Musical Monday: Till the Clouds Roll By (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Till the Clouds Roll By (1946) – Musical #166

till the couds


Richard Whorf
Vincente Minnelli (Judy Garland’s numbers)

Robert Walker, Van Heflin, Lucille Bremer, Dorothy Patrick, Harry Hayden, Mary Nash, Paul Langton, Paul Maxey, William ‘Bill’ Phillips
Specialty Performances from: June Allyson, Judy Garland, Lena Horne, Kathryn Grayson, Angela Lansbury, Van Johnson, Tony Martin, Cyd Charisse, Gower Champion, Frank Sinatra, Dinah Shore, Ray Macdonald, Virginia O’Brien, Caleb Peterson, Karin Booth, Sally Forrest, Johnny Johnston, Matt Mattox, Lee Wilde, Lyn Wilde

The musical biographical film on the life songwriter Jerome Kern (Walker) and his rise to fame, starting with his collaboration with song arranger James I. Hessler (Heflin).

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Watching 1939: Winter Carnival (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Winter Carnival (1939)

Release date: 
July 28, 1939

Ann Sheridan, Richard Carlson, Helen Parrish, James Corner, Alan Baldwin, Robert Armstrong, Marsha Hunt, Joan Leslie (billed as Joan Brodel), Jimmy Butler, Virginia Gilmore, Cecil Cunningham, Morton Lowry, Robert Walker (uncredited)

Walter Wanger Productions, released through United Artists

Charles Reisner

After a well-publicized divorce to Count Olaf Von Lundborg (Lowry), Jill Baxter (Sheridan) visits Dartmouth College during its Winter Carnival. Upon her return, she finds her old boyfriend, John Wilden (Carlson), who is now a professor at the school and was jilted by Jill when she was crowned queen of the Winter Carnival years earlier. Jill’s younger sister Ann (Parrish) is also attending the carnival and falls for the head of the ski team, Mickey Allen (Corner), but as she receives attention from the other athletes, it looks like Ann may follow in Jill’s footsteps.

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Birthday Blogathon: Film #4 Since You Went Away 1944

For my fourth evening of birthday favorite films I chose:

Since You Went Away (1944)

Jane and Bridget listening to Anne read a letter from their father. (This actually is my desktop background).

Brief plot: The story of Anne Hilton and her two daughters Jane and Bridget on the American World War II home-front while their father is overseas fighting. The film stars Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotton, Robert Walker, Hattie McDaniel, Monty Wooley and Agnes Moorehead (among several cameo appearances).

Why I love it: 

Jane and Bridget talking about a boarder with their mom

My favorite time period is the World War II era. One thing that particularly fascinates me about this time is the war effort on the home front-what this film call the “unconquerable fortress”. This movie chronicles life on the home front and daily adjustments Americans went through in order to help soldiers overseas-there aren’t many films that show this. But aside from the historical aspect of the film, the actors, camera shots and script make “Since You Went Away” absolutely perfect.

Cast: This film has a very strong, star-studded cast and every actor is perfect. Claudette Colbert does an excellent job as Anne Hilton and Shirley Temple (Bridget) and Jennifer Jones (Jane) embody how I think a 1940s teenager would act. Joseph Cotton plays family friend Tony Willett who used to carry a flame for Anne. Monty Wooley is Col. Smollett who boards at the Hilton home during tough financial times and Robert Walker is his grandson Bill who falls in love with Jane.  Hattie McDaniel is the Hilton’s maid, Fidelia, who has to quit and work at another reason residence, because the Hiltons can no longer afford her. However she comes back to live with them, because she doesn’t like the other servants at the new employers home. Lastly, Agnes Moorehead is Emily Hawkins, Anne’s catty friend who thinks war sacrifices mean hoarding food in a cold storage unit and hosting canteen dances.

But one very special thing this film is the plethora of uncredited cameos. Tim Hilton, Anne’s husband that has already left for basic training when the movie begins, can be seen in photos. The actor who is supposed to be Tim is Neil Hamilton-known for his role of the commissioner in the 1960s show “Batman” and who usually played cads in early 1930s films.

Throughout the film, you can see:
-Dorothy Dandridge and Ruth Roman at the train station
-Guy Madison as the sailor Bill and Jane meet at the bowling alley
-Lionel Barrymore as a clergyman in the Hilton’s church
-Kennan Wynn at the Hilton’s Christmas party as Tony’s friend
-Silent star Alla Nazimova as Anne’s immigrant friend who works in the shipyards with her.
-Rhonda Flemming as a girl at the dance
-Terry Moore as a refugee child on the train
-Character actor Grady Sutton (who pops up in so many movies!) looking for Suzy Flemming at the dance-I wonder if he ever finds her?
-Jimmie Dodd of Mickey Mouse Club fame as a train passenger
-And other recognizable faces like Jackie Moran, Craig Stevens, Lloyd Corrigan and Irving Bacon.

Emily and Anne in the background of the Paradise Cocktail Lounge-strangers talking in the front.

One that makes me laugh every time is when Fidelia brings in a cake for Col. Smullett’s birthday and says she did something different to it.
Col: “What was the experiment with this cake?”
Fidelia: “I tried something new:I bought it!
I also like when Jane tells Emily Hawkins off after Hawkins said well-bred girls shouldn’t be war nurses: “Please don’t worry if our hands come in contact with their mangled bodies. We’ll survive even if they don’t!”
But my absolute favorite part of script is something I’ve always thought was very creative. During four separate scenes-Anne and Emily at the cocktail lounge, the canteen dance, the train on the way to see ‘pop’ and the train station as Bill is about to leave.

The camera takes the audience through crowds of people, and we hear snippets of several different conversations. It gives you a sense of what different people were talking about during the war, patriotic or unconcerned with the country’s conditions. Here is the dialogue from each of those scenes:
-The Paradise Cocktail Lounge scene:
1.”The moral breakdown of this country is caused by drinking….this is lousy scotch.” 2. “I don’t mind red finger nails but red toe nails is going too far”
3. “I went shopping before the hoarders got there.”
4. “I can’t write everything the baby says down on those little V-cards.”
-The Canteen Dance scene:
1.“I feel so good, don’t you feel good?”
2. “Now Suzy Flemming, she’s a one man woman.”
3. “I love to read books, don’t you think they are so….”
4.”Why do they call you Walt, is that your nickname?”
-The Train to see pop:
1. Business Man: “If we keep stopping like this, I’ll miss the biggest deal of my life.’ Armless Soldier: “Well I’m in no hurry, I’ve got plenty of time from now on”
2.“My husband’s never seen the baby”
3.“And after the Germans came we didn’t have milk or meat at all”
4.“Only serving two meals a day is simply outrageous”
-Train Station as Bill is leaving:
1.“Let me look at your darling so I can picture you always…now go and don’t look back” (Said to two different girls by the same soldier)
2. To a crying baby held by Dorothy Dandridge: “Look at the nice apple daddy got you”
3. “I’m sorry mom I’ve only got 5 minutes, my furlough was canceled.”
4.”I swear I can’t tell any difference between it and butter.”
5. Little girl to MP: “Hello, my mommy’s a sergeant.” MP squats down to child: “She is!”
6.”What’s a good excuse for being AWOL?”
7. Ruth Roman: “Agnes, look at that dame, nylons!”
8. Soldier: “Five months pay…give me some War Bonds! Plenty of them!”
9. Two soldiers: “I wonder where we can go for free where we don’t have to dance with hostesses.”

Jane at the train station

Camera technique: I feel some of the camera techniques in this film might compete with Hitchcock. The director took advantage of light and shadows. One example of this is Bill and Jane sitting on the Hilton’s back porch talking. The two are back-lit so we only see their silhouettes. The only light from the couple is when Bill lights his cigarette. Another is when Jane is saying goodbye to Bill at the train station. She stands there waving goodbye, the camera pulls back and her shadow stretches about 100 feet across the station. Another shot I really like is when Guy Madison leaves Jane and Bill after they walk around downtown. He gets on the bus and walks to the back, but the camera stays on him as he walks and the bus is driving away to the left and going off screen. But some of my shots are during the dance at the canteen.  One part is the shadows as couples waltz (seen at 2:05 in the video below). Also right after they find out Johnny Mahoney dies, there is a shot through a star emblem and you see everyone dancing in the background, very beautiful.

Home front: I feel like this movie is so natural and believable not just a bunch of Hollywood stars playing roles. No, not all families were as well off as the Hiltons were before Mr. Hilton went off to war and not everyone’s mother looked like Claudette Colbert-but we see a lot of what I think is pretty realistic.
-A cop pulls Tony and Anne over just to chat, because he doesn’t see cars much since gas rationing.
-Bridget keeps a plant in the sink to make sure it gets water, because her father gave it to her.
-Anne initially doesn’t really understand why Tim enlisted. She doesn’t do much for the war effort to start out with, because she feels like missing her husband and taking in a boarder is enough. By the end she is working in a shipyard.
-Jane starts off as a silly, boy crazy high school girl and matures throughout the film. Part of it has to do with falling in love with Bill, but another part of it has to do with her work as a nurse and what she sees at the hospital.
-Bridget is in her early teens throughout the film, so she still is pretty young and unchanging, but she seems to be the average, patriotic teenager saying her “Pop looks like a parade all by himself” when he is in his uniform.
-We also see a glimpse of war life as people talk about rationing. There isn’t any ice cream at the soda fountain and instead they have a “Victory Punch,” and we see Bridget sorting scrap metal.
-Along with the patriotism we also see those who didn’t care about the war, like Emily Hawkins. At one point she flippantly says to Anne after Tim is missing in action, “Oh, and I’m sorry about Tim. I’m sure he’ll show up sometime.”

Hotel, after Tim couldn’t meet them

Drinking Victory sodas at the soda fountain

Bridget and Monty Woolley looking for “We-Took-It,” Texas on the map

To review: This film is two and a half hours so I feel like I could write on and on and on about it forever, but in a nut shell-I adore this film. It’s perfect. The shots, the characters, the American life on the home front. Its one that makes you laugh at some scenes and crying in the next. It’s one emotional roller coaster of a film-and I can sincerely say it’s my all time favorite.

This concludes Night 4 of Birthday Blogathon Week.

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Strangers on a Train under the stars

Favorite part of the movie

In the past year I’ve read several posts about other bloggers going to screenings of classic films.

Angela at ‘Hollywood Revue” went to see “White Christmas” during the holidays and I thought it sounded so nice when everyone sang along at the end of the movie. Let me tell you, if I had been there I would have cried.  Marsha at ‘A Person in the Dark’ recently saw a screening of “Daisy Kenyon” featuring a speaker who was a personal friend of Joan Crawford’s.

Unfortunately, local movie theaters where I live don’t show classic films. The only classic films I know of shown in the Greenville, S.C. area are Moonlight Movies at the Peace Center.  At the end of May and the beginning of September, the Peace Center shows films every Wednesday for four weeks.  I have never been able to go until now, because I was away at school.

This week they showed “Strangers on a Train” (1951) starring Robert Walker, Farley Granger and Ruth Roman. I didn’t want to miss it  one of my favorite Alfred Hitchcock movies.

The film is about two strangers who meet on a train. Walker tries to convince Granger to swap murders of people they they don’t care for. Granger doesn’t take Walker serious until his wife, Miriam, ends up dead.

Moonlight Movies is kind of a “cool rich person in Greenville” thing to do, rather than a gathering of a lot of classic film lovers like some movie screenings.  There were several talking  (including the ones who came 30 minutes late and sat right in front of us) and some old drunk people behind us.

Regardless of the distractions, seeing the “Strangers on a Train” again confirmed a few things:

Glasses shot

-Robert Walker is really a wonderful actor. I think of him as the shy, sweet and awkward boy in “Since You Went Away.”  Seeing him in “Strangers on a Train” where he is insane is such a juxtaposition.  Walker does SUCH a good job in this movie. I hate that his life ended shortly after.

-Miriam’s murder, which we only witness through the reflection of her glasses, is one of my all time favorite film scenes and demonstrates Hitchcock’s mastery of camera.

-At one point Ruth Roman and Farely Granger are walking through a museum and then stop and turn around. In one shot they are walking through a real museum and the next standing in front of a screen that is showing a film of a museum, making it look like they are there.

At the end of the film everyone clapped and I asked my sister and her boyfriend what their reactions to the film were (they aren’t avid classic film watchers). Here were their responses:

Sister: “There shouldn’t be drinking at the films and there should be an age limit for who attends.” -not really what I was looking for

Sister’s boyfriend: “I wanted them to use the sister with glasses as a decoy to catch the bad guy.”

Overall, it was a relatively nice experience. I would like to go to a screening in a movie house one day, but this is a good start.

Here are a few photos from the evening:

Before the movie started before it got dark. It was pretty crowded. (Downtown Greenville at the Peace Center Amphitheater)

Sitting in my little chair, excited for the movie to start.

My sister and her boyfriend that I dragged along.

The movie is starting!

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