Turner Classic Movies Film Festival: the Disney World of classic movies

It’s like Disney World for classic film fans.

Rushing from place to place and waiting in lines for entertainment.

Robert Osborne introducing "Desert Song" (Comet Over Hollywood/Jessica Pickens)

Robert Osborne introducing “Desert Song” (Comet Over Hollywood/Jessica Pickens)

Turner Classics Movie’s Robert Osborne could be considered the “Walt Disney” of the whole event.

Yes for classic film fans, the Turner Classic Film Festival (TCMFF) may be considered the “happiest place on Earth,” where thousands of people spend four days doing nothing but watching classic films and enjoying each other’s company.

Since this was my first year attending TCMFF, I can’t compare it to past years but several have said it was the best year ever, and I would believe it. After three years of wanting to go to TCMFF, I was not disappointed. I had a ball.
There were several times- riding on the plane, sitting in a movie theater, walking down Hollywood Blvd.- that I thought “Am I really here?”

I visited Hollywood once before in 2006 on a family vacation and was left rather dismayed by the disregard of history and confused by the odd people dressed like Marilyn Monroe and Shrek outside of Graumann’s Chinese Theater (now TCL Chinese).

But even those people desperate for attention in their costumes and passing out their CDs didn’t cheapen TCMFF.

Typical me. Photo bombing a TCM picture outside the Egyptian (there I am on the left in the green)

Typical me. Photo bombing a TCM picture outside the Egyptian (there I am on the left in the green)

In fact I felt like I excitedly drifted along on a cloud of old Hollywood splendor; only thinking about which movie I would watch next.

And after years of being a classic film fan I was finally with people who understood what I was talking about. I could toss around names like Van Johnson, Edward Everett Horton or mention the slang “pre-code” and every one knew exactly what I meant.

It’s an uncanny feeling to be sitting in an audience waiting to watch “Libeled Lady” and have the audience applaud when stars Jean Harlow and William Powell enter on screen.

I haven’t seen many classic films on the big screen and it’s a special experience. Not only did I realize how much I liked some films, but I noticed more. Facial expressions and shifting of eyes that you may miss on the small screen.

Though I blogged each night on my phone, I wanted to do one last review of the festival.

Films viewed during the festival:

France Nuyen, Ben Mankiewiczi and Mitzi Gaynor poolside at the Roosevelt Hotel

France Nuyen, Ben Mankiewicz and Mitzi Gaynor poolside at the Roosevelt Hotel (Comet Over Hollywood/Jessica Pickens)

Thursday, April 25:
-South Pacific (1958)
Starring Mitzi Gaynor, Rossano Brazzi, John Kerr, Juanita Hall and France Nuyen
With guests Mitzi Gaynor and France Nuyen
The film was shown poolside at the Roosevelt Hotel and hula dancers performed before the film.

For more on Thursday: https://cometoverhollywood.com/2013/04/26/turner-classic-film-festival-mitzi-gaynor-and-south-pacific/

Friday, April 26:
-Libeled Lady (1936)
Starring Jean Harlow, William Powell, Myrna Loy, Spencer Tracy
“Screwball comedy is a lost art,” said TCM’s Scott McGee before the film.
The whole audience also cheered as McGee said he was a huge fan of William Powell’s.

Kate MacMurray introducing "Suddenly It's Spring"

Kate MacMurray introducing “Suddenly It’s Spring” (Comet Over Hollywood/Jessica Pickens)

-Suddenly, It’s Spring (1947)*
Starring Paulette Goddard, Fred MacMurray, MacDonald Carey. Introduced by MacMurray’s daughter Kate.
MacMurray’s daughter shared wonderful stories about her father including: MacMurray, a saxophonist and also once a singer for a jazz band, played the saxophone for the My Three Sons TV show theme song.
-Notorious (1946) starring Ingrid Bergman and Cary Grant. Introduced by Rose McGowan
It (1927) starring Clara Bow
This was my first silent film with a live orchestra accompaniment.
“Clara was a great natural talent of movies,” said Bow biographer David Stenn.
-Hondo (1954) starring John Wayne and Geraldine Page Introduced by Leonard Maltin.
This was my FIRST EVER 3D film.
For more on Friday: https://cometoverhollywood.com/2013/04/27/turner-classic-film-festival-macmurray-harlow-hitchcock-bow-and-wayne/

Saturday, April 27:
-Bugs Bunny Cartoons for his 75th birthday
Very clever of TCM to start a Saturday with cartoons. Leonard Maltin introduced the cartoons saying how Warner Brother’s cartoons were the first to have the characters talk at the screen.

(Comet Over Hollywood/Jessica Pickens)

-Alfred Hitchcock’s A Lady Vanishes (1936) Introduced by 98-year-old actor Norman Lloyd.
Lloyd gave up a tennis game to speak before the film and said A Lady Vanishes and 39 Steps were the last two English films Hitchcock made and were both perfection.
“I tell film students, don’t go to film school. Just watch 39 Steps,” Lloyd said.

-Desert Song (1943)* starring Dennis Morgan, Irene Manning, Bruce Cabot. Introduced by Robert Osborne
A film that had not been shown over 50 years due to copyright, this was my 500th musical that I’ve seen.
It seems fitting that my 500th musical would end with me meeting Robert Osborne afterwards.

Robert Osborne and Ann Blyth introducing Mildred Pierce (Comet Over Hollywood/Jessica Pickens)

Robert Osborne and Ann Blyth introducing Mildred Pierce (Comet Over Hollywood/Jessica Pickens)

-Mildred Pierce (1945) starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, Eve Arden
Introduced by Robert Osborne and Ann Blyth
“I have nothing but wonderful memories of Joan,” Blyth said.
-Island of Lost Souls (1932) starring Charles Laughton, Lelia Hyams, Richard Arlen
I love that TCM also ended nights with a horror film at midnight.
For more on Saturday: https://cometoverhollywood.com/2013/04/28/i-have-nothing-but-wonderful-memories-of-joan-mildred-pierce-and-ann-blyth/

Sunday, April 28
-Come September (1961) starring Rock Hudson, Gina Lollabrigida, Bobby Daren, Sandra Dee
Introduced by Vanity Fair correspondent Matt Tyrnauer
-I Am Suzanne (1933)* starring Lilian Harvey and Gene Raymond. Introduced by MoMa archivist Katie Trainor
Though this film was very odd (the plot revolved around marionette puppets), it was worth seeing. Trainor said the film had not been seen in 80 years. This was also my 501st musical
-It Happened One Night (1934) starring Clark Gable and Claudette Colbert.
The General (1926) and One Week (1920) starring Buster Keaton. Introduced by Robert Osborne
A special screening because it was the second to last film to be shown in Graumann’s before being remodeled to IMAX. The crowd booed when Osborne announced this.
For more on Sunday: https://cometoverhollywood.com/2013/04/29/and-so-it-ends-review-of-the-last-day-of-the-tcm-film-festival/

Along with the films it was a pleasure to meet so many fellow bloggers and Twitter pals in person. Especially since I have talked to many of you for three years. There were screams of excitement and embracing as we kindred classic film souls finally met in person.


With knees shaking, I met my favorite person in the whole world, Robert Osborne


With another favorite, Ben Mankiewicz


Sad to be returning home, I ran into TCM’s Scott McGee who was on my flight home!

My favorite film of the festival: “Suddenly, It’s Spring” (1947). I had never seen it and it was wonderful. MacMurray’s daughter also gave one of my favorite talks during the festival

My favorite day of the Festival was Friday since it held so many firsts for me.
Now, as I sit on my couch back in North Carolina, I can only count the days until next year.

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.

And so it ends: Review of the last day of the TCM Film Festival

As I sit waiting for my flight to Atlanta, GA from Los Angeles, CA, here is a recap of the last day (Sunday, April 28) of the TCM Film Festival. Tomorrow I’ll write a review of the overall experience.

Come September (1961) starring Rock Hudson, Sandra Dee, Bobby Darin and Gina Lollobrigida. I started the last day of the festival with the frothy, fun romantic comedy set in Italy. Though other great films such as Gilda, Badlands and Yankee Doodle Dandy were also showing, I was in the mood for the familiar and colorful film after a late night. According Vanity Fair correspondent Matt Tyrnauer this wealthy “white telephone” aristocrat film was filmed during a time that Italian films had more socialist themes so this film was slightly behind its time.

I Am Suzanne (1933) starring Lilian Harvey and Gene Raymond.
This is one of those movies that I sat there through the majority of the movie thinking, “What the heck?”
It was an odd film but worth seeing.
I considered going to see Ann Blyth talk before Kismet (1955). However, though I love Blyth, I don’t like Kismet so I chose a film I had never seen before.
“I Am Suzanne” was introduced by Museum of Modern Art film archivist Katie Trainor, she said the film had not been seen in 80 years.
The oddness of the film is due to the fact that the plot revolves around puppets. Marionette puppets.
Raymond is a puppeteer and Harvey is a (very bad) dancer. Raymond is so entranced by Harvey that he wants to model a puppet of her. Harvey’s issue is that though Raymond loves her, she feels he loves the puppet version more than her. The film ends with a 10 minute puppet and dance performance. I plan on doing a full post on this film so stay tuned.

It Happened One Night (1934) starring Clark Gable and Claudette Colbert. I considered going to see a more serious movie during this film block but decided “Hey, it’s the last day. I’m going to have fun.” It’s terrific watching a 1930s comedy and hearing an audience erupt in laughter. You notice the subtle comedic glances and moments more on the big screen.


The General (1926)- This was the big finale of the night shown in Graumann’s Chinese (or now called TCL Chinese). The crowded screening started with the 1920 Keaton short “One Week” and both films were accompanied by the Alloy Orchestra. I had seen both the General and One Week before, but it’s an amazing experience to watch it on the big screen with live music.
But even more special, it’s the second to last film shown in Graumann’s before the historic theater will be remodeled to IMAX. The crowd boo-ed as Robert Osborne said that but told everyone to take in the architecture before it’s gone. So above is a photo of the ceiling of the theater

Overall, it was a wonderful trip and I hope to return next year. I hope you have enjoyed my updates as well.