Classic Films in Music Videos: Aeroplane by Red Hot Chili Peppers

This is November’s edition of Comet Over Hollywood’s film references in music videos.

Director/choreographer Busby Berkeley was known for his elaborate nature and kaleidoscope-like musical numbers.

The Red Hot Chili Peppers used scenes from Esther Williams films such as "Million Dollar Mermaid" for inspiration in their music video "Aereoplane"

The Red Hot Chili Peppers used scenes from Esther Williams films such as “Million Dollar Mermaid” for inspiration in their music video “Aereoplane”

His work has been mimicked in movies such as “The Great Muppet Caper” to music videos such the the 1995 Red Hot Chili Peppers song “Aeroplane.”

The music video begins with girls in gold sequined body suits.

Esther Williams in her gold sequined costume for "Million Dollar Mermaid" (1952)

Esther Williams in her gold sequined costume for “Million Dollar Mermaid” (1952)

Berkeley directed swimming star Esther Williams in two films, “Take Me Out to the Ball Game” (1949) and the biographical film on Annette Kellerman, “Million Dollar Mermaid ” (1952.)

In “Million Dollar Mermaid,” Williams wears an aluminum crown and a gold swimsuit, made of 50,000 sequins. Williams said in her autobiography, “The Million Dollar Mermaid: An Autobiography” that it weighed her down like chain-mail.

When Williams dove into the water, the crown hit the water, she broke three vertebrae and was in a full body cast for six months, she wrote.

Also, in the Red Hot Chilli Peppers video, girls swing on trapezes- like in “Easy to Love” (1953) or “Million Dollar Mermaid” (1952). At another part in the video girls dive sideways into the pool, reminiscent of a scene from “Bathing Beauty” (1944).

Another example of a Busby Berkeley kaleidoscope-like shot can be scene at 2:51, which is similar to scene from “42nd Street” (1933). 

Thank you our friends over at Hollywood Revue for telling us the references in this video a few months ago!

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: “A Date with Judy” (1948)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

dateThis week’s musical:
A Date with Judy” (1948) –Musical Monday #105

Studio:
MGM

Director:
Richard Thorpe

Starring:
Jane Powell, Elizabeth Taylor, Wallace Beery, Robert Stack, Selena Royale, Carmen Miranda, Leon Ames, Xavier Cugat, Scotty Beckett

Plot:
Best friends Judy (Powell) and Carol (Taylor) both have a crush on a college aged soda jerk (Stack). While planning her parent’s (Royal, Beery) anniversary party, Judy and Carol fear that Mr. Foster is having an affair with a Latin dancer (Miranda), who is really teaching him rumba lessons to surprise his wife.

Trivia:
-The movie was based on a radio series with the same name.
-The songs “It’s a Most Unusual Day” and “Judaline” debuted in this movie.
-Carmen Miranda’s song “Cuanto la Gusta” was one of her favorite songs. The album reached number 12 on the Billboard charts.
-After this film, Robert Stack was supposed to make a musical remake of the Marion Davies film “Peg O’ My Heart,” that never materialized, according to John Fricke’s book “Judy: A Legendary Film Career.”
-Jane Powell and Elizabeth Taylor were around the same age in this film. Powell said in her TCM Private Screenings Interview that she was a bit jealous that Taylor was dressed in more mature costumes and got to wear green eye shadow.
-This film followed Taylor’s demure roles in “Cynthia” and “Life With Father” and made her more of a “vamp” and a woman. Her next film would be as a sophisticated young engaged woman in “Julia Misbehaves,” according to “How to Be a Movie Star: Elizabeth Taylor in Hollywood” by William J. Mann.
-Elizabeth Taylor is dubbed by Jean McLaren.

Jane Powell and Elizabeth Taylor in "A Date with Judy" (1948)

Jane Powell and Elizabeth Taylor in “A Date with Judy” (1948)

Highlights:
-Wallace Beery trying to dance the rumba.

Notable Songs:
-“It’s a Most Unusual Day” sung by Jane Powell
This song is my favorite in the whole film. It’s light, it’s cheery and fun.
-“Judaline” sung by Jane Powell, Scotty Becket and a quartet
Another fun song. Not serious but light and cute.
-“Love is Where You Find it” sung by Jane Powell
It demonstrates Jane Powell’s excellent singing abilities. Confusion over if she or Kathryn Grayson sung it first on film.

My Review:
This is my favorite Jane Powell movie, as well as one of my all-time favorite films. I recall once in high school when I came home upset about something. I turned on this movie and all of my cares were forgotten- that is the effect “A Date with Judy” has on it’s audience.
It may be frothy and light, but it’s happy. Jane Powell is as adorable as ever and the Technicolor is awesome.
The film has a top notch cast including musical performances from Carmen Miranda and Latin bandleader Xavier Cugat.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Veteran’s Day Musical Monday: “Stage Door Canteen” (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

Stage Door Canteen (1943)

Stage_Door_Canteen_posterMusical:
Stage Door Canteen (1943) –Musical #138

Studio:
United Artists

Director:
Frank Borzage

Starring:
Lon McCallister, Marjorie Riordan, Cheryl Walker, William Terry, Sunset Carson, Margaret Early
Cameos:
Judith Anderson, Kenny Baker, Tallulah Bankhead, Ralph Bellamy, Jack Benny, Edgar Bergen, Ray Bolger, Helen Broderick, Ina Claire, Katharine Cornell, Lloyd Corrigan, Jane Darwell, William Demarest, Gracie Fields, Arlene Francis, Virginia Grey, Helen Hayes, Katharine Hepburn, Hugh Herbert, Jean Hersholt, Sam Jaffe, Allen Jenkins, George Jessel,Otto Kruger, Gertrude Lawrence, Gypsy Rose Lee, Alfred Lunt and Lynn Fontanne, Aline MacMahon, Ralph Morgan, Harpo Marx, Elsa Maxwell, Helen Menken, Ethel Merman, Peggy Moran, Alan Mowbray, Paul Muni, Merle Oberon, Franklin Pangborn, George Raft, Selena Royle, Martha Scott, Cornelia Otis Skinner, Ned Sparks, Ethel Waters, Johnny Weissmuller, Dame May Whitty, Ed Wynn, Count Basie, Xavier Cugat, Lina Romay, Benny Goodman, Peggy Lee, Kay Kyser, Guy Lombardo

Gypse Rose Lee performs for the soldiers at the Stage Door Canteen

Gypse Rose Lee performs for the soldiers at the Stage Door Canteen

Plot:
The film follows young women (Riordan, Walker, Early) who volunteer at the Stage Door Canteen in New York. Volunteering involves dancing with soldiers, talking to them and serving food. However, the canteen has strict rules-no dating servicemen. Eileen (Walker) admits to only volunteering, because she is hoping to be discovered as an actress by one of the celebrities. But her selfish ways are shaken when she meets soldier Dakota (Terry). Innocent soldier, California (McCallister) doesn’t have a girl back home, writes letters to his father and has never been kissed. He meets Jean (Riordan) at the canteen and tells her she has given him his happiest moments since he has joined the service.
The majority of the film is made up of cameos by famous Broadway and Hollywood stars including Gypsy Rose Lee, George Raft, Johnny Weismuller and Katharine Cornell. The romances are a backdrop for the performances, stringing the film together.

Eileen (Walker) and Dakota (Terry) realize they are in love at the Stage Door Canteen

Eileen (Walker) and Dakota (Terry) realize they are in love at the Stage Door Canteen

Trivia:
-The real Stage Door Canteen was on 44th Street in New York, but the movie was filmed in Hollywood.
-Stage actress Katharine Cornell’s only film appearance.
-The story line was inspired by the Irving Berlin song “I Left My Heart at the Stage Door Canteen.”
-A portion of the money that the film made was donated to the Stage Door Canteen. “Stage Door Canteen” was the top grossing film of the year, making $4,339,500, according to George Raft: The Films by Everett Aaker
-Katharine Hepburn’s only musical film, though she is never in a musical number.
-Peggy Lee’s second film appearance
-Ruth Roman’s first film appearance.

Jean (Riordan) gives California (McCallister) his first kiss

Jean (Riordan) gives California (McCallister) his first kiss

Highlights:
-Katharine Cornell plays a scene from Romeo and Juliet with Lon McCallister.
-Cornell gives a young British soldier cake and an orange. He is overcome with joy because of the orange and says “I haven’t seen one of these in two years. It’s like Christmas!” Tear worthy.
-Katharine Hepburn gives Eileen (Walker) a talking to of why she needs to continue serving in the canteen even though her fiance is fighting overseas. Probably the most dramatic scene of the film.
-Ventriloquist Edgar Bergan with his puppets Charlie McCarthy and Mortimer Snerd.

Notable Songs:
-“The Girl I Love to Leave Behind” sung by Roy Bolger
-“She’s a Bombshell from Brooklyn” performed by Xavier Cugat and Lina Romay
-“We Mustn’t Say Goodnight” sung by Lanny Ross
-“Sleep, Baby, Sleep in Your Jeep” performed by the Guy Lombardo Orchestra
-“Quick Sands” performed by Count Bassie and Ethel Waters
-“Goodnight Sweetheart” performed by Benny Goodman, Guy Lombardo and sung by Kenny Baker
-“Ave Maria” performed by violinist Yehudi Menuhin

My Review:
I love this movie. Before seeing this movie for the first time several years ago, I wasn’t familiar with stage stars such as Helen Menken or Katharine Cornell. But the film opened shows the other side of entertainment, showing the past celebrities of the east coast. Though the main story line is brief and thin, I still enjoy it. A boy and girl becoming attached after dancing and talking all night and the boy not knowing if he will return from the war? I think that’s believable.
The movie also has several scenes that are very touching and make me tear up: the British boy having an orange for the first time in two years, Lon McCallister getting his first kiss. Yep, the waterworks are running.
If you are looking for a film with a strong plot line and character development, “Stage Door Canteen” probably isn’t for you. But if you are hoping to get a glimpse into the past-to see how soldiers may have spent their leave and what songs and stars were popular-this movie is 2 hours and 10 minutes of your day well spent.

Olympics to Hollywood: Nat Pendleton

Nat Pendleton in 1935.

Nat Pendleton in 1935.

This November 2013 post was minimally edited on Aug. 2, 2016, for a series on Olympians who went on to be actors. This series coincides with the Rio 2016 Summer Olympics.

Whether he was an affable lug or a dangerous mobster, the face of the dark-haired 6 foot character actor is one film fans recognized in the 1930s and 1940s.

Character actor Nat Pendleton acted in uncredited and supporting roles from 1926 to 1947.

But before Pendleton performed as Sandow the Great in the biographical film “The Great Ziegfeld” (1936), he was flexing his muscles for different reasons.

Pendleton’s fame originally came in the form of an Olympic silver medal in the super heavyweight freestyle wrestling division at the 1920 Summer Olympics in Antwerp, Belgium. That year, the United States won 41 gold, 27 silver and 27 bronze medals — winning the most medals by any of the 29 nations attending. Born in Davenport, Iowa, Pendleton was Iowa’s first Olympic medal winner, according to the National Wrestling Hall of Fame.

Continue reading

He never met a man he didn’t like: A visit to the Will Rogers Museum

He never met a man he didn’t like.

Will Rogers was born in Oologah, OK, and his final resting place is at the Will Rogers Memorial Museum in Claremore, OK.

Rogers made a name for himself in vaudeville as doing roping tricks, eventually making it to the Ziegfeld Follies. He then made silent films, talking pictures, wrote syndicated newspaper columns and broadcasted on the radio. Rogers was always on top of his communication game.
Rogers died in 1935 in a plane crash in Alaska.

Will Rogers statue near his tomb. (Comet Over Hollywood/Jessica P.)

Will Rogers statue near his tomb. (Comet Over Hollywood/Jessica P.)

“When commercial radio evolved, Rogers quickly migrated to the new format,” said an exhibit at the Will Rogers Memorial Museum. “If alive today, he probably would be blogging and tweeting.”

This past September, my co-worker Brittany Randolph and I went on a road trip to Oklahoma. She loves the plains and I was along for an adventure. I didn’t care where we went as long as we visited the Will Rogers Rogers Memorial Museum.

The museum includes:
-Rogers’s saddle collection such as Mongolian, French and Navajo saddles
-A gallery of portraits painted of Will Rogers
-A theater that shows “The Will Rogers Story” narrated that Bob Hope
-Rogers’s tiny saddle collection
-A smaller theater that shows Will Rogers films
-A diorama on Will Rogers life
-Artifacts such as hats, scripts or costumes that belonged to Rogers
-History on Rogers’ family, dating back to his Native American heritage
-Rooms of the museum recreate rooms of Rogers’s home such as his study-modeled to make him think of ranch life
-Will Rogers’ grave site is in a garden outside the museum with a large statue of him on a horse.
-Samples of some of his radio broadcasts

Part of Rogers's tiny saddle collection

Part of Rogers’s tiny saddle collection

Portrait of Will Rogers

Portrait of Will Rogers

A hat of Will Rogers

A hat of Will Rogers

Me posing with Will Rogers lobby cards

Me posing with Will Rogers lobby cards

IMG_6495

Watching a Will Rogers film

Watching a Will Rogers film

Young Will Rogers

Young Will Rogers

Will Rogers's family had a pet cow that stayed in the house like a dog

Will Rogers’s family had a pet cow that stayed in the house like a dog

Gorgeous ceilings of the museum

Gorgeous ceilings of the museum

Portrait of Will Rogers

Portrait of Will Rogers

Small sculpture of Rogers roping a calf

Small sculpture of Rogers roping a calf

Part of Will Rogers saddle collection

Part of Will Rogers saddle collection

The back of the Will Rogers Museum

The back of the Will Rogers Museum

Will Rogers tomb

Will Rogers tomb

Posing with Will Rogers's statue

Posing with Will Rogers’s statue

The museum opened in 1938 and was dedicated on what would have been his 59th birthday. The land where the museum stands was purchased by Will and his wife Betty in 1911. Betty donated the land to the state in 1937, according to the Will Rogers Memorial Museum.

Along with Rogers, his wife Betty (d. 1944) and their four children: Fred Stone Rogers, 1918-1920; Mary Amelia Rogers Brooks, 1913-1989; and James Blake (­Jim) Rogers, 1915-2000; as well as Jim’s wife, Marguerite Astrea Kemmler Rogers, 1917-1987 lay to rest behind the museum.

If you are ever in the Claremore, OK area, I highly suggest visiting the Will Rogers Memorial Museum.

For someone who lives in the southeast with few historical film museums to offer, it was a treat to get to visit the Will Rogers Museum and his resting place.
It was peaceful and a beautiful tribute to a highly respected man.

IMG_6457

“Being a hero is about the shortest-lived profession on Earth.”

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: “She’s Back on Broadway” (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
She’s Back on Broadway” (1953) — Musical #450

broadway

Studio:
Warner Brothers Pictures

Director:
Gordon Douglas

Starring:
Virginia Mayo, Gene Nelson, Frank Lovejoy, Steve Cochran, Patrice Wymore

Plot:
Hollywood actress Catherine Terris (Mayo) finds her film career is declining. She decides to return to Broadway where she started out to get a fresh start. The director of the musical play is Rick Sommers (Cochran), who Catherine had a relationship with during her stage days. However, he has been bitter ever since she left six years before to go to Hollywood. The two clash during rehearsal and nearly ruin the play.

Cochran and Mayo in a publicity photo for "She's Back on Broadway"

Cochran and Mayo in a publicity photo for “She’s Back on Broadway”

Trivia:
-Virginia Mayo is dubbed by Bonnie Lou Williams
-Though the two films have no plot connection, She’s Back on Broadway is supposedly a sequel to “She’s Working Her Way Through College” (1952), which is a remake of “The Male Animal” (1942). The only connection is the Mayo and Nelson re-teaming.

Notable Songs:
I’m not left humming any of the songs from this film but I would say “I’ll Take You” performed by Gene Nelson and Virginia Mayo is the most memorable.

Highlights:
-The audition montage at the beginning of the film for the play including dancer and goofy male singers.

My Review:
Musical films about musical theater are interesting. The play being performed in “She’s Back on Broadway” is called “Breakfast in Bed.” There is one song called “Breakfast in Bed” but other songs include a Latin dance vibe, a song about Mardi Gras and then a few romantic ballads. Numbers within the musical play don’t make sense to have an actual story line, so I guess we are supposed to assume it’s a musical revue.
She’s Back on Broadway” is a run of the mill, early 1950s Warner Brothers musical-several songs mixed with some melodrama and filmed in Warnercolor.
Whether it’s Doris Day in “Lullaby of Broadway” or Virginia Mayo on this, they are all relatively similar with Gene Nelson dancing somewhere in the background. Steve Cochran plays his usual moody role in this as well.
Not to say that these colorful musicals aren’t mildly entertaining, but they are rather forgettable.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Classics in the Carolinas: Burt Lancaster and Clemson University

Comet Over Hollywood is doing a mini-series of “Classics in the Carolinas.” I’ll be spotlighting classic movie related topics in South Carolina (my home state) and North Carolina (where I currently live and work).

posterClemson University has a long history in my family.

My great-grandfather graduated from there in 1918, my paternal grandfather went there, my maternal grandfather was the Dean of Science, both my parents attended the school and so did both of my sisters.

But Clemson also has a touch of film history.

In 1973, Clemson, SC and Anderson, SC were the filming locations for the movie “The Midnight Man,” starring and co-directed by actor Burt Lancaster.

In the film, Lancaster plays ex-con Jim Slade who starts working as a night watchman at a local university, Jordan College. The film also stars Cameron Mitchell, Susan Clark and Catharine Bach has a small role.

My mother grew up in Clemson and was a junior at Daniel High School in Clemson during the filming of “The Midnight Man.”

“I remember when the news came out that they were looking at Clemson and a few other places for filming, everyone thought it was very exciting,” said Lisa Pickens, mother of Comet Over Hollywood.

Burt Lancaster filming scenes from "Midnight Man" on the campus of Clemson University. Source: Clemson archives

Burt Lancaster filming scenes from “Midnight Man” on the campus of Clemson University. Source: Clemson archives

Filming locations included areas:

-The campus of Clemson University such as inside Tillman Hall

-Driving down Highway 123 and goes into a bar in Anderson, SC

-The Anderson, SC courthouse

-Cameron Mitchell exercises in Riggs Field, which was Clemson’s second football field from 1915 to 1941 and now is the university’s soccer stadium

-Lancaster gets off the bus in front of Clemson’s post office which is now Mell Hall, Clemson’s Housing Office.

-Swimming pool scenes were filmed in Holtzendorff Hall

“A lot of people thought they should use the balcony of our house,” said Barbara Evers, writer and aunt of Comet Over Hollywood. “I don’t remember why. As far as I know, they never considered it.”

Several locals were used in the filming, including classmates of my mother, Lisa Vogel Pickens, and my uncle Henry Vogel.

“Your Mom heard they were holding auditions in the basement of the Post Office (Mell Hall). She got permission, and we went,” Evers said. “We never found the place where auditions were being held. Your Mom was sure excited, though.  She ran down the stairs of the Post Office.”

Lancaster and Mitchell in a press conference. Source: Clemson TAPS Yearbook 1972-1973

Lancaster and Mitchell in a press conference. Source: Clemson TAPS Yearbook 1972-1973

During the filming of “Midnight Man,” Lancaster was heavily drinking and getting up at 5 a.m. to start filming, according to the Kate Buford book “Burt Lancaster: An American Life.”

“I remember Burt Lancaster stayed in the penthouse of the Clemson House, Clemson’s nicest hotel which now is a dorm for students,” Pickens said. “He complained about the mattress and wanted a king size bed. Friends of my parents, the Whitlocks, let them use their king size mattress. I have no idea why they would do that.”

Filming took six weeks, according to “Burt Lancaster Excites Clemson Campus,” a Feb. 25, 1973, article from the Herald-Journal.

At the time, the Town of Clemson had approximately 5,500 people living there and the university had 9,700 students, according to the article.

Filming on the campus of Clemson University. Source: Clemson TAPS Yearbook 1972-1973

Filming on the campus of Clemson University. Source: Clemson TAPS Yearbook 1972-1973

“Boys at the dormitory window applauded at the end of the scene. Lancaster responded with a smile and then pointed out that one of the boys had a woman with him,” said the Herald-Journal article.

Unfortunately, “Midnight Man” didn’t do well. Both Evers and Pickens recall being disappointed that the film received bad reviews.

“You hope it will do well since it was filmed in your hometown, but it didn’t,” Pickens said.

Other movies filmed in the Upstate of South Carolina include the George Clooney comedy “Leatherheads” (2008), filmed in my hometown of Greenville, SC, and “Radio” (2003) filmed in Walterboro, SC.

“The Midnight Man” was shot from February 1973 until March 1973 and was released on June 10, 1974.

There was a premiere at the Astro Theater in Clemson on March 14, 1974.

“I thought it would be exciting to go to the premiere but Lancaster didn’t show up, so I didn’t go,” Pickens said. “Even in small Clemson, I never ran across the actors.”

Filming crews at Clemson University. Source: Clemson TAPS Yearbook 1972-1973

Filming crews at Clemson University. Source: Clemson TAPS Yearbook 1972-1973

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Halloween with Comet Over Hollywood

Happy Halloween from Comet Over Hollywood!

This week’s video discusses:
-My Louise Brooks costume based on the lost silent film “Now We’re in the Air” (1927)
-My favorite horror film-which is limited, because I am too much of a scaredy cat to watch horror films
-And I sing a little for you!

My Halloween costume modeled after Louise Brooks in "Now We're In the Air" (1927)

My Halloween costume modeled after Louise Brooks in “Now We’re In the Air” (1927)

Did you dress up as anything classic film related this year? Be sure to e-mail me your photos at cometoverhollywood@gmail.com and I will help you show them off on Comet!

For Throwback Thursday, here are some previous Halloweens we have celebrated together:
-2010 Carmen Miranda costume
-2011 Cyd Charisse from “Bandwagon” costume
-2012 Elizabeth Taylor “Cleopatra” (1964) make-up tutorial

Stay safe tonight. And if you throw flour in anyone’s face (a la Margaret O’Brien in “Meet Me In St. Louis” (1944), make sure everyone knows that you are the “most horrible.”

Thanks for reading and watching!

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Musical Monday: Meet Me in St. Louis (1944)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

meet meThis week’s musical:
Meet Me In St. Louis” –Musical #10

Studio:
MGM

Director:
Vincente Minnelli

Starring:
Judy Garland, Mary Astor, Leon Ames, Margaret O’Brien, Lucille Bremer, Marjorie Main, Tom Drake, June Lockhart, Harry Davenport, Chill Wills, Joan Carroll.

Plot:
Meet Me In St. Louis” revolves around the Smith family who lives in St. Louis and follows them from Summer of 1903 until the 1904 World’s Fair. The film is broken up into story segments such as Summer, Fall of 1903 with Halloween, Winter of 1903 with Christmas and Summer of 1904 when they go to the World’s Fair.
Esther (Garland) falls in love the boy next door, John Truitt (Drake) and her sister Rose (Bremer) is a flirt who likes older men. The two younger sisters Tootie (O’Brien) and Agnes (Carroll) cause mischief. The conflict comes when their father (Ames) needs to move the family to New York.

Trivia:
-Van Johnson was originally supposed to play John Truitt rather than Tom Drake.
-The daughter of a lighting man was originally cast as Tootie. When O’Brien was cast instead, the lighting man intentionally attempted to drop a light on O’Brien.
-Arthur Freed dubbed Leon Ames’s singing voice.
-Judy Garland and director Vincente Minnelli met on this film. They were married from 1945 to 1951.
-Garland was 21 when she was in this movie and was disappointed to play another teenager. She wanted to move on to other adult roles.
-“Meet Me in St. Louis” was made into a Broadway show in 1989, according to “Hollywood Musicals Year by Year” by Stanley Green.
-Director Vincente Minnelli’s first film hit, according to The American Musical and the Performance of Personal Identity by Raymond Knapp

Judy Garland as Esther singing "The Trolley Song"

Judy Garland as Esther singing “The Trolley Song”

-The film is based off a series of autobiographical stories by Sally Benson published in “The New Yorker,” according to Knapp’s book
-A personal favorite film of producer Arthur Freed.
-The highest grossing film at the time for MGM since “Gone with the Wind” (1939).
-The film was remade twice for television. Once in 1959 starring Jane Powell, Jeanne Crain, Patty Duke, Walter Pidgeon and Myrna Loy. The second time was in 1966 starring Shelley Fabares and Celeste Holm.

Highlights:
-The terrific cast. Though the leads are amazing, I would argue that the secondary leads of Marjorie Main and Harry Davenport steal the show.
-Lon’s going away party with “Skip to My Lou” and Tootie and Esther singing “The Cake Walk” is one of my favorite parts.
-I love the holiday portions of the film such as:
Halloween: Tootie and Agnes trick-or-treating in their spooky costumes-Agnes as a drunken ghost and Tootie as a horrible ghost. The two are dared to throw flour on neighbors and shout “I HATE YOU.” I’m always shocked that these kids parents don’t care they are starting a huge bonfire in the middle of the neighborhood.

Margaret O'Brien as Tootie being the "most horrible"

Margaret O’Brien as Tootie being the “most horrible”

Christmas: Esther (Garland) and Rose (Bremer) go to a dance and try to sabotage Lucille Ballard’s (Lockhart) dance card by giving her dopey boys to dance with. The scene where Esther dances with all of the silly boys is hilarious.
More Christmas: Tootie (O’Brien) is a snowman murderer. Tootie is upset the family is moving so she destroys the snowmen.
-And then there is Warren Sheffield (Robert Sully)

Notable Songs:
-The Trolly Song sung by Judy Garland. The most famous song in the film. It’s such fun and Garland did the scene in one take.
-“Skip to My Lou”/”Under the Bamboo Tree” sung by Judy Garland and Lucille Bremer during the party scene. It’s so fun and I wish my party was like this.
-“Have Yourself a Merry Little Christmas” sung by Judy Garland is also another famous song from the film. It makes me mother cry every time. And I have recently inherited sappily crying during the scene.
-“The Boy Next Door” sung by Judy Garland

My Review:
This is one of my favorite films of all time. It’s one of those movies that I have been watching since I was a baby and it never gets old. The humor, the gorgeous Technicolor and the wonderful songs. The story flows well and the songs fit in effortlessly.
I can’t think about this movie without smiling.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

Movie night at Comet’s

This week, the Comet welcomes you into my home for movie night!

Since June, I have been holding monthly movie nights known as “Classics at Comet’s.”

My friends were interested in seeing what my classic film was all about so each month I present a film from a different decade.

Watch to see what Classics at Comet’s is all about:

What is are films you feel like everyone should see?

Thanks for reading and watching!

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com