Musical Monday: Do You Love Me? (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

do-you-love-me-movie-poster-1946-1020705247This week’s musical:
“Do You Love Me” –Musical #511

Twentieth Century Fox

Gregory Ratoff

Maureen O’Hara, Dick Hyams, Harry James, Reginard Gardiner, Richard Gaines, Lex Barker (uncredited)
Cameo: Betty Grable appears uncredited as James’ fan in a taxi cab.

Conservative Katherine Hilliard (O’Hara) is dean of a stuffy music school, following in her father’s footsteps, and is allergic to popular music. She is engaged to her similarly stuffy colleague Ralph (Gaines). Katherine takes a trip to New York to plan with her composer colleague Herbert Benham (Gardiner) about the upcoming spring music festival. On her way to New York, Katherine meets trumpet player Barry Clayton (James) who insults her by saying she is too stuffy to appreciate popular music. After relaying this to Herbert, he encourages her to loosen up and have fun. Katherine takes her advice, catching the attention of Barry and crooner Jimmy Hale (Haymes).

Dick Haymes, Maureen O'Hara, Harry James in "Do You Love Me."

Dick Haymes, Maureen O’Hara, Harry James in “Do You Love Me.”

-Maureen O’Hara called this “The worst picture I ever made,” in her autobiography “Tis Herself.”
-Produced by George Jessel
-Betty Grable, who was married to Harry James at the time, makes a cameo as a fan of his.

-Fashion show shopping montage of outfits.
-Betty Grable’s cameo at the end of the film.

Notable Songs:
-“St. Louis Blues” performed by Harry James and his band
-“Do You Love Me” performed by Dick Haymes
-“Moonlight Propoganda” performed by Dick Haymes

My Review:
Though I know Maureen O’Hara said this was the worst film of her career, but I had a great time watching this film.
The plot isn’t substantial and fairly predictable. It is the usual but fun 1930s or 1940s plot of a conservative teacher coming from a stuffy college and eventually letting her hair down and having fun. It may not be O’Hara’s best performance, but it is fun and has some great music if you like big band.
For me the two biggest highlights:
1. Seeing O’Hara and her glorious film wardrobe in Technicolor. I’m a sucker for film fashion and movie makerovers and I enjoyed seeing her transformation from teacher to glamour girl. This film also features a highlight for any lover of vintage clothing: a scene where the main actress goes shopping at an upscale store and multiple gowns are modeled for her.
2. Hearing bandleader and trumpeter Harry James perform. It’s a highlight to see big band leaders of the time in classic films. It gives you a good feel of what was popular and music at that time, and you also get to see these performers talking and in person rather than just hearing them on a recording.
The biggest highlight was a cameo by Betty Grable at the end as a fan of Harry James. Betty Grable was one of Fox’s top stars and she and James were married at the time. It was a witty and adorable comedic moment. The brief scene is similar to any joke in a contemporary film or TV show that tied in a pop culture or current event reference.
I would also be remiss if I did not mention Reginald Gardiner’s role in this as O’Hara’s colleague and friend. Gardiner is the one who encourages O’Hara’s character to literally let down her hair and have fun for once. Whether he is playing a snob, a cad or the humorous best friend, Gardiner’s characters are always a delight.
“Do You Love Me?” was down right fun with some geniune laugh out loud moments. If you have the opportunity to see this film and are looking for a colorful way to brighten your day, I encourage you to do so.

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The Queen of Technicolor, in person: Maureen O’Hara

Irish actress Maureen O'Hara, pictured here in the 1950s.

Irish actress Maureen O’Hara, pictured here in the 1950s.

Hundreds of people stood waiting, excitedly chattering.

A line wrapped up and down an alley at least four times and stretched out to Hollywood Boulevard.

When the doors to El Capitan Theater opened, people walked briskly, some even running, to get a good seat in the theater.

I waited in line for 2 hours and was the twentieth person in line.

The excitement was for a 93-year-old woman.

But not any woman, Irish screen legend Maureen O’Hara.

At this past April’s Turner Classic Movie (TCM) Film Festival in Los Angeles, O’Hara made a special appearance before a screening of “How Green Was My Valley” (1941).

TCM is now honoring the Irish actress as July’s Star of the Month.

Red-headed O’Hara started her film career in 1938, starred in several films directed by John Ford and was John Wayne’s most frequent leading lady.

Her red hair and green eyes dubbed O’Hara with the nickname “Queen of Technicolor.” Her film roles varied from serious dramas, swashbuckling pirate films to westerns.

In “How Green Was My Valley” (1941), the story of a Welsh mining family, O’Hara played Angharad. O’Hara’s character falls in love with the new minister, played by Walter Pidgeon.

Before the screening of O’Hara’s first John Ford film at TCMFF 2014, she was brought out onstage to discuss her life and career.

The line to see Maureen O'Hara outside the El Capitan theater in Los Angeles.

The line to see Maureen O’Hara outside the El Capitan theater in Los Angeles.

The audience exploded with applause and O’Hara was given a lengthy standing ovation. Several people around me were wiping tears from their eyes.

She modestly motioned from her wheel chair for everyone to sit down.

“I see a tear there,” said TCM primetime host Robert Osborne to O’Hara on stage.

Osborne interviewed O’Hara before the film, but kept it to 10 minutes so he would not tire her out. She was interviewed the next day in the Roosevelt Hotel lobby. The lobby of the historic hotel is transformed into “Club TCM” during the festival.

“Don’t laugh and applaud and think it means nothing,” she told the audience.

Osborne first asked about her relationship with director John Ford.

“I thought I was here to talk about me,” she said with quick wit.

Her mind was sharp and her voice sounded the same, just older. However, it was obvious O’Hara was weak in her old age. The classic actress turns 94 in August.

“I’m still here, I’m at quite an old age now,” O’Hara said. “It’s terrible thing, not to be sure of your age.”

O’Hara discussed God and religion and hoping she was able to live way beyond the years God gave us on Earth.

Maureen O'Hara interviewed by Robert Osborne at the El Capitan during the TCMFF 2014.

Maureen O’Hara interviewed by Robert Osborne at the El Capitan during the TCMFF 2014. (Comet Over Hollywood/Jessica P.)

“So many of us (classic actors) have passed and are in heaven, and so many of us are looking towards heaven,” O’Hara said.

She said God is listening all the time and listening to see if he can catch you doing something you aren’t supposed to be doing.

During the interview a woman coughed or sneezed in the crowed and she asked her to stand. The embarrassed woman stood up and O’Hara simply wanted to bless her.

Though O’Hara is elderly, as film fans, we sometimes don’t think about the age of our favorite stars or silver screen heroes. We know them as they are in their films and forget just how old or frail they may be. It was a privilege to see O’Hara and some of the other classic stars in person at TCMFF. But also it was almost a little sad. It’s another reminder that the classic film lover’s reality actually fantasy.

And O’Hara reminded us of this when she told the audience that even though she was an actress, we shouldn’t be fooled into thinking she is magical.

“Don’t be fooled in to thinking I do magical things,” she said.

Though O’Hara says she doesn’t do magical things, the ethereal feeling she gives her fans when she appears on screen is nothing less than enchanted.

Robert Osborne and Maureen O'Hara (Photo courtest of Getty)

Robert Osborne and Maureen O’Hara (Photo courtesy of Getty)

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Star Collector


Anita Page in the 1920’s. At one point she had more fan mail than Greta Garbo.

Not only am I old-fashioned in my movie tastes, but I am also pretty passe as a movie fan.

I write fan mail.

You may be thinking, “Who does that anymore?” A surprising amount do continue to write to stars like Debbie Reynolds, Tony Curtis and Elizabeth Taylor. No one writes the stars of today, though, like Angelina Jolie, Orlando Bloom or Jennifer Aniston. Why is this? Because they won’t answer…that is if you can even find an address to write to.

I get my fan mail addresses from an autograph database called On the website you can search virtually any movie star, singer or sports player. Each star has their own profile page. On this page there is a list of addresses that you can contact them.

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