eddie Cantor Story” biopic, this film is gold. Despite this, “Show Business” is a charming little film filled with a dozen songs. I think the thing that struck me the most is how beautifully the quartet’s singing voices blended perfectly in harmony. Really lovely and superb. I also had a few laugh out loud moments at Joan Davis and Eddie Cantor’s humor. “Show Business” is an easily forgettable film in the grand scheme of movie musicals. But for 92 minutes when you sit down and watch it are a lot of fun. Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: The Eddie Cantor Story (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

eddieThis week’s musical:
“Eddie Cantor Story” –Musical #513

Studio:
Warner Brothers

Director:
Alfred E. Green

Starring:
Keefe Brasselle, Marilyn Erskine, Aline MacMahon, Richard Monda (as young Eddie), Maria Windsor, William Forrest (as Flo Ziegfeld), Jackie Barnett (as Jimmy Durante), Ann Doran, Will Rogers, Jr. (as his father)

Plot:
Musical biopic of vaudeville star Eddie Cantor, whose career started as a child in 1907 and continued until his wife’s death in 1962. Cantor died in 1964. The film begins with Cantor (Brasselle) being raised by his grandmother (MacMahon) and how he gets into show business and makes good when everyone thought he would end up in jail. Cantor makes it big and ends up in the Ziegfeld Follies. Cantor marries his childhood friend Ida (Erskine) and the two have five daughters, but Ida feels Cantor neglects his family and his health for his career.

Keefe Brasselle as Eddie Cantor and Marilyn Erskine as Ida Cantor

Keefe Brasselle as Eddie Cantor and Marilyn Erskine as Ida Cantor in “The Eddie Cantor Story.”

Trivia:
-The real Eddie Cantor dubbed Keefe Brasselle’s singing. Similarly, Al Jolson’s voice dubbed Larry Parks in “The Jolson Story.”
-“The Cantor Story” was made in response to the success of the Warner Brothers film, “The Jolson Story” about vaudeville star Al Jolson. Critics didn’t care for the movie.
-Son of Will Rogers, Will Rogers, Jr., portrayed him during the Ziegfeld Follie scenes.
-Larry Parks was considered for the role of Eddie Cantor.
-Jimmy Durante was originally slated to play himself but had to bow out.

Highlights:
-The film opens with Eddie Cantor and his wife driving up to Warner Brothers to view the movie. The WB logo and credits begin after Eddie Cantor is seated to watch the film. We see Cantor and his wife Ida again at the close of the film.

Notable Songs:
-“If You Knew Susie”
-“Be My Little Baby Bumble Bee”
-“How ‘Ya Gonna Keep ’em Down on the Farm (After They’ve Seen Paree?)”
-“Yes Sir! That’s My Baby”

An example of Brasselle’s Cantor Caricature:

My Review:
If you are looking for an hour and 55 minute caricature impression of Eddie Cantor, “The Eddie Cantor Story” is your movie.

Keefe Brasselle’s performance of the famed vaudeville and Ziegfeld Follies star is one long impression complete with eyes bugged out, clapping as he skips across the stage and goofy faces. He’s working so hard at the impression it looks like he is having a hard time getting his words out.

Our Musical Mondays have featured many, many musical biopics and several of them I have panned. But when this started film I thought it had potential. I love Aline MacMahon in 1930s films and it was good to see her again as young Cantor’s grandmother.

The real Ida and Eddie Cantor in the 1930s.

The real Ida and Eddie Cantor in the 1930s.

The film only got truly annoying to me when Cantor grew up. We first see Brasselle when he is lowering a towel after washing off his black-face make-up. And there was our first glimpse of our caricature, complete with lips practically puckered and eyes bulging.

“It’s like watching Darren York (or Dick Sergeant), trying to play Eddie Cantor,” Mom said, who was watching the movie with me. “I keep waiting for Samantha to come out and tell him to cut it out.”

At the very end of the film, the audience has a treat of seeing the real Eddie and Ida Cantor. Cantor says, “I never looked better in my life.” He has an incredulous look and the comment could be read as sarcastic; it is almost like a private joke between the real Eddie Cantor and the audience.
“He not only is talented but kind,” said the 1953 New York Times review about this remark.

It was like one big impression act, however, as we see Jackie Barnett playing Jimmie Durante with a big fake nose and his best gravely speaking voice. Will Rogers, Jr. portrayed his daddy but fine. After all, he had played his father in a film before.

Another complaint that the New York Times review, George Burns and Eddie Cantor all had is how much it white-washed his colorful life.
“Although it has been filmed in the pleasing hues of Technicolor and is weighted with the songs and shows he helped make famous, “The Eddie Cantor Story” is slightly less than a colorful illustration of the reasons for its hero’s greatness,” said the New York Times.

Eddie Cantor in the 1930s.

Eddie Cantor in the 1930s.

Eddie Cantor said, “If that was my life, I didn’t live.” In George Burns’ autobiography “All My Best Friends,” said Warner Brothers created a miracle by making Cantor’s life appear boring.

In all honesty, the best acting in the film was by Aline MacMahon, bringing an extra something special to the role.

My biggest complaint about this film was it’s lead. Brasselle’s constant mimicking grated on my nerves. But who else would play him? Ray Bolger who played him in “The Great Ziegfeld”? Maybe Eddie Cantor himself? Larry Parks was originally slated for the role, but I’m not sure that would have been very good, but potentially less annoying.

While the script made Cantor’s life appear rather bland, I do believe this film would have been much more enjoyable with a different Eddie Cantor in the lead.

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