Musical Monday: Pop Gear (1965)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Pop Gear (1965) – Musical #493

Studio:
Associated British-Pathé, Ltd.

Director:
Frederic Goode

Starring:
Host: Jimmy Savile
Performers: The Animals, The Beatles (archive footage), Matt Munro, Susan Maughan, The Honeycombs, Herman’s Hermits, The Nashville Teens, The Four Pennies, Billy J. Kramer and the Dakotas, The Fourmost, Sounds Incorporated, Peter and Gordon, Tommy Quickly & The Remo Four, Billie Davis, The Spencer Davis Group

Plot:
With narration by Jimmy Savile (himself), British Invasion bands perform the hits of 1964 and 1965.

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Musical Monday: Gangway (1937)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

gangway5This week’s musical:
Gangway (1937) – Musical #774

Studio:
Gaumont British

Director:
Sonnie Hale

Starring:
Jessie Matthews, Barry MacKay, Nat Pendleton, Alastair Sim, Olive Blakeney, Noel Madison, Patrick Ludlow, Liane Ordeyne, Graham Moffatt, Danny Green, Edmon Ryan, Lawrence Anderson (uncredited), Peter Gawthorne (uncredited), Warren Jenkins (uncredited), Michael Rennie (uncredited)

Plot:
Pat Wayne (Matthews) works for a newspaper as a film critic. She dreams of being a reporter who uncovers news and gets to go on dangerous adventures, like she sees female reporters do in American films. Pat soon gets her chance when she is put on a story to work undercover to get dirt on a visiting American actress, Nedda Beumont (Blakeney). At the same time, detective Bob Deering (MacKay) is trying to uncover jewel thefts at Nedda’s hotel, and suspects Pat as being a jewel thief. When she gets mixed up in a publicity stunt for Nedda, Pat ends up on a boat sailing for American. On the sea voyage, she gets further entrenched in the jewel theft schemes when an American gangster, Smiles Hogan (Pendleton), mistakes Pat for the real jewel thief.

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Watching 1939: Marshal of Mesa City (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

1939 film:
marshall of mesa cityMarshal of Mesa City (1939)

Release date:
Nov. 3, 1939

Cast:
George O’Brien, Virginia Vale, Leon Ames, Henry Brandon, Harry Cording, Lloyd Ingraham, Slim Whitaker, Joe McGuin, Mary Gordon, Frank Ellis

Studio:
RKO Radio Pictures

Director:
David Howard

Plot:
Mesa City is filled with crime and the local sheriff, Jud Cronin (Ames) is corrupt. The criminal activity has gotten so bad, that school teacher Virginia King (Vale) is ready to leave town. However, when former lawman Cliff Mason (O’Brien) comes to town, the mayor hires him as marshal. To help him out, Mason hires gunman Duke Allison (Brandon) to help get the town in order.

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Musical Monday: The Pirate (1948)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Pirate (1948) – Musical #17

pirate5

Studio:
Metro-Goldwyn-Mayer

Director:
Vincente Minnelli

Starring:
Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper, Reginald Owen, George Zucco,
Lester Allen, Lola Albright, Ellen Ross, Mary Jo Ellis, Jean Dean, Mario Murray, Ben Lessy, Jerry Bergen, Val Setz, Anne Francis (uncredited), Alex Romero (uncredited), Dee Turnell (uncredited), Marie Windsor (uncredited)
Specialty Acts: Fayard Nicholas, Harold Nicholas, The Gaudsmith Brothers

Plot:
Manuela (Garland) lives with her aunt (Cooper) in the Caribbean. She’s never been anywhere or done anything and wants to travel and experience excitement, inspired by the adventures of Macoco the Pirate. However, her aunt feels it’s high time for Manuela to be married and arrange a marriage with the town’s mayor, Don Pedro (Slezak). To have excitement before she’s wed, she asks if they can go to the sea to pick up her wedding trousseau. While there, a traveling acting troupe lead by Serafin (Kelly). Serafin is immediately taken with Manuela and invites her to their performance, where he hypnotizes her. Under hypnosis, Manuela reveals her love for Macoco the Pirate. When Manuela and her aunt return home, Serafin and his troupe turn up in her town for a performance.

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Looking back on THE LONGEST DAY (1962)

On June 6, 1944, one of the most critical events in history took place — D-Day, the Allied invasion of Normandy, France, which was the catalyst to the eventual end of World War II.

Various films have told the story of this event, but one of the best accounts of the day is the film THE LONGEST DAY (1962).

the longest day

A scene from THE LONGEST DAY

Based on a book by former war correspondent Cornelius Ryan, the film stars nearly every top male star of the early 1960s (43 of them, to be exact), from Henry Fonda to Fabian. But while some actors have key scenes, there is no one star.

The idea behind Ryan’s book was to focus on the everyman, not just the heroes or generals. He wanted to include the experiences of all sides, including the Germans, according to the documentary on the making of THE LONGEST DAY. To do this, Ryan put an ad in the paper soliciting war stories of people who took part in the events, “History Through the Lens: The Longest Day.”

The goal of Ryan’s 1959 book is transcended onto the screen for the 1962 film, as these real-life stories are detailed throughout the film.

Former 20th Century Fox studio head Darryl F. Zanuck saw this film as a way to revitalize his career and planned to produce it independently. The goal of the film was realism, and his crew searched the globe for uniforms and military equipment to recreate the invasion.

darry

American actor Robert Mitchum (1917 – 1997, left) with producer and director Darryl F Zanuck (1902 – 1979) on the set of ‘ The Longest Day’, 1962. (Photo by Silver Screen Collection/Getty Images)

The idea for the film was to feel like a documentary, and it was filmed in black and white to appear like a newsreel. Like other war films of the time, there aren’t any romantic scenes or side stories — it’s all a detailed minute-by-minute account of the events leading up to D-Day, the storming of Omaha Beach, the disastrous parachute jump into France and the moments after the invasion is over.

Each side of the story is told using subtitles for the German and French actors, and Zanuck worked with the government of each country depicted in the film for accuracy, according film historian, Peter Lev.

In addition, four directors working on the film—Ken Annakin filming the British scenes, Andrew Marton filming the Americans, Gerd Oswald filming the French, and Bernhard Wicki filming the Germans — often filming at the same time in different areas. As they filmed, Annakin even performed research, seeking out former British and French resistance workers, according to a “Backstory” featurette produced in 2000.

Further realism was added when Zanuck cast actor Richard Todd, who actually took part in the invasion. Todd was cast as Major John Howard, who led Todd’s battalion and was his friend.

In addition, Red Buttons, who served in the U.S. Army Air Corps during World War II, portrayed a real person, paratrooper Private John Steele. Steele was among the ill-fated paratroopers who landed in the town square of Sainte-Mère-Église. Steele was caught in a church tower and watched as his peers were killed below.

richard todd

Richard Todd (right) in THE LONGEST DAY

red buttons2

Red Buttons in THE LONGEST DAY

Some scenes were too real for censors. The Department of Defense in the United States wanted scenes removed, such as when a German soldiers shout, “Bitte! Bitte!” (Please, Please) and a solider (played by Tommy Sands) shoots them, saying, “I wonder what bitte bitte means?”, according to Zanuck’s biographer. The scene remained in the film.

While much of the film is realistic, when it was released, it did face backlash from civil rights groups, as no Black actors appear in the film. Segregated units were part of the Normandy invasion, according to a TIME magazine article.

While Zanuck was essentially trying to recreate the D-Day invasion and film in France, another hurdle was the threat of being shut down. THE LONGEST DAY was filmed at the same time as CLEOPATRA (1963) — which co-starred two The Longest Day stars, Roddy McDowall and Richard Burton. CLEOPATRA was expensive and over budget, with costs that swelled to $40 million. The 20th Century Fox board of directors were desperate to find revenue and sell off assets, and also threatened to shut down production of THE LONGEST DAY to help keep the studio afloat financially, according to the “AMC Backstory” documentary.

The Omaha Beach scene alone included 3,000 extras and had $3 million worth of people and military equipment, according to the documentary. As they began filming the invasion, Zanuck told Kenneth Anakin, “Let’s make sure we see it all, Ken.”

To help recoup losses, Fox then looked to THE LONGEST DAY release for revenue. Not only did the film do well, but it spoke to World War II veterans. Actor Red Buttons calls the film “the definitive World War II movie,” quoted in the AMC Backstory documentary.

In addition to the 43 international stars, the film features fascinating depictions of near-lookalikes of Gen. Dwight D. Eisenhower, played by set designer Henry Grace, and Gen. Sir Bernard L. Montgomery, played by actor Trevor Reid.

It also includes music and a theme composed by Paul Anka, who appears in the film. If you look away for one moment in the film, you might miss an appearance from one of the many stars, including Tommy Sands, Mel Ferrer, Ray Danton, Rod Steiger, Alexander Knox, or Robert Wagner. Key scenes are performed by Robert Mitchum, Richard Beymer, Richard Burton, Sal Mineo, Henry Fonda, John Wayne, Jeffrey Hunter and Red Buttons.

One of my favorite scenes is a moment between Richard Beymer and Richard Burton. While this two-hour and 58-minute epic war movie omits unnecessary subplots, comedic tropes, or romances, it still allows a few intimate moments with characters. The documentary reality makes it fascinating and gripping, but those moments are what make this movie special.

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Musical Monday: The Vagabond King (1956)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

vagabound kingThis week’s musical:
The Vagabond King (1956) – Musical #773

Studio:
Paramount Pictures

Director:
Michael Curtiz

Starring:
Kathryn Grayson, Oreste Kirkop (billed as Oreste), Rita Moreno, Sir Cedric Hardwicke, Walter Hampden, Leslie Nielsen, William Prince, Jack Lord, Tom Duggan, Lucie Lancaster
Narrator: Vincent Price

Plot:
Set in 15th century France, King Louis XI (Hampden) is at risk of being overthrown by the Duke of Burgundy. When King Louis meets poet, criminal, François Villon (Oreste), he appoints him as his provost to help in the fight against the Duke of Burgundy. In the process, Villon falls in love with King Louis’s niece, Catherine (Grayson).

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Musical Monday: Carolina Blues (1944)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

carolina bluesThis week’s musical:
Carolina Blues (1944) – Musical #378

Studio:
Columbia Pictures

Director:
Leigh Jason

Starring:
Themselves: Kay Kyser, Georgia Carroll, Harry Babbitt, Ish Kabibble, Sully Mason
Also starring: Ann Miller, Victor Moore, Jeff Donnell, Howard Freeman, Ruby Dandridge (uncredited), Frank Orth (uncredited), Doodles Weaver (uncredited)
Specialty Acts: Harold Nicholas, the Cristiani Family, the Layson Brothers, the Four Step Brothers, the Golden Gate Quartette

Plot:
Kay Kyser and his band (all playing themselves) return home to the United States from a tour overseas. All of them are exhausted and ready for a vacation, but Kyser’s publicist (Donnell) signed the band up for a bond tour. Kyser agrees to do a performance if it can raise money for a destroyer named for his hometown of Rocky Mount, N.C. Another problem is that Kyser’s lead girl singer, Georgia Carroll (herself), is leaving the band to get married. When Kyser and his band play at a shipyard, the plant’s manager, Phineas Carver (Moore), hopes his daughter Julie (Miller) can be the band’s next singer.

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Musical Monday: Melody in Spring (1934)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Melody in Spring (1934) – Musical #772

melody in spring3

Studio:
Paramount Pictures

Director:
Norman Z. McLeod

Starring:
Charlie Ruggles, Ann Sothern, Mary Boland, Lanny Ross, George Meeker, Herman Bing, June Gale, Joan Gale, Jane Gale, Helen Lynd, Thomas E. Jackson,

Plot:
Singing hopeful John Carddock (Ross) is hoping to meet with radio advertiser Warren Blodgett (Ruggles). However, John hurts his chances of a job singing for his radio program, after John and Warren have an unfortunate run in while Warren is trying to collect a souvenir bedpost. When the family, travels to Switzerland on holiday, John follows to try to wear Warren down, and also woo his daughter, Mary (Sothern).

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Musical Monday: Footlight Serenade (1942)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

footlight parade3This week’s musical:
Footlight Serenade (1942) – Musical #771

Studio:
20th Century Fox

Director:
Gregory Ratoff

Starring:
Betty Grable, John Payne, Victor Mature, Jane Wyman, Phil Silvers, James Gleason, Cobina Wright, June Lang, Frank Orth, Mantan Moreland, Irving Bacon, Charles Tannen, George Dobbs, Hermes Pan (uncredited), Sheila Ryan (uncredited),

Plot:
Tommy Lundy (Mature) is a famous boxer, who is so popular, that Broadway promoter Slap (Silver) contrives a Broadway show around Lundy. Both dancer Pat Lambert (Grable) and her finance Bill Smith (Payne) get a job in the show — tough Pat auditioned and Bill got the job by happenstance for a boxing portion of the show. Tommy immediately makes a play for Pat, making her the understudy for the lead. When Pat and Bill get married, the show’s director (Gleason) asks that they keep it a secret, since Tommy likes Pat.

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Watching 1939: Bad Little Angel (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

bad little angel1939 film:
Bad Little Angel (1939)

Release date:
Oct. 27, 1939

Cast:
Virginia Weidler, Gene Reynolds, Elizabeth Patterson, Guy Kibbee, Ian Hunter, Reginald Owen, Henry Hull, Lois Wilson, Harlan Briggs (uncredited), Esther Dale (uncredited), Mickey Kuhn (uncredited), Mitchell Lewis (uncredited), Ann E. Todd (uncredited), Rex the Dog (uncredited), Douglas Madore (uncredited)

Studio:
Metro-Goldwyn-Mayer

Director:
Wilhelm Thiele

Plot:
Set in 1900, Patsy (Weidler) is an orphan, who believes she’s a jinx to everyone who adopts her — her guardians have lost money, died and lost jobs. When she is yet again sent back to the orphanage, Patsy runs away using the Bible to guide her where to go — which is to Egypt. She head to Egypt, N.J. where she befriends young Tommy Wilks (Reynolds) and newspaper editor Jim Creighton (Hunter). As she follows the word of the Bible, she still believes she’s a jinx to Tommy, Jim and their families as crises continue to happen.

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