Musical Monday: One in a Million (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

one-in-a-million-sonja-henie-1936-everettThis week’s musical:
One In A Million” (1936)–Musical #478

Studio:
20th Century Fox

Director:
Sidney Lanfield

Starring:
Sonja Henie, Don Ameche, Adolph Menjou, Jean Hersholt, Ned Sparks, June Wilkins, the Ritz Brothers

Plot:
Tad Spencer (Menjou) is broke and takes his female band (including his wife) to the Swiss Alps. They come to an inn run by Henriech Muller (Hersholt) and his daughter Greta (Henie). Greta is a figure skater training for the Winter Olympics. Henriech lost out on a figure skating medal in 1908 and has been training his daughter as a skater. Tad sees dollar signs when he see her skate and wants him in her act. The only problem is Greta is being paid for a nightclub act would hurt her amateur standing in the games. Bob Harris (Ameche) and his photographer Danny Simpson (Sparks), also arrives at the hotel to investigate a fire that may have been an assassination attempt.

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Musical Monday: “Cairo” (1942)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

cairoThis week’s musical:
Cairo” (1942)–Musical #477

Studio:
Metro-Goldwyn-Mayer

Director:
W.S. Van Dyke
Starring:
Jeannette MacDonald, Robert Young, Ethel Waters, Reginald Owen, Grant Mitchell, Lionell Atwill, Rhys Williams, MonaBarrie

Plot:
Small town reporter Homer Smith (Young) is picked to travel abroad to cover the war after his newspaper is chosen as “America’s Typical Small Town Newspaper.” On his way to Cairo, his ship sinks and he floats along the ocean with another survivor (Owen) who gives him a message to deliver if they both survive. Hence, Homer gets mixed up in a spy ring. Once the message is delivered, Homer becomes convinced that singer and movie star Marcia Warren (MacDonald) is also a spy and begins working as her butler so he can investigate her. Marcia also believes Homer is a spy. While they investigate each other, the real spy ring is working to explode an Allied convoy.

Trivia:
-Director W.S. Van Dyke is credited as “Maj. W.S. Van Dyke.” Dyke was promoted to Major prior to World War II and set up a Marine Corps recruiting center in his MGM office. He convinced several actor to join up.

-Lena Horne was originally cast as the Ethel Water’s role as MacDonald’s maid. However, Horne refused to play roles that made her domestic servants, according to Leading Ladies: The 50 Most Unforgettable Actresses of the Studio Era

-The movie was originally to be shot in Technicolor but was switched to black and white, according to TThe Espionage Filmography by Paul Mavis.

-Jeannette MacDonald’s film that she was fully the star.

-One of Jeanette MacDonald’s least popular films, according to The Hollywood Musical Goes to War by Allen Woll. (Even more than I Married an Angel?)

-Jeannette MacDonald singing “Les Filles de Cadiz” in the credits and on the movie screen is edited footage from the 1937 film “Maytime.”

Jeanette MacDonald is worried Robert Young has fallen into hands of spies. Also pictured- Ethel Waters and Rhys Williams.

Jeanette MacDonald is worried Robert Young has fallen into hands of spies. Also pictured- Ethel Waters and Rhys Williams.

Highlights:
-Ethel Waters sings operatically in response to Jeanette’s singing.

-Robert Young’s hilarious fake English accent he uses to get a job as MacDonald’s butler.

Funny quotes such as:
-Robert: Have you ever been in San Francisco?
Jeanette MacDonald: Yes. Once with Gable and Tracey and the joint fell apart.

Notable Songs:
-Buds Won’t Bud sung by Ethel Waters and Dooley Wilson
-Waiting for Robert E. Lee sung by Jeanette MacDonald and Ethel Waters (notable for the fact that MacDonald lets loose and isn’t singing in an opera voice)
-Les Filles de Cadix sung by Jeanette MacDonald. (We only hear this song over the credits and see footage of MacDonald singing it in “Maytime,” but I love this song and had to add it).
-“Il Bacio” sung by Jeanette MacDonald in a bathtub and Ethel Waters echoing back in a faux opera voice. Hilarious.
-From the Land of the Sky-Blue Water sung by Jeanette MacDonald
-Beautiful Ohio sung by Jeanette MacDonald

Review:
This is not your typical Jeanette MacDonald musical where she is singing with Nelson Eddy as a princess, opera singer or duchess. In fact, this is a lot more fun. Really, this is more an MGM comedy with a few songs added in for MacDonald and Ethel Waters.

I really enjoyed seeing MacDonald in a comedic role. She was funny, down to Earth, had great comedic delivery and I wish she made movies like this. There are even jokes in the film picking fun of MacDonald’s films such as “San Francisco.” The ever underrated Robert Young is also a delight, as always. Waters is hilarious as well and we get the opportunity to hear her sing.

Plain and simple, I loved this film.  No, there is real no message or heartfelt moment and it is one of Jeanette MacDonald’s least popular films but….I found it enjoyable. There is just something about a W.S. Van Dyke directed film. It had several laugh out loud moments and I plan on buying it on DVD very soon.

Publicity photo of Robert Young and Jeanette MacDonald for "Cairo."

Publicity photo of Robert Young and Jeanette MacDonald for “Cairo.”

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Musical Monday: “Can-Can” (1960)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

Can_CanThis week’s musical:
Can-Can” (1960) — Musical #506

Studio:
20th Century Fox

Director:
Walter Lang

Starring:
Frank Sinatra, Shirley MacLaine, Maurice Chevalier, Louis Jourdan, Juliet Prowse

Plot:
Set in 1896 France, Simone Pistache (MacLaine) owns a nightclub that continuously is raided by police for performing the lewd can-can dance.  Simone is in love with her lawyer François Durnais (Sinatra) and helps keep her out of jail. Judge Philipe Forrestier is the one who keeps getting the club raided, but Philipe ends up falling in love with Simone and the two are engaged, jilting Francois.

Trivia:
-During the filming, USSR leader Nikita Khrushchev visited the set and was shocked by the film. He called it “immoral.” He said, “The face of humanity is prettier than it’s backside,” and Shirley MacLaine said he was just mad that the dancers were wearing underwear during the can-can dance. The incident gained the film national publicity, according to Shirley MacLaine.

Shirley MacLaine performs like a Can Can girl for Soviet Premier Nikita Khrushchev at the 20th Century Fox Studios. Left to right: Louis Jourden, Mr. Khrushchev, Shirley MacLaine, Mrs. Khrushchev, Maurice Chevalier, and Frank Sinatra.

Shirley MacLaine performs like a Can Can girl for Soviet Premier Nikita Khrushchev at the 20th Century Fox Studios. Left to right: Louis Jourden, Mr. Khrushchev, Shirley MacLaine, Mrs. Khrushchev, Maurice Chevalier, and Frank Sinatra.

-Juliet Prowse’s first film.
-Frank Sinatra requested Shirley MacLaine for this film, requiring 20th Century Fox to buy out her Columbia Pictures contract for “Who’s That Lady?” that Janet Leigh eventually starred in, according to Sinatra in Hollywood by Tom Santopietro.
-Frank Sinatra didn’t like to work before noon so they worked “French hours” when shooting the film. During the World Series, no one would know where Sinatra was until they would see him on TV in a box watching the game at the stadium, according to Shirley MacLaine.
-The original play opened on Broadway in 1953 and ran for 892 performance. Gwenn Verdon won the 1954 Tony Award for Supporting or Featured Actress in a Musical.
The film was rather different from the stage version which gave it some bad reviews: “The music has been reduced to snatches, the book has been weirdly changed and the dances-well they have been knocked out by some tired jigs, knocked out by Hermes Pan,” said the New York Times in 1960.
-Nominated for an Academy Award for Best Costume Design by Irene Scharaff and Best Music, Scoring of a Musical Picture by Nelson Riddle.

Highlights:
-A man walks up, slaps Shirley MacLaine, rips off her skirt and then they start a strange dance of dragging each other around. This is the Apache Dance. I’m not saying this is a good dance, it’s just random and notable because of its oddness.
-The Garden of Eden Ballet is the best part of the film, aside from the dancers dressed as bunnies and monkeys. It gives us a chance to actually see the dancing talents of Juliet Prowse, Marc Wilder and Shirley MacLaine.

Shirley MacLaine and Marc Wilder dance the "Garden of Eden" ballet

Shirley MacLaine and Marc Wilder dance the “Garden of Eden” ballet

Notable Songs:
The movie is filled with famous Cole Porter songs such as “It Was Just One of Those Things,” “Let’s Do It” and “You Do Something to Me.” However, while Sinatra, Chevalier and Jourdan sing the songs well,  the song placements seem awkward.

My Review:
Why is there so much screaming when the can-can is danced?
But that’s besides the point.
This movie is overly long and the majority of the stars are miscast. Basically, the two leads are a mess, in my opinion. Shirley MacLaine is a fine dancer, her singing is only okay and her acting in this film is mediocre. Frank Sinatra seems silly as a Frenchman, but has good vocals. Louis Jourdan, as handsome as ever, and Maurice Chevalier-reunited together two years after “Gigi” (1958)- are just fine and fit into the plot well. A star-studded cast with Cole Porter songs shouldn’t go wrong, but it did.
I enjoy plenty of films that are full of fluff, but this one seems overly long for the plot we are given. While the score is chock-full of excellent Cole Porter songs, they just….seem oddly placed.
Visually, the movie is gorgeous with Louis Jourdan’s good looks and lovely costumes by Irene Scharff. The Garden of Eden Ballet is also gorgeous and the best part of the film.
When a five minute dance is the best part of a 131 minute film, this is a problem.

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Musical Monday: “Follow the Fleet” (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

follow the fleet 2This week’s musical:
Follow the Fleet” (1936) — Musical #155

Studio:
RKO

Director:
Mark Sandrich

Starring:
Fred Astaire, Ginger Rogers, Randolph Scott, Harriet Hilliard, Betty Grable, Lucille Ball

Plot:
Bake Baker (Astaire) joined the Navy after his former dance partner Sherry Martin (Rogers) turned him down when he asked her to marry him.
Now he’s back on shore leave and he meets her by chance at a 10 cents a dance joint.
Sherry’s bookish sister Connie (Hilliard) meets Bake’s sea mate Bilge Smith (Scott) and falls in love with him. But Bilge isn’t read to settle down and starts running around with a rich divorcee.

follow the fleet

Ginger Rogers and Fred Astaire dance to “Let Yourself Go”

Trivia:
-This movie was made after the success of “Roberta.” RKO wanted to bring Randolph Scott and Irene Dunne back together again for another film with Fred Astaire and Ginger Rogers as the secondary leads, according to TCM host Robert Osborne. Dunne’s contract expired with RKO and she went on to star in “Showboat” (1936). New comer Harriet Hilliard was selected to fill the Irene Dunne role, Osborne said.
-The beaded dress Ginger Rogers wears in “Let’s Face the Music and Dance” was very heavy. Fred Astaire said the dress was too heavy to be made for dancing. During the first take, a long sleeve hit Astaire in the face. After 20 more takes, Astaire felt like the first take was their best, said Robert Osborne.
-Fred Astaire and Ginger Rogers’ fifth film together.
-The couple in the dance contest with Astaire and Rogers were unknowns picked by choreographer Hermes Pan.
-Lucille Ball and Betty Grable have small roles in the film.
-Actor/singer Tony Martin has an uncredited role in the film.
-Irving Berlin wrote “Get Thee Behind Me, Satan” was originally written for “Top Hat.”
-Adapted from the play “Shore Leave.”

Highlights:
-Ginger Rogers and Fred Astaire in the dance contest. They do impressive dance steps and Rogers is wearing pants so you can actually see the dance moves she’s doing.

Notable Songs:
All the songs are quality because the score is written by Irving Berlin but my favorites are:
-“Let Yourself Go” sung by Ginger Rogers
-“I’m Putting All My Eggs in One Basket” sung by Fred Astaire and Ginger Rogers
-“Let’s Face the Music and Dance” sung by Fred Astaire

Harriet Hilliard and Randolph Scott in "Follow the Fleet"

Harriet Hilliard and Randolph Scott in “Follow the Fleet”

My Review:
While this was following the success of “Roberta,” it isn’t quite as good as “Roberta.” Harriet Hilliard is fine, but I would have loved to see Irene Dunne in the role.
The music in this Astaire and Rogers film is terrific since the score is written by Irving Berlin. It is also a real treat that all but one of Rogers’ dance performances are done in pants so you can see her footwork better than when she is wearing a ballgown.
The plot isn’t bad but some of the lines said in the film could be bothersome to the contemporary viewer. Such as Ginger Rogers saying you have to be dumb to get a man. Or that Harriet salvages a boat for a man she doesn’t even know.
Regardless of my issues with silly parts of the plot, if you are a Fred Astaire and Ginger Rogers fan, this is definitely a movie you should see. 

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Musical Monday: “Monte Carlo” (1930)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

monte carloThis week’s musical:
Monte Carlo” (1930) –Musical #276

Studio:
Paramount Pictures

Director:
Ernst Lubitsch

Starring:
Jeanette MacDonald, Jack Buchanan, Zasu Pitts

Plot:
Countess Helene (MacDonald) flees minutes before her wedding and heads to Monte Carlo. The penniless countess hopes to win money at the Roulette wheel or find a wealthy man. Count Rudolph (Buchanan) takes a liking to Helene and gets closer to her by posing as the hairdresser that she hires. She falls in love with him but doesn’t want to marry what she thinks is a penniless man.

Trivia:
-Ernst Lubitsch had a crush on Jeanette MacDonald and expressed this to her. She thought he was joking and he was angry by her response, straining their relationship, according to Turner Classic Movies Host Ben Mankiewicz.
-Director Ernst Lubitsch’s second sound film.
-Actor Jack Buchanan’s American film debut. His next American film was “The Band Wagon” in 1953.

Jack Buchanan poses as a hairdresser to get closer to Jeannette MacDonald.

Jack Buchanan poses as a hairdresser to get closer to Jeannette MacDonald.

Notable Songs:
-Many of the songs don’t stick with you during the film. However “Beyond the Blue Horizon” sung by Jeanette MacDonald is the best song in the film.

My Review:
Lubitsch musicals are different from other musicals. Rather than having a show stopping tune, the songs usually add to the plot and sometimes is like sing-song talking.
Though I love Ernst Lubitsch and actress Jeanette MacDonald, I did not love this film. Jack Buchanan is wonderful in “The Band Wagon” (1953) but lackluster in this film. In most of the MacDonald-Lubitsch teamings, Maurice Chevalier was MacDonald’s leading man. Buchanan just didn’t fit as a romantic leading man.
I also felt like the movie dragged a bit. Though I struggled to get through this one, I will suggest it if you enjoy Lubitsch films. The shots are beautiful and all have “the Lubitsch touch.”

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I love to sing-a, about the moon-a and the June-a

ilovetosinga3.0

Owl Jolson loves to sing-a.

You may see me dancing around the office, shaking my finger and singing the tune from this Warner Brothers cartoon.

The 1936 cartoon “I Love to Singa” is one of those cartoons I saw as a child that has always stuck with me.

Every night before bed, I watched Warner Brother and MGM cartoons on Cartoon Network and TBS while I was growing up.

One of my favorite was the Merrie Melodies cartoon directed by Tex Avery that features Owl Jolson. This was Avery’s ninth animated short.

In the cartoon, Mama Owl is sitting on her eggs as Papa Owl paces. They are waiting on their new children to be born in their home inside a tree.

ilovetosinga2.02

Owl Jolson’s brothers are already classically trained!

When they hatch: one owl pops out singing “Chi mi frena in tal momento” from the opera Lucia di Lammermoor,  another is playing “Traumerei” on the violin and a third is playing Mendelssohn’s “Spring Song” on the flute.

Yet when the fourth owl hatches, he’s dancing and singing “I love to singa, ‘bout the moon-a and the June-a and the spring-a.”

Papa Owl covers his ears and calls him a crooner and a jazz singer.

To correct his son’s love for contemporary music, Papa tries to teach him the classics and we see Owl Jolson unhappily singing “Drink to Me Only with Thine Eyes.”

Owl Jolson runs away from home and is on a radio talent show hosted by Jack Bunny-a spoof of Jack Benny.

When his family hears little Owl on the radio, they rush down to the station, encourage his jazz music and he wins the talent show.

Picture 4

Jack Bunny holds an amateur hour contest.

“I Love to Singa” is a small tribute to Al Jolson’s film “The Jazz Singer” (1927). The song comes from the Jolson film “The Singing Kid” (1936).

The voice of Owl Jolson is child actor Tommy Bond who played Butch in the “Our Gang” series.

The cartoon demonstrates Tex Avery’s talents while paying homage to an early sound film.

One of my favorite parts of the eight minute cartoon is when all the different animals are trying out for the talent show, and all are so bad they fall through a trap door.

Owl Jolson's family accepts his love for jazz.

Owl Jolson’s family accepts his love for jazz.

My other favorite is when all the little owls hatch, already equipped with instruments and excellent musical prowess! Mama owl must be quite talented!

There isn’t one thing I don’t love about “I Love to Singa.” The title song is catchy, the jokes are witty and the name “Owl Jolson”-spoofing Al Jolson’s name- doesn’t fail to make me chuckle.

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Classic Films in Music Videos: “Girlfriend in a Coma” by The Smiths

This is January’s edition of Comet Over Hollywood’s film references in music videos.

Morrissey’s music and music videos are influenced by his love for film.

The lead singer of the 1980s band The Smiths references a 1960s British film in his music video for the 1987 song “Girlfriend in a Coma.”

As we see Morrissey’s face singing the foreground, scenes from the 1964 film “The Leather Boys” are playing the background.

The Leather Boys” stars Rita Tushingham and Colin Campbell. The film follows teenagers Dot (Tushingham) and Reggie (Campbell) who get married. Their marriage quickly turns sour as Reggie spends more time with his motorcyclist friends and the couple starts to live separately.

Writer Shelagh Delaney on the cover of the "Girlfriend in a Coma" album. ""Work Is a Four-Letter Word" played on the B-side.

Writer Shelagh Delaney on the cover of the “Girlfriend in a Coma” album. “”Work Is a Four-Letter Word” played on the B-side.

“The Leather Boys” boys is an early example of films that start to break the Hollywood Production Code that was put in place in 1934, particularly as it hints that one of motorcyclists is .

Along with the film references in the “Girlfriend in a Coma” music video, the album cover features writer Shelagh Delaney. Delaney wrote “A Taste of Honey” (1961) and “Dance with a Stranger” (1985).

Check back next month for the next classic film reference in a music video. 

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Musical Monday: “Seven Days’ Leave” (1942)

t’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

seven-days-leave-movie-poster-1942-1020701154This week’s musical:
Seven Days’ Leave (1942) — Musical #475

Studio:
RKO

Director:
Tim Whelan

Starring:
Victor Mature, Lucille Ball,

Plot:
Army Private Johnny Grey (Mature) discovers he is an heir of $100,000. However, he has to marry another heiress (Ball) in seven days in order to receive the money.

Trivia:
-Ball and Mature didn’t enjoy making this film. Ball had just completed “Big Street” and wanted to be taken more seriously in film. Ball was also unhappy because her husband Desi Arnaz was away fundraising for the war relief, according to The Films of Victor Mature by James McKay
-Mature was having an affair with Rita Hayworth and wanted her to be the leading lady rather than Ball. Mature’s attitude about it didn’t help his and Ball’s relationship, according to The Films of Victor Mature by James McKay.
-Several NBC radio shows are featured such as Truth or Consequence
-Remake of the 1930 Gary Cooper film, “Seven Days Leave,” according to 1000 Questions About Canada By John Robert Colombo.

lucyHighlights:
-Victor Mature dancing and singing (but dubbed).
-Impressions of Lionel Barrymore and Ronald Colman by one of the soldiers. Though they aren’t terrific, I always enjoy hearing impressions of celebrities.
-The comedic ballroom dancing routine with Lynn Royce and Vanya. It starts out with a male and female dance number. Then a second man comes in for comedic relief, mostly at the lady’s expense.

Notable Songs:
-“Please Won’t You Leave My Girl Alone” sung by Victor Mature and a group of soldiers at the very beginning and the very end of the film. It’s not a good tune, but it’s the most memorable and catchy.
-“Can’t Get Out of This Mood” sung by Ginny Simms with the Freddy Martin Orchestra. This is the best song sung in the whole film. Moody and musically lovely.

My Review:
Neither of the stars were pleased to be in this film and I can’t blame them. The plot of having to marry someone in order to get money isn’t a new one. Romantic mix-ups should be expected. Though I wouldn’t say this movie was horrible, I also wouldn’t go out of my way to watch it multiple times.

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Classics in the Carolinas: Remembering Alicia Rhett, India Wilkes in “Gone with the Wind”

COH Alicia Rhett2

Leslie Howard with his on-screen sister Alicia Rhett.
(Scanned from “The Filming of Gone with the Wind”)

She was a true Southern lady.

Alicia Rhett was discovered on George Cukor’s Southern search for Scarlett O’Hara for the epic film “Gone with the Wind” (1939).

Rhett was cast as Ashley Wilkes’ sister, India Wilkes, in one of the biggest films of all time.

But Rhett’s art was more important to her than stardom.

“I enjoyed it (filming) immensely. I had the time of my life there (California). But when the film ended, I was happy to come home (to Charleston),” Rhett said in an interview in “The Rise of Charleston” by W. Thomas McQueene. “I liked to paint. It was what made me most happy. I really wasn’t interested in making more movies. I was interested in my art.”

Rhett was born in 1915 in Savannah, GA.   After her father was killed in World War I, her family moved to Charleston, SC, according to McQueene’s book.

Casting the role of Scarlett O’Hara for the 1939 movie wasn’t an easy. Hundreds of actresses were considered. Director George Cukor made a trip through Southern states, believing an unknown actress may be the answer to their problem.

Director George Cukor with interviews actresses to play the role of "Scarlet O'Hara": Louisa Robert, Atlanta; Susan Fallingant, Atlanta; Alicia Rhett, Charleston. (Scanned from "The Pictorial History of Gone with the Wind")

Director George Cukor with interviews actresses to play the role of “Scarlet O’Hara”: Louisa Robert, Atlanta; Susan Fallingant, Atlanta; Alicia Rhett, Charleston.
(Scanned from “The Pictorial History of Gone with the Wind”)

Hundreds of Southern women auditioned for the role of Scarlett, Melanie and Mammy, but only six women were considered for follow up auditions, according to “The Art of Gone with the Wind: The Making of a Legend,” by Judy Cameron and Paul J. Christman.

The auditions took place in 1937 in New York and the only Southerners who won roles were Alicia Rhett from Charleston, Mary Anderson who was cast as Maybelle Merriwether from Birmingham, AL and Marcella Martin of Shreveport, LA who was cast as Cathleen Calvert. Martin’s lines were dubbed because her accent wasn’t considered Southern enough, according to the Cameron and Christmas book.

“Alicia Rhett was an amateur actress. This young woman was so good,” Ann Rutherford is quoted by Cameron and Christman. Rutherford played the role of Careen, Scarlett’s younger sister. “She wasn’t Scarlett but Selznick cast her as India Wilkes. And she was excellent.”

During the filming of "Gone with the Wind," Alicia Rhett made sketches between takes. Here with Evelyn Keyes and Ann Rutherford. (Scanned from "The Filming of Gone with the Wind" by Herb Bridges)

During the filming of “Gone with the Wind,” Alicia Rhett made sketches between takes. Here with Evelyn Keyes and Ann Rutherford.
(Scanned from “The Filming of Gone with the Wind” by Herb Bridges)

The character of India Wilkes is the sister of Ashley Wilkes (Leslie Howard) and sister-in-law of Melanie Wilkes (Olivia De Havilland). In the film, India hates Scarlett O’Hara, because Scarlett marries the man India is in love with, Charles Hamilton. India never marries and Scarlett refers to her as an “old maid.”

Rhett was acting when Cukor found her in Charleston.

She was performing in the Oscar Wilde play “Lady Windermere’s Fan” at the Dock Street Theater. Her performance in the Wilde play had “style and élan,” said “Pictorial History of Gone with the Wind” by Gerald Gardner and Harriet Modell Gardner.

COH alicia rhett

Alicia Rhett visits with Mrs. John Woodbury from Louiseville, KY. Woodbury was the past-president-general of the United Daughters of the Confederacy. The Daughters dropped by to visit the filming of the Civil War film.
(Scanned from The Filming of Gone with the Wind by Herb Bridges)

“Gone with the Wind” novel author Margaret Mitchell liked Rhett for her name, according to the Gardner book.

As Rhett performed in the epic Technicolor film about the Civil War and the Reconstruction of the South, Rhett had her own family Civil War history.

Her great-grandfather was Robert Barnwell Rhett, a secessionist politician from South Carolina, according to “A Short History of Charleston” by Robert S. Rosen.

Robert Rhett became a member of the South Carolina legislature in 1826 and resigned from the United States Senate in 1852 when South Carolina seceded from the Union.

Though she was an unknown actress, Rhett enjoyed the company of her A-list co-stars.

She said Leslie Howard, who played her on-screen brother Ashley Wilkes, was “delightful” and Clark Gable, who played Rhett Butler was “charming,” she said in an interview with McQueene.

Rhett (bottom right) in a scene with Marjorie Reynolds, Evelyn Keyes and Olivia De Havilland.

Rhett (bottom right) in a scene with Marjorie Reynolds, Evelyn Keyes and Olivia De Havilland.

Rhett kept in touch with her on-screen sister-in-law Olivia De Havilland, who played Melanie Wilkes, for many years after filming. And she said Vivien Leigh was “just as pretty in person as she was on-screen,” McQueen quoted her.

But she returned to South Carolina after filming to embrace her first love: art.

Alicia Rhett who played India Wilkes, sister of Ashley Wilkes, in "Gone with the Wind" (1939)

Alicia Rhett who played India Wilkes, sister of Ashley Wilkes, in “Gone with the Wind” (1939)

Rhett went on to be one of the most important artists in Charleston, specializing in children’s portraits and also having her work hung in the president’s office at The Citadel.

Rhett passed away on January 4, 2014 at the age of 98. She was the oldest surviving member of “Gone with the Wind.”

Still living from the cast includes Olivia De Havilland, Mickey Kuhn who played Beau Wilkes and Mary Anderson.

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Party like it’s 1939

While bringing in the New Year, why not celebrate with a classic film star flare?
Here are a few beverages that some of your favorite stars may have been drinking on New Year’s Eve:

Vivien LeighVivien Leigh: Gin and Tonic
4 to 5 tonic water Ice Cubes
3 ounces gin
4 ounces tonic water
1 tablespoon squeezed lime juice
Lime wedge for garnish
Source: Vivien Leigh historian Kendra Bean

charles-butterworth-1-sizedCharles Buttersworth: Martin with Gin
2 ounces dry gin
1 ounce dry vermouth
Ice
Olives or a twist of lemon, for garnish
Source: World’s Biggest Cookbook

 

Actress Jean Harlow Posing in Seductive PoseJean Harlow:
2 oz Bacardi 151 light rum
2 oz sweet vermouth
lemon peel for garnish
*The Comet’s personal favorite

 

Portrait of John WayneJohn Wayne:
12 oz Cola
5 count Grenadine
6 count Jack Daniels

 

 

Marilyn MonroeMarilyn Monroe:
Dom Perignon 1953 Champagne
Source: World’s Biggest Cookbook

 

 

 

Actor and Writer Robert BenchleyRobert Benchley: Orange Blossom
3/4 oz gin
3/4 oz sweet vermouth
3/4 oz orange juice
Source: World’s Biggest Cookbook

 

 

joan-sizedJoan Crawford
Vodka on the rocks
Source: Confidential magazine, January 1957

If you don’t drink, Joan was also partial to Pepsi.

 

 

Casablanca movie image Humphrey BogartHumphrey Bogart:
Scotch
Source: World’s Biggest Cookbook

 

 

 

ginger rogersGinger Rogers:
Ginger Rogers didn’t drink and the “bar” in her home was a soda fountain.
Source: Ginger Rogers’s autobiography “My Own Story”

 

 

Happy New Year everyone from Comet Over Hollywood! Have a wonderful New Year’s Eve and stay safe! See you in 2014!

Cheers from Comet Over Hollywood (and Joseph Cotten)

Cheers from Comet Over Hollywood (and Joseph Cotten)

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