Watching 1939: Good Girls Go to Paris (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult.

1939 film:
Good Girls Go to Paris (1939)

good girls

Release date:
June 30, 1939

Cast:
Joan Blondell, Melvyn Douglas, Walter Connolly, Alan Curtis, Joan Perry, Isabel Jean, Stanley Brown, Alexander D’Arcy, Henry Hunter, Clarence Kolb, Howard Hickman, James Craig (uncredited), Ann Doran (uncredited), Mary Field (uncredited), Robert Sterling (uncredited)

Studio:
Columbia Pictures

Director:
Alexander Hall

Plot:
Jenny Swanson (Blondell) is a waitress at a diner on a college campus, but dreams of traveling to Paris. One way Jenny thinks she can do this is through blackmail a college boy and get paid off. When this plan fails, she turns to Ronald Brooke (Douglas), a professor she has befriended, who advises she goes home. Instead of heading to Minnesota, Jenny goes to New York City and gets mixed up with the Brand family, who Ronald will marry into soon.

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Watching 1939: Tell No Tales (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Tell No Tales (1939)

Release date: 
May 12, 1939

Cast: 
Melvyn Douglas, Louise Platt, Gene Lockhart, Douglass Dumbrille, Florence George, Halliwell Hobbes, Zeffie Tilbury, Harlan Briggs, Sara Haden, Hobart Cavanaugh, Oscar O’Shea, Theresa Harris, Esther Dale, Phillip Terry (uncredited)

Studio: 
Metro-Goldwyn-Mayer

Director: 
Leslie Fenton

Plot:
On the 75th anniversary of The Evening Guardian newspaper, the publisher Matt Cooper (Dumbrille) tells editor Michael Cassidy (Douglas) that the newspaper is being shut down. Cooper also owns a scandal paper that Cassidy thinks is trash. To help prove The Evening Guardian’s value, Cassidy works on solving a prominent kidnapping case by tracing a $100 bill tied to the case. He seeks out Ellen Frazier (Platt), a teacher who was the only witness to the kidnapping. Cassidy and Frazier work together to solve the case so that Cassidy can save the newspaper.

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Watching 1939: Ninotchka

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Ninotchka (1939)

Release date: Nov. 29, 1939

Cast: 
Greta Garbo, Melvyn Douglas, Ina Claire, Sig Ruman, Felix Bressart, Bela Lugosi, Alexander Granach, Gregory Gaye, Dorothy Adams (uncredited), George Tobias (uncredited)

Studio:  Metro-Goldwyn-Mayer

Director: 
Ernst Lubitsch

Plot:
Three Russians, Comrade Iranoff (Ruman), Comrade Iranoff (Bressart) and Comrade Kopalski (Granach) travel to Paris, France, from Russia on official business – to sell the jewels of Grand Duchess Swana (Claire) that the Soviets confiscated. When Swana gets wind of this, she sends her boyfriend Count Leon d’Algout (Douglas) to intervene so she can reclaim her jewelry. To trick the comrades out of the jewelry, Leon changes the point of view of the three comrades, showing them what life is like in Paris. When the Soviet government hears that the sale is not moving forward, they send Nina Ivanovna Yakushova, or Ninotchka, (Garbo) to Paris to clean up the mess. Rigid and serious when she arrives, Ninotchka soon is also warmed and changed by Paris and falls in love.

1939 Notes:
• Ernst Lubitsch’s only film in 1939
• Greta Garbo’s only film of 1939 and her first comedy. This was her second to last film.
• Melvyn Douglas made four films in 1939.
• Ernst Lubitsch’s first assignment as a producer for M-G-M

Garbo (and Melvyn Douglas) laugh in Ninotchka (1939)

Other trivia: 
• Remade as the musical “Silk Stockings” (1957) starring Cyd Charisse, Fred Astaire and Janis Paige. The 1957 film version was an adaptation of a 1954 stage musical with music by Cole Porter.
• Screenplay by Charles Brackett and Billy Wilder
• Greta Garbo wanted Cary Grant to play the lead, according to a Sheilah Graham column published on Jan. 3, 1939.
• For Greta Garbo’s first talking film, “Anna Christie” the slogan “Garbo talks!” was used in advertisements. Mimicking that advertising, this movie used the slogan “Garbo Laughs!”
• Adapted in 1950 as a stage play.

My review: Searching for the “1939 feature”:
“Ninotchka” is a glittering example of the perfect 1939 film:
1. It was Greta Garbo’s first comedy and her only film of 1939.
2. Was directed by Ernst Lubitsch, so it has that “Lubitsch touch.” (Also his only 1939 film)
3. Includes a script written by Charles Brackett and Billy Wilder

All of these factors add up to create a charming film.

The satirical comedy was written by Charles Brackett and Billy Wilder and is chockful of hilarious one-liners and back-and-forths.

This was Greta Garbo’s first film since 1937’s Conquest. Newspapers in 1938 announced her return to film with two films to be released in 1939: Ninotchka and Madame Curie. The latter wasn’t released until 1943 and starred Greer Garson. After Ninotchka, Garbo didn’t make another film until 1941, “Two-Faced Woman,” which was her last film.

Greta Garbo is a performer revered as one of the best actors of all time. Garbo’s film career began in 1920 and spanned 21 years with 32 films. This is my favorite Greta Garbo film. For much of her career, we saw Garbo brood, suffer or fall in love. But in Ninotchka, we get to see how funny she could be, even when she’s playing the very dry and mechanical Nina Ivanovna Yakushova, before she loosens up to be Ninotchka.

In her first talking film, Anna Christie (1930), the advertising slogan was “Garbo talks!” Playing off of that, MGM advertised the comedy with “Garbo laughs!” Her performance here is just as joyous as that advertising line captures. It’s amazing that Ninotchka was her second to last film. With the right comedic material, you can’t help but wonder what other films Garbo could have made had she stayed in Hollywood.

As production was beginning, Sheilah Graham reported that Garbo had picked Cary Grant “to make love to her” in her new film, Ninotchka. And as wonderful as Cary Grant is, I’m glad Melvyn Douglas was the final selection as the male lead in this film. Douglas brings his understated charm and also his sense of humor to the movie.

Outside of our leads, the supporting cast practically steals the show. Sig Ruman, Felix Bressart and Alexander Granach as the three comrades who blunder the business deal are hilarious and adorable as they explore the joys of life outside of Soviet Russia.

Sig Ruman, Felix Bressart and Alexander Granach

Set in France, “Ninotchka” was released on Nov. 29, 1939, as the landscape of Europe was rapidly changing. On Sept. 1, 1939, Germany invaded Poland and World War II began. The film begins with a bittersweet intro:

“This picture takes place in Paris in those wonderful days when a siren was a brunette and not an alarm…and if a Frenchman turned out the light it was not on account of an air raid!”

Though our allies at this time, this film was banned in Soviet Russia because of the way Soviets were portrayed.

It’s difficult not to gush over this film (as I already have). Watching it is such a cheerful experience. It is a great example of the sparkling 1939, and it may be a perfect film (if not pretty darn close).

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Christmas on Film: “And So They Were Married” (1936)

and so they were marriedBefore twin Hayley Mills was trying to get their parents together in “The Parent Trap” (1961), Jackie Moran and Edith Fellows worked to keep their parents apart in “And So They Were Married” (1936).

In this fun, comedic romp, divorced Edith Farnham (Mary Astor) and her daughter Brenda (Fellows) are spending the Christmas holidays at the gala opening of a ski lodge. Because of Edith’s divorce, both she and Brenda are anti-men.

Widower Stephen Blake (Melvyn Douglas) is also heading to the same lodge and tailgates their car up the mountain. This leaves both Edith and Brenda with a sour taste and no interest in socializing with Stephen.

After they all arrive at the ski lodge, an avalanche occurs, and the three are the only guests at the new hotel for a few days until the roads can be cleared. Brenda develops a cold, forcing Stephen and Edith to eventually socialize, and they begin to fall in love.

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