Category Archives: Musical Monday

Musical Monday: It Happened at the World’s Fair (1963)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

fair1This week’s musical:
It Happened at the World’s Fair (1963)– Musical #547

Studio:
Metro-Goldwyn-Mayer

Director:
Norman Taurog

Starring:
Elvis Presley, Joan O’Brien, Gary Lockwood, Vicky Tiu, Yvonne Craig, Kam Tong, H.M. Wynant, Kurt Russell (uncredited)

Plot:
Mike (Elvis) and Danny (Lockwood) play two crop-duster pilots. Danny loses all of their pay gambling so the two are broke. While hitchhiking, they end up on Uncle Walter (Tong) and Sue-Lin’s (Tiu) truck to the Seattle World’s Fair. Uncle Walter isn’t able to take Sue-Lin to the fair, so Mike volunteers; giving him the opportunity to meet a pretty nurse, Dianne (O’Brien).

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Musical Monday: Painting the Clouds with Sunshine (1951)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

paintingThis week’s musical:
Painting the Clouds with Sunshine (1951)– Musical #409

Studio:
Warner Brothers

Director:
David Butler

Starring:
Dennis Morgan, Virginia Mayo, Gene Nelson, Lucille Norman, S.Z. “Cuddles” Sakall, Virginia Gibson, Tom Conway, Wallace Ford

Plot:
Vince (Morgan) has a gambling problem and his girlfriend Abby (Norman) has had enough and leaves for Las Vegas with her two singing partners, Carol (Mayo) and June (Gibson). The three are in search for millionaires, but one follows him there: millionaire dancer Ted Lansing (Nelson). However, Ted’s family isn’t keen on him marrying a performer.

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Musical Monday: Flirtation Walk (1934)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

flirtation walkThis week’s musical:
Flirtation Walk (1934) – Musical #265

Studio:
First National Productions Corporation

Director:
Frank Borzage

Starring:
Dick Powell, Ruby Keeler, Pat O’Brien, Ross Alexander, John Arledge, John Eldredge, Henry O’Neill, Guinn ‘Big Boy’ Williams

Plot:
Dick Dorcy (Powell) is a private in the Army station in Hawaii. He is assigned to drive visiting general’s daughter, Kitt Fitts (Keeler). Kitt ditches a reception she is required to go to, ordering Dick to show her around Hawaii. This puts Dick in hot-water, and to avoid court-martial, the two-part. Dick decides to go to West Point to become an officer to be the equal of Kitt’s boyfriend, Lieut. Biddle (Eldredge).
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Memorial Day Musical Monday: Hollywood Canteen (1944)

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Musical:
“Hollywood Canteen” (1944) –Musical #139

Sierra Exif JPEG

Studio:
Warner Brothers

Director:
Delmar Davies

Starring:
Joan Leslie, Robert Hutton, Dane Clark
Cameos:
Bette Davis, John Garfield ,The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Kitty Carlisle, Jack Carson, Joan Crawford, Helmut Dantine, Faye Emerson, Sydney Greenstreet, Alan Hale, Sr., Paul Henreid, Joan Leslie, Peter Lorre, Ida Lupino, Dorothy Malone, Dennis Morgan, Janis Paige, Eleanor Parker, Roy Rogers (with Trigger), S.Z. Sakall, Zachary Scott, Alexis Smith, Barbara Stanwyck, Jane Wyman, Jimmy Dorsey, Donald Woods, Andrea King, Joyce Reynolds and The Golden Gate Quartet.

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Musical Monday: Nancy Goes to Rio (1950)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

nancy goes to rioThis week’s musical:
Nancy Goes to Rio (1950) – Musical #59

Studio:
Metro-Goldwyn-Mayer

Director:
Robert Z. Leonard

Starring:
Jane Powell, Ann Sothern, Barry Sullivan, Carmen Miranda, Louis Calhern, Scotty Beckett, Hans Conreid, Fortunio Bonanova

Plot:
Francis Elliott (Sothern) is a famous stage star and her teenage daughter Nancy (Powell) wants to follow in her footsteps. Along with wanting the same part in an exciting new play, mother and daughter both fall in love with the same man, Paul Berten (Sullivan).

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Musical Monday: It’s a Date (1940)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

date2This week’s musical:
It’s a Date (1940)– Musical #116

Studio:
Universal Pictures

Director:
William A. Seiter

Starring:
Deanna Durbin, Kay Francis, Walter Pidgeon, Eugene Pallette, Henry Stephenson, S.Z. Sakall, Charles Lane, John Arledge (uncredited)

Plot:
Georgia Drake (Francis) is a famous stage star and her teenage daughter Pamela (Durbin) wants to follow in her footsteps. Along with wanting the same part in an exciting new play, mother and daughter both fall in love with the same man- John Arlendge (Pidgeon).

Trivia:
-Remade as “Nancy Goes to Rio” (1950) starring Jane Powell, Ann Sothern and Barry Sullivan.
-S.Z. Sakall’s first American film

Highlights:
-Deanna Durbin’s songs
-Kay Francis appearing in the film
-Walter Pidgeon in white dinner coats

Kay Francis and Deanna Durbin play mother and daughter in "It's a Date"

Kay Francis and Deanna Durbin play mother and daughter in “It’s a Date”

Kay Francis, Walter Pidgeon and Deanna Durbin in "It's a Date"

Kay Francis, Walter Pidgeon and Deanna Durbin in “It’s a Date”

Notable Songs:
–Loch Lomond performed by Deanna Durbin
–Ave Maria (Op.52 No.1) performed by Deanna Durbin
–Love Is All performed by Deanna Durbin

My review:
“It’s a Date” is a movie date you want to keep.

Deanna Durbin, Kay Francis and Walter Pidgeon as the leads with a Eugene Pallette, Henry Stephenson and S.Z. Sakall as the supporting cast. Could you ask for a better group of actors?

Francis, Durbin and Pidgeon in "It's a Date"

Francis, Durbin and Pidgeon in “It’s a Date”

I saw this movie for the first time in high school and don’t remember being in love with the film. However, I wasn’t as immersed in my Kay Francis film love and not yet in love with Walter Pidgeon, which makes a difference. Now, when I rewatched it, it was such a thrill to see Francis later in her career flanked by Walter Pidgeon as her leading man.

Kay Francis was one of Warner Brothers’ top stars in the early 1930s before Bette Davis came on the scene. According to TCM historian Robert Osborne, to make Francis break her contract, they put her put her in terrible films and filled scripts with words full of “R’s”— a letter she had difficulties with due to a speech impediment. However, Francis didn’t back down and continued acting. With that said, her later film roles weren’t anything to write home about her Francis’s film career ended in 1946. Though “It’s a Date” is towards end of Francis’s career, she is radiant in this film and it’s a wonderful part for her.

S.Z. Sakall and Kay Francis on the set of "It's a Date"

S.Z. Sakall and Kay Francis on the set of “It’s a Date”

The plot is a little goofy: a teenage daughter falls in love with a man more than twice her age. For a little while, the audience is made to believe that he loves her too. But don’t worry, this film has a non-creepy ending.

There are several laugh out loud moments — some coming from S.Z. “Cuddles” Sakall in his first American film. The Hungarian actor left Europe due to Hitler and the growing power of the Third Reich and bestowed his comedic talents on United States audiences.

Deanna Durbin plays a teenager with a wish to be an actress like her mother and grandmother. Her character is a little overly dramatic, as teenagers can be, but it’s humorous at the same time. She delivers many beautiful songs throughout the film and you can see tears in her eyes as she sings “Ave Maria.”

For someone not familiar with Deanna Durbin, this is a good film to start with if you are interested in diving in. It’s a wonderful blend of music, comedy that’s filled with handsome Walter Pidgeon in white evening coats and Kay Francis in lavish evening gowns.

Give this one a watch.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: I Live for Love (1935)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

i live for loveThis week’s musical:
“I Live for Love” (1935)– Musical #547

Studio:
Warner Brothers

Director:
Busby Berkeley

Starring:
Dolores Del Rio, Everett Marshall, Guy Kibbee, Allen Jenkins, Berton Churchill, Hobart Cavanaugh, Don Alvarado

Plot:
Donna (Del Rio) is a diva of the stage and wants her lover Rico (Alvarado) as her leading man. To keep this from happening, the producers (Churchill, Cavanaugh) grab Roger Kerry (Marshall) off the street and say he has a contract. Donna and Roger butt heads, he’s replaced by Rico, and Donna’s play flops. While her fame flops, Roger rises as a huge radio star. The two eventually fall in love, and Roger wants both of them to leave their careers behind.

Trivia:
-This is the second and last film of the film’s leading man, Everett Marshall. Marshall was a Metropolitan Opera singer and preferred the stage.
-Originally titled “Romance in a Glass House, according to Buzz: The Life and Art of Busby Berkeley by Jeffrey Spivak

Benton Churchill and Dolores Del Rio in "I Live for Love."

Benton Churchill and Dolores Del Rio in “I Live for Love.”

Highlights:
-Allen Jenkins dancing and singing to a ridiculous tune

Notable Songs:
-“Mine Alone” performed by Everett Marshall
-“I Live for Love” performed by Everett Marshall

My review:
“I Live for Love” is a fairly forgettable hour-long film.

Though this musical was directed by Busby Berkeley directed films, there are no Berkeley numbers—really no dance numbers in the film at all. The only musical numbers in the film are performed by opera singer, Everett Marshall.

Dolores Del Rio is always photographed beautifully and capable in her films, but t

Not familiar the name Everett Marshall? That’s not surprising. Marshall, a Metropolitan Opera and Broadway performer, was only in two films and this was his last film.

Though Marshall and Del Rio are the stars, character actors Allen Jenkins, Berton Churchill, Hobart Cavanaugh and Guy Kibbee are the real stars of the show. They carried the film and were the most memorable characters.

If you are a fan of Warner Brother’s fan or trying to see Busby Berkeley, I suggest seeing it. If not, don’t waste your time.

Dolores Del Rio and Everett Marshall in "I Live for Love."

Dolores Del Rio and Everett Marshall in “I Live for Love.”

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

TCM Classic Film Festival Musical Monday: When You’re in Love (1937)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

love2This week’s musical:
“When You’re in Love” (1937)– Musical #547

Studio:
Columbia Pictures

Director:
Robert Riskin

Starring:
Grace Moore, Cary Grant, Aline MacMahon, Henry Stephenson, Thomas Mitchell, Catherine Doucet, Luis Alberni, Gerald Oliver Smith, Emma Dunn, George C. Pearce, Scotty Beckett (uncreditd)

Plot:
Opera singer Louise Fuller (Moore) who is stuck in Mexico and needs to get back so she can hold a music festival that she promised her uncle (Stephenson), but she can’t get back into the U.S. Jimmy Hudson (Grant) is unable to pay his hotel bill in Mexico. Fuller and Hudson’s lawyer’s decide the two should get married so they can get home, Fuller pays Hudson’s debts and they could divorce after six months. Though they start off fighting, love blossoms.

Trivia:
-The world premiere of the film’s restoration was at the 2016 Turner Classic Movies Classic Film Festival.
-Director Robert Riskin wrote and directed the film. It was a very loose retailoring of “It Happened One Night” for Moore, The Merchant Prince of Poverty Row: Harry Cohn of Columbia Pictures by Bernard F. Dick
-Writer Robert Riskin’s only try at directing

Grace Moore and Cary Grant in "When You're in Love"

Grace Moore and Cary Grant in “When You’re in Love”

Highlights:
-Grace Moore performing Minnie the Moocher

Notable Songs:
-“Minnie the Moocher” performed by Grace Moore
-“Our Song” performed by Grace Moore
-“The Whistling Boy” performed by Grace Moore
-“Vissi D’Arte” performed by Grace Moore

My review:
I’ve seen all of Cary Grant’s films–except for some of his early 1930s movies. Not only was it a treat to finally see this rare film, it was even more amazing to see it on the big screen and in all it’s newly restored glory, thanks to the Turner Classic Movies Classic Film Festival. I didn’t even arrive at the festival, thinking I would be getting a Musical Monday post out of it.

I really enjoyed “When You’re in Love.” While everyone knows Cary Grant as a huge star, at the time of this film he wasn’t as famous as his operatic leading lady: Grace Moore, a name many people don’t remember today. As I’ve watched musicals over the years, I’ve seen almost all of Miss Moore’s nine films made during her brief Hollywood career and I find her likeable. She’s beautiful and has a gorgeous voice.

Nicknamed the “Tennessee Nightingale,” Moore was a Ziegfeld Girl in the Ziegfeld Follies and had 16 seasons with the Metropolitan Opera. Her Hollywood films helped make opera popular with mainstream audiences. Sadly, Moore died in 1947 at age 48 in a plane crash near Copenhagen.

While watching this movie with an audience, I realized few of them were familiar with Grace Moore. When I saw that “When You’re in Love” paired Cary Grant and Grace Moore, I automatically knew it was a musical. But when leaving the theater, I heard some grumblings of “I didn’t know that was going to be a musical” from fans who only wanted to see Cary Grant.

Grant and Moore are both very funny, and there is a fun scene with Grace Moore performing Cab Calloway’s “Minnie the Moocher” while Grant plays the piano. Another favorite scene of mine involves Moore singing with a group of children and little uncredited Scotty Beckett is on her lap. There are close-ups of the various children’s faces and some of their reactions were hilarious.

But you can’t give all the credit for this film’s charm to the lead actors. The supporting cast is what really makes the film special, especially Aline MacMahon and Henry Stephenson who are always fantastic. One character actor, elderly George C. Pearce, had what I think was the funniest moment in the film: He answers the phone, asks them to hold on, puts on his glasses, and tells them to go ahead. Funny, because relevant to everyone’s life.

If you have the opportunity to every catch this film, do. It’s great fun and one that we haven’t been able to really enjoy for a long time.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: Going Hollywood (1933)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

going hollywoodThis week’s musical:
“Going Hollywood” (1933)– Musical #123

Studio:
Metro-Goldwyn-Mayer

Director:
Raoul Walsh

Starring:
Marion Davies, Bing Crosby, Fifi D’Orsay, Stuart Erwin, Ned Sparks, Patsy Kelly, Bobby Watson, Sterling Holloway (uncredited)

Plot:
Sylvia Bruce (Davies) is board as a French teacher at Briarcroft’s School for Girls. After hearing a romantic tune on the radio performed by Bill Williams (Crosby), Sylvia packs her bags to head out to find excitement, romance and to thank Bill for inspiring her. Bill is heading to Hollywood to make a film with French actress Lili Yvonne (D’Orsay) and Sylvia follows him.

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Musical Monday: Little Miss Broadway (1938)

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It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Little Miss Broadway –Musical #287

broadway

Studio:
20th Century Fox

Director:
Irving Cummings

Starring:
Shirley Temple, George Murphy, Jimmy Durante, Phyllis Brooks, Edna May Oliver, Donald Meek, Edward Ellis, El Brendel
Themselves: The Brian Sisters- Betty Brian, Doris Brian, Gwen Brian; The Brewster Twins (Barbara and Gloria Brewster)

Plot:
Orphan Betsy Brown (Temple)is adopted by friends of her parents- Pop Shea (Edward Ellis) and his daughter Barbara (Phyllis Brooks) who run a hotel for performers. However, the hotel lead is held by Sarah Wendling (Oliver) and her brother Willoughby (Meek), and Sarah hates the show business tenants and looks for every way to shut down the hotel. However, when Sarah’s nephew Roger (Murphy) meets Betsy, he’s instantly taken with the child and finds himself attracted to Barbara. Roger sets out to help the show business hotel stay open.

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