Musical Monday: Riding High (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Riding High (1943) – Musical #830

Studio:
Paramount Pictures

Director:
George Marshall

Starring:
Dorothy Lamour, Dick Powell, Victor Moore, Gil Lamb, Cass Dailey, Bill Goodwin, Rod Cameron, Glenn Langan
Themselves: Milt Britton’s Band

Plot:
Ann Castle (Lamour) returns to her hometown and her father’s silver mine, Grenada Silver Mine. Steve Baird (Powell) is her father’s new business partner is trying to raise funds for the mine, while someone is also passing around counterfeit money. Ann is hired as an entertainer for a dude ranch and she and Steve fall in love.

Continue reading

Musical Monday: And the Angels Sing (1944)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
And the Angels Sing (1944) – Musical #823

Studio:
Paramount Pictures

Director:
George Marshall

Starring:
Dorothy Lamour, Fred MacMurray, Betty Hutton, Diana Lynn, Mimi Chandler, Raymond Walburn, Eddie Foy Jr., Frank Albertson, Mikhail Rasumny, Frank Faylen, Tom Kennedy, Matt McHugh (uncredited)

Plot:
The Angel family is made up of four daughters – Nancy (Lamour), Bobby (Hutton), Josie (Lynn) and Patti (Chandler) – who live with their father (Walburn). The girls have a dynamite singing act, but none of them want to work as singers, because they have other career ambitions. However, they also want to help earn money so their father can start a soybean farm. After one performance, Bobby gambles and doubles how much the girls earned. Unscrupulous bandleader, Happy Morgan (MacMurray), romances and uses Bobby to get her funds so his band can go to New York. When the sisters find out, they travel to New York City to confront Happy and get their money back.

Continue reading

Musical Monday: Road to Bali (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Road to Bali (1952) – Musical #157

Studio:
Paramount Pictures

Director:
Hal Walker

Starring:
Bing Crosby, Bob Hope, Dorothy Lamour, Murvyn Vye, Peter Coe, Ralph Moody, Leon Askin, Patricia Dane (uncredited), Michael Jeffers (uncredited), Carolyn Jones (uncredited), Bhogwan Singh (uncredited), Chanan Singh Sohi (uncredited), 
Cameo: Humphrey Bogart (from archival footage), Bob Crosby, Jane Russell, Jerry Lewis, Dean Martin

Plot:
Two vaudeville performers, George Cochran (Crosby) and Harold Gridley (Hope), are in Australia. They (yet again) have to duck out of town when the fathers of two women are looking for the performers after they proposed marriage to their daughters. To get out of town, they accept jobs from Ken Arok (Vye) to dive for treasure in Bali, Indonesia. Little do they know that their boss doesn’t plan on staying alive to accept their pay. Ken Arok is related to Princess Lala (Lamour), who knows of his nefarious ways and tries to keep Harold and George alive. Though she succeeds, the trio has to flee to stay out of reach of Ken Arok.

Continue reading

Musical Monday: Road to Singapore (1940)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Road to Singapore (1940) – Musical No. 156

Studio:
Paramount Pictures

Director:
Victor Schertzinger

Starring:
Bing Crosby, Dorothy Lamour, Bob Hope, Charles Coburn, Judith Barrett, Anthony Quinn, Jerry Colonna, Edward Gargan (uncredited), Cyril Ring (uncredited), Steve Pendleton (uncredited)

Plot:
Josh Mallon V (Crosby) is in the Navy, but his wealthy father (Coburn) wants him to settle down and work at the shipping business and marry wealthy Gloria Wycott (Barrett). Josh brings his pal, Ace (Hope), to his and Gloria’s engagement party. At the party, I fight breaks out when Gloria’s brother (Pendleton) makes snide remarks. Josh and Ace then run away to Singapore. There, they meet beautiful Mima (Lamour). The two fight over Mima, while Josh’s family searches for him to bring him back to the United States.

Continue reading

Musical Monday: Road to Utopia (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

road to utopiaThis week’s musical:
Road to Utopia (1946) – Musical #148

Studio:
Paramount Pictures

Director:
Hal Walker

Starring:
Bing Crosby, Bob Hope, Dorothy Lamour, Hillary Brooke, Douglass Dumbrille, Jack LaRue, Robert Barrat
Himself: Robert Benchley

Plot:
Vaudeville performers Duke (Crosby) and Chester (Hope) escape the law by traveling to the Klondike during the gold rush. They are mistaken for two cut-throat murderers with a valuable map, which singer Sal (Lamour) and Kate (Brooke) try to get from the men.

Continue reading

Musical Monday: High, Wide and Handsome (1937)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
High, Wide and Handsome (1937) – Musical #631

Studio:
Paramount Pictures

Director:
Rouben Mamoulian

Starring:
Irene Dunne, Randolph Scott, Dorothy Lamour, William Frawley, Raymond Walburn, Elizabeth Patterson, Charles Bickford, Akim Tamiroff, Ben Blue, Irving Pichel, Stanley Andrews, James Burke, Roger Imhof, Lucien Littlefield, Rolfe Sedan (uncredited), Helen Lowell (uncredited), Raymond Brown (uncredited)

Plot:
Set in the 1850s, Sally (Dunne) travels in a medicine show with her father Doc Watterson (Walburn) and his partner Mac (Frawley). When their wagon catches on fire and burns down in a small Pennsylvania town, they stay with Peter Cortlandt (Scott) and his grandma (Patterson). Sally and Peter fall in love, and on their wedding day, Peter strikes oil. As Peter works to grow his oil business, Sally is frequently left alone.

Continue reading

Musical Monday: The Fleet’s In (1942)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

HUTTON 1 FLEET'S INThis week’s musical:
“The Fleet’s In” –Musical #488

Studio:
Paramount Pictures

Director:
Victor Schertzinger

Starring:
Dorothy Lamour, William Holden, Eddie Bracken, Betty Hutton, Leif Erickson, Betty Jane Rhodes, Jimmy Dorsey (as himself)

Plot:
Sailor Casey Kirby (Holden) is dubbed a playboy when there is a picture of him in the newspaper kissing movie star Diana Golden (Rhodes). As his buddies build him up as a “sea wolf,” they bet Casey can’t woo ice queen nightclub performer “The Countess” (Lamour), who is well-known for turning down sailors. However, Casey isn’t aware that sailors are betting money him kissing the Countess in public. During all of this, the Countess’s roommate Bessie Dale (Hutton) is after Casey’s friend Barney (Bracken).

Trivia:
Betty Hutton‘s first feature film. Hutton came straight from Broadway, where she was in the play “Panama Hattie” with Ethel Merman.
-Music written by Johnny Mercer.
-Jimmy Dorsey and his Orchestra perform in the film. Dorsey is the brother of other big band leader, Tommy Dorsey. Jimmy played the saxophone and Tommy played the trombone.
-Hutton and Lamour became long time friends while making this movie, Hutton wrote in her autobiography, “Backstage, You Can Have.” ”
“I will always love her for the friendship she immediately showed to me in those early days,” she wrote.

Bessie (Hutton) holds back the Countess (Lamour) when she finds out there is a bet if Casey (Holden) kisses her. Barney (Bracken) hides.

Bessie (Hutton) holds back the Countess (Lamour) when she finds out there is a bet if Casey (Holden) kisses her. Barney (Bracken) hides.

Notable Songs:
-“Tangerine” performed by Jimmy Dorsey’s band and sung by Bob Eblery and Helen O’Connell
-“When You Hear the Time Signal” sung by Dorothy Lamour
-“If You Build a Better Mousetrap” sung by Betty Hutton, performed by Jimmy Dorsey’s band
-“Not Mine” sung by Betty Hutton and Dorothy Lamour
-“I Remember You” sung by Dorothy Lamour
-“Arthur Murray Taught Me To Dancing a Hurry” sung by Betty Grable

Highlights:
-Jimmy Dorsey’s band using telephones as part of their song for “When You Hear the Time Signal”
-Betty Hutton singing and quickly dancing several dances during the song “Arthur Murray Taught Me To Dancing in a Hurray.” Lyrics are as follow with video below:

“Turkey trot
Or gavotte?
Don’t know which,
Don’t know what.
Jitterbug?
Bunny hug?
Long as you
Cut a rug!
Walk the dog,
Do the frog,
Lindy hop
Till you drop!
Ball the jack
Back to back,
Cheek to cheek
Till you’re weak.”

My Review:
This is an enormously enjoyable and funny movie.
The plot is very thin and is mainly padded with excellent music by Johnny Mercer, but it’s a wonderful piece of World War II-era escapism.
Dorothy Lamour is gorgeous and funny in her role as “The Countess.”
William Holden is still early in his career. He does well in the comedy, but you can tell he has more potential- which he proved later in his career.
For me, the real treat is Betty Hutton. I know I may be a minority in this. I have found several folks in the film community who find her exasperating or irritating. But I LOVE her energy- displayed perfectly in the “Arthur Murray” number.
There is also another funny lady in this film, who I wasn’t familiar with until I saw this film, named Cass Daley. Her singing has a similar sound to Hutton’s and she mainly makes jokes off her physical appearance. What I found interesting is that Cass Elliot of the Mama’s and the Papa’s apparently named herself for Daley.
With an entertaining cast and catchy 1940s tunes, this is a must see.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com