Behind the Screen at the Museum of the Moving Image

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The film and television industry have shaped the way society behaves from the way they dress to the toys they play with.

The Museum of the Moving Image, located in Astoria, NY, celebrates TV and film of the past and present through exhibits that highlight everything down to film makeup and costuming, equipment used behind the scenes and the editing process of screenplays.

Exhibits also show where and how it all began from optical toys from the 1800s to early color television cameras.

In late July, I visited the Museum of Moving Image and enjoyed exploring their Behind the Screen exhibit which included everything from sketches by Orson Welles to a Margaret O’Brien doll. Below are photos from the visit:

All Made Up: 

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Life masks of actors. The front mask is of Dorothy McGuire in “The Enchanted Cottage” (1945) with Anthony Quinn in “Requiem for a Heavyweight” (1962) to the left. (Comet Over Hollywood/Jessica P.)

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A telegram sent by Orson Welles to Maurice Seiderman in reference to make-up–specifically rubber noses–for the film “Compulsion” (1959). Sent in Sept. 1958. (Comet Over Hollywood/Jessica P.)

Sketch made by Orson Welles in August 1958 of how he wanted his makeup to look in "Compulsion" (1959).

Sketch made by Orson Welles in August 1958 of how he wanted his makeup to look in “Compulsion” (1959). (Comet Over Hollywood/Brandon B.)

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Photos of Orson Welles exhibiting the makeup process for “Compulsion” (1959).

Wig worn by Elsa Lanchester in Bride of Frankenstein (1935). (Comet Over Hollywood/Jessica P.)

Wig worn by Elsa Lanchester in Bride of Frankenstein (1935). The white streaks was designed by makeup artist Jack Pierce to suggest her birth by electricity. The wig was made by the Max Factor Company and was reconstructed for the museum of Josephine Turner in 1991 who was the head of the wig-making department at Max Factor from 1935 to 1965. (Comet Over Hollywood/Jessica P.)

Wig worn by Bette Davis in “Jezebel” (1938). (Comet Over Hollywood/Jessica P.)

Wig worn by Elizabeth Taylor in “Cleopatra” (1963). The wig was designed by MGM’s hairstylist Sydney Guilaroff and constructed by Bill Huntley of Wig Creations in London. (Comet Over Hollywood/Jessica P.)

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Script for the Sidney Lumet directed film, “Network” (1976), written by Sidney Chayefsky. The red crayon is Lumet, who would cross out dialogue after it was filmed. (Comet Over Hollywood/Jessica P.)

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Replica of Robin Williams’ makeup for “Miss Doubtfire” (1993). (Comet Over Hollywood/Jessica P.)

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Costume worn by Hedy Lamarr as Delilah in “Samson & Delilah” (1949), directed by Cecil B. DeMille. The gown was designed by Edith Head. (Comet Over Hollywood/Jessica P.)

For the Fans and Consumers: 

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Various film fan magazines ranging from 1911 to 1980 including: Motion Picture, Photoplay, Picture Play, Motion Picture Classic, Film Fun, Real Screen Fun, Modern Screen, Silver Screen, Screen Romances, Movie Story, Screen and Television Guide, Screenland Plus TV-Land. (Comet Over Hollywood/Brandon B.)

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Lupe Velez on the cover of a October 1931 issue of Picture Play. (Comet Over Hollywood/ Brandon B.)

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Bette Davis on the cover of Modern Screen, promoting “The Letter.” (Comet Over Hollywood/Brandon B.)

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William S. Hart on the cover of a June issue of Motion Picture.

 

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Shirley Temple and the Dionne Quintuplets on an issue of Modern Screen. (Comet Over Hollywood/Jessica P.)

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Exhibiting how films affected the toy industry with film themed board games, dolls and paint books. (Comet Over Hollywood/Jessica P.)

 

A Pinnochio doll based off of Walt Disney’s 1940 cartoon. (Comet Over Hollywood/Jessica P.)

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Silent film actor Rudolph Valentino on 1935 “beautebox.” (Comet Over Hollywood/Jessica P.)

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“Our Gang” coloring book. (Comet Over Hollywood/Jessica P.)

Doll of child actress Margaret O’Brien (Comet Over Hollywood/Jessica P.)

Lantern slide, which were used during intermission in modern film houses, which were used between 1916 and 1929. (Comet Over Hollywood/Brandon B.)

Lantern slide, which were used during intermission in modern film houses, which were used between 1916 and 1929. (Comet Over Hollywood/Brandon B.)

 

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Film promotion posters and programs. (Comet Over Hollywood/Brandon B.)

Film Cameras: 

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Edison 35mm Projecting Kinetoscope, Model D, 1912.

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Pathe 35mm Projector from 1905. (Comet Over Hollywood/Brandon B.)

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Edison 35mm Projecting Kinetoscope, 1897. This sold for $100 at the time. (Comet Over Hollywood/Brandon B.)

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Three-strip Technicolor camera, Model EF-2, 1940. (Comet Over Hollywood/Brandon B.)

 

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Travels with My Parents: TCMFF Through New Eyes

I returned to Hollywood by way of North Carolina last week for my third Turner Classic Movies Classic Film Festival (TCMFF). I was excited to visit with my fellow film lovers and bloggers, hear classic film stars discuss their careers, and watch films on the big screen- the way they should be seen.

But this year had a new layer of excitement: My parents were joining me for their first ever TCMFF. After going to the festival on my own for two years, my travel buddies were the people who originally introduced me to classic film when I was a baby.

After we left Hollywood, I realized our only photo together was documenting their first In-N-Out Burger experience. (Comet Over Hollywood/Jessica P)

After we left Hollywood, I realized our only photo together was documenting their first In-N-Out Burger experience. (Comet Over Hollywood/Jessica P)

This wasn’t Mom and Dad’s first time in Hollywood. My family took a trip to Los Angeles in 2006, so they were familiar with the craziness of Hollywood Boulevard complete with people dressed in disheveled Spongebob costumes or impersonating Prince’s singing.

Since my first year at TCMFF, I knew they needed to come. After two years of care giving for my grandmother and her estate, my parents took a much needed vacation to what like to call “The Disney World of Classic Film.”

We pretty much stuck together the whole festival, because we shared similar interests in the films that we watched. These are their post festival reactions:

Julie Andrews was wisked quickly down the red carpet before "Sound of Music." (Comet Over Hollywood/Jessica P)

Julie Andrews was wisked quickly down the red carpet before “Sound of Music.” (Comet Over Hollywood/Jessica P)

Mom (Lisa):
I really had a good time. I enjoyed seeing a lot of the movies and meeting all of the bloggers of websites that I have been reading for so long. My favorite was the Disney film “So Dear to My Heart,” because it was such a sweet, simple story and I really enjoyed it. It would be nice if Disney would put it out on DVD. My other favorite was “Why Be Good?” with Colleen Moore. It’s almost 90 years old and it raised a lot of the same concerns that you see now, which I thought was interesting. I also really liked “Reign of Terror.” We were one of the last people in the theater and by pure accident we were on the front row, five feet away from where Norman Lloyd was going to be interviewed. Errol Flynn’s family sat beside us during “The Sea Hawk,” which was also really cool. I loved hearing Jane Withers speak during the Hollywood Homes Movies at the Roosevelt because she was a hoot. I also loved seeing Sophia Loren. We were two rows away and she looked fantastic. The overall festival was a great experience. It was very well done and everybody there was very friendly and helpful. There wasn’t anything that I didn’t enjoy, except I wish I could have seen even more films. We will definitely have to go back another year to see Robert Osborne. I hope he’s feeling better so he can be there. I would love to hear his interviews.

Actress Sophia Loren being interviewed by TCM host Ben Mankiewicz before "Marriage Italian Style" (Comet Over Hollywood/Jessica P)

Actress Sophia Loren being interviewed by TCM host Ben Mankiewicz before “Marriage Italian Style” (Comet Over Hollywood/Jessica P)

Dad (Bill):
The two movies I enjoyed the most were “Why Be Good?” and “Don’t Bet on Women.” I liked the earlier movies, because it was interesting to see that many of the ideas between then and now are relatively the same. Cinematically, my favorite was “Psycho.” It was really worked well on the big screen. It’s one of my favorite films, and I have never seen it on the big screen. The way it was presented was very impactful. I enjoyed all of the interviews we saw. Norman Lloyd was interesting because he is 100 years old and has amazing commentary with all of his stories. He has worked with so many different people! I enjoyed seeing Sophia Loren, because she is truly an icon. I have heard about her since I was a kid and it was amazing seeing her in person. The whole film festival was very organized. My only disappointment was there were several movies that I wanted to see all scheduled at the same time and I couldn’t see them all.

Myself:
I always love meeting and visiting with readers, film fans and fellow blogger friends. My favorite film of the whole trip was “Reign of Terror,” a new-to-me film. It was my top pick of the festival and I was thrilled that I was able to see it; I was actually the last person who got into the theater before they filled up. The cinematography by John Alton under the direction of Anthony Mann was breathtaking and innovative. I enjoy Robert Cummings as an actor and loved having the opportunity to see him in darker role. “Reign of Terror” is unique, because it is a mix of film noir set during the French Revolution with some humor mixed in; not something you come across very often. Character actor Arnold Moss was probably my favorite character in the film as the delicious snake-in-the-grass Fouché. He had all the best lines.

Robert Cummings and Arnold Moss in "Reign of Terror."

Robert Cummings and Arnold Moss in “Reign of Terror.”

Another notable feature about TCMFF is you have the opportunity to see several films that either haven’t been seen in many years, because they were lost or in a restoration process, or it’s a screening of the restoration’s debut. It’s always a special experience to watch a silent film with a live accompaniment, but it was extra special to be there for Carl Davis’s premiere of the new score for “Steamboat Bill, Jr.” Live accompaniments may not be anything new for some people but that is something you seldom (or never) experience in many areas of the southeast.

Along with my parents joining, this year was a little different, because I had a few new experiences. We got into Los Angeles a little earlier and had the opportunity to do a little sight seeing. It was also my first year in the bleachers watching the red carpet events. It was fun cheering for Julie Andrews, Shirley Jones, and even the passholders, as they entered Gruaman’s Chinese Theater. I also took some time to see the handprint ceremony with Christopher Plummer, who seemed like a gentleman. It was a hilarious coincidence that I ended up sitting beside Errol Flynn’s grandson, Sean, in “The Sea Hawk.”

The 2015 TCMFF may be my favorite year so far, because nine of the 14 films I saw were new-to-me. The only downside was that TCM host Robert Osborne was unable to attend. Along with all of his other fans, I send warm wishes for a speedy recovery.

Shirley Jones on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Shirley Jones on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Films:
Queen Christina (1933)
Sea Hawk (1940)
Reign of Terror (1949)
Young Mr. Lincoln (1939)
Steamboat Bill, Jr. (1928)
On Her Majesty’s Secret Service (1969)
Why Be Good? (1929)
So Dear to My Heart (1948)
Air Mail (1932)
The Loved One (1965)
Nothing Lasts Forever (1984)
Don’t Bet On Women (1931)
Psycho (1960)
Marriage Italian Style (1964)

Christopher Plummer exits Grauman's Chinese before his handprint ceremony. (Comet Over Hollywood/Jessica P.)

Christopher Plummer exits Grauman’s Chinese before his handprint ceremony. (Comet Over Hollywood/Jessica P.)

Special Guests:
Robert Morse- red carpet and “The Loved One”
Shirley Jones- red carpet
Marty Ingles- red carpet
Diane Baker- red carpet
Norman Lloyd- red carpet and “Reign of Terror”
Film editor, Anne V. Coates- red carpet
Julie Andrews- red carpet
Christopher Plummer- red carpet and his handprint ceremony
William Shatner – Plummer’s handprint ceremony
Shirley MacLaine – Plummer’s handprint ceremony
Alex Trebek – Plummer’s handprint ceremony
Errol Flynn’s daughter, Rory Flynn- “The Sea Hawk”
Errol Flynn’s grandson, Sean Flynn (Sean and Rory sat next to me in The Sea Hawk)
Peter Fonda- “Young Mr. Lincoln”
Film Historian, Leonard Maltin
Composer Carl Davis – “Steamboat Bill Jr.
George Lazenby- “On Her Majesty’s Secret Service”
Director Tom Schiller- “Nothing Lasts Forever”
Zach Galligan- “Nothing Lasts Forever”
Director Edgar Wright- “Psycho”
Sophia Loren – “Marriage Italian Style”

 

Norman Lloyd on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Norman Lloyd on the red carpet at TCMFF. (Comet Over Hollywood/Jessica P.)

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Comet Walking Around Hollywood: Turner Classic Film Festival 2015

tcmff2Comet Over Hollywood is covering the Turner Classic Film Festival for my third year this week. The festival runs from Thursday, March 26, through Sunday, March 30.

I arrived in Los Angeles, CA, by way of North Carolina on Tuesday for the sixth annual Turner Classic Movies Film Festival.

Once again, I will be covering various events, film screenings and interviews throughout the festival.

Classic films have been a large part of my life so it’s a pleasure to share film experiences with others equally as passionate.

What am I most excited about this year?
-New-to-me Lizabeth Scott film “Too Late for Tears” (1949)
-New-to-me Robert Cummings film “Reign of Terror” (1949) with actor Norman Lloyd in attendance.
-“Young Mr. Lincoln” (1939) on 35mm with son of Henry Fonda, actor Peter Fonda discussing the film
-New-to-me “Don’t Bet on Women” (1931), starring Jeannette MacDonald in her only non-singing role.
-James Bond film “On Her Majesty’s Secret Service” (1969) with George Lazenby in attendance.
-New-to-me hilariously terrible looking “Boom” (1968) starring Elizabeth Taylor and Richard Burton.
-New-to-me rare Walt Disney film “So Dear to My Heart” (1948)
-“The Loved One” (1965) on the big screen with Robert Morse in attendance.

How can you follow me? 
Twitter: @HollywoodComet
Facebook: https://www.facebook.com/cometoverhollywood
Instagram: @HollywoodComet
Or here! CometOverHollywood.com

Though Robert Osborne can not attend the festival this year, he will be in our hearts and thoughts. #GetWellBob I'm pictured here with Mr. Osborne in 2013.

Though Robert Osborne can not attend the festival this year, he will be in our hearts and thoughts. #GetWellBob
I’m pictured here with Mr. Osborne in 2013.

Are you heading to the festival? Comment below and let us know what you are most excited about at this year’s Turner Classic Movies Film Festival.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

 

Comet Over Hollywood celebrates fans

ATTENTION!

comet
This holiday season, I want to give back to all of you who help celebrate classic Hollywood every day.

What I’m doing: Each week of December, I will have a prize drawing for one of Comet Over Hollywood’s fans.

What I need you to do: Spread the word about Comet with your friends and help us get 2015 Facebook fans by January 1. Tweet about us, share us on Facebook, talk about Comet to complete strangers.

Let’s have some fun spreading the good word of classic film.

Happy holidays!

Jessica Pickens, the Hollywood Comet

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

The Queen of Technicolor, in person: Maureen O’Hara

Irish actress Maureen O'Hara, pictured here in the 1950s.

Irish actress Maureen O’Hara, pictured here in the 1950s.

Hundreds of people stood waiting, excitedly chattering.

A line wrapped up and down an alley at least four times and stretched out to Hollywood Boulevard.

When the doors to El Capitan Theater opened, people walked briskly, some even running, to get a good seat in the theater.

I waited in line for 2 hours and was the twentieth person in line.

The excitement was for a 93-year-old woman.

But not any woman, Irish screen legend Maureen O’Hara.

At this past April’s Turner Classic Movie (TCM) Film Festival in Los Angeles, O’Hara made a special appearance before a screening of “How Green Was My Valley” (1941).

TCM is now honoring the Irish actress as July’s Star of the Month.

Red-headed O’Hara started her film career in 1938, starred in several films directed by John Ford and was John Wayne’s most frequent leading lady.

Her red hair and green eyes dubbed O’Hara with the nickname “Queen of Technicolor.” Her film roles varied from serious dramas, swashbuckling pirate films to westerns.

In “How Green Was My Valley” (1941), the story of a Welsh mining family, O’Hara played Angharad. O’Hara’s character falls in love with the new minister, played by Walter Pidgeon.

Before the screening of O’Hara’s first John Ford film at TCMFF 2014, she was brought out onstage to discuss her life and career.

The line to see Maureen O'Hara outside the El Capitan theater in Los Angeles.

The line to see Maureen O’Hara outside the El Capitan theater in Los Angeles.

The audience exploded with applause and O’Hara was given a lengthy standing ovation. Several people around me were wiping tears from their eyes.

She modestly motioned from her wheel chair for everyone to sit down.

“I see a tear there,” said TCM primetime host Robert Osborne to O’Hara on stage.

Osborne interviewed O’Hara before the film, but kept it to 10 minutes so he would not tire her out. She was interviewed the next day in the Roosevelt Hotel lobby. The lobby of the historic hotel is transformed into “Club TCM” during the festival.

“Don’t laugh and applaud and think it means nothing,” she told the audience.

Osborne first asked about her relationship with director John Ford.

“I thought I was here to talk about me,” she said with quick wit.

Her mind was sharp and her voice sounded the same, just older. However, it was obvious O’Hara was weak in her old age. The classic actress turns 94 in August.

“I’m still here, I’m at quite an old age now,” O’Hara said. “It’s terrible thing, not to be sure of your age.”

O’Hara discussed God and religion and hoping she was able to live way beyond the years God gave us on Earth.

Maureen O'Hara interviewed by Robert Osborne at the El Capitan during the TCMFF 2014.

Maureen O’Hara interviewed by Robert Osborne at the El Capitan during the TCMFF 2014. (Comet Over Hollywood/Jessica P.)

“So many of us (classic actors) have passed and are in heaven, and so many of us are looking towards heaven,” O’Hara said.

She said God is listening all the time and listening to see if he can catch you doing something you aren’t supposed to be doing.

During the interview a woman coughed or sneezed in the crowed and she asked her to stand. The embarrassed woman stood up and O’Hara simply wanted to bless her.

Though O’Hara is elderly, as film fans, we sometimes don’t think about the age of our favorite stars or silver screen heroes. We know them as they are in their films and forget just how old or frail they may be. It was a privilege to see O’Hara and some of the other classic stars in person at TCMFF. But also it was almost a little sad. It’s another reminder that the classic film lover’s reality actually fantasy.

And O’Hara reminded us of this when she told the audience that even though she was an actress, we shouldn’t be fooled into thinking she is magical.

“Don’t be fooled in to thinking I do magical things,” she said.

Though O’Hara says she doesn’t do magical things, the ethereal feeling she gives her fans when she appears on screen is nothing less than enchanted.

Robert Osborne and Maureen O'Hara (Photo courtest of Getty)

Robert Osborne and Maureen O’Hara (Photo courtesy of Getty)

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

In the company of greatness

A guttural chuckle between bites of popcorn came from behind our movie theater seats.

Toes tapped to the film soundtrack.

My friends and I giggled with schoolgirl delight and amazement.

The 79 time Grammy nominated composer Quincy Jones was sitting behind us in the Egyptian Theater in Los Angeles.

Italian JobMoments before, Jones was interviewed by TCM host Ben Mankiewicz at the 2014 Turner Classic Movies Film Festival before “The Italian Job” (1969) starring Michael Caine. Jones composed the score for the film.

Jones’s music in the film is a quirky, 1960s English style with an English jig at the end.

“Nineteen year old Elton John said only a Brit could write a song like that,” Jones said. “I said, ‘Wanna bet?'”

“The Italian Job” is a British comedic caper film about a group of men stealing gold during a traffic jam in Italy. The film is also famous for it’s use of Austin Minis in the climactic heist.

“Michael Caine is one of the greatest guys,” Jones said.

Jones gave a mischievous chuckle while recalling the time he and Caine both dated actress Raquel Welch at the same time.

“That was funny,” he said. “OH that was funny.”

Other film scores Jones composed include “The Pawnbroker” (1964), “The Slender Thread” (1965),  “Walk Don’t Run” (1966) and “In Cold Blood” (1967). Along with his film work, Jones worked with musicians and performers such as Michael Jackson, Ray Charles and Aretha Franklin.

“Music in ‘In Cold Blood’ all boils down to building tension and then release,” he said. “The movie was filmed in the house where the actual murders took place. That was scary.”

Quincy Jones during an interview with Ben Mankiewicz during the TCMFF, April 11, 2014. Jones discussed his career and "The Italian Job" (Getty Images)

Quincy Jones during an interview with Ben Mankiewicz during the TCMFF, April 11, 2014. Jones discussed his career and “The Italian Job” (Getty Images)

Author of the novel Truman Capote was mad when he learned a “black guy” was composing the music to the film. Once Capote heard the score, he relented.

“Just drama–You know,” Jones said casually, waving his hand with dismissal.

Jones was approached by Steve McQueen and Ali McGraw to compose the music for “The Getaway” (1972), replacing composer Jerry Fielding at McQueen’s request.

“I composed the music for that film in 10 days,” Jones said. “You don’t let it get around Hollywood that you can compose a film in 10 days.”

His friendship with composer Henry Mancini helped him break into the business, he said.

“When composing for a film, you look at the script with the director and decide when the music stops and starts in the film,” Jones said.

Jones discussed his time in Hollywood and relationship with celebrities. Jones was good friends with singer, actor Frank Sinatra, who gave him a ring he still wears. However, Sinatra wasn’t kind to everyone.

1964: Quincy Jones and Frank Sinatra in Sinatra's dressing room.

1964: Quincy Jones and Frank Sinatra in Sinatra’s dressing room.

“He either loved you, or he would roll over you in a Mac truck while driving it in reverse,” Jones said.

After the interview, the 81-year-old walked a few rows back and sat right down behind us. He promptly received a bag of popcorn and became just another fan.

This is a follow up vignette from the 2014 Turner Classic Movies Film Festival, April 9-April 14.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com.

 

 

 

‘Try to say Robert Osborne without smiling’:Celebrating 20 years of Osborne, TCM

“I love my husband first, and then Robert Osborne second,” said Eva Marie Saint during a surprise guest appearance.

Friday afternoon during the second day of the Turner Classic Movies Film Festival turned into a sort of surprise party of TCM’s primetime host Robert Osborne.

Osborne sat before an audience, prepared to start a question and answer session called “Ask Robert.”

The questions began: What movies do you think should have been nominated for an Academy Award but weren’t? Will TCM ever film a special on Leslie Howard? How often are you in Atlanta?

Alex Trebek surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Alex Trebek surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

After half a dozen questions, Osborne’s microphone supposedly malfunctioned. Then entered “Jeopardy” host Alex Trebek with a microphone to remedy the issue.

“This isn’t your retirement party, Robert,” Trebek said. “We are here to celebrate 20 years of you and TCM.”

Following Trebek, celebrity guests and family members appeared in a “This is Your Life”-like fashion, sharing memories with a genuinely surprised Osborne.

“We’ve been keeping this a secret for three months!” said actress and Osborne’s close friend Diane Baker.

Eva Marie Saint, Diane Baker, Alec Bladwin, Bill Cosby (on video), Cher (on video), Robert Wagner, Jill St. John, Ben Mankwicz, Michael Feinstein and Osborne’s cousins and nieces –coming from as far as Connecticut– honored the film historian.

Jill St. John and Robert Wagner celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Jill St. John and Robert Wagner celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

In the last 20 years, Osborne has recorded roughly 30,000 film introductions for Turner Classic Movies.

A blooper reel was shown of Osborne doing his introductions and family photos of Osborne when he was a child and at more recent family reunions was shown.

Michael Feinstein celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Michael Feinstein celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

Pianist and singer Michael Feinstein performed “The More I See You” sung by Dick Haymes in “The Diamond Horseshoe” (1945), which Osborne said in an e-mail was his favorite song.

“This is totally unexpected,” Osborne said, obviously overcome with happiness. “My God, what a treat!”

Even when the celebration was for him, Osborne began to share career highlights and features about each guest.

“This isn’t about me, it’s about you!” Saint playfully scolded him.

During the celebration, Osborne said every time he does an introduction to a film, he is talking to three people: his elderly aunt who loves movies, a young friend who wanted to learn about movies and a friend who knew everything there is about movies.

“I wanted to say something that would interest all three of those people,” Osborne said.

At the end of the 90 minute celebration, sparkling cider was passed out in the audience, and everyone toasted to Osborne.

“The job is yours as long as you want it,” said TCM officials as they toasted to 20 years of Turner Classic Movies and Robert Osborne.

Celebrities including Jill St. John, Alec Baldwin, Alex Trebek and Robert Wagner, toast to 20 years of TCM and Robert Osborne. (Comet Over Hollywood/Jessica Pickens)

Celebrities including Jill St. John, Alec Baldwin, Alex Trebek and Robert Wagner, toast to 20 years of TCM and Robert Osborne. (Comet Over Hollywood/Jessica Pickens)

What did they have to say?

Eva Marie Saint surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Eva Marie Saint surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

“Try to say Robert Osborne without smiling. I love Robert. I love my husband and then I love Robert Osborne . He is the best interviewer I have ever had. Of all my leading men (Cary Grant, Paul Newman), Robert is my favorite.”
-Eva Marie Saint, actress

Diane Baker with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Diane Baker with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

“Every time I have made a transition in my life, from starting as an actress to going on to be a professor, you have been there to guide me. When I was making the move to teaching, I told you I wanted to give back to the young people. Isn’t that what you are doing on TCM?”
-Diane Baker, actress

“Robert Osborne is a handsome, honest human being with a great voice. I don’t believe he has ever had a false moment.”
Bill Cosby, in a video message, who was a supporter of TCM when it first started

The Osborne Family celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

The Osborne Family celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

“What you see is what you get. Robert is really very funny. He still goes to his high school reunions. When he talks to you, he talks to you like you are the only person in the world he wants to talk to.”
-Osborne’s cousin

“This is the longest relationship with a man I’ve ever had.”
-Cher, in a video message

“Robert and I have many of the same tasks, but we work at different times. I don’t get to see Robert often and I don’t know if he knows how important he is to me.”
– Ben Mankiewicz, TCM host

‘Movies are a necessity to our lives’ – TCM Film Festival round-up

“What are you most excited about,” several people asked when I arrived in Hollywood at the Turner Classic Film Festival last Wednesday.

I fumbled for words like Ralphie trying to tell Santa what he wants for Christmas as I thought of the best answer.

My mind turned to seeing 93-year-old actress Maureen O’Hara introduce the film “How Green is My Valley” or to watching rare films like Alan Ladd in “The Great Gatsby” on the big screen.

Robert Osborne interview Maureen O'Hara before "How Green is My Valley." (Comet Over Hollywood/Jessica Pickens)

Robert Osborne interview Maureen O’Hara before “How Green is My Valley.” (Comet Over Hollywood/Jessica Pickens)

Suddenly it hit me: I was happy to be around people who appreciated classic films as much as I do- if not more. People with whom you can discuss classic film topics such as character actor Donald Meek or Robert Walker and Jennifer Jones divorce.

This year’s festival was the second time I attended. I had the privilege to receive media credentials, covering the festival for my website Comet Over Hollywood and the Shelby Star newspaper.

The festival started with a question and answer portion with Turner Classic Movie’s primetime host Robert Osborne, host Ben Mankiewicz, and TCM programers Charles Tabesh and Genevieve McGillicuddy.

“Movies are a necessity to our lives,” Osborne said.

My second go at the festival was different than my first time. My first time at TCMFF, I devoured as many movies as possible. For example, last year, I watched 18 films, and this year I only saw roughly 12.

I think this year I had a richer adventure. I watched films but experienced unique events not found anywhere near me.

Where else can you see an actor like Jerry Lewis immortalized during a hand print ceremony outside of TCL (Graumann’s) Chinese Theater or wait in line for two hours to see a rare appearance made by Maureen O’Hara.

But my favorite event was “Ask Robert,” which started under the pretense of a question and answer portion for Robert Osborne.

After four questions from the audience, Osborne’s lavalier microphone supposedly stopped working. Jeopardy’s host Alex Trebek appeared to remedy the issue.

The event turned more into “This is Your Life” celebration for Osborne to celebrate 20 years of Turner Classic Movies. Celebrities such as Eva Marie Saint, Diane Baker, Alec Baldwin, Bill Cosby (on video), Cher (on video) Robert Wagner, Jill St. John, and pianist Michael Feinstein shared stories about Osborne.

The crowd and guests toasted to Robert Osborne and 20 years of TCM. (Comet Over Hollywood/Jessica Pickens)

The crowd and guests toasted to Robert Osborne and 20 years of TCM. (Comet Over Hollywood/Jessica Pickens)

What you see is what you get,” said Osborne’s cousin. “When he talks to you, he makes you feel like you are the only person in the world that he wants to talk to.”

I also had the privilege to hear musician Quincy Jones and actor Alan Arkin reflect on their careers, as well as former child actress Margaret O’Brien pay tribute to the late Mickey Rooney.

“He always had his ‘Mickey’ face,” O’Brien said.

Maureen O’Hara received a standing ovation and she weakly waved her hand to tell everyone to sit down.

“Don’t be fooled into thinking I do magic things,” said the 93-year-old Irish actress.

The Turner Classic Film Festival is four days filled with film watching and walking down the strangest place in America- Hollywood Boulevard. You may don’t eat much, you may sleep four hours a night and it’s wonderful.

Posing with Robert Osborne's star on the Walk of Fame in front of the Montalban Theater. (Comet Over Hollywood/Jessica Pickens)

Posing with Robert Osborne’s star on the Walk of Fame in front of the Montalban Theater. (Comet Over Hollywood/Jessica Pickens)

Watch Comet Over Hollywood during the next few days for more detailed posts on different festival events including Jerry Lewis’s hand print ceremony, Maureen O’Hara’s appearance and Margaret O’Brien’s tribute to Mickey Rooney.

Which movies did I watch?
*American Graffiti (1973)
*East of Eden (1955)
*Paper Moon (1973)
*The Italian Job (1968)
*Eraserhead (1977)
*How Green Was My Valley (1941)
*Her Sister’s Secret (1946)
*National Velvet (1944)
*Gone with the Wind (1939)
*The Heart is a Lonely Hunter (1968)
*The Wizard of Oz (1939)

Which special guests did I see? 
*Candy Clark- American Graffiti
*Paul Le Mat- American Graffiti
*Bo Hopkins- American Graffiti (who is also from Greenville, SC)
*Eva Marie Saint- Ask Robert
*Alex Trebek- Ask Robert
*Diane Baker- Ask Robert
*Alec Baldwin- Ask Robert
*Jill St. John- Ask Robert
*Robert Wagner- Ask Robert
*Michael Feinstein- Ask Robert
*Quincy Jones- Italian Job
*Maureen O’Hara- How Green is my Valley
*Here Sister’s Secret- Arianne Ulmer Cipes, daughter of Edgar Ulmer
*The Heart is a Lonely Hunter- Alan Arkin
*Jerry Lewis during his hand print ceremony
*Quentin Tarantino during his hand print ceremony

Check out the Comet Over Hollywood Facebook page, follow on Twitter at@HollywoodComet or e-mail at cometoverhollywood@gmail.com

 

TCM Film Festival Day 1: Press Day

Robert Osborne had no idea he would touch so many lives through movies.

“People have said TCM has helped them get through divorce, unemployment or illness,” TCM’s primetime host said Friday. “I never thought I would be a nurse.”

Osborne, TCM host Ben Mankiewicz and TCM programers Charles Tabesh and Genevieve McGillicuddy opened the floor to questions during the film festival’s press day.

Robert Osborne at press day during #TCMFF

Robert Osborne at press day during #TCMFF

“Movies are a necessity to our lives,” Osborne said.

Osborne told about how he got his start in Hollywood with Lucille Ball and lived with character actress Jane Darwell when he first moved to California.

“When I asked Lucy who her favorite leading man was, she said she didn’t care about those. She was more interested in the character actors,” Osborne said. ”

Osborne was originally interested in acting, but it was Ball who encouraged him to write a book with all of his film knowledge. Nostalgia wasn’t big at the time, and she felt he should utilize it.

He also said Ball wasn’t funny in real life like we see on the “I Love Lucy Show” or in her films.

“Lucy was a great lady. But she wasn’t funny,” he said. “She didn’t think funny or do funny things.”

When he met Ball, she was going through her divorce with Desi Arnaz.

“She loved him, but it just wasn’t working,” he said. “Desi was really the genius behind I Love Lucy but never got the recognition. I guess that’s why he would step out with other women.”

When Osborne was starting out as an actor, he got to be friends with Diane Baker and Robert Wagner who were also starting out at the time.

Young contract players were encouraged to watch big stars film their movies. He was able to watch Orson Welles in “Compulsion,” Gary Cooper in “Ten North Frederick” and Marlon Brando in “The Young Lions.”

‘Festival means something to people’

“This festival means something to people in their hearts and souls,” Mankewicz said. “TCM got them through, and I take that incredibly seriously.”

No other channel has a loyalty like TCM, Mankewicz said.

“I don’t feel like fans are as connected to HBO or ESPN,” he said. “Our fans care about TCM and feel like they are a part of the network.”

The festival is a way for channel and fans to connect and give back, Mankewicz said.

“I don’t even think we make much money on the festival,” he said. “It does raise the profile for TCM but it’s more to connect with our fans.”

TCM’s audience is much younger than most people think. Sixty-six percent of TCM’s viewers are 18 to 49, said Mankewicz.

“I thought this would be more of a nostalgia thing, but it’s very young people,” Osborne said. “You may see some older married couples in their 60’s, but it’s mainly younger people.”

As viewers get older though, the TCM won’t start showing newer movies.

“We aren’t going to start showing movies from 2004,” Mankewicz said. “We are never going to stop showing the movies that we watching right now.”

Ben Mankewicz at Press Day

Ben Mankewicz at Press Day

Questions from the media:

Q for Robert: Who have you wanted to come to the festival?

A: We really wanted Olivia de Havilland to be here. She is 97 and sharp as anything but the trip from Paris is too much for her. She visited her niece in Malibu and it took her a year to recover. She really wanted to be here this year. We have a Private Screenings set up with her in November in Paris and we were there, but she got pneumonia and we had to cancel. We rescheduled and were going to do it in New York but she had another flair up with pneumonia.

Q for Robert: What are your favorite movies?

A: “A Place in the Sun,” “Razor’s Edge,” “Sunset Blvd.” and “This is Spinal Tap.”

Q for Robert: Where do you get your style?

A: “Its confession time: I have no style, it’s all picked out for me.

Q for Robert: Will there ever be a character actor as the Star of the Month? 

A: We have been trying to do that more character actors, but they really need to have one or two films where they are one of the main characters.

Q to programers: What star would you like to see at the festival?

A: Doris Day is at the top of our list.

**More to come from Friday’s adventures! Don’t forget to follow me at @HollywoodComet, @StarJPickens or on Facebook at https://www.facebook.com/cometoverhollywood

 

 

The Comet goes to the TCM Film Festival

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Today, the Comet really will be over Hollywood.

Today I’m flying out from North Carolina to Los Angeles, CA for the fifth annual Turner Classic Movies Film Festival.

After attending the festival for my first time last year, I knew I wasn’t going to miss it when it rolled around the next spring.

The main difference this year is I am going to the film festival with press credentials.

I’ll be flexing my reporting muscles I use on a daily basis as a reporter at the Shelby Star in Shelby, NC and covering the different events and films I attend.

It will be a perfect mix of the two things I love: reporting and classic films. Folks at work even call me Torchy Blane.

Classic films have been a large part of my life so it’s a pleasure to share film experiences with others equally as passionate.

How can you follow me? 
Twitter: @HollywoodComet or @StarJPickens
Facebook: https://www.facebook.com/cometoverhollywood
Instagram: @HollywoodComet
Youtube: https://www.youtube.com/channel/UCfaDOeIsKQhOJcPXUaHg98g
Or here! CometOverHollywood.com

Are you heading to the festival? Comment below and let us know what you are most excited about at this year’s Turner Classic Movies Film Festival.

Comet Over Hollywood owner Jessica Pickens with TCM host Robert Osborne at TCMFF 2013.

Comet Over Hollywood owner Jessica Pickens with TCM host Robert Osborne at TCMFF 2013.

Take a look at last year’s festival: https://cometoverhollywood.com/category/turner-classic-movie-film-festival-2/

Check out the Comet Over Hollywood Facebook page for the latest updates or follow on Twitter at @HollywoodComet.