Tag Archives: 1950s musicals

Musical Monday: Cinderella (1957)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Cinderella (1957) – Musical #143

Studio:
CBS

Director:
Ralph Nelson

Starring:
Julie Andrews, Ilka Chase, Edie Adams, Jon Cypher, Howard Lindsay, Dorothy Stickney, Alice Ghostley, Kaye Ballard

Plot:
Set to music by Richard Rodgers and Oscar Hammerstein II, the story focuses on Cinderella (Andrews), a lonely young woman whose father has died and she lives only with her stepmother (Chase) and stepsisters (Ballard, Ghostley). Her stepmother and stepsisters have made Cinderella their servant, while Cinderella dreams of a better life. The Prince (Cypher) is in search of a wife, and the King and Queen (Lindsay, Stickney) hold a ball so he can find a wife. Cinderella’s fairy godmother (Adams) helps her get to the ball, but she must leave by midnight.

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Musical Monday: Jack and the Beanstalk (1952)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Jack and the Beanstalk (1952) – Musical #809

Studio:
Produced by Executive Productions, Distributed by Warner Bros.

Director:
Jean Yarbrough

Starring:
Bud Abbott, Lou Costello, Buddy Baer, Dorothy Ford, Shaye Cogan, James Alexander, Barbara Brown, David Stollery, Arthur Shields

Plot:
Two unlikely babysitters, Jack (Costello) and Mr. Dinkle (Abbott) are hired to watch Donald Larkin (Stollery). While they are reading “Jack & the Beanstalk” to him, both babysitters fall asleep. Told in a dream sequence, the pair are transported into the story. In the story, Jack (Costello again) and his mother (Ford) live in a village that has hit hard times and the Giant (Baer) has kidnapped the Princess Eloise (Cogan), a goose that lays golden eggs, and Prince Arthur (Alexander), who is pretending to be a to be a troubadour. When Jack is asked to sell the family cow, he squanders the money by buying magic beans. The bean grows into a giant stalk that goes into the sky. Jack climbs the stalk to rescue everyone that the Giant has kidnapped, and is followed by the town butcher Mr. Dinklepuss (Abbott again), who’s interested in the golden goose.

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Musical Monday: Scared Stiff (1953)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

scared stiff

This week’s musical:
Scared Stiff (1953) – Musical #797

Studio:
Paramount Pictures

Director:
George Marshall

Starring:
Dean Martin, Jerry Lewis, Lizabeth Scott, Carmen Miranda, George Dolenz, Dorothy Malone, William Ching, Paul Marion, Jack Lambert, Tony Barr, Leonard Strong, Henry Brandon, Earl Holliman (uncredited)
Cameo appearances: Bob Hope, Bing Crosby

Plot:
Mary Carroll (Scott) has inherited an estate in Cuba, but throughout her travels, she receives death threats and notes of warning. Before sailing to Cuba, Mary meets performers Larry Todd (Martin) and Myron Mertz (Lewis). Larry believes that he killed someone in New York at Mary’s hotel, so Larry and Myron stowaway on the ship for Cuba. Once they arrive at the home, that’s believed to be haunted, the trio tries to figure out who is behind the warnings.

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Musical Monday: Those Redheads from Seattle (1953)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Those Redheads from Seattle (1953) – Musical #826

Studio:
Paramount Pictures

Director:
Lewis R. Foster

Starring:
Rhonda Fleming, Agnes Moorehead, Teresa Brewer, The Bell Sisters, Gene Barry, Guy Mitchell, Jean Parker, Roscoe Ates, John Kellogg, Frank Wilcox, Walter Reed

Plot:
Vance Edmonds (Wilcox) is a newspaper man in Yukon Territory, trying to clean up a crooked town with his newspaper articles. Not knowing his life is being threatened, his family in Seattle, decides that it’s time to go be with their father including his wife, Mrs. Edmonds (Moorehead) and four daughters, Kathie (Fleming), Pat (Brewer), and Connie and Neill (the Bell Sisters). When they arrive in the Yukon, the Edmond family finds that things are not what they expected and have to find ways to support themselves amongst encounters with saloon owners (Barry) and saloon women.

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Musical Monday: Sing Boy Sing (1958)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Sing Boy Sing (1958) – Musical #825

Studio:
20th Century Fox

Director:
Henry Ephron

Starring:
Tommy Sands, Edmond O’Brien, Jerry Paris, Josephine Hutchinson, John McIntire, Lili Gentle, Regis Toomey, Diane Jergens, Tami Conner
Disc Jockeys as themselves: Art Ford, Bill Randle, Biff Collie

Plot:
Virgil Walker (Sands) is a teen heartthrob singer, whose life is controlled by his manager, Joseph Sharkey (O’Brien). Sharkey also keeps Virgil isolated from his family, with the help of press agent, Arnold Fisher (Paris). Virgil was raised in a small town by his pastor grandfather (McIntire). When Virgil’s grandfather becomes ill, Sharkey tries to keep Virgil from knowing and away from his family, fearing his grandfather will turn Virgil against his “sinful” singing career.

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Musical Monday: Senior Prom (1958)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Senior Prom (1958) – Musical #822

Studio:
Columbia Pictures

Director:
David Lowell Rich

Starring:
Jill Corey, Paul Hampton, James Komack, Barbara Bostock, Tom Laughlin, Frieda Inescort, Peggy Moffitt, Selene Walters, Francis De Sales
Themselves: Ed Sullivan, Mitch Miller, Bob Crosby, Louis Prima, Keely Smith, Sam Butera, The Witnesses, Connee Boswell, Toni Arden, Freddy Martin and His Orchestra, José Melis, Les Elgart

Plot:
A band, featuring Tom Harper (Hampton) on vocals and Dog (Komack) on the bass fiddle, are hired to perform at a college fraternity party. Carter Breed II (Laughlin) automatically dislikes Tom and the band when his girlfriend Gay Sherridan (Corey) automatically is smitten with Tom. As Tom and Gay begin a romance, Carter tries to sabotage the romance and Tom’s music career. However, Tom’s music becomes a hit and he appears on the Ed Sullivan Show. His new fame allows him to invite celebrity performers to the college’s senior prom.

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Musical Monday: French Cancan (1955)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
French Cancan (1955) – Musical #818

Studio:
Francoeur Studios

Director:
Jean Renoir

Starring:
Jean Gabin, Françoise Arnoul, María Félix, Anna Amendola, Jean-Roger Caussimon, Dora Doll, Giani Esposito, Franco Pastorino, Gaston Gabaroche, Jacques Jouanneau, Jean Parédès, Valentine Tessier, Pierre Olaf, Phillipe Clay
Specialty performers: Édith Piaf, Patachou

Plot:
Night club owner Henri Danglard (Gabin) is always looking for new talent, from dancers to a whistling Pierrot (Olaf). While “slumming” at the White Queen with his star Lola (Félix), Danglard discovers a young laundress, Nini (Arnoul), who is doing the old dance, the cancan. Lola is infuriated and jealous of Nini as Danglard decides to build an act and brand new nightclub, the Moulin Rouge, around the cancan dance. As Nini’s life changes, suitors come in and out of her life, leaving her confused about who and what she wants. She thinks she’s in love with Danglard, but his main love is art.

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Musical Monday: Texas Carnival (1951)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Texas Carnival (1951) – Musical #68

Studio:
Metro-Goldwyn-Mayer

Director:
Charles Walters

Starring:
Esther Williams, Red Skelton, Howard Keel, Ann Miller, Paula Raymond, Keenan Wynn, Tom Tully, Glenn Strange, Dick Wessel, Donald MacBride, Marjorie Wood, Hans Conried, Thurston Hall, Duke Johnson, Wilson Wood, Gene Coogan (uncredited), Bess Flowers (uncredited), Beatrice Hagen (uncredited), Alex Romero (uncredited)
Themselves: Foy Willing and His Orchestra, Red Norvo Trio,

Plot:
Cornie (Skelton) and Debbie Telford (Williams) work together in a dunk tank sideshow. They aren’t doing well financially, and Debbie wants a well-balanced meal. While in Texas, Cornie is mistaken for a cattle barron, Dan Sabinas (Wynn), when Cornie drives his car back to the hotel. They think Debbie is Marilla Sabinas (Raymond). Unable to untangle the misunderstanding, Cornie and Debbie wait for the real Dan Sabinas to return to the hotel. The mistaken identity leads to high gambling debts and romances. The sheriff’s daughter (Miller), Sunshine, falls for Cornie, while Sabinas’s ranch hand Slim Shelby (Howard), knows they are phonies, but plays along.

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Musical Monday: Road to Bali (1952)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Road to Bali (1952) – Musical #157

Studio:
Paramount Pictures

Director:
Hal Walker

Starring:
Bing Crosby, Bob Hope, Dorothy Lamour, Murvyn Vye, Peter Coe, Ralph Moody, Leon Askin, Patricia Dane (uncredited), Michael Jeffers (uncredited), Carolyn Jones (uncredited), Bhogwan Singh (uncredited), Chanan Singh Sohi (uncredited), 
Cameo: Humphrey Bogart (from archival footage), Bob Crosby, Jane Russell, Jerry Lewis, Dean Martin

Plot:
Two vaudeville performers, George Cochran (Crosby) and Harold Gridley (Hope), are in Australia. They (yet again) have to duck out of town when the fathers of two women are looking for the performers after they proposed marriage to their daughters. To get out of town, they accept jobs from Ken Arok (Vye) to dive for treasure in Bali, Indonesia. Little do they know that their boss doesn’t plan on staying alive to accept their pay. Ken Arok is related to Princess Lala (Lamour), who knows of his nefarious ways and tries to keep Harold and George alive. Though she succeeds, the trio has to flee to stay out of reach of Ken Arok.

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Musical Monday: Lucky Me (1954)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Lucky Me (1954) – Musical #184

Studio:
Warner Bros.

Director:
Jack Donohue

Starring:
Doris Day, Robert Cummings, Phil Silvers, Martha Hyer, Eddie Foy Jr., Nancy Walker, Bill Goodwin, Marcel Dalio, Hayden Rorke, James Burke, John Alvin (uncredited), Angie Dickinson (uncredited), Dabbs Greer (uncredited)

Plot:
Candy Williams (Day) is incredibly superstitious. She’s also part of an unsuccessful acting troupe, led by Hap Schneider (Silvers). When they wrap up a stint in a movie house, the group doesn’t know where to go next since they are out of money. When the group enjoys an expensive dinner in a Miami hotel with no way to pay for it, they all get jobs at the hotel to pay for their debt. While there, they meet successful songwriter Dick Carson (Cummings), who tries to work them into his show. The only problem is that the show is financed by the father of Lorraine Thayer (Hyer), who carries the torch for Dick.

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