Tag Archives: Anne Shirley

Watching 1939: Sorority House (1939)

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In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Sorority House (1939)

Release date: 
May 5, 1939

Cast: 
Anne Shirley, James Ellison, Barbara Read, Pamela Blake (billed as Adele Pearce), J.M. Kerrigan, Helen Wood, Doris Davenport (Doris Jordan), June Storey, Elisabeth Risdon, Margaret Armstrong, Selmer Jackson, Chill Wills, Marge Champions (uncredited), Frank Sully (uncredited)

Studio: 
RKO Radio Pictures

Director: 
John Farrow

Plot:
Alice Fisher (Shirley) is a smalltown girl who helps her father (Kerrigan) at his grocery store. Nearly thinking she won’t be able to attend Talbot College, her father makes financial sacrifices by using his life savings so that she can attend college. Upon arriving, Alice learns of sororities and is eager to join, as all the girls excitedly discuss rushing. While not wanting to be a social pariah, Alice has to determine if joining the exclusive (and expensive) groups is worthwhile.

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Musical Monday: Music in Manhattan (1944)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Music in Manhattan (1944) – Musical #377

Studio:
RKO Radio Pictures

Director:
John H. Auer

Starring:
Anne Shirley, Dennis Day, Phillip Terry, Raymond Walburn, Patti Brill, Jane Darwell, Bert Roach (uncredited), Jason Robards Sr. (uncredited),
Themselves: Charlie Barnet and his Orchestra, Nico Menendez and His Rhumba Band

Plot:
Frankie Foster (Shirley) is the lead in a failing Broadway musical. In order to get a flight to Washington, D.C. to discuss getting a loan for the show, Professor Carl Roberti (Walburn) says that Frankie is the secret bride of war hero Johnny Pearson (Terry). As a result, the secret gets out and the show becomes a success. While Frankie and Johnny have to pretend to they are married, things get complicated when his mother (Darwell) arrives, and Frankie’s boyfriend and co-star Stanley Benson (Day) is jealous.

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Musical Monday: Four Jacks and a Jill (1942)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

173625-four-jacks-and-a-jill-0-230-0-345-cropThis week’s musical:
“Four Jacks and a Jill” (1942) – Musical #197

Studio:
RKO

Director:
Jack Hively

Starring:
Ray Bolger, Anne Shirley, June Havoc, Dezi Arnez, Eddie Foy Jr, Jack Durant, Fritz Feld, Henry Daniell, Marie Windsor (uncredited), Grady Sutton (uncredited)

Plot:
Homeless Karanina “Nina” Novak (Shirley) is taken in by Nifty Sullivan (Bolger) and his four band-mates. Nina helps the band secure a job at a cafe with her singing and saying she is friends with a king she met in England. Taxi driver Steve Satro (Arnez) appears pretending to be the king, because they look similar, and breaks into the romance that’s forming between Nina and Nifty.

Ann Shirley and Dezi Arnez in "Four Jacks and a Jill."

Ann Shirley and Dezi Arnez in “Four Jacks and a Jill.”

Trivia:
-Anne Shirley’s singing was dubbed by Martha Mears.
-Remake of “Street Girl” (1929) and That Girl from Paris (1936).

Notable Songs:
-“I’m in Good Shape” performed by Ray Bolger
-“Karanina” performed by Anne Shirley, dubbed by Martha Mears
-“Boogie Woogie Conga” performed by the chorus
-“I Haven’t a Thing to Wear” performed by June Havoc
-“Wherever You Go” performed by Anne Shirley, dubbed by Martha Mears

Ray Bolger listening to a symphony and stealing the tunes to adapt as swing music.

Ray Bolger listening to a symphony and stealing the tunes to adapt as swing music.

My review:
The title “Four Jacks and a Jill” sounds fun and promising. But unfortunately, the film doesn’t live up to the title, and all I can say is I’m glad this is only a little over an hour.
The main high point in the film are some interesting tap dance numbers by Ray Bolger and the jaunty tune “Boogie Woogie Conga,” but those two things alone can’t save this movie.
While I love Anne Shirley, especially in her 1930s films, “Four Jacks and a Jill” is simply annoying and thankfully brief.

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