Category Archives: Musical Monday

Musical Monday: The Eddie Cantor Story (1953)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

eddieThis week’s musical:
“Eddie Cantor Story” –Musical #513

Studio:
Warner Brothers

Director:
Alfred E. Green

Starring:
Keefe Brasselle, Marilyn Erskine, Aline MacMahon, Richard Monda (as young Eddie), Maria Windsor, William Forrest (as Flo Ziegfeld), Jackie Barnett (as Jimmy Durante), Ann Doran, Will Rogers, Jr. (as his father)

Plot:
Musical biopic of vaudeville star Eddie Cantor, whose career started as a child in 1907 and continued until his wife’s death in 1962. Cantor died in 1964. The film begins with Cantor (Brasselle) being raised by his grandmother (MacMahon) and how he gets into show business and makes good when everyone thought he would end up in jail. Cantor makes it big and ends up in the Ziegfeld Follies. Cantor marries his childhood friend Ida (Erskine) and the two have five daughters, but Ida feels Cantor neglects his family and his health for his career.

Keefe Brasselle as Eddie Cantor and Marilyn Erskine as Ida Cantor

Keefe Brasselle as Eddie Cantor and Marilyn Erskine as Ida Cantor in “The Eddie Cantor Story.”

Trivia:
-The real Eddie Cantor dubbed Keefe Brasselle’s singing. Similarly, Al Jolson’s voice dubbed Larry Parks in “The Jolson Story.”
-“The Cantor Story” was made in response to the success of the Warner Brothers film, “The Jolson Story” about vaudeville star Al Jolson. Critics didn’t care for the movie.
-Son of Will Rogers, Will Rogers, Jr., portrayed him during the Ziegfeld Follie scenes.
-Larry Parks was considered for the role of Eddie Cantor.
-Jimmy Durante was originally slated to play himself but had to bow out.

Highlights:
-The film opens with Eddie Cantor and his wife driving up to Warner Brothers to view the movie. The WB logo and credits begin after Eddie Cantor is seated to watch the film. We see Cantor and his wife Ida again at the close of the film.

Notable Songs:
-“If You Knew Susie”
-“Be My Little Baby Bumble Bee”
-“How ‘Ya Gonna Keep ’em Down on the Farm (After They’ve Seen Paree?)”
-“Yes Sir! That’s My Baby”

An example of Brasselle’s Cantor Caricature:

My Review:
If you are looking for an hour and 55 minute caricature impression of Eddie Cantor, “The Eddie Cantor Story” is your movie.

Keefe Brasselle’s performance of the famed vaudeville and Ziegfeld Follies star is one long impression complete with eyes bugged out, clapping as he skips across the stage and goofy faces. He’s working so hard at the impression it looks like he is having a hard time getting his words out.

Our Musical Mondays have featured many, many musical biopics and several of them I have panned. But when this started film I thought it had potential. I love Aline MacMahon in 1930s films and it was good to see her again as young Cantor’s grandmother.

The real Ida and Eddie Cantor in the 1930s.

The real Ida and Eddie Cantor in the 1930s.

The film only got truly annoying to me when Cantor grew up. We first see Brasselle when he is lowering a towel after washing off his black-face make-up. And there was our first glimpse of our caricature, complete with lips practically puckered and eyes bulging.

“It’s like watching Darren York (or Dick Sergeant), trying to play Eddie Cantor,” Mom said, who was watching the movie with me. “I keep waiting for Samantha to come out and tell him to cut it out.”

At the very end of the film, the audience has a treat of seeing the real Eddie and Ida Cantor. Cantor says, “I never looked better in my life.” He has an incredulous look and the comment could be read as sarcastic; it is almost like a private joke between the real Eddie Cantor and the audience.
“He not only is talented but kind,” said the 1953 New York Times review about this remark.

It was like one big impression act, however, as we see Jackie Barnett playing Jimmie Durante with a big fake nose and his best gravely speaking voice. Will Rogers, Jr. portrayed his daddy but fine. After all, he had played his father in a film before.

Another complaint that the New York Times review, George Burns and Eddie Cantor all had is how much it white-washed his colorful life.
“Although it has been filmed in the pleasing hues of Technicolor and is weighted with the songs and shows he helped make famous, “The Eddie Cantor Story” is slightly less than a colorful illustration of the reasons for its hero’s greatness,” said the New York Times.

Eddie Cantor in the 1930s.

Eddie Cantor in the 1930s.

Eddie Cantor said, “If that was my life, I didn’t live.” In George Burns’ autobiography “All My Best Friends,” said Warner Brothers created a miracle by making Cantor’s life appear boring.

In all honesty, the best acting in the film was by Aline MacMahon, bringing an extra something special to the role.

My biggest complaint about this film was it’s lead. Brasselle’s constant mimicking grated on my nerves. But who else would play him? Ray Bolger who played him in “The Great Ziegfeld”? Maybe Eddie Cantor himself? Larry Parks was originally slated for the role, but I’m not sure that would have been very good, but potentially less annoying.

While the script made Cantor’s life appear rather bland, I do believe this film would have been much more enjoyable with a different Eddie Cantor in the lead.

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Musical Monday: Meet Me in Las Vegas (1956)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Meet Me In Las Vegas” – Musical #151

UP_MEET_ME_IN_LAS_VEGAS_MOV

Studio:
Metro-Goldwyn-Mayer

Director:
Roy Rowland

Starring:
Dan Dailey, Cyd Charisse, Agnes Moorehead, Paul Henreid, Lili Darvus, Jim Backus, George Chakiris, Betty Lynn, Sammy Davis Jr. (voice only), Robert Fuller (uncredited)
As themselves: Lena Horne, Frankie Laine, Pier Angeli, Vic Damone, Debbie Reynolds, Peter Lorre, Tony Martin, Dewey Martin, The Four Aces, Steve Forrest, Jeff Richards, Frank Sinatra, Elaine Stewart, Jerry Colonna

Plot:
Ballet dancer Maria Corvier (Charisse) is performing at the Sands Hotel in Las Vegas. Gambling rancher Chuck Rodwell (Dailey) makes his yearly visit to Las Vegas and is notorious for poor luck with gambling. Chuck finds that he has consitent luck winning big every time he holds Maria’s hand.

Trivia:
-Composers George Stoll and Johnny Green were Nominated for an Academy Award for Best Music, Scoring of a Musical Picture.
-Filmed in Las Vegas.

Highlights:
-Cameos by Lena Horne, Frankie Laine, Pier Angeli, Vic Damone, Debbie Reynolds, Peter Lorre, Tony Martin, Dewey Martin, Steve Forrest, Jeff Richards, Frank Sinatra, Elaine Stewart, Jerry Colonna
-The “Frankie and Johnny” dance number narrated by Sammy Davis, Jr.
-Dan Dailey dancing and singing with Mitsuko

Notable Songs:
-“Frankie and Johnny” sung by Sammy Davis Jr.
-“The Girl with the Yaller Shoes” sung by Dan Dailey
-“If You Can Dream” sung by Lena Horne
-“My Lucky Charm” sung by Dan Dailey and Mitsuko Sawamura; also performed by Jerry Colonna

My Review:
“Meet Me in Las Vegas” has a simple and nonsensical plot: holding the hand brings good luck while gambling.
But while the plot is silly and simple, this is a charming musical, and the cast has a lot to do with that.
Cyd Charisse is stunning with beautiful clothes and impressive dances, as always, and Dan Dailey always feels like an old friend in his films.
As an added bonus you get 13 cameos from other MGM players throughout the film from Charisse’s husband Tony Martin to actress Debbie Reynolds.
While the songs aren’t terribly memorable, the dancing is outstanding. Charisse has the opportunity to exhibit both her classical ballet style with Tchaikovsky’s Sleeping Beauty Ballet and her modern dance with the “Frankie and Johnny” number.
This brightly colored Technicolor musical is one that keeps me smiling throughout.

Cyd Charisse and Dan Dailey in "Meet Me in Las Vegas" (1956).

Cyd Charisse and Dan Dailey in “Meet Me in Las Vegas” (1956).

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: For Me and My Gal (1942)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“For Me and My Gal” –Musical #10

Poster - For Me and My Gal_03

Studio:
Metro-Goldwyn-Mayer

Director:
Busby Berkeley

Starring:
Judy Garland, Gene Kelly, George Murphy, Ben Blue, Richard Quine, Mártha Eggerth, Keenan Wynn (uncredited)

Plot:
Set in 1916 right before the United States entered World War I, the film follows vaudeville team Jo Hayden (Garland) and Jimmy Metcalf (Murphy). While traveling, Jo and Jimmy meet self-centered Harry Palmer (Kelly), who is looking for any way to reach the top. Jo falls for Harry and leaves Jimmy to start an act with Harry. Right before Jo and Harry are going to hit the big time, Harry is drafted into World War I. Harry takes extreme measures to stay out of the military and risks his relationship with Jo at the same time.

Judy Garland and George Murphy in the

Judy Garland and George Murphy in the “Oh, You Beautiful Doll” number in “For Me and My Gal.”

Trivia:
-Gene Kelly’s first film.
-The first time Judy Garland’s name was listed above the title, according to Judy: A Legendary Film Career by John Fricke
-“For Me and My Gal” is loosely based on Kelly’s character, the vaudeville performer Harry Palmer, who did become form a team and become engaged to performer Jo Hayden.
-The title was originally “The Big Time” and then “Applause” with hopes a title song would be written by Arthur Freed, according to DVD commentary by Judy Garland historian John Fricke.
-The script was written with Judy Garland in mind and George Murphy originally was going to have Gene Kelly’s role. When Murphy lost the role, he said it was one of the greatest disappointments of his life, according to Fricke.
-Eleanor Powell and Dan Dailey were originally slated in the cast. There were going to be two female roles (a dancer and a singer), but it was combined into Judy’s role, according to Fricke.

Notable Songs:
-“For Me and My Gal” performed by Judy Garland and Gene Kelly
-“Oh, You Beautiful Doll” performed by George Murphy
-“After You’re Gone” performed by Judy Garland
-“Ballin’ the Jack” performed by Judy Garland and Gene Kelly

My Review:
“For Me and My Gal” is a fun film with a plot that revolves around the art form of vaudeville, which was popular in nostalgia movie musicals in the 1930s and 1940s. The introduction to the film says it is “fondly dedicated” to the vaudeville performers who traveled from town to town and lived out of trunks.

Set in 1916, this musical was released in October 1942, right after the United States entered World War II. Production planning started for this film in 1940.

“For Me and My Gal” has catchy songs, great costuming and a compelling story line. But for me, the film is more interesting for two major reasons: This is the first truly adult role for Judy Garland.

Audiences were able to see Garland as a sophisticated young woman with an adult romantic lead and complex dance numbers. She wasn’t playing second fiddle to Rooney’s antics, which sometimes happened in her previous films, and her singing and dancing talents are further showcased.

Gene Kelly, Judy Garland and George Murphy in a publicity still for

Gene Kelly, Judy Garland and George Murphy in a publicity still for “For Me and My Gal.”

Before this film, Garland was primarily in child or teenager roles. Garland’s role in “Little Nelly Kelly” before “For Me and My Gal” also gave her the opportunity to play an adult role. However, it was a dual role- she was an adult who marries George Murphy and then Murphy’s child. It wasn’t quite the same as the woman she plays in “For Me and My Gal,” and part of the film kept her a child.

The second notable fact about this film is that it’s Gene Kelly’s first film role. Fresh from Broadway playing “Pal Joey,” studio heads were uncertain how Kelly would photograph, but Garland fought for him to be in the film.

A fact new to me is that “For Me and My Gal” is loosely based on Kelly’s character, the vaudeville performer Harry Palmer, who did become form a team and become engaged to performer Jo Hayden. The film closely follows Palmer and Hayden’s relationship with some changes. In real life, Hayden had a friend named Danny Metcalf who was killed in action. In the film, Danny Metcalf was split into two people- Jo’s brother Danny who is killed and her friend Jimmy Metcalf, played by George Murphy. Hayden and Palmer married in 1919 and Palmer died in 1962.

“For Me and My Gal” is an entertaining MGM musical that allows you to watch two Garland grow and Kelly start an impressive career. My only complaint is there isn’t enough George Murphy. Otherwise, it’s a ton of fun.

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Musical Monday: Navy Blues (1941)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Navy Blues –Musical #512

navy blues2

Studio:
Warner Brothers

Director:
Lloyd Bacon

Starring:
Ann Sheridan, Martha Raye, Jack Oakie, Jack Haley, Herbert Anderson, Jack Carson, Jackie Gleason, John Ridgley, Georgia Carroll (uncredited), Leslie Brooks (uncredited), William Hopper (uncredited), Gig Young (uncredited)

Plot:
Cake and Powerhouse (Oakie, Haley) are two Navy seamen on leave in Hawaii and are trying to borrow money to pay their way for fun. They meet prize gunner Homer Matthews (Anderson), who is being transferred to their ship. Their meeting with Matthews sparks an idea to earn more money. They want to enter Homer into the gunner competition to win the trophy for their trip and start taking bets on his abilities with the rest of their shipmates. The only problem is Homer will only be on their ship for a few days before he is discharged from the Navy, leaving before the gunnery competition. Cake and Powerhouse now work to keep Homer from leaving the Navy, but Homer is eager to return to his pig farm in Iowa. They enlist the help of night club performers Marge (Sheridan) and Lilibelle (Martha.)

Jack Haley, Herb Anderson and Jack Oakie in "Navy Blues."

Jack Haley, Herb Anderson and Jack Oakie in “Navy Blues.”

Trivia:
-The first musical comedy to come from Warner Brothers in four years, according to a January 1941 column by Louella Parsons.
-Eddie Albert was orignally slated for the film, according to the January 1941 Parsons article.
-Intro: “Honolulu where Aloha means goodbye and Shore Leave means trouble.”
-Jackie Gleason’s film debut.

Highlights:
-Georgia Carroll performing as a chorus girl
-Ann Sheridan singing
-Herbert Anderson calling pigs

Notable Songs:
-“Navy Blues” performed by Ann Sheridan and Martha Raye
-“In Waikiki” performed by Ann Sheridan and chorus
-“You’re a Natural”performed by Herb Anderson and Ann Sheridan

Martha Raye and Ann Sheridan at the beginning of "Navy Blues." Unfortunately, neither has enough screen time for my liking.

Martha Raye and Ann Sheridan at the beginning of “Navy Blues.” Unfortunately, neither has enough screen time for my liking.

My Review:
The New York Times review, published on Sept. 21, 1941, hit the nail on the head in their review saying, “Oakie and Haley working harder for laughs than a bum vaudeville team in Omaha” and that the script is full of corn.
When I watched this movie looking for an Ann Sheridan vehicle. Sheridan was in a few musicals and I love to hear her deep singing voice. However, if you are looking for a film with a lot of Ann time, don’t look to “Navy Blues.”
The film opens with Sheridan singing “Navy Blues,” looking beautiful in an adorable sailor style costume…but the film goes downhill from there.
The film is centered around the crazy, frantic antics of Jack Haley and Jack Oakie as they do con their friends and will do anything to earn a buck. Our leading ladies Ann Sheridan and Martha Raye have very little screen time in this hour and 48 minute movie.
The antics revolve around getting Herb Anderson’s character to stay in the Navy. One of the biggest highlights of this film for me was seeing Anderson (or Dennis the Menace’s dad, as my family frequently calls him) in a larger role. Before his TV dad fame, Anderson was a film character actor. His character actor roles were usually smaller than other character actors such as James Gleason or William Frawley.
We even have the opportunity to hear Anderson sing. He’s just always someone I enjoy seeing on screen. His demeanor and turtle-like look makes me smile.

Ann Sheridan and Herb Anderson in "Navy Blues."

Ann Sheridan and Herb Anderson in “Navy Blues.”

It was also a great surprise to see lovely Georgia Carroll appear in this film, singing as one of the Navy Blues Sextette Members. Carroll was the singer for band leader Kay Kyser’s band and the two later married. I believe I even shouted “That’s Georgia Carroll!” when she appeared on screen.
“Navy Blues” isn’t the worst musical I have ever seen, it’s simply that Oakie and Haley’s corn got tiresome when all I wanted was to see more Ann Sheridan.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: Do You Love Me? (1946)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

do-you-love-me-movie-poster-1946-1020705247This week’s musical:
“Do You Love Me” –Musical #511

Studio:
Twentieth Century Fox

Director:
Gregory Ratoff

Starring:
Maureen O’Hara, Dick Hyams, Harry James, Reginard Gardiner, Richard Gaines, Lex Barker (uncredited)
Cameo: Betty Grable appears uncredited as James’ fan in a taxi cab.

Plot:
Conservative Katherine Hilliard (O’Hara) is dean of a stuffy music school, following in her father’s footsteps, and is allergic to popular music. She is engaged to her similarly stuffy colleague Ralph (Gaines). Katherine takes a trip to New York to plan with her composer colleague Herbert Benham (Gardiner) about the upcoming spring music festival. On her way to New York, Katherine meets trumpet player Barry Clayton (James) who insults her by saying she is too stuffy to appreciate popular music. After relaying this to Herbert, he encourages her to loosen up and have fun. Katherine takes her advice, catching the attention of Barry and crooner Jimmy Hale (Haymes).

Dick Haymes, Maureen O'Hara, Harry James in "Do You Love Me."

Dick Haymes, Maureen O’Hara, Harry James in “Do You Love Me.”

Trivia:
-Maureen O’Hara called this “The worst picture I ever made,” in her autobiography “Tis Herself.”
-Produced by George Jessel
-Betty Grable, who was married to Harry James at the time, makes a cameo as a fan of his.

Highlights:
-Fashion show shopping montage of outfits.
-Betty Grable’s cameo at the end of the film.

Notable Songs:
-“St. Louis Blues” performed by Harry James and his band
-“Do You Love Me” performed by Dick Haymes
-“Moonlight Propoganda” performed by Dick Haymes

My Review:
Though I know Maureen O’Hara said this was the worst film of her career, but I had a great time watching this film.
The plot isn’t substantial and fairly predictable. It is the usual but fun 1930s or 1940s plot of a conservative teacher coming from a stuffy college and eventually letting her hair down and having fun. It may not be O’Hara’s best performance, but it is fun and has some great music if you like big band.
For me the two biggest highlights:
1. Seeing O’Hara and her glorious film wardrobe in Technicolor. I’m a sucker for film fashion and movie makerovers and I enjoyed seeing her transformation from teacher to glamour girl. This film also features a highlight for any lover of vintage clothing: a scene where the main actress goes shopping at an upscale store and multiple gowns are modeled for her.
2. Hearing bandleader and trumpeter Harry James perform. It’s a highlight to see big band leaders of the time in classic films. It gives you a good feel of what was popular and music at that time, and you also get to see these performers talking and in person rather than just hearing them on a recording.
The biggest highlight was a cameo by Betty Grable at the end as a fan of Harry James. Betty Grable was one of Fox’s top stars and she and James were married at the time. It was a witty and adorable comedic moment. The brief scene is similar to any joke in a contemporary film or TV show that tied in a pop culture or current event reference.
I would also be remiss if I did not mention Reginald Gardiner’s role in this as O’Hara’s colleague and friend. Gardiner is the one who encourages O’Hara’s character to literally let down her hair and have fun for once. Whether he is playing a snob, a cad or the humorous best friend, Gardiner’s characters are always a delight.
“Do You Love Me?” was down right fun with some geniune laugh out loud moments. If you have the opportunity to see this film and are looking for a colorful way to brighten your day, I encourage you to do so.

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Musical Monday: Night and Day (1946)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Night and Day” –Musical #101

night-and-day-1946 

Studio:
Warner Brothers

Director:
Michael Curtiz

Starring:
Cary Grant, Alexi Smith, Jane Wyman, Donald Woods, Ginny Sims, Selena Royle, Eve Arden, Dorothy Malone, Henry Stephenson, Alan Hale, Sig Ruman, Carlos Ramírez
As themselves: Mary Martin, Monty Woolley

Plot:
Fictional biographical film of songwriter Cole Porter.

Cole Porter and his wife Linda Lee

Cole Porter and his wife Linda Lee

Trivia:
-Cole Porter is a celebrated songwriter who was active from post-World War I teens through the 1950s. He was born in 1891 and died in 1964.
-Warner Brothers chose “Night and Day” to mark the studio’s 20th anniversary of sound films, according to an Oct. 4, 1946, article in the Montreal Gazette.
-“Script writers had a hard time finding crisis in his life to sustain a storyline,” according to a mention of the film in his Oct. 16, 1964, Associated Press obituary in the Gettysburg Times.
-Footage shown of Roy Rogers singing “Don’t Fence Me In” is from the Warner Brothers film “Hollywood Canteen” (1944)
-Ray Heindorf and Max Steiner were nominated for an Academy Award for Best Music, Scoring of a Musical Picture.

Highlights:
-Eve Arden as a French performer, simply because it’s ridiculous.
-Mary Martin cameo

Notable Songs:
-“Night and Day”
-“I’m in Love Again” performed by Jane Wyman
-“Let’s Do It” performed by Jane Wyman
-“You Do Something to Me” performed by Jane Wyman
-“I’ve Got You Under My Skin” performed by Ginny Simms
-“Don’t Fence Me In” footage of Roy Rogers
-“Begin the Beguine” performed by Carlos Ramirez

Cary Grant as Cole Porter and Alexis Smith as Linda Lee in "Night and Day"

Cary Grant as Cole Porter and Alexis Smith as Linda Lee in “Night and Day”

My Review:
There were about 10 years between my first and second viewings of this film. I didn’t find it any better.

Starring Cary Grant and filmed in gorgeous Technicolor, you know you are about to hear some fantastic music going into this film. It’s basically Cole Porter’s Greatest Hits.

But the celebrated songs by Porter can’t save this film. The ridiculous story line of the highlighly fictionalized biography is just a dud. The fact that the biography is fictionalized isn’t surprising. Musical Monday has highlighted the “fictionalized musical biography” many, many times before now.

The San Francisco News said in a review, “This is no more the story of Cole Porter’s life than a two-cent stamp is of Washington.” LIFE magazine said “Film About Cole Porter’s Life is an Example of What’s Wrong with Hollywood Musicals,” saying the numbers were tasteless, the dialogue forcefully recreated from real conversations and a timeworn plot. I can’t say that I disagree. But a made up life story is more forgivable if it is at least entertaining and enjoyable. “Night and Day” is just fairly painful.

Even Cole Porter said, “If I could survive that, I can survive anything,” after the premiere of the film.

Some of the scripts of these biographical films, such as this one, are reviewed by the topic person-Porter did not die until 1964- and the 2011 William McBrien Porter biography discusses Porter reading over the script. With any of these biographical films, I’m not sure how much say the subject matter or their family members have in the script. Maybe it is simply that they don’t want the film to be accurate and their private lives on display.

However, there are almost too many inaccuracies to list in a brief review.

In the film, Alexis Smith plays Porter’s wife Linda Lee Porter, Porter’s wife from 1919 until her death in 1954. It is rare for the romantic lead in a biographical film, to be based off of a real person. Many times, the romantic lead is made up or a mix of multiple people. An example of this is Evelyn Keye’s character in “The Al Jolson Story.” It is obvious that she is supposed to be Ruby Keeler, but her character is named something different. Probably because Keeler was still alive and didn’t want to be associated with the film.

Though Porter and Linda were married, the culture of 1946 and the Hays Production Code prevented the prevented the film from giving the true nature of their relationship and marriage. Porter and Linda’s marriage was more of a marriage of convenience. Porter was gay and his marriage to Linda gave a heterosexual appearance during a time when homosexuality was not as accepted. The marriage gave Linda prominence in society.

Monty Woolley, Jane Wyman and Mary Martin’s brief role are probably the only highlights of the film. Woolley and Martin play themselves, as they were connected with Porter in real life.

It’s not the highly inaccurate plot that makes “Night and Day” bad. “Yankee Doodle Dandy” is also fiction but is an entertaining film. It’s really just that the fictionalized premise is terrible and often downright ridiculous.

The only thing thing “Night and Day” has going for it is the music. In that case, buy some of Cole Porter’s songs instead.

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Musical Monday: The Mikado (1939)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“The Mikado” –Musical #495

kenny

Studio:
Pinewood Studios

Director:
Victor Schertzinger

Starring:
Kenny Baker, Jean Colin, Sydney Granville, John Barclay

Plot:
Set in Japan, Nanki-Poo (Baker), a prince disguised as a wandering minstrel, falls in love with Yum Yum (Colin).However, she is engaged to the Lord High Execution. Nanki-Poo is set to be executed because he is in love with an engaged girl.

Trivia:
-Written by composers Arthur Sullivan and W.S. Gilbert, “The Mikado” originally opened in London in March 1885 at the Savoy Theater and ran 672 performances.
-Aside from Kenny Baker, many of the players in the film were from the D’Oyly Carte Opera Company, a professional company that opened in the 1870s and closed in 1982. The company staged Gilbert and Sullivan operas.
-Rereleaed in theaters in 1949.
-Nominated for an Academy Award for Best Cinematography, Color by William V. Skall. The film lost to “Gone with the Wind.”
-Nominated for the Mussolini Cup for Best Foreign Film at the Venice Film Festival.

Kenny Baker and Jean Colins in "The Mikado"

Kenny Baker and Jean Colins in “The Mikado”

Notable Songs:
-“Gentleman of Japan”

My Review:
I watched this movie back in September and I have had to sit on it that long, figuring out what to say.
Simply put: “The Mikado” was boring, stupid, odd and all the songs sounded the same.
I have always heard of “The Mikado,” but I never knew what it was about. The whole hour and a half film is debating if they should kill Nanki-Poo (Baker) for loving an engaged girl.
The execution is discussed in a jovial manner. I understand dark comedies and usually enjoy them, but this was plain annoying.
While taking into consideration that this musical was written in the late 1800s, the supposed Japanese names are ridiculous. I mean…Yum Yum? This is a musical that is still performed, which honestly surprises me for the blatant disregard for Japanese culture and mockery of it.
I was ready for this movie to end from the moment I started it. I only continued watching it because I wanted to see if it would get better, and it didn’t.

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Musical Monday: Serenade (1956)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Serenade” –Musical #510

serena3

Studio:
Warner Brothers

Director:
Anthony Mann

Starring:
Mario Lanza, Joan Fontaine, Sara Montiel, Vincent Price, Joseph Callelia, Vince Edwards, Ed Platt

Plot:
Vineyard worker Damon (Lanza) has dreams of becoming an opera star. When socialite Kendall Hale (Fontaine) gets lost and spots him in vineyard, makes Damon her project to make him famous. But like other countless athletes and artists, Kendall builds them up to toss them aside, causing destruction to each one. Damon is no exception. After a break down, Damon goes to Mexico where he tries to rebuild his life.

Trivia:

Mario Lanza dressed in costume "Othello."

Mario Lanza dressed in costume “Othello.”

-Adapted from a James M. Cain novel.
-Metropolitan Opera Singer Licia Albanese is featured in the “Othello” scene.
-Mario Lanza’s first film in three years.
-A brief part of “Othello” is performed in the film. While Lanza is only in costume for 14 minutes, the makeup took four hours, according to a March 24, 1956, “Miami News” article.
-In the film, Juana (Montiel) becomes Damon’s wife. In the Cain book, she is a prostitute and the two open a brothel together. Also in the book, Damon struggles with bisexuality.

Notable Songs:
-“Dio Ti Giocondi” performed by Mario Lanza and Licia Albanese
-“Serenade” performed by Mario Lanza
-“Ave Maria” performed by Mario Lanza

The only really exciting part of the film.

The only really exciting part of the film.

My Review:
Simply put, “Serenade” is dull.
It’s a slow moving, predictable plot. The plot is predictable and not new: the mature society lady who molds an artist just to move on to the next project. The most interesting characters were played by the secondary roles. Vincent Price was the most interesting character as he helps Lanza with his career. It’s also interesting to see character actor Joseph Calleia as an elderly music lover.
The most sympathetic character was Juana, played by Sara Montiel. She was lovely and also brought two rather exciting scenes to an otherwise boring movie.
While Mario Lanza has a beautiful voice and I enjoy opera, his songs are also boring. It is disappointing that the “Othello” scene is so brief.
“Serenade” is overly dramatic and overly long. Even Anthony Mann’s direction and beautiful music could not save this film.

 

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Musical Monday: My Wild Irish Rose (1947)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“My Wild Irish Rose” –Musical #309

picture

Studio:
Warner Brothers

Director:
David Butler

Starring:
Dennis Morgan, Arlene Dahl, Andrea King, Alan Hale, George Tobias, George O’Brien, Sara Allgood, Ben Blue, William Frawley

Plot:
Fictional, biographical film on Irish singer Chauncey Olcott (Morgan); chronicling his rise to fame and connections with performer Lillian Russell (King) and William Scanlan (Frawley). As he climbs the ladder to fame, Olcott meets and falls in love with Rose Donovan (Dahl), who’s father (Hale) does not want her to be involved with Olcott.

Trivia:

Dennis Morgan as Chauncey Olcott and Andrea King as Lillian Russell in "My Wild Irish Rose" (1947).

Dennis Morgan as Chauncey Olcott and Andrea King as Lillian Russell in “My Wild Irish Rose” (1947).

-Chauncey Olcott was an performer, songwriter and actor who’s career spanned from 1894 until 1920. Born in New York, Olcott’s family was of Irish decent, so most of his songs had Irish themes to them. He was born in 1858 and died in 1932. According to critic Dorothy Parker, Lillian Russell and Olcott were friends and she helped his career.
-Alexis Smith was considered for the role of Lillian Russell, which went to Andrea King. Virginia Bruce was also set for the role, according to “The Women of Warner Brothers” by Daniel Bubbeo.
-Andrea King was dubbed in her role as Lillian Russell, according to Bubbeo’s book.
-“My costumes were the most beautiful I had ever seen and my jewelry was real. I had two armed guards with me at all times,” King said in Bubbeo’s book.
-Arlene Dahl’s first credited role.
-Ray Heindorf and Max Steiner were nominated for an Academy Award for Best Music, Scoring of a Musical Picture.
-The film was based from a 1939 story written by Olcott’s widow, Rita, called “Song in His Heart,” according to Bubbeo’s book.
-One of Warner Brother’s top films of 1948.

Highlights:
-Any time Dennis Morgan sings in any film is a highlight.

Dennis Morgan performs in "My Wild Irish Rose" (1947).

Dennis Morgan performs in “My Wild Irish Rose” (1947).

Notable Songs:
-Hush-a-Bye, Wee Rose of Killarney performed by Dennis Morgan
-My Wild Irish Rose performed by Dennis Morgan
-When Irish Eyes Are Smiling performed by Dennis Morgan
-Let Me Dream Some More performed by Dennis Morgan and Andrea King
-Mother Machree performed by Dennis Morgan

My Review:
chaunceyAs Comet Over Hollywood has discussed countless times before, many Hollywood biographical films, particularly those of the musical nature, are embellished and provide very little actual fact.
“My Wild Irish Rose” is no exception. The real Chauncey Olcott may look more like William Frawley than Dennis Morgan.
However, it’s a fun, colorful and entertaining film filled with notable Irish songs; all performed in Dennis Morgan’s velvety voice. While Morgan sings, George O’Brien and Ben Blue bring some comedy to the film.
Other familiar and likable Warner Brothers faces appear in this lush, Technicolor film including Alan Hale, Andrea King and George Tobias.
What I like about “My Wild Irish Rose,” is that Dennis Morgan truly gets center stage without having to share screen time, songs and leading ladies with Jack Carson. This seems to be a rare musical gem in Morgan’s career where he is the only singing lead, so we hear multiple Irish classic tunes performed by Mr. Morgan.
If you are a Dennis Morgan fan, love Irish music or simply want a nice film for St. Patrick’s Day, check out “My Wild Irish Rose.”

 

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Musical Monday: First a Girl (1935)

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In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

first a girlThis week’s musical:
“First a Girl” –Musical #505

Studio:
RKO

Director:
Leigh Jason

Starring:
Jessie Matthews, Sonnie Hale, Anna Lee,

Plot:
Elizabeth (Matthews) is a delivery girl at a dress store with dreams of being a dancer. One day, she borrows a dress for an audition and doesn’t get the part. In the meanwhile, she meets down on his luck Shakespearean actor Victor (Hale) who does female impersonations. After ruining the dress, Elizabeth is too afraid to return to the dress store. Victor allows her to get in on his act. When Victor is too ill to go on stage as a female impersonator, he grooms Elizabeth to act as a female impersonator, even though she is already a woman. Elizabeth becomes a huge success but problems arise when she falls in love with a man.

Trivia:
-Late remade as “Victor/Victoria” (1982) starring James Garner, Julie Andrews and Robert Preston.
-Adapted from a 1933 German film called “Viktor and Viktoria”

Highlights:
-Jessie Matthews drinking with Griffith Jones, who believes she’s a man. However, she is not used to the strong beverages that he keeps ordering.

Jessie Matthews, Sonny Hale and Griffith Jones in "First a Girl"

Jessie Matthews, Sonny Hale and Robert Griffith in “First a Girl”

Notable Songs:
-It’s Written All Over Your Face performed by Jessie Matthews
-Everything’s In Rhythm With My Heart performed by Jessie Matthews and Sonnie Hale
-Half and Half performed by Jessie Matthews
-Say The Word And It’s Yours performed by Jessie Matthews

My Review:
When this film began I kept thinking how similar it was to the 1982 film “Victor/Victoria.” Until seeing this movie, I had no idea it was a remake.
“First a Girl” is an entertaining little British film with a subject matter that would probably not have been seen in a 1935 American film. Not only is Jessie Matthews supposed to be a cross dressing male (though the audience knows she is a female), there are some homosexual innuendos and jokes that probably would not have even been seen in a pre-code American film.
When Elizabeth begins falling for Robert (Jones), it is uncertain if he likes her character because she is a man or because she is a man that seems feminine enough to be a woman. Our main character is even a little confused by this.
When I started this film, I was not familiar with any of the main actors but all of them were entertaining. The songs in this musical are forgettable, but it’s story line that is fairly unique for a 1930s film is pleasant, fun and enjoyable. If you come across this forgetting little gem, give it a whirl.

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