Olympics to Hollywood: Johnny Weissmuller

Today, most Olympic fans in the United States are proud of Michael Phelps, who has broken records for both swimming and amount of gold medals won in one Olympic game.

But in the 1920s, the same pride and idolization was for another swimmer: Johnny Weissmuller, one of the first international swimming superstars.

Johnny Weissmuller in the 1924 Summer Olympics in Paris.

Johnny Weissmuller in the 1924 Summer Olympics in Paris.

Weissmuller is best known now for swinging through trees with his signature yodeling yell and speaking in broken English in the film role of Tarzan the Ape man. But his fame began as an Olympic swimmer.

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Review: Geordie (1955)

Never have I stumbled over a more delightful film.

While searching for films about sports, the 1955 British film “Geordie,” released in the U.S. as “Wee Geordie,” came up in the results. I hadn’t heard of this film or several of the stars, but I decided to give it a go and I’m glad I did.

Geordie is smaller than the other students and gets picked on.

Geordie is smaller than the other students and gets picked on.

Directed by Frank Launder, “Geordie” follows a young boy named Geordie MacTaggart (Paul Young) who is the smallest in his class and Scottish village. The “wee” boy is fed up with being picked on at school and harassed about his height.

Geordie spots an advertisement for a mail-order body-building course on the back of his father’s (Jameson Clark) newspaper. He orders Henry Samson’s (Francis DeWolff) exercise correspondence and continues to work through the course until he’s a tall, strong 21-year-old man (Bill Travers — who was 6′ 6″). Geordie’s girl Jean (Norah Gorsen) is aggravated by the exercises and feels like it takes up all of his time.

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Musical Monday: Sun Valley Serenade (1941)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

sun valleyThis week’s musical:
Sun Valley Serenade –Musical #539

Studio:
20th Century Fox

Director:
Bruce Humberstone

Starring:
Sonja Henie, John Payne, Glenn Miller, Milton Berle, Lynn Barrie, Joan Davis, Ann Doran (uncredited)
Themselves in Specialty Performance: Tex Beneke, Ray Anthony, Angela Blue, The Nicholas Brothers, Dorothy Dandridge

Plot:
A down on their luck band lands a Christmas Eve gig in Sun Valley, Idaho, after they hook up with temper mental singer Vivian Dawn (Bari). To help with publicity for the band, their publicist Nifty Allen (Berle) set up for pianist Ted Scott (Payne) to adopt a European war orphan. While Ted and bandleader Phil Corey (Miller) have prepared for a baby orphan, their adoptee is fully grown Norwegian Karen (Henie). When the band leaves for Sun Valley, Karen sneaks along, threatening a budding romance between Ted and Vivian.

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Musical Monday: Silver Skates (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

Belita7This week’s musical:
Silver Skates” (1943)– Musical #518

Studio:
Monogram Pictures

Director:
Leslie Goodwins

Starring:
Belita, Kenny Baker, Patricia Morison, Joyce Compton, Frank Fraylen, Irene Dare, Danny Shaw
Specialty performances: Skating team Frick and Frack-Werner Groebli and Hans Mauch, Eugene Turner, Ted Fio Rito Orchestra

Plot:
Claire Thomas (Morison) owns an ice show that is financially on the rocks. The only thing keeping the show afloat is ice skater Belita (as herself). However, Belita is leaving the show to get married. Show member Eddie (Fraylen) starts a rumor that Belita is in love with the show’s singer Danny (Baker) so she will stay. However, Danny is engaged to Claire. Along the way, Claire meets a war orphan, Katrina (Dare), who joins the skating show and Claire would like to adopt. The only issue is, she needs to be married to adopt Katrina.

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Musical Monday: One in a Million (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

one-in-a-million-sonja-henie-1936-everettThis week’s musical:
One In A Million” (1936)–Musical #478

Studio:
20th Century Fox

Director:
Sidney Lanfield

Starring:
Sonja Henie, Don Ameche, Adolph Menjou, Jean Hersholt, Ned Sparks, June Wilkins, the Ritz Brothers

Plot:
Tad Spencer (Menjou) is broke and takes his female band (including his wife) to the Swiss Alps. They come to an inn run by Henriech Muller (Hersholt) and his daughter Greta (Henie). Greta is a figure skater training for the Winter Olympics. Henriech lost out on a figure skating medal in 1908 and has been training his daughter as a skater. Tad sees dollar signs when he see her skate and wants him in her act. The only problem is Greta is being paid for a nightclub act would hurt her amateur standing in the games. Bob Harris (Ameche) and his photographer Danny Simpson (Sparks), also arrives at the hotel to investigate a fire that may have been an assassination attempt.

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Olympics to Hollywood: Nat Pendleton

Nat Pendleton in 1935.

Nat Pendleton in 1935.

This November 2013 post was minimally edited on Aug. 2, 2016, for a series on Olympians who went on to be actors. This series coincides with the Rio 2016 Summer Olympics.

Whether he was an affable lug or a dangerous mobster, the face of the dark-haired 6 foot character actor is one film fans recognized in the 1930s and 1940s.

Character actor Nat Pendleton acted in uncredited and supporting roles from 1926 to 1947.

But before Pendleton performed as Sandow the Great in the biographical film “The Great Ziegfeld” (1936), he was flexing his muscles for different reasons.

Pendleton’s fame originally came in the form of an Olympic silver medal in the super heavyweight freestyle wrestling division at the 1920 Summer Olympics in Antwerp, Belgium. That year, the United States won 41 gold, 27 silver and 27 bronze medals — winning the most medals by any of the 29 nations attending. Born in Davenport, Iowa, Pendleton was Iowa’s first Olympic medal winner, according to the National Wrestling Hall of Fame.

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The All-American Aphrodite: Remembering Esther Williams

My cinema relationship with Esther Williams helped shape my film interests.

I didn’t full watch any of her films until 2003 when my film appetite craved musicals.

A swimming scene from "This Time for Keeps"

A swimming scene from “This Time for Keeps”

As I gorged on her candy-colored, aqua musical extravaganzas, I couldn’t wait until I could see another film. Each of her musicals brings back memories of spending weekends endlessly watching her movies.

When I was 15 I read her autobiography, “The Million Dollar Mermaid.” It’s my favorite film autobiography that I’ve read so far.

When I was 17, I bought one of her Esther Williams bathing suits.

Williams inspired me to practice swimming strokes and try to learn how to swim (I failed swimming lessons when I was five years old. How embarrassing).

I remember in 2004 when she was highlighted during TCM’s August Summer under the Stars series. I wasn’t looking forward to going back to school in August but my excitement of Esther Williams’ day out-weighed my dread.

Esther Williams and frequent co-star Van Johnson in "Easy to Wed"

Esther Williams and frequent co-star Van Johnson in “Easy to Wed” dressed for the number “Bonecu de Pixe.” Carmen Miranda helped them with the Portuguese lyrics.

But it’s not just how she affected my every day actions, but my film knowledge that makes her important to me.

To date, I have seen all but two of Esther Williams’ films: “A Raw Wind in Eden” and “The Big Show.”

Esther Williams’s films are a textbook example of the mid-1940s to early 1950s MGM musicals: brightly colored, beautiful clothing and lavish musical numbers that may include Williams swimming, Xavier Cugat and his band shaking maracas or opera singer Lauritz Melchior belting a tune.

Her films also introduced me to my biggest film crush- Van Johnson.

Something I have always found appealing about Williams is that she is very attainable.

Her beauty is natural and girl-next-door like and her figure is athletic, rather than actress anorexic. In her 1996 Private Screenings Interview with Robert Osborne, she said becoming a star was all an accident.

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