Old Hollywood Halloween: jump on the ‘Bandwagon’

The difficult thing about being a classic film lover at Halloween is no one knows who you are supposed to be.

Some of you might remember my Carmen Miranda costume from last Halloween. Several of my friends thought I was Chiquita Banana and I tried to correct them-Carmen Miranda was spoofed so many times by Bugs Bunny and Daffy Duck that surely they would know.

This year I decided to be Cyd Charisse in the “Girl Hunt” number from “The Band Wagon” (1953). I knew most people might now know who I was so I said “someone from an old musical” and elaborate if they liked classic film.

I guess this is a rather odd choice for a Halloween costume, but I had an old red sequined dance costume that would be prefect. All I had to do was go to Hobby Lobby, buy some similar colored material and sew it on. For not having a full length mirror as a reference, I was pretty pleased.  I can’t wait to see the photos of any other classic film costumes!!

Halloween 2011: Cyd Charisse from the “Girl Hunt” number in “Band Wagon”

Happy Halloween!!

P.S) I apologize for my blogging absence, still no internet in my apartment so using my work computer and free Wi-Fi at McDonalds. I miss reading everybody’s blogs!

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Comet Over Hollywood is flitterin’

A few weeks ago I posted that I finally had found a reporter job.  Well this past week I also finally found an apartment in the North Carolina town where the job is located- I’ve had a heck of a time finding a place to live. 

Today I am moving (or flitterin’ as they say in “Summer Magic”)  three hours away from my home in South Carolina and will start my new job on Thursday.  

I wanted to let all of you know that I won’t have internet access until Friday when it is installed. Not a big deal I guess but it might get kinda lonely without it those first few days!

Until Friday I just wanted to let you know that I won’t really be on Twitter, no blog updates or updates to the Facebook page.  When I have internet I will finally have my Hedy Lamarr book review of “Ecstasy and Me” posted. 

The lack of internet will give me a chance to catch up on some movies and write some blog posts (via Word) that I’ve been meaning to work on.

Have a great week!

-Jessica

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Classic movies in Music Videos: Backstreet’s Back

We have October’s installment of classic film referenced or shown in music videos.

This month I’m spot lighting the 1997 Backstreet Boy’s video “Everybody (Backstreet’s Back).

Now before you stop reading I’ll admit this one is a bit of a stretch. However the information on the music video says the video “plays a parody on every horror film genre in the same light as Michael Jackson’s ‘Thriller.'”

The boy band gets stranded in a haunted house and each one dances around like a different monster in the video:

– Brain is a werewolf-think Lon Chaney Jr. in ‘The Wolf Man” (1941)

-Howie is Dracula-maybe he was channeling his inner Bela Lugosi

-Nick is a mummy-possibly referencing the 1932 film The Mummy

-Erik is dressed as the Phatom of the Opera- I’d like to think he was thinking of Lon Chaney or Claude Rains

-Kevin is Two-Faced which is supposed to be Dr. Jekyll and Mr. Hyde- Frederic March or Spencer Tracey anyone?

It’s highly possible the Backstreet Boys are not familiar with any of the classic films I mentioned above but those are the films I thought of while watching the video-probably because classic film is pretty much on my mind all the time.

Hopefully you just don’t ban Comet Over Hollywood if you were more of an N’Sync fan!

This is also just a cheesy little video just in time for Halloween.  And hey, maybe it will remind you of your youth (I was in third grade when this came out).  Enjoy!

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Evolution of a classic film fanatic

It started with a girl named Maria and a boy named Tony who thought something was coming. That’s what I usually tell people when they ask how I became a classic movie fan: it happened on a fateful March evening in 2003 when I saw “West Side Story” (1961). I became obsessed, end of story.

But my “West Side Story” obsession (which is a whole other blog post) isn’t even close to where my classic film education began. Let’s travel back in time to 1988, the year I was born. Or maybe 1991, I would have been a bit more coherent to films at age three.

My parents introduced my two older sisters and me to classic film at an early age. Some of these movies were Disney movies like “Lady and the Tramp” or “Swiss Family Robinson” or family friendly movies like “White Christmas” and “Yankee Doodle Dandy.”

Tom Drake and Judy Garland in “Meet Me in St. Louis” (1944)

I  distinctly remember watching “Meet Me in St Louis” when I was five or six and thinking that Judy Garland looked pretty or laughing at Julie Newmar’s name “Dorcas” in “Seven Brides for Seven Brothers.”

Basically classics have always been in my life, but as a child I never realized that they were old and thought all of these wonderful movies were brand new.

My real interest in movies started when I was in third grade and I saw the cartoon version of “Anastasia” on a rainy November day in 1997. No this isn’t a classic movie, but it started a long line of movie obsessions to come.  I mean, I even thought I was somehow the lost princess Anastasia Romanov. I was hooked.

Fast-forward to middle school. I became interested in shows on TVLand, The Monkees and 1960s pop culture. I was interested in anything old, and naturally gravitated towards movies, which is probably where it all began.

But the real gateway drug to the classic film addiction was “West Side Story” (1961). On an evening in March 2003, my dad said, “You like musicals and old movies; you should see ‘West Side Story.’” He later said he created a monster and wasn’t joking at all.

Richard Beymer and Natalie Wood in “West Side Story” (1961), the film I was obssessed with for two years.

From “West Side Story,” I snowballed into a musical love and I went out of my way to tape them off the television. I started a new musical list that is  still growing at 390 titles.

I then found actors I liked, like Doris Day and Jane Powell, and wanted to see their movies and the interest just grew and grew and grew. Now, I’m not obsessed with one particular actor or movie, it’s more that I’m crazy about the whole classic film shebang.

As a rule I only watch movies from the beginning of film to the mid-1960s. Pre-code movies are great because their vulgarity is done in a tongue-and-check way that sometimes can go by unnoticed if you aren’t paying attention. Once you get into the 1960s and beyond, the plots run thin in an attempt to be artistic, nudity isn’t rare and morals go out the window. Also actors from the Golden Era were fading away and the studio system was crumbling.

I guess if I had to make an analogue with how it all started, “West Side Story” would have been that first beer that led me into old movie alcoholism. It didn’t matter what I watched as long as it fulfilled my movie viewing needs. I think my viewing is a bit more mature than that now. Sure I still watch a few clunkers, or watch a stinker movie for the sake of fulfilling a classic actor list (like “Night of the Demon” for Dana Andrews) but it is just all part of the experience.

What kind of movie fan am I now?

•I make monthly lists from Now Playing to tape; usually 30 to 40 movies a month. We use A LOT of VHS tapes.

•I only buy books, paper dolls, posters or anything of that nature that is movie related. I often search Ebay for classic film memorabilia, and as much as I would enjoy Lana Turner’s evening bag from “Imitation of Life”, as a 21-year-old college student, that really isn’t in my budget.

•I don’t have any real obsession now. I have my favorite movies, actors and actresses but no one that I hyperventilate over when I think about them. I guess the only movie that would come close to that is “Since You Went Away” or the actor Van Johnson.

•I want to meet Robert Osborne one day. He is my hero and I think we would

Robert Osborne: My hero

be best friends. Robert, if you just happen to be reading this, let’s meet in Atlanta and have lunch, okay? I’m just in South Carolina so it’s not that far.

•I’ve come to realize that the Hollywood I dreamed about in middle school and early high school is non-existent now. I used to dream about going to Hollywood and thinking it would be like it was during the Golden Era: clean, historically preserved and bowing down to Hollywood greats like Joan Crawford. My family took a family vacation there in 2006 and I’ve realized there is nothing for me there. Hollywood is not interested in preserving history, and even though the Hollywood Bowl was cool, it’s not like Kathryn Grayson will be singing a concert there ever again.

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Even Gaga likes the classics

Lady Gaga and Brandon Flowers, lead singer of the Killers

I am always listening for classic movie information, facts or references. Imagine my surprise while listening to my two favorite musical artists, Lady Gaga and The Killers, when I ran across some classic film references.

I’m not talking about the old worn out “Bette Davis Eyes” where the whole song is dedicated to one actor, but these are subtle lyrics mentioning favorite actors.

It gives me joy that Lady Gaga and Brandon Flowers must have some respect for classic Hollywood. It seems so many of the people in Hollywood don’t care about the past or are unaware. Without the James Cagneys and Bette Davises, the actors in Hollywood wouldn’t have the freedom they exercise now.

“The Ballad of Michael Valentine” by The Killers from the Sawdust album:
“But I’ve got a buzz like Marlon Brando straight faced with misery tonight”
“But I’ve got a buzz like Greta Garbo walking fowards in the sun”

“Romeo and Juliet” covered by the Killers on the Sawdust album:
“There’s a place for us, you know the movie song”
-talking about “West Side Story

•”A Dustland Fairytale” by the Killers on the Day & Age album:
“‘Moon River’ what you do to me, but I don’t believe you…”
-Mentions the theme from “Breakfast at Tiffany’s
The video seems to be modeled after “Rebel Without a Cause” or “West Side Story” with the switch blade gang fighting.

• “Speechless” by Lady Gaga from The Fame Monster album:
“With your James Dean glossy eyes In your tight jeans with your long hair”
“I can’t believe how you looked at me with your Johnnie Walker eyes”
-I actually had to look up who Johnnie Walker was. He was an actor in the 1920’s and 1930s
and he died in 1949.

• “Bad Romance” by Lady Gaga from The Fame Monster album:
“I want your psycho, Your vertigo stick, Want you in my rear window, Baby you’re sick”
-Huge Hitchcock reference talking about “Psycho,” “Vertigo” and “Rear Window.” I
heard in an interview that she was sighting imperfect film romances and saying that she
would take your imperfections and still love you anyways.

• “Dance in the Dark” by Lady Gaga from The Fame Monster album:
“Marilyn, Judy, Sylvia, Tellem’ how you feel girls!”
-Marilyn Monroe, Judy Garland and I’m assuming Sylvia Plath
“Work your blonde (Jean) Benet Ramsey, We’ll haunt like Liberace, find your freedom in the music find your Jesus, find your Kubrick”
-Pianist Liberace and director Stanley Kubrick

Kim Novak, the Lavender Blonde

• “So Happy I Could Die” by Lady Gaga from The Fame Monster album:
“I love that lavender blonde, the way she moves, the way she walks….”
-In her early days of acting, Kim Novak was publicized as the Lavender Blonde or the Lavender
Girl at Columbia studios. They tinted her blonde hair with lavender highlights, frequently
dressed her in shades of purple and forced her to decorate her apartment in the color, according to the book “Leading Ladies: The 50 Most Unforgettable Actresses of the Studio Era.”

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