You Stepped Out of a Dream: Fashions of Lana Turner

Nightclubs would play “You Stepped Out of a Dream” as she entered.

Men adored her, including actor William Powell, and showered her with gifts.

Though Lana rarely wore low cut dresses, this fuchsia gown was a favorite.

Though Lana rarely wore low cut dresses, this fuchsia gown was a favorite.

Lana Turner’s glamor, beauty and style made her one of the top film stars from the 1940s through the early 1960s.

Her fashionable presence and perfection of her appearance has left a lasting impression on classic Hollywood fans.

Before Comet has looked at Turner’s beauty regimens such as moisturizing with Nivea or exfoliating with Boraxo soap once a week.

Today we are looking at how Miss Turner dressed.

“She had a presence, style and beauty,” said her daughter Cheryl Crane in her book LANA: The Memories, the Myths, the Movies. “But she was approachable, rather than  film goddesses like Greta Garbo.” (56)

Her clothes and jewelry were her star persona that she used as a shield and felt vulnerable without them, Crane said.

“Her appearance, whether for screen, at home or in public, was always ‘camera ready,’” Crane wrote. “Make up on, hair done-no matter the time or place.” (82)

“I would rather lose a good earring than be caught without make up,” Turner said.

Turner togs:

Crane describes her mother’s lifestyle and interests in the book in detail-including her clothing.

Turner’s closet in her 1950s home was the length of half of their home complete with a platform for fittings, climate controlled closets for furs, jewelry vaults and revolving closets.

When it came to evening dresses, Turner liked form fitting gowns but rarely wore low cut dresses. She preferred wearing all white or all black for a dramatic look that complimented her skin tone and hair. (95) She also liked clean, bright colors such as yellow.

All white and black ensembles were looked dramatic with her coloring

All white and black ensembles were looked dramatic with her coloring

Lana also liked clean, bright colors such as yellow. Here she is in 1942. (182)

Lana also liked clean, bright colors such as yellow. Here she is in 1942. (182)

For professional performances Lana never wore clothing off the rack so that she wouldn’t be copied by department stores. Her casual clothing was tailored as well.

Her favorite designers were Jean Louis and Nolan Miller, later in life.

“More than often she would look at the latest issue of Harper’s Bizarre or Vogue and then put her dressmaker to work on a vision of the styles she liked,” Crane wrote. “Mother’s perfectionism caused trouble during fittings. It was not unheard of for a dressmaker to walk out because she was so detail oriented.” (96)

Lana locks:

When Lana started in Hollywood, her hair was a reddish brown. It was eventually died blond, which it stayed for most of her career. In other films like “Green Dolphin Street” (1947) and “Betrayed” (1954) her hair was brown.

Various Lana Turner hairstyles in the 1940s and 1950s

Various Lana Turner hairstyles in the 1940s and 1950s

Turner’s hairdresser, Helen Young, experimented with up-dos and wove jewels and flowers into her hair, Crane wrote (88).

“It (her hair) was long one moment, short the next,” Crane wrote. “Mother was constantly changing her hair. It was very easy to style.”

Along with jewels, Lana often adorned her head with hats- from flowered pieces to feathers, veils and Spanish influenced mantillas.

“Mom had a face that allowed her to wear any hat,” Crane wrote. (100)

hats

Lana Turner in various hat styles in the 1930s and 1940s.

Finishing touches:

“No dress, however startling, can stand alone,” Lana said.

She coordinated jewelry with outfits and preferred colored jewels to diamonds. (104)

“Even when wearing sweats she had jewelry,” Crane wrote.

Her shoes were by Ferragamo that were designed to match gowns. (96)

When Lana liked a style of shoes, she bought it in ever color. At one point she had 698 shoes. (99)

Fashion copycats and admirers:

On the nightclub scene in a white evening gown in the 1940s.

On the nightclub scene in a white evening gown in the 1940s.

It wasn’t just men who admired Lana.

Though Ginger Rogers wrote in her autobiography that Eva Peron copied her style in the 1930s, Cheryl Crane wrote that Peron was fascinated with Lana.

“Eva Peron copied fashions and a number of unique hairstyles for which mother was known for,” Crane said. (177)

The fascination made it awkward for Turner when she visited Argentina in 1946.

“Customs seized all of her jewelry and held her up for hours,” she wrote. “She learned that every piece was photographed to be copied later.”

Another notable person fascinated with Lana was artist Salvador Dali-but he was only obsessed with the corners of her eyes, which he wanted to paint. (177)

A legend

Though Lana Turner is one of the most beautiful women in the classic age of Hollywood, she didn’t think so.

“It’s interesting that mother never thought of herself as beautiful,” Crane wrote. “To her, the great beauties were brunettes.”

Regardless of Turner’s personal opinion of herself, her fashion and beauty made her a one of Hollywood’s ethereal and beautiful stars.

Source:

“Lana: The Memories, the Myths, the Movies” by Cheryl Crane

This is part of Fashion in Film blogathon by Hollywood Revue Blog.

Fashion in Film blogathon hosted by our friends at Hollywood Revue Blog

Fashion in Film blogathon hosted by our friends at Hollywood Revue Blog

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“I wasn’t trying to set the world on fire”: Remembering Ernest Borgnine

The heavens gained several stars this year as classic film stars passed away in 2012.

Since Comet Over Hollywood did not give several of them the full attention they deserved, the first few days of 2013 will be dedicated to some of the notable celebrities who left us.

Ernest Borgnine in 1956 with his Oscar for "Marty"

Ernest Borgnine in 1956 with his Oscar for “Marty”

His rough mug may fool you into thinking he was a gruff individual until he smiled.

Though Ernest Borgnine could play an evil villain in films, Borgnine broke hearts playing the gentle butcher with his Academy Award winning performance in “Marty” (1955).

Borgnine wasn’t your typical movie star: slightly heavy, not handsome and gapped teeth.

“The trick is not to become somebody else. You become somebody else when you’re in front of a camera or when you’re on stage. There are some people who carry it all the time,” he said about his career. “That, to me, is not acting. What you’ve gotta do is find out what the writer wrote about and put it into your mind. This is acting. Not going out and researching what the writer has already written. This is crazy.”

His acting career started when his mother suggested acting as a possible line of work when he left the Navy after 10 years of service, according to a USA Today article.

“She said, ‘Have you ever thought of becoming an actor,” Borgnine was quoted in the article. “You always like to make a damn fool of yourself in front of people. Why don’t you give it a try?’ ”

My first encounter with Borgnine was in “From Here to Eternity,” as he played the mean spirited Fatso Judson, who kills Frank Sinatras character. His performance was frightening and stuck with me.

Borgnine could be rough, like in the "Emperor of  North Poll" (1973) as he strangles Lee Marvin.

Borgnine could be rough, like in the “Emperor of North Poll” (1973) as he strangles Lee Marvin.

Over the years, the more I saw of Borgnine, the more I was impressed.

His role as Debbie Reynolds father and Bette Davis’s husband in the “The Catered Affair” is sympathetic, as he tries to pay for a wedding that is more than his family can afford.

And he could be completely adorable, like here with Jimmy Durante in 1956.

And he could be completely adorable, like here with Jimmy Durante in 1956.

But even after his heyday, Borgnine stayed involved in Hollywood with, recently going on the Turner Classic Movie Cruises, showing up at film festivals and even doing voices on “Spongebob Square Pants.”

Borgnine’s Private Screenings interview with Robert Osborne on Turner Classic Movies was one of my favorites. He is like a regular old man you may meet in the grocery store.

“I wasn’t trying to set the world on fire; I was just trying to keep my nuts warm,” Borgnine chuckled to Osborne as he related a sign on a street vendor’s cart to his life philosophy.

After six decades of entertaining us with his gap-toothed grin, Borgnine left us on July 8.

“I was a character actor. Do I look like a good-looking man? No,” USA Today quoted him saying from a 2011 interview. “But, see, I keep working when the rest of the boys are retired.”

Ernest Borgnine in 2011 after being given his Lifetime Achievement award at the 17th Annual Screen Actors Guild Awards.

Ernest Borgnine in 2011 after being given his Lifetime Achievement award at the 17th Annual Screen Actors Guild Awards.

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2nd Annual Birthday mini-Blogathon at Comet

Last year, I celebrated my 23rd birthday reviewing one of my favorite films each day leading up to my birthday.

I had so much fun last year, the Comet Over Hollywood Birthday mini-Blogathon is back!

Starting Monday, and leading to my 24th birthday on Sunday, Nov. 18, I will watch and review one of my favorite films as a little birthday treat to myself.

Cary Grant blows out the candles.

Favorite movies reviewed last year are: 

1. Battleground (1949) – World War II film about the Battle of the Bulge in Bastogne. Film stars Van Johnson, John Hodiak, Riccardo Montalbon and James Whitmore.

2. Shadow of a Doubt (1942) – Hitchcock’s own personal favorite film about a sinister character visiting a small, California town. Starring Theresa Wright and Joseph Cotton

3. State Fair (1945) – Rodger’s and Hammerstein musical about finding love at the Iowa State Fair. Starring Jeanne Crain, Dick Haymes and Dana Andrews.

4. Since You Went Away (1944)– Film about life on the World War II home front for the wives and families of service men. Starring Claudette Colbert, Joseph Cotton, Jennifer Jones, Shirley Temple, Monty Wooley and Robert Walker.

Check back through out the week to see what other movies are my favorite. Feel free to share your favorite films as well!

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Classic movies in music videos: Boots by The Killers

This is December’s edition of Comet Over Hollywood’s classic film references in music videos.

The song's single cover channels "Citizen Kane"

Right on the heels of watching “It’s a Wonderful Life” (1946) in Mount Airy, I want to share a reference of the film in The Killer’s 2010 Christmas single “Boots.”  It was the fifth Christmas single the band wrote to help raise money for AIDS.

The video starts off with George Bailey (Jimmy Stewart) praying for help in “It’s a Wonderful Life” right after the $8,000 is lost and he thinks he is going to jail. The song also mentions the movie title in the chorus.

The cover of the single also references “Citizen Kane.” The snow globe with the boots inside is similar to the snow globe Charles Foster Kane is holding when he dies.

“Boots” was directed by “Napoleon Dynamite” director Jared Hess and the homeless man in the video is street performer Brad “Super Bad Brad” Prowley- I had no idea he was anyone well-known until a today.

Most of the band’s Christmas songs are silly and fun, such as “Don’t Shoot Me Santa Claus”, “Great Big Sleigh” and “The Cowboy Christmas Ball.” However, this video is about home, memories and is a bit more serious and sentimental. I believe this might be, because Flowers’ mother passed away in February 2010 and he was dedicating it to her and childhood memories, though this is just an assumption.

As most of you know The Killers are my favorite band. In past classic film in music video posts I have shared their videos “All the Things I Have Done” and “Bones.”  From what I have heard in interviews and read in articles, I feel like lead singer Brandon Flowers appreciates the old times and classic film. He was raised in Las Vegas and tries to channels the Frank Sinatra, Dean Martin and Elvis days of 1960s Las Vegas in his performances and music.

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‘It’s a Wonderful Life’ in Andy Griffith land

Tonight I had my third classic film on the big screen experience- and I have to add it might be my favorite thus far.

The Earle Theater in Mount Airy, NC. Taken from the Surry Arts Council

I drove roughly 30 minutes with fellow Elkin Tribune reporter, Kristin Zachary, to see “It’s a Wonderful Life” (1946) in Mount Airy, North Carolina.  Some of you may recognize Mount Airy as the town the television show “Andy Griffith” is based off of. The town is full of Andy Griffith related places such as the Andy Griffith Playhouse/mall/Parkway, Opie’s Candy Store or Barney’s Lunch Counter-but I digress, that is another post.

The film was showing at The Earle Theater, built in 1938 and opened in time to show “Gone with the Wind,” according to the Mount Airy News.

I can’t tell you when the last time I had watched “It’s a Wonderful Life.” Though my family owns it, it isn’t a Christmas movie we watch every year like “Charlie Brown’s Christmas,” “Bishop’s Wife,” “Christmas in Connecticut” or “White Christmas.”  I think part of the reason we don’t is because my dad gets very, very angry when Thomas Mitchell loses the money.

I had forgotten what a good movie it was, but then it’s a Frank Capra film so it’s pretty much flawless.

For those who haven’t seen the movie, the film is about George Bailey, played by Jimmy Stewart. He is in a bad place in his life, and his guardian angel comes to help. Before coming down to Earth the angel looks back over George’s life- reviewing events like saving his little brother from drowning, the death of his father and getting married. We see the struggles George Bailey has gone through for his family and how he has had to set aside everything he wanted in life to help everyone else out-mainly to keep his father’s business out of greedy Mr Potter’s hands. Before being visited by his guardian angel, he feels like he has reached the end of his rope and everything he has worked for has been for nothing. Bailey wishes he was never born and Clarence the Angel (played by Henry Travers) shows him what Bedford Falls would be like if Bailey hadn’t been born and how much he has affected everyone around him.

We meet grown up Mary (Donna Reed) for the first time.

Capra has some great camera shots. Most of my favorites were toward the end when George Bailey (Jimmy Stewart) hasn’t been born such as when childhood friend and local hussy Violet (Gloria Graham) is being arrested- the camera is in her face as she is struggling with the cops.  Another shot is  the close up of George Bailey’s face as he is frantically looking around Pottersville/Bedford Falls. Other shots I liked were at the graduation dance with the close up on Mary (Donna Reed) when George first sees her after many years and ( also at the graduation dance) when the two boys (one being Carl ‘Alfalfa’ Schwartz) are planning to open the swimming pool floor.

Some other thoughts I had during the movie:

-The last time I saw “It’s a Wonderful Life” I was probably in late elementary school or in middle school. Sometimes I didn’t understand why George was upset with how his life was going. Now that I’m out of college and have my own ambitions, I can relate to him a lot more.

George yelling at Uncle Billy for losing $8,000.

-Thomas Mitchell (who played Uncle Billy) broke my heart. He was so sweet and forgetful and didn’t mean any harm to anyone. I almost died at the part where George is yelling at him and calling him a stupid fool for losing the money and then….Uncle Billy cries….and a squirrel jumped on his arm-further tears from me.  I understand being upset over the loss of $8,000, but who sends the absent minded relative to the bank with that much money?

-I always knew Donna Reed (who plays Mary) was a good actress, but I was really impressed with her acting in this movie. Unfortunately, she wasn’t given the chance at MGM she deserved, because many roles that might have gone to her, went to June Allyson.

-Gloria Graham (who plays Violet) isn’t one of my favorite actresses, but she also does a great job in this movie. It may be my favorite role of her’s.

Lionel Barrymore, as Mr. Potter, is the richest, greediest man in town.

-Lionel Barrymore is my favorite of the Barrymores and he sure can play a good bad guy. Barrymore plays Mr. Potter who is the richest man in town, greedy and wanting to have control everything. However, is anyone else bothered by what looks like a bald cap on Mr. Barrymore?

-I never realized how many funny parts were in this movie, either. Kristin and I were cracking up the whole time, particularly because a little boy with a really funny laugh was sitting in front of us. Every time he laughed at the funny parts, we would laugh harder.

At the end of the movie, Kristin and I walked out wiping tears from our eyes and she said, “They sure don’t make movies like that anymore.’

George running through the streets of Bedford Falls thankful to be alive.

Overall, the uplifting film mixed with the small town ambiance of Mount Airy, it was a very lovely experience and is my favorite classic film experience thus far.

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Birthday Blogathon: Film #4 Since You Went Away 1944

For my fourth evening of birthday favorite films I chose:

Since You Went Away (1944)

Jane and Bridget listening to Anne read a letter from their father. (This actually is my desktop background).

Brief plot: The story of Anne Hilton and her two daughters Jane and Bridget on the American World War II home-front while their father is overseas fighting. The film stars Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotton, Robert Walker, Hattie McDaniel, Monty Wooley and Agnes Moorehead (among several cameo appearances).

Why I love it: 

Jane and Bridget talking about a boarder with their mom

My favorite time period is the World War II era. One thing that particularly fascinates me about this time is the war effort on the home front-what this film call the “unconquerable fortress”. This movie chronicles life on the home front and daily adjustments Americans went through in order to help soldiers overseas-there aren’t many films that show this. But aside from the historical aspect of the film, the actors, camera shots and script make “Since You Went Away” absolutely perfect.

Cast: This film has a very strong, star-studded cast and every actor is perfect. Claudette Colbert does an excellent job as Anne Hilton and Shirley Temple (Bridget) and Jennifer Jones (Jane) embody how I think a 1940s teenager would act. Joseph Cotton plays family friend Tony Willett who used to carry a flame for Anne. Monty Wooley is Col. Smollett who boards at the Hilton home during tough financial times and Robert Walker is his grandson Bill who falls in love with Jane.  Hattie McDaniel is the Hilton’s maid, Fidelia, who has to quit and work at another reason residence, because the Hiltons can no longer afford her. However she comes back to live with them, because she doesn’t like the other servants at the new employers home. Lastly, Agnes Moorehead is Emily Hawkins, Anne’s catty friend who thinks war sacrifices mean hoarding food in a cold storage unit and hosting canteen dances.

But one very special thing this film is the plethora of uncredited cameos. Tim Hilton, Anne’s husband that has already left for basic training when the movie begins, can be seen in photos. The actor who is supposed to be Tim is Neil Hamilton-known for his role of the commissioner in the 1960s show “Batman” and who usually played cads in early 1930s films.

Throughout the film, you can see:
-Dorothy Dandridge and Ruth Roman at the train station
-Guy Madison as the sailor Bill and Jane meet at the bowling alley
-Lionel Barrymore as a clergyman in the Hilton’s church
-Kennan Wynn at the Hilton’s Christmas party as Tony’s friend
-Silent star Alla Nazimova as Anne’s immigrant friend who works in the shipyards with her.
-Rhonda Flemming as a girl at the dance
-Terry Moore as a refugee child on the train
-Character actor Grady Sutton (who pops up in so many movies!) looking for Suzy Flemming at the dance-I wonder if he ever finds her?
-Jimmie Dodd of Mickey Mouse Club fame as a train passenger
-And other recognizable faces like Jackie Moran, Craig Stevens, Lloyd Corrigan and Irving Bacon.

Emily and Anne in the background of the Paradise Cocktail Lounge-strangers talking in the front.

Script:  
One that makes me laugh every time is when Fidelia brings in a cake for Col. Smullett’s birthday and says she did something different to it.
Col: “What was the experiment with this cake?”
Fidelia: “I tried something new:I bought it!
I also like when Jane tells Emily Hawkins off after Hawkins said well-bred girls shouldn’t be war nurses: “Please don’t worry if our hands come in contact with their mangled bodies. We’ll survive even if they don’t!”
But my absolute favorite part of script is something I’ve always thought was very creative. During four separate scenes-Anne and Emily at the cocktail lounge, the canteen dance, the train on the way to see ‘pop’ and the train station as Bill is about to leave.

The camera takes the audience through crowds of people, and we hear snippets of several different conversations. It gives you a sense of what different people were talking about during the war, patriotic or unconcerned with the country’s conditions. Here is the dialogue from each of those scenes:
-The Paradise Cocktail Lounge scene:
1.”The moral breakdown of this country is caused by drinking….this is lousy scotch.” 2. “I don’t mind red finger nails but red toe nails is going too far”
3. “I went shopping before the hoarders got there.”
4. “I can’t write everything the baby says down on those little V-cards.”
-The Canteen Dance scene:
1.“I feel so good, don’t you feel good?”
2. “Now Suzy Flemming, she’s a one man woman.”
3. “I love to read books, don’t you think they are so….”
4.”Why do they call you Walt, is that your nickname?”
-The Train to see pop:
1. Business Man: “If we keep stopping like this, I’ll miss the biggest deal of my life.’ Armless Soldier: “Well I’m in no hurry, I’ve got plenty of time from now on”
2.“My husband’s never seen the baby”
3.“And after the Germans came we didn’t have milk or meat at all”
4.“Only serving two meals a day is simply outrageous”
-Train Station as Bill is leaving:
1.“Let me look at your darling so I can picture you always…now go and don’t look back” (Said to two different girls by the same soldier)
2. To a crying baby held by Dorothy Dandridge: “Look at the nice apple daddy got you”
3. “I’m sorry mom I’ve only got 5 minutes, my furlough was canceled.”
4.”I swear I can’t tell any difference between it and butter.”
5. Little girl to MP: “Hello, my mommy’s a sergeant.” MP squats down to child: “She is!”
6.”What’s a good excuse for being AWOL?”
7. Ruth Roman: “Agnes, look at that dame, nylons!”
8. Soldier: “Five months pay…give me some War Bonds! Plenty of them!”
9. Two soldiers: “I wonder where we can go for free where we don’t have to dance with hostesses.”

Jane at the train station

Camera technique: I feel some of the camera techniques in this film might compete with Hitchcock. The director took advantage of light and shadows. One example of this is Bill and Jane sitting on the Hilton’s back porch talking. The two are back-lit so we only see their silhouettes. The only light from the couple is when Bill lights his cigarette. Another is when Jane is saying goodbye to Bill at the train station. She stands there waving goodbye, the camera pulls back and her shadow stretches about 100 feet across the station. Another shot I really like is when Guy Madison leaves Jane and Bill after they walk around downtown. He gets on the bus and walks to the back, but the camera stays on him as he walks and the bus is driving away to the left and going off screen. But some of my shots are during the dance at the canteen.  One part is the shadows as couples waltz (seen at 2:05 in the video below). Also right after they find out Johnny Mahoney dies, there is a shot through a star emblem and you see everyone dancing in the background, very beautiful.

Home front: I feel like this movie is so natural and believable not just a bunch of Hollywood stars playing roles. No, not all families were as well off as the Hiltons were before Mr. Hilton went off to war and not everyone’s mother looked like Claudette Colbert-but we see a lot of what I think is pretty realistic.
-A cop pulls Tony and Anne over just to chat, because he doesn’t see cars much since gas rationing.
-Bridget keeps a plant in the sink to make sure it gets water, because her father gave it to her.
-Anne initially doesn’t really understand why Tim enlisted. She doesn’t do much for the war effort to start out with, because she feels like missing her husband and taking in a boarder is enough. By the end she is working in a shipyard.
-Jane starts off as a silly, boy crazy high school girl and matures throughout the film. Part of it has to do with falling in love with Bill, but another part of it has to do with her work as a nurse and what she sees at the hospital.
-Bridget is in her early teens throughout the film, so she still is pretty young and unchanging, but she seems to be the average, patriotic teenager saying her “Pop looks like a parade all by himself” when he is in his uniform.
-We also see a glimpse of war life as people talk about rationing. There isn’t any ice cream at the soda fountain and instead they have a “Victory Punch,” and we see Bridget sorting scrap metal.
-Along with the patriotism we also see those who didn’t care about the war, like Emily Hawkins. At one point she flippantly says to Anne after Tim is missing in action, “Oh, and I’m sorry about Tim. I’m sure he’ll show up sometime.”

Hotel, after Tim couldn’t meet them

Drinking Victory sodas at the soda fountain

Bridget and Monty Woolley looking for “We-Took-It,” Texas on the map

To review: This film is two and a half hours so I feel like I could write on and on and on about it forever, but in a nut shell-I adore this film. It’s perfect. The shots, the characters, the American life on the home front. Its one that makes you laugh at some scenes and crying in the next. It’s one emotional roller coaster of a film-and I can sincerely say it’s my all time favorite.

This concludes Night 4 of Birthday Blogathon Week.

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Birthday Blogathon: Film #3 State Fair 1945

For my third evening of birthday favorite films I chose:

State Fair (1945)

"It's a grand night" for State Fair

Brief plot: The Frank family travels to the annual Iowa state fair, entering their prize hog, minced meat and pickles into contests. The two children find romance at the fair, but it is uncertain if it will continue once the fair ends. The cast includes Fay Bainter, Charles Winneger, Jeanne Crain, Dick Hyames, Dana Andrews and Vivian Blaine.

Why I love it:

“State Fair” isn’t a high-brow film chock full of symbolism and deep meaning, but its one of my favorites.  It makes me happy no matter what, and that’s what entertainment is about.

Music: I’m a huge musical fan-viewing 432 in the past 8 years. There isn’t a song in this musical I don’t like. “It’s a Grand Night for Singing” is my favorite song in the whole movie. It’s a bit repetitive and very simple, but its a happy, ethereal song. Another close favorite is “It Might As Well Be Spring.” “State Fair” is a Rodger’s and Hammerstein musical, something that most likely surprises R & H fans. It’s very different than their other long, 9 song, operatic musicals. I think State Fair is a musical written for the average American. The songs are written like popular radio songs, easy for the average person to sing and fit the plot of farm families heading to the annual fair. If we had pig farmers singing show stopping, big budget musical numbers, I probably wouldn’t like this movie very much.

Characters/Cast: Everyone in this movie is perfect. Fay Bainter and Charles Winninger(Melissa and Abel Frank) are perfect as a sweet, loving farm couple. Jeanne Crain, as their daughter Margy,  looks her prettiest in this movie and it’s nice to see Dick Haymes in this movie as Wayne. He has a wonderful singing voice and we don’t get to see him in many films-he may have been a bigger star except for personal problems. Vivian Blaine (as Emily Edwards) is beautiful and I love her as a red-head. She was very talented and I wish she could have been in more films. But my favorite character and actor in this movie is Dana Andrews-he is so charming, rugged and handsome as reporter Pat Gilbert. I just adore him.

Charles Winnenger adding brandy to the minced meat!

But most of all I love all the mini cameo’s of well-known character actors. Frank McHugh pops up as a song plugger. It’s weird seeing him in color, after becoming so used to him in early 1930s comedies. He is funny as ever particularly when he and Wayne get drunk. During the hog judging at the fair, we see Will Wright as one of the judges. We see Wright a few times in “Andy Griffith” grumpy old man Ben Weaver, but can be spotted in uncredited roles in 1940s and 1950s. Henry Morgan plays a carny working a side show game who conned Wayne the year before. Wayne returns to get even after practicing the game all summer and humiliates Morgan. It’s a very humorous scene particularly when Morgan starts shouting, “We’re having fun here!” as everyone is walking away.
Of course, the best character actor role in the whole film is Donald Meek as the minced meat judge who eats too much of Melissa Frank’s alcoholic minced meat and gets drunk. He is hilarious!

Humor: This movie is very sweet and poignant but has several funny scenes.  One of the funniest scenes is at the beginning. Melissa Frank doesn’t want to add brandy to her minced meat so Abel adds some when she isn’t looking. Then after he leaves, she adds even more! The result of course is Donald Meek getting drunk of the minced meat.
Another funny scene is the first “It Might As Well Be Spring” reprise with Margy in the gazebo on the farm. She’s thinking about a man and thinking he’d be like “Ronald Colman, Charles Boyer and Bing” and then each of those actors have small speaking cameos as she’s imagining it. Then when her yucky boyfriend Harry (Phil Brown) comes over and sees the prize hog Blue Boy. Harry says: “Blue Boy’s the biggest boar in the world I bet!” and Margy says: “All depends on how you spell it.” That always gives me a good laugh.

Margy and Pat are the cutest.

Nostalgia: State Fair is a very sweet, poignant and honest movie filled with slices of 1940s American life. Fay Bainter sings a little at the beginning, she doesn’t have the best singing voice in the world but somehow that part shows that she’s a simple, hardworking country mother. Wayne practices for the carnival game using his mother’s embroidery hoops. Margy doesn’t want to live on a big scientific farm with Harry and wants a simple, loving life.  The fair looks clean, exciting and perfect. Waynes dances at the little nightclub at the fair. Mrs. Frank’s minced meat wins first prize and she cries happy tears. The way Abel Frank cries when his hog Blue Boy wins first prize pig (that part gets me every time).  And when Abel and Melissa Frank try champagne for the first time and say ,”It’s better than any of that French stuff.” All of those simple moments in the movie make “State Fair” perfect. They are all so sweet and make me want to travel back in time and live just like that.

Margy's green dress on the last night of the fair.

Fashion: Like with “Shadow of a Doubt,” I love the clothes in this movie. Margy wears the cutest outfits and my mom ‘oooo’ and ‘ahhh’ over them every time we watch the film. All of her clothes are cute and colorful but not too glamorous for a farm girl.  Most of her outfits are peasant dresses, pinafores or jumpers. My favorite outfits are the simple white peasant blouse and blue skirt she wears at the beginning while singing “It Might As Well Be Spring,” the red dress she wears during the minced meat judging, the green dress she wears the last night of the fair and the blue jumper with the yellow blouse at the very end.  I also love those sports coats that tie around the waist- both Dana Andrews and Dick Haymes wear.

To review: “State Fair” is a perfect, honest film. The only thing wrong with it is that it doesn’t go on forever. The color, the slice of life it offers, the music and the characters all put a smile on my face. The only thing that makes me sad about this film is that life isn’t like that today.

Okay, I'll admit-I tear at the end. And I wish I was Margy right here.

This concludes Night 3 of Birthday Blogathon Week. Please stop by again tomorrow for another favorite film of mine!

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