Musical Monday: Cinderella (1965)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

cinderella 1965 11This week’s musical:
Cinderella (1965) – Musical #144

Studio:
CBS

Director:
Charles S. Dubin

Starring:
Lesley Ann Warren, Stuart Damon, Walter Pidgeon, Ginger Rogers, Pat Carroll, Barbara Ruick, Celeste Holm, Jo Van Fleet, Trudi Ames, Betty Noyes, Bill Lee,

Plot:
Set to music by Richard Rodgers and Oscar Hammerstein II, the story focuses on Cinderella (Warren), a lonely young woman whose father has died and she lives only with her stepmother (Fleet) and stepsisters (Ruick, Carroll). Her stepmother and stepsisters have made Cinderella their servant, while Cinderella dreams of a better life. The Prince (Damon) is in search of a wife, and the King and Queen (Pidgeon, Rogers) hold a ball so he can find a wife. Cinderella’s fairy godmother (Holm) helps her get to the ball, but she must leave by midnight.

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Musical Monday: Roberta (1935)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

robertaThis week’s musical:
Roberta (1935) – Musical #106

Studio:
RKO Studio Pictures

Director:
William A. Seiter

Starring:
Irene Dunne, Ginger Rogers, Fred Astaire, Randolph Scott, Helen Westley, Claire Dodd, Ferdinand Munier, Luis Alberni, Victor Varconi

Plot:
Former American football hero, John Kent (Scott), travels to Paris with his pal Huck Haines (Astaire) and Haines’s jazz band. Huck and his band fail to secure a job, and the group is down on their luck. John seeks help from his Aunt Minnie (Westley) who runs an exclusive fashion house, immediately falling for her assistant Stephanie (Dunne). The jazz band finds success with the help of a phony countess (Rogers). But things get complicated when John inherits the fashion house.

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Watching 1939: Bachelor Mother (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Bachelor Mother (1939)

Release date:  June 30, 1939

Cast:  Ginger Rogers, David Niven, Charles Coburn, Frank Albertson, E.E. Clive, Ferike Boros, Elbert Coplen Jr., Dennie Moore, June Wilkins

Studio:  RKO Radio Pictures

Director:  Garson Kanin

Plot: Department store work Polly Parish (Rogers) is returning home one day when she finds a baby left on a doorstep. She catches him before he roles off and takes him to a nearby orphanage. No one will believe Polly that it’s not her baby and is forced to take responsibility for the baby. The department store owner’s playboy son, David Merlin (Niven) takes an interest in Polly, and David’s father (Coburn) believes the baby is his grandson.

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Ginger Rogers’s Christmas Cake

Over the summer, I was surfing eBay for film memorabilia and came across a recipe for Ginger Rogers’s Christmas cake in a small food magazine, A & P Menu, which is “dedicated to food, menus and recipes.” I bought the Dec. 17, 1936, menu so I could attempt to make this cake myself.

Note: The cover reads “Ginger Rogers, RKO Radio Pictures star soon to appear in “Stepping on Toes,” believes in bigger and better cakes.” “Stepping on Toes” was the working title for “Shall We Dance” (1937), starring Fred Astaire and Ginger Rogers.

In addition to the cake recipe, the rest of this issue of A&P Menu gives cookie recipes and gives suggestions on easy, inexpensive meals for your family leading up to Christmas.

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Musical Monday: The Gay Divorcee (1934)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

divorceThis week’s musical:
The Gay Divorcee” (1934)– Musical #121

Studio:
RKO Radio Pictures

Director:
Mark Sandrich

Starring:
Ginger Rogers, Fred Astaire, Alice Brady, Edward Everett Horton, Eric Blore, Erik Rhodes, William Austin, Betty Grable, Lillian Miles

Plot:
Mimi (Rogers) is traveling with her Aunt Hortense (Brady) and is looking for a

Trivia:
-This was Fred Astaire and Ginger Rogers’ second film together (out of 10 films). Following their success in “Flying Down to Rio” (1933), RKO teamed them together again.

-“The Continental” lasts 17.5 minutes. This was the longest musical number until Gene Kelly’s ballet in “An American In Paris” (1951).

-The Academy Awards for 1934 were the first to include the category for Best Original Song. Con Conrad and Herb Magidson were the first to receive this award for “The Continental.”

-Based on the 1932 Broadway show “The Gay Divorce,” which starred Fred Astaire and Claire Luce. For the film, the title was changed to “Divorcee.” Fred Astaire’s autobiography “Steps in Time” says the change was to show that the film was about the amorous adventures of a woman.

-Costumes designed by Walter Plunkett

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Musical Monday: “Follow the Fleet” (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

follow the fleet 2This week’s musical:
Follow the Fleet” (1936) — Musical #155

Studio:
RKO

Director:
Mark Sandrich

Starring:
Fred Astaire, Ginger Rogers, Randolph Scott, Harriet Hilliard, Betty Grable, Lucille Ball

Plot:
Bake Baker (Astaire) joined the Navy after his former dance partner Sherry Martin (Rogers) turned him down when he asked her to marry him.
Now he’s back on shore leave and he meets her by chance at a 10 cents a dance joint.
Sherry’s bookish sister Connie (Hilliard) meets Bake’s sea mate Bilge Smith (Scott) and falls in love with him. But Bilge isn’t read to settle down and starts running around with a rich divorcee.

follow the fleet

Ginger Rogers and Fred Astaire dance to “Let Yourself Go”

Trivia:
-This movie was made after the success of “Roberta.” RKO wanted to bring Randolph Scott and Irene Dunne back together again for another film with Fred Astaire and Ginger Rogers as the secondary leads, according to TCM host Robert Osborne. Dunne’s contract expired with RKO and she went on to star in “Showboat” (1936). New comer Harriet Hilliard was selected to fill the Irene Dunne role, Osborne said.
-The beaded dress Ginger Rogers wears in “Let’s Face the Music and Dance” was very heavy. Fred Astaire said the dress was too heavy to be made for dancing. During the first take, a long sleeve hit Astaire in the face. After 20 more takes, Astaire felt like the first take was their best, said Robert Osborne.
-Fred Astaire and Ginger Rogers’ fifth film together.
-The couple in the dance contest with Astaire and Rogers were unknowns picked by choreographer Hermes Pan.
-Lucille Ball and Betty Grable have small roles in the film.
-Actor/singer Tony Martin has an uncredited role in the film.
-Irving Berlin wrote “Get Thee Behind Me, Satan” was originally written for “Top Hat.”
-Adapted from the play “Shore Leave.”

Highlights:
-Ginger Rogers and Fred Astaire in the dance contest. They do impressive dance steps and Rogers is wearing pants so you can actually see the dance moves she’s doing.

Notable Songs:
All the songs are quality because the score is written by Irving Berlin but my favorites are:
-“Let Yourself Go” sung by Ginger Rogers
-“I’m Putting All My Eggs in One Basket” sung by Fred Astaire and Ginger Rogers
-“Let’s Face the Music and Dance” sung by Fred Astaire

Harriet Hilliard and Randolph Scott in "Follow the Fleet"

Harriet Hilliard and Randolph Scott in “Follow the Fleet”

My Review:
While this was following the success of “Roberta,” it isn’t quite as good as “Roberta.” Harriet Hilliard is fine, but I would have loved to see Irene Dunne in the role.
The music in this Astaire and Rogers film is terrific since the score is written by Irving Berlin. It is also a real treat that all but one of Rogers’ dance performances are done in pants so you can see her footwork better than when she is wearing a ballgown.
The plot isn’t bad but some of the lines said in the film could be bothersome to the contemporary viewer. Such as Ginger Rogers saying you have to be dumb to get a man. Or that Harriet salvages a boat for a man she doesn’t even know.
Regardless of my issues with silly parts of the plot, if you are a Fred Astaire and Ginger Rogers fan, this is definitely a movie you should see. 

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Beauty Tip #27: The 1940s Snood

This is the twenty-seventh  installment of the monthly classic actress beauty tips that I have read about and tested.  

For me, the 1940s is the best fashion era.

Carole Lombard sporting a snood.

Carole Lombard sporting a snood.

The clothing, the makeup and the hairstyles all leave me drooling. One of my favorite 1940s fashion styles that I see in the movies is the “snood.”

A snood is head scarf, usually netted in the 1940s, that fits almost like a hood. Hair is fitted inside a sort of a sack that sits on the back of the head.

Snoods were worn in the Middle Ages, 1860s and were again reintroduced during World War II, not only for fashion but to keep hair from getting caught in machinery while doing war work.

The first time I wore my snood.

The first time I wore my snood.

As my hair has been getting longer, I was trying to figure out different ways to style it and keep it out of my face, so I decided to bring my classic film tastes and love for 1940s fashion into my life and bought a snood.

While some snoods tie, mine is elastic.

To wear it, I brushed my hair back away from my face, pinned it in place behind my ears with two bobby pins on each side, and put my hair inside the snood. I set the snood about half way back on my head.

While I was worried about looking like a lunch lady with a hair net, I’ve gotten several compliments on the snood and only a few from friends, jokingly saying I look like a sheep herder.

To review: I love wearing my snood and it successfully keeps my hair out of my face while giving me both a modern, yet vintage look. The one I bought was only $5 on ebay, but I plan to buy more decorative snoods in the future.

Here are some other classic actresses sporting the snood look:

Barbara Stanwyck with Henry Fonda in "The Lady Eve" (1941) wearing a snood.

Barbara Stanwyck with Henry Fonda in “The Lady Eve” (1941) wearing a snood.

Ginger Rogers in "The Major and the Minor" with a snood.

Ginger Rogers in “The Major and the Minor” with a snood.

Ann Sheridan in "Thank Your Lucky Stars" (1943) with a snood

Ann Sheridan in “Thank Your Lucky Stars” (1943) with a snood

Stop by back in January for another classic actress beauty tip.

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“Radio Waves” on air in 30 minutes!

Ginger will be listening too

“Radio  Waves Over Hollywood” will be streaming live Thursday night from 6 p.m. to 8 p.m (Eastern time).

So be sure to listen at 6 p.m. to 8 p.m.  live stream on www.winrfm.com (go to Listen Live) or  the old WINR website.

Call in at 803-323-2122, whether you know me or not, to contribute to the discussion.  I would love to hear from you!

And remember, non-Winthrop students can listen and call in too!

Also, if you listen to the “Radio Waves Over Hollywood” show, leave feedback for me in the comments area. Let me know what I need to work on or what you want to hear!

Check out the Comet Over Hollywood Facebook page and Radio Waves Over Hollywood Facebook page.

Tune in for your weekly fireside

Don Ameche, Ginger Rogers, Cecil B. DeMille and Charles Winneger performing on the Lux Radio Theater

“Radio  Waves Over Hollywood” will be streaming live Thursday night from 6 p.m. to 8 p.m (Eastern time).

Topics for Jan. 27:
-Film actors who made it big on TV
-Kay Kyser, Georgia Carroll and other big bands
-Actors who got married
-And more…

So be sure to listen at 6 p.m. to 8 p.m.  live stream on www.winrfm.com (go to Listen Live) or  the old WINR website.

Call in at 803-323-2122, whether you know me or not, to contribute to the discussion.  I would love to hear from you!

And remember, non-Winthrop students can listen and call in too!

Also, if you listen to the “Radio Waves Over Hollywood” show, leave feedback for me in the comments area. Let me know what I need to work on or what you want to hear!

Check out the Comet Over Hollywood Facebook page and Radio Waves Over Hollywood Facebook page.

Boola boola and rah rah rah: College in the movies

A typical day at Winthrop…not. (From “Good News

After a fast Christmas break, I have moved back into my Winthrop University dorm for the last time.  In honor of my last semester as a college “co-ed”  here is a blog with different representations of college in classic film and judge at how realistic the films portray college.

*I’d like to point out that all of these are classic films, so don’t be disappointed that I didn’t review “National Lampoon’s Animal House” or “Accepted.”

 

Harold Lloyd and Jobyna Ralston in “The Freshman”

•The Freshman (1925)-

Harold Lloyd is very excited about going to college after seeing a movie about a popular campus. Lloyd’s only purpose at college is to be the big man on campus. He achieves this by doing a silly dance before he shakes people’s hands and fumbling around the football field. However, he just makes a fool of himself. To review: I’m not a huge fan of Harold Lloyd actually (I am loyal to Buster Keaton), but this is actually one of my favorite silent movies. It’s heartbreaking to see how people make fun of him but also hilarious at the same time. I really don’t know what college life was like in the 1920s, but in my college experiences there is not one BIG popular person. I will say, I am on a fairly small campus of 6,500 people so there are notable figures but no one person who I would say is the most popular.

Pigskin Parade (1936)- Winston and Bessie Winters (Jack Haley and Patsy Kelly) are college coaches trying to have a winning season. Things are going rough until hillbilly Amos (Stuart Erwin) and his sister Sairy (Judy Garland)-also a redneck- come to campus.  Amos can throw a winning football pass after throwing melons on the farm. To review: Its been a long time since I’ve seen this movie but I remember it being pretty excruciating. Between Judy’s country accent and the Yacht Boys singing, it was pretty obnoxious.

 

Rosemary and Priscilla Lane publicity shot for “Variety Show”

•Varsity Show (1937)-

Priscilla and Rosemary Lane (as Betty and Barbara) and friends are trying to put on a show on Winfield Campus, but the faculty doesn’t like swing music. They pull in former student and Broadway star Chuck Day (Dick Powell), to help with the show, but his last performances have laid eggs. To review: I love Priscilla Lane and Dick Powell, and its fun to see them in a movie together. However, this is another stereotypical song and dance college musical. I’m not sure I’ve ever seen in college put on as big of a show as they do in this movie.

Vivacious Lady (1938)-Francey (Ginger Rogers) marries college chemistry professor Peter (James Stewart). The marriage is a secret from his family because he is already engaged and his father (Charles Coburn)  is the college president. Stewart and Rogers go to extreme measures to stay together, including Rogers becoming a student at the college. To review: This is one of my favorite movies. Rogers and Stewart have wonderful chemistry and there are several funny moments. I did think most of the college students in Stewart’s class looked a lot older than college students though.

Bathing Beauty (1944)- Caroline (Esther Williams) goes back to her old job as a teacher at a girls’ college after a misunderstanding with her boyfriend Steve (Red Skelton). Steve tries to win Caroline back by finding a loophole in the rules and enrolling in the school. Comedic moments ensue with Red in a tutu and Harry James jazzing up music class. To review: I love this movie. Esther is beautiful in Technicolor. Xavier Cugat and Lina Romay spice it up with Latin rhythm along with other musical talents like Ethel Smith and Harry James. I know that James and Cugat don’t come and jazz up “I’ll Take the High Road” in music class in college, but it certainly does make college look fun. I also love the ever pert and fun Jean Porter in this movie. She really seems like the quintessential college/high school young lady of the 1940s to me.

Susan Peters is a co-ed with “Young Ideas”

Young Ideas(1943)- Romance author Josephine Evans(Mary Astor) marries college professor Mike (Herbert Marshall) and cancels her book tour.  Astor’s children, Susan (Susan Peters) and Jeff (Elliot Reed), oppose of the marriage, especially since it may mean their mother’s book career is over. Susan and Jeff enroll in college and do whatever they can to break up the marriage. To review: This is a classic, fun MGM movie from the 1940s. I love Herbert Marshall and he was really funny in this movie. Susan Peters and Elliot Reed were pretty bratty but Richard Carleson gave a nice balance to it. This movie seemed the most of what college might have been like-though I do wonder if freshman really wore little beanies.

•Andy Hardy’s Blonde Trouble (1944)- Andy Hardy (Mickey Rooney) goes to college and is surrounded by beautiful girls-his dream. Two twin blondes trick him and he falls for the icy Kay Wilson (Bonita Granville). Hardy competes with professor Dr. Standish (Herbert Marshall) for Kay’s attention. To review: I don’t like the Andy Hardy movies as much when he goes to college. However, the way college was represented seemed to be pretty realistic.

Peter Lawford and June Allyson in “Good News”

Good News (1947)- In the 1920s, co-ed librarian June Allyson isn’t exactly what you would call a vamp. Allyson falls for popular, football star Peter Lawford but he is interested in modern woman, Patricia Marshall.  Several songs are fit in during the pursuit of love, including a great number involving “The Varsity Drag.” To review: Once again, I wonder if in the 1920s, schools were so small to have one person who is the most popular? The movie is fun and colorful, but it seems more a vehicle for Joan McCracken and Patricia Marshall-neither who did much else in movies. I wish June Allyson was in the movie more, because she was the whole reason I watched it.

Apartment For Peggy (1948)- Peggy (Jeanne Crain) and Jason (William Holden) are married, and Jason is going to college as a chemistry major using the G.I. Bill.  Professor Henry Barnes (Edmund Gwenn), a professor at the college, has decided he has lived long enough and wants to commit suicide. The couple lives in a trailer, but needs more room because Peggy is expecting. The professor agrees to let the couple rent out his attic as an apartment and his views on life begin to change. To review: This is a really fun and cute movie. It is very light hearted but let me warn you for some sad parts. I think the college aspect is pretty realistic when put in perspective of post-war men using G.I. Bill to go to college and their wives and their struggles.

Mr. Belvedere Goes to College(1949)- Clifton Webb as Mr. Belvedere decides to enroll in college since his highest level of education is from the fifth grade.  Though he is older than all the students, Belvedere is considered a freshman and has to deal with ritual hazing. During all of this he makes friends with Tom Drake and beautiful Shirley Temple who has a secret. To review: The movie is very funny, and Clifton Webb gives a droll perfomance as always. Other than the hazing, I thought this seemed pretty similar to a real college. It was pretty large and it didn’t seem like there was that one person in charge.

 

Other college films:
College (1927)- Starring Buster Keaton
College Swing (1938)- Starring Bob Hope, Gracie Allen and Martha Raye
Dancing Co-Ed (1939)-Starring Lana Turner, Ann Rutherford,  and Artie Shaw
These Glamour Girls (1939)- Starring Lana Turner, Lew Ayres and Anita Louise
Second Chorus (1940)- Starring Fred Astaire, Paulette Goddard, Burgess Meredith and Artie Shaw
The Feminine Touch (1941)- Starring Rosalind Russell and Ray Milland
The Male Animal (1942)- Starring Henry Fonda, Olivia de Havilland and Joan Leslie
The Falcon and The Co-Ed (1943)- Starring Tom Conway
Mother Is A Freshman (1949)- Starring Van Johnson and Loretta Young
HIGH TIME (1960)- Starring Bing Crosby, Tuesday Weld and Richard Beymer
Joy in the Morning (1965)- Starring Richard Chamberlin and Yvette Mimeux

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