Musical Monday: Flying Down to Rio (1933)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Flying Down to Rio (1933) – Musical #94

Studio:
RKO Radio Pictures

Director:
Thornton Freeland

Starring:
Dolores del Rio, Gene Raymond, Raul Roulien, Ginger Rogers, Fred Astaire, Blanche Friderici, Eric Blore, Franklin Pangborn, Walter Walker, Etta Moten, Roy D’Arcy, Maurice Black, Armand Kaliz, Paul Porcasi, Reginald Barlow, Theresa Harris (uncredited), Clarence Muse (uncredited)
Performers: Movita

Plot:
Pilot Roger Bond (Raymond) is the bandleader of the Yankee Clippers. However, the band’s success is hindered by Roger’s flirtatious eye. As soon as they land a new job, he sees Belinha (Del Rio) and begins to pursue her. His efforts (and new job) are cut off by Belinha’s chaperone and aunt (Friderici). Learning that Belinha is heading to Rio de Janeiro, he volunteers to fly her there, and gets a job for his band to perform there as well. The only issue is that Belinha turns out being engaged to Julio Rubeiro (Roulien), and he can’t get an entertainment license to perform at the hotel.

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Musical Monday: The Gay Divorcee (1934)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

divorceThis week’s musical:
The Gay Divorcee” (1934)– Musical #121

Studio:
RKO Radio Pictures

Director:
Mark Sandrich

Starring:
Ginger Rogers, Fred Astaire, Alice Brady, Edward Everett Horton, Eric Blore, Erik Rhodes, William Austin, Betty Grable, Lillian Miles

Plot:
Mimi (Rogers) is traveling with her Aunt Hortense (Brady) and is looking for a

Trivia:
-This was Fred Astaire and Ginger Rogers’ second film together (out of 10 films). Following their success in “Flying Down to Rio” (1933), RKO teamed them together again.

-“The Continental” lasts 17.5 minutes. This was the longest musical number until Gene Kelly’s ballet in “An American In Paris” (1951).

-The Academy Awards for 1934 were the first to include the category for Best Original Song. Con Conrad and Herb Magidson were the first to receive this award for “The Continental.”

-Based on the 1932 Broadway show “The Gay Divorce,” which starred Fred Astaire and Claire Luce. For the film, the title was changed to “Divorcee.” Fred Astaire’s autobiography “Steps in Time” says the change was to show that the film was about the amorous adventures of a woman.

-Costumes designed by Walter Plunkett

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Musical Monday: “Follow the Fleet” (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

follow the fleet 2This week’s musical:
Follow the Fleet” (1936) — Musical #155

Studio:
RKO

Director:
Mark Sandrich

Starring:
Fred Astaire, Ginger Rogers, Randolph Scott, Harriet Hilliard, Betty Grable, Lucille Ball

Plot:
Bake Baker (Astaire) joined the Navy after his former dance partner Sherry Martin (Rogers) turned him down when he asked her to marry him.
Now he’s back on shore leave and he meets her by chance at a 10 cents a dance joint.
Sherry’s bookish sister Connie (Hilliard) meets Bake’s sea mate Bilge Smith (Scott) and falls in love with him. But Bilge isn’t read to settle down and starts running around with a rich divorcee.

follow the fleet

Ginger Rogers and Fred Astaire dance to “Let Yourself Go”

Trivia:
-This movie was made after the success of “Roberta.” RKO wanted to bring Randolph Scott and Irene Dunne back together again for another film with Fred Astaire and Ginger Rogers as the secondary leads, according to TCM host Robert Osborne. Dunne’s contract expired with RKO and she went on to star in “Showboat” (1936). New comer Harriet Hilliard was selected to fill the Irene Dunne role, Osborne said.
-The beaded dress Ginger Rogers wears in “Let’s Face the Music and Dance” was very heavy. Fred Astaire said the dress was too heavy to be made for dancing. During the first take, a long sleeve hit Astaire in the face. After 20 more takes, Astaire felt like the first take was their best, said Robert Osborne.
-Fred Astaire and Ginger Rogers’ fifth film together.
-The couple in the dance contest with Astaire and Rogers were unknowns picked by choreographer Hermes Pan.
-Lucille Ball and Betty Grable have small roles in the film.
-Actor/singer Tony Martin has an uncredited role in the film.
-Irving Berlin wrote “Get Thee Behind Me, Satan” was originally written for “Top Hat.”
-Adapted from the play “Shore Leave.”

Highlights:
-Ginger Rogers and Fred Astaire in the dance contest. They do impressive dance steps and Rogers is wearing pants so you can actually see the dance moves she’s doing.

Notable Songs:
All the songs are quality because the score is written by Irving Berlin but my favorites are:
-“Let Yourself Go” sung by Ginger Rogers
-“I’m Putting All My Eggs in One Basket” sung by Fred Astaire and Ginger Rogers
-“Let’s Face the Music and Dance” sung by Fred Astaire

Harriet Hilliard and Randolph Scott in "Follow the Fleet"

Harriet Hilliard and Randolph Scott in “Follow the Fleet”

My Review:
While this was following the success of “Roberta,” it isn’t quite as good as “Roberta.” Harriet Hilliard is fine, but I would have loved to see Irene Dunne in the role.
The music in this Astaire and Rogers film is terrific since the score is written by Irving Berlin. It is also a real treat that all but one of Rogers’ dance performances are done in pants so you can see her footwork better than when she is wearing a ballgown.
The plot isn’t bad but some of the lines said in the film could be bothersome to the contemporary viewer. Such as Ginger Rogers saying you have to be dumb to get a man. Or that Harriet salvages a boat for a man she doesn’t even know.
Regardless of my issues with silly parts of the plot, if you are a Fred Astaire and Ginger Rogers fan, this is definitely a movie you should see. 

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