Musical Monday: Give a Girl a Break (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Give a Girl a Break (1953)– Musical #189

Studio:
Metro-Goldwyn-Mayer

Director:
Stanley Donen

Starring:
Marge Champion, Gower Champion, Debbie Reynolds, Dolly Sharp, Bob Fosse, Kurt Kasznar, Richard Anderson, Lurene Tuttle, Donna Martel, William Ching, George Chakiris (uncredited)

Plot:
When the star of a Broadway show walks out after a tiff with the show’s choreographer Ted Sturgis (Champinon), the show publicizes that they are looking for a newcomer to “give a girl a break.” Three girls with varying talents: professional Broadway dancer Madelyn Corlane (Champion), sophisticated ballet dancer Joanna Moss (Sharp), and young, inexperienced tap dancer Suzie Doolittle (Reynolds).

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Musical Monday: Meet Me After the Show (1951)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Meet Me After the Show” –Musical #497

meet_me_after_the_show

Studio:
20th Century Fox

Director:
Richard Sale

Starring:
Betty Grable, MacDonald Carey, Eddie Albert, Rory Calhoun, Lois Andrews, Irene Ryan, Fred Clark

Plot:
Broadway star Delilah Lee (Grable) is about to start another successful run of a new show written by her husband Jeff Ames (Carey). Jeff discovered Delilah as a cheap singer in Florida and groomed her to be a top star. When Delilah finds out Gloria Carstairs (Andrews) is backing the show and also has the hots for her husband, Delilah leaves him and the show. When Jeff can’t pay the alimony, Delilah feigns amnesia-going back to her performance roots in Florida- to win him back.

Trivia:
-Produced by George Jessel

Highlights:
-Chorus sing “Me-Oh-Miami” as scenes of Miami are shown. Same song was used in the Betty Grable film, “Moon Over Miami.”
-Gwen Verdon as a specialty dancer

Notable Songs:
-Meet Me After the Show performed by Betty Grable
-Betting on a Man performed by Betty Grable

My Review:
For a film that is a musical, I preferred the plot lines over the singing and dancing.
“Meet Me After the Show” has a fairly funny plot line and the non-singing leading men – Eddie Albert and MacDonald Carey- make the film for me. While I love Betty Grable, her performance was overshadowed by the terrible songs that were in this film.
Grable, 20th Century Fox’s top star since the 1940s, has always been able to sell a song with her energy and dancing. But the material she’s given is lousy. One song consists of a lot of body builder-looking men dressed as Romans and Grable dancing around and repeatedly saying “Joe.” I wasn’t sure what Joe and Romans had to do with anything, but the song was annoying. In the number “I Feel Like Dancing” with Gwen Verdon, the two start out dressed like robbers, talk about how they feel like dancing and then suddenly they have Grable in an evening gown. I felt like I missed a major plot line in this song.
The overall film and plot line are fun and funny, but most of the songs had me wishing they would in. However, I wouldn’t overlook it just because of the silly songs. Any Betty Grable film is generally a fun one.

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Musical Monday: Everything I Have is Yours (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

everything_i_have_is_yoursThis week’s musical:
“Everything I Have is Yours” –Musical #486

Studio:
Metro-Goldwyn-Mayer

Director:
Robert Z. Leonard

Starring:
Gower Champion, Marge Champion, Dennis O’Keefe, Monica Lewis, Dean Miller, Elaine Stewart

Plot:
Married dancing couple Pamela (Marge) and Chuck Hubbard (Gower) make it big in a show on Broadway. The first night of their success, Pamela finds out she’s pregnant and can’t continue dancing. Once the baby comes, Pamela is encouraged to stay home and raise her child. Problems arise in Pamela and Chuck’s marriage as his fame grow.

Monica Lewis's character causes problems for Gower and Marge Champion.

Monica Lewis’s character causes problems for Gower and Marge Champion.

Trivia:
-The lead couple in the film, Marge and Gower Champion, were married in real life from 1947 until their divorce in 1973. The dancing couple had two children, Gregg (b. 1956) and Blake (b. 1962). The Champions starred in several other films together such as “Show Boat” (1951), “Lovely to Look At” (1952) and “Jupiter’s Darling” (1955)
-Originally supposed to star Red Skelton and Vera-Ellen, according to TCM.
-Gower Champion did most of the choreography for the film.

Marge and Gower Champion star together in "Everything I Have is Yours"

Marge and Gower Champion star together in “Everything I Have is Yours”

Highlights:
-It’s always a delight to watch the married couple dance together. Both Marge and Gower were excellent dancers and their moves, technique and dancing chemistry make all of their numbers exciting to watch.

Notable Songs:

-Everything I Have is Yours sung by Gower Champion and later by Monica Lewis
-Derry Down Dilly sung by Marge Champion
-“Seventeen Thousand Telephone Poles” sung by Monica Lewis

My Review:

When you glanced at this film in your TCM Now Playing Guide, you may have thought, “Ah, a musical starring Marge and Gower Champion in Technicolor. Sounds like a fluffy b-musical.”

And I can’t say I thought much different. I figured this would be a colorful splash of fun with several fantastic numbers. But I was wrong. This is an honest dramatic musical that look at the issues with marriage and fame.

Real life married dancers Marge and Gower Champion play a dancing married couple in the film. Though Marge didn’t give up her career for children like in the movie, the Champions in the movie and in real life both end in divorce. However, in true Hollywood form- the couple is unhappy in their divorced life and they are in each other’s arms in the last frame.

I enjoy the plot line, because I think it shows a fairly honest look at marriage. They are joyous as newlyweds, happy when the baby comes, but Pamela gets restless. She has little to do at home, because the baby has a nurse, and she wants to go back to work and dance with Chuck. But Chuck is having hit after hit with his new partner Sybil (Lewis). Jealousy also arise as Sybil is making eyes at Chuck. When Pamela finally takes an offer for a how- the marriage is blown to smithereens.

“Petty details all add up until the roof blows up,” the film says after they get a divorce.

The dancing is also a real treat of this film. Marge and Gower Champions’ dances together are exciting, interesting to watch and seamless. Their movements together and fluid and their chemistry is evident through their moves.

In several other MGM musicals the Gowers are supporting stars with a large dance number added in. This is one of the few, if not the only, where the Gowers are the leads in the film, and that makes it a real treat.

Marge Champion dances in a solo number in the film.

Marge Champion dances in a solo number in the film.

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