It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.
This week’s musical:
No Love, No Leave (1946) – Musical #716
Studio:
Metro-Goldwyn-Mayer
Director:
Charles Martin
Starring:
Van Johnson, Keenan Wynn, Pat Kirkwood, Edward Arnold, Marie Wilson, Selena Royale, Leon Ames, Marina Koshetz, Joey Preston, Arthur Walsh
Themselves: Guy Lombardo, Xavier Cugat
Plot:
Sgt. Mike Hanlon (Johnson) is home from the war on leave and is a decorated hero. When Mike is invited on a radio show hosted by Susan Duncan (Kirkwood), he’s reluctant to be in the spotlight, eager to get home to his sweetheart and his mother. Mike has his friend Slinky (Wynn) pose in his place on the radio program — but regrets it when a surprise is that Mike’s mother (Royale) calls in to speak with him. His mother also shares a private message with Susan — to keep Mike occupied and in New York City until she arrives to break bad news about his sweetheart. However, Susan believes Slinky is Mike, causing confusion and complications.
One of my favorite CDs to listen to while my hour long commute is “Maracas, Marimbas & Mambos: Latin Classics At M-G-M.” Along with ballads performed by Colombian singer Carlos Ramierz and toe tapping, show stoppers by Carmen Miranda, one of my favorite 1940s bandleaders multiple times on this album: Xavier Cugat. From the fun and humorous “Take it Easy” from “Two Girls and A Sailor” (1944) to the bouncing “Walter Winchell Rumba,” Cugat’s songs are jaunty and full of spirit.
What do you think of when you hear “1940s culture”? Big band music performed by the likes of Glenn Miller or Tommy Dorsey with teens swing dancing and Frank Sinatra crooning? Though big band and swing seem to characterize the popular perception of World War II era United States, one of the biggest fads in the United States in the 1940’s was Latin and Spanish culture.
Throughout the mid-1930s through the early-1950s, Hispanic themed music was popular and Xavier Cugat was the Rumba King.
Cugat, nicknamed Cugie, was arguably was the top Hispanic bandleader during this time, popularizing the rumba in the United States. Cugat’s popularity landed him into 17 Hollywood films, including “Luxury Liner” and “Holiday in Mexico” with Jane Powell, and “Thrill of Romance,” “Bathing Beauty” and “On an Island with You” with Esther Williams.
In most of his film appearances, Cugat was accompanied by his female singer, Lina Romay.
Cugat’s trademark was directing his musicians with his violin in one hand while holding a chihuahua in the other. Other times he may sketch a quick drawing while directing.
Xavier Cugat in “Holiday in Mexico” (1948) performing the song “Yo Te Amo Mucho-And That’s That”
Along with Cugat, other hispanic performers would be featured, but each had their own musical style and none overlapped. Carmen Miranda’s numbers were colorful and often comical, characterized by her detailed and elaborate costumes.
Pianist José Iturbi would be featured playing classical pieces, sometimes accompanied by his sister Amparo.
But the Latin fueled music didn’t stop with Cugat, Iturbi and Miranda. In “Easy to Wed” (1946), Esther Williams and Van Johnson sing in Portuguese–coached by Carmen Miranda–“Bonecu de Pixe,” accompanied by “Hit Parade” organist Hazel Smith. Williams said they were trained by Carmen Miranda and she felt ridiculous singing in Portuguese since she was butchering the language, according to her autobiography “The Million Dollar Mermaid.”
To a lesser degree, in most 1940s films, if the stars are in a nightclub, you bet they will be doing a rumba at one point. In “A Date with Judy” (1948) Carmen Miranda teaches Wallace Beery how to rumba so he can dance with his wife, Selena Royal, for their anniversary. Even Charles Laughton was doing the rumba with Deanna Durbin in “It Started with Eve” (1941).
But this Hispanic influence didn’t stop at the music during this time period: It translated into clothing, film themes and dances.
Fashion
Donna Reed on a June 1946 cover of LIFE in peasant clothes
The Spanish and Latin influence was not just limited to night club entertainment but also rubbed off on fashion.
Popular 1940s summer fashions were influenced by Latin culture with peasant blouses, colorful fiesta skirts and espadrille shoes.
Jane Powell can be seen wearing this style in wore a in “Luxury Liner” (1948). The July 17, 1944, LIFE magazine cover features a model wearing what was known as the “Peasant Clothes.” She is wearing a lose, capped sleeve blouse, a flared striped skirt and wedged hemp shoes.
Fly Rio, Rio by the sea-o
Movies reflected the Spanish influence interest with fashions, music, location and even film title. Some films in the 1940s were:
Other movies like “Gilda” (1946) or “Romance on the High Seas” (1948) are located in South America and take part in Carnival.
Why was this Hispanic influence huge in United States pop culture?
The Good Neighbor Policy.
To state it as simply as possible-During Franklin D. Roosevelt’s presidency starting in 1933, the policy was created with the principle for the United States not to interfere with domestic affairs in Latin America, and the United States acting like “a good neighbor.”
Specifically with stars like Brazilian Carmen Miranda, her job was to star in patriotic films such as “The Gang’s All Here” to bridge the gap between the Americas.
However, the policy declined in 1945 after World War II ended and the Cold War began.
Cugat remained popular throughout the 1950s, but much like big band performers like Harry James or Tommy Dorsey, his popularity faded as the rumbas and dance music were less relevant and rock n’ roll started to emerge. He retired in 1971 after suffering a stroke.
Lina Romay with Xavier Cugat in “Two Girls and a Sailor”
About three days ago I found out that the lovely Xavier Cugat rumba singer, Lina Romay, died on December 17. I was really upset that her death went by me unnoticed, but obviously I wasn’t the only one who didn’t know because the New York Times only posted an obituary on January 1st.
I was planning on writing something about Miss Romay in the near furture. However, I think something was telling me to write about her when I unknowingly watched three Lina Romay movies in one day: “Adventure” (1945),” Love Laughs at Andy Hardy” (1946) and “Embraceable You” (1948).
Lina Romay sang for Xavier Cugat’s band during the 1940s, particuarly during World War II; when South American culture was popular in the United States as I mentioned in another blog post.
Lina Romay in the 1940s
The first time I came across Miss Romay was in high school in “Bathing Beauty” (1941) as she sang “Bim Bam Bum” and “Alma llanera” with Mr. Cugat. I thought she was pretty and had a nice voice, but dismissed her as another forgettable singer.
Romay popped up in several other movies after that like in “Two Girls and A Sailor” (1944) and “Weekend at the Waldorf” as Cugat’s singer. In other films she got to flex her acting muscles. In “Honeymoon” (1947) she plays Shirley Temple’s rival and in the film “Embraceable You” (1948), she is cast as the wise-cracking, but caring friend of invalid Geraldine Brooks
Lina Romay retired in the 1950s. Romay had two long and successful marriages. One to Jay Gould from 1953 until his death in 1987 and a second to writer Robert O’Brien in 1992 until his death in 2005.
Miss Romay, you will be missed. Your version of “Babalu” will always be my favorite over Dezi Arnez’s. Rest in peace.
Trivia on Lina Romay:
-Daughter of a Mexican diplomat
-Born in Brooklyn
-Worked as a Spanish-language radio announcer for horse races at Hollywood Park Racetrack in the 1970s and 1980s (according to the NY Times)
-Was in 19 movies and television shows as an actress and seven movies as a singer.
-Be careful while you are looking her up. Apparently an “adult actress” named herself after our Lina Romay in the 1970s. When I wanted to write Miss Romay for an autography, I could only find the adult star and not the rumba singer.
This week’s musical:
Comet Over Hollywood 