Musical Monday: Meet Me on Broadway (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Meet Me on Broadway (1946) – Musical #648

Studio:
Columbia Pictures

Director:
Leigh Jason

Starring:
Marjorie Reynolds, Frederick Brady (billed as Fred Brady), Jinx Falkenburg, Spring Byington, Allen Jenkins, Gene Lockhart, Loren Tindall

Plot:
Broadway director Eddie Dolan (Brady) quits the show he’s directing over artistic differences with his producer. His star (and girlfriend) Ann Stallings (Reynolds) and songwriter Deacon McGill (Jenkins) quit with Eddie. Believing he can stage a better show without the involvement of a producer, Eddie searches for a new show. He lands in a small community who is putting on a country club show for charity, headed by Sylvia Kane Storm (Byington) and her son Bob (Tindall). The show may not be as profitable as he thinks.

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Musical Monday: Time Out for Rhythm (1941)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Time Out for Rhythm (1941) – Musical #420

Studio:
Columbia Pictures

Director:
Sidney Salkow

Starring:
Rudy Vallee, Ann Miller, Rosemary Lane, Allen Jenkins, Richard Lane, Stanley Andrews, Moe Howard, Larry Fine, Curley Howard, Blanche Stewart, Elvia Allman, Alan Hale Jr. (uncredited), Alex Romero (uncredited), Bess Flowers (uncredited)
Themselves: Joan Merrill, Glen Gray and His Casa Loma Orchestra, Eddie Durant’s Rhumba Orchestra, Six Hits and a Miss

Plot:
Danny Collins (Vallee) and Mike Armstrong (Lane) meet at random in a nightclub. Danny is a Harvard grad and Mike the agent of singer Frances Lewis (Lane), and Danny critiques Frances’s voice as she performs in the nightclub. Danny and Mike form a successful New York talent agency in an effort to make Frances a star, but she gets married and briefly leaves show business. Danny and Mike start rehearsing a groundbreaking television hour with Joan Merrill and jazz bands performing. But when Frances gets divorced, Mike wants the whole show reworked to star her, causing a rift between Danny and Mike.

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Musical Monday: Robin and the 7 Hoods (1964)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Robin and the 7 Hoods (1964) – Musical #329

Studio:
Warner Bros.

Director:
Gordon Douglas

Starring:
Frank Sinatra, Dean Martin, Sammy Davis Jr., Bing Crosby, Edward G. Robinson (uncredited), Peter Falk, Allen Jenkins, Jack La Rue, Victor Buono, Phillip Crosby, Toni Basil (uncredited), Hans Conried (uncredited), Tony Randall (uncredited), Sig Ruman (uncredited)

Plot:
Set in Chicago during the 1920s, two rival gangs compete for control of the city. Guy Gisborne (Falk) wants all the hoods in town to pay him for protection. His rival, Robbo (Sinatra) with his partners, Little John (Martin) and Will (Davis), get the reputation of robbing from the rich and giving to the poor when he donates money from Marian (Rush), the daughter of a deceased gang boss.

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Musical Monday: The Singing Marine (1937)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Singing Marine – Musical #238

Studio: Warner Bros.

Director: Ray Enright

Starring:
Dick Powell, Doris Weston, Lee Dixon, Hugh Herbert, Jane Darwell, Allen Jenkins, Jane Wyman, Larry Adler, Marcia Ralston, Guinn ‘Big Boy’ Williams, Veda Ann Borg, Henry O’Neill, Addison Richards, Eddie Acuff, Berton Churchill, Ward Bond (uncredited), Richard Loo (uncredited), Sam McDaniel (uncredited), Bert Moorhouse (uncredited),

Plot:
Bashful Marine Bob Brent (Powell) is too shy to date or converse and is most comfortable when he’s singing. His Marine buddies send him to New York to perform in an amateur radio contest, especially because his voice makes their girlfriends swoon. Bob travels with singing hopeful Peggy Randall (Weston), who he likes but is too bashful. When Bob becomes a big hit as the “Singing Marine,” his Marine friends find that he has become a snob and not willing to go back to his military life.

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Watching 1939: Five Came Back (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Five Came Back (1939)

Release date:  June 23, 1939

Cast: 
Chester Morris, Lucille Ball, Wendy Barrie, John Carradine, Allen Jenkins, Joseph Calleia, C. Aubrey Smith, Kent Taylor, Patric Knowles, Elisabeth Risdon, Casey Johnson, Dick Hogan, Pedro de Cordoba, Frank Faylen

Studio:  RKO Studios

Director:  John Farrow

Plot:
A Coast Airlines flight from the United States takes off to Panama with 12 passengers. The plane crashes in the jungle, because of a storm. Piloted by Bill (Morris) and Joe (Taylor), the plane is filled with several personalities:
• An elderly couple (Smith, Risdon)
• A wealthy man eloping with his secretary (Barrie, Knowles)
• A police officer (Carradine) with an anarchist prisoner (Calleia)
• A woman with a past (Ball)
• A gangster (Jenkins) chaperoning the child (Johnson) of his boss
• Larry (Hogan) the steward
Of the survivors, the plane can only take off with five passengers. The survivors have to decide who returns and who stays in the jungle, which is inhabited by head hunters.

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Watching 1939: Naughty But Nice (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Naughty But Nice (1939)
Musical No. 610

Release date:  July 1, 1939

Cast: 
Ann Sheridan, Dick Powell, Gale Page, Helen Broderick, Zasu Pitts, Ronald Reagan, Allen Jenkins, Maxie Rosenbloom, Jerry Colonna, Luis Alberni, Vera Lewis, Elizabeth Dunne, William B. Davidson, Halliwell Hobbes, Granville Bates, Hobart Cavanaugh (uncredited), John Ridgely (uncredited), Peter Lind Hayes (uncredited), Daisy Bufford (uncredited)

Studio:  Warner Bros.

Director:  Ray Enright

Plot:
Music Professor Donald Hardwick teaches at Winfield College and is opposed to swing and jazz music. Donald travels to New York to publish a symphony and stays with his Aunt Martha (Broderick), who is the black sheep of the family because she married a jazz saxophone player. Donald falls out of favor with his dean (Hobbes) when he’s tricked by lyricist Linda McKay (Page) and singer Zelda Manion (Sheridan) to write swing music.

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Watching 1939: Sweepstakes Winner (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Sweepstakes Winner (1939)

Release date:  May 20, 1939

Cast: 
Marie Wilson, Johnnie Davis, Allen Jenkins, Charley Foy, Jerry Colonna, Granville Bates, Vera Lewis, Frankie Burke, Sam McDaniel

Studio:  Warner Brothers

Director:  William C. McGann

Plot:
Jennie (Wilson) gets a $1,000 inheritance from her grandfather and is convinced to give it to bookies Tip (Jenkins) and Jinx (Foy) to bet on a horse. She wants to buy a horse named Firefly with the winnings, but Tip and Jinx lose her money. Broke, Jennie gets a job as a waitress but Jinx and Tip convince her to buy an Irish Sweepstakes ticket and she wins.

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Serenade me, Mr. Powell

Ginger Rogers was the Star of the Month for March on Turner Classic Movies. Ginger Rogers is a triple threat. She can sing, act and dance. She even won an Oscar for her 1941 performance in “Kitty Foyle.”

I taped several of her films that I haven’t seen (I’m trying to see all of her movies). One of these movies that I taped was “20 Million Sweethearts” (1934). The movie features Ginger Rogers and Dick Powell with a supporting cast of Allen Jenkins and Pat O’Brien.

Ginger Rogers is best known for the 10 films that she made with Fred Astaire. The screen team is recognized for their singing and dancing, but Astaire is generally the only one who gets to sing. Rogers only had the chance to sing solo in two of their 10 films together. These rare times occurred when Astaire refused to sing a song that was originally written for him. An example of this is “The Yam” in “Carefree” (1938).

The treat about the movie “Twenty-Million Sweethearts” is we actually heard Ginger sing several songs. I find it ironic that Ginger Rogers had the chance to sing more in a movie with Dick Powell than she does in her movies with Fred Astaire.

Dick Powell was one of the top “crooners” in the 1930s. His smooth voice could make women melt like butter. Fred Astaire was known more for his dancing. I’m sure women wouldn’t mind if he sang to them, but I have a feeling they would rather it be in their ear as he whisked them around on a dance floor.

Here is a comparison of the two men’s singing qualities:

Dick Powell and Ginger Rogers in “Twenty Million Sweethearts.” (1934)

Fred Astaire singing “The Way You Look Tonight” to Ginger Rogers in “Swing Time” (1936)

I personally would rather have Powell sing to me over Astaire. Who do you prefer?

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