Musical Monday: That Midnight Kiss (1949)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
That Midnight Kiss (1949)– Musical #258

Studio:
Metro-Goldwyn-Mayer

Director:
Norman Taurog

Starring:
Kathryn Grayson, Mario Lanza, Ethel Barrymore, Keenan Wynn, J. Carrol Naish, Jules Munshin, Thomas Gomez, Arthur Treacher, Marjorie Reynolds
Themselves: José Iturbi, Amparo Iturbi
Narrator: Leon Ames

Plot:
Wealthy Abigail Trent Budell (Barrymore) wants pianist José Iturbi (himself) to help launch the opera career of her granddaughter Prudence (Grayson). Iturbi finds her talented and Abigail sponsors an opera company so Prudence can get her start. With a new talent, famous tenor Guido Russino Betelli (Gomez) is hired as her lead. Betelli is demanding and difficult to work with. Abigail meets singing truck driver Johnny Donnetti (Lanza) and encourages Iturbi to also make him a singing star.

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Musical Monday: The Slipper and the Rose: The Story of Cinderella (1976)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Slipper and The Rose: The Story of Cinderella (1976) – Musical #567

Studio:
Paradine Co-Productions

Director:
Bryan Forbes

Starring:
Richard Chamberlain, Margaret Lockwood, Kenneth More, Gemma Craven, Annette Crosbie, Edith Evans, Michael Hordern, Lally Bowers, Christopher Gable, Sherrie Hewson, Sherrie Hewson, Julian Orchard

Plot:
Prince Edward (Chamberlain) of the small kingdom of Euphrania wants to marry for love. But his father the King (Hordern) needs to arrange a political marriage with a princess from another kingdom so their small domain is not invaded. Outside the palace walls, Cinderella’s (Craven) father dies and her stepmother (Lockwood) forces her into servitude. The King holds a ball so Prince Edward can find a wife and Cinderella’s fairy godmother (Crosbie) fixes it so Cinderella can go. Prince Edward and Cinderella fall in love, but their romance is complicated because she isn’t of noble blood.

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Book Review: “My Way of Life” by Joan Crawford

A disclaimer before I begin my review of “My Way of Life” by Joan Crawford: this is a book review. I’m not here to discuss Christina Crawford and whether or not her “Mommie Dearest” accusations are true. I’m also not discussing the “Feud” TV show. Furthermore, I do like Joan Crawford and have watched almost all of her films, minus a handful of her silents (I would say my favorites are A Woman’s Face, Possessed (1947), Mildred Pierce and Love on the Run). Now that that’s out of the way, I’ll continue.

Actress Joan Crawford by photographed George Hurrell, 1935. The blouse was designed by Adrian.

Actress Joan Crawford endured a career that spanned 47 years. When her career began at age 19 in 1925, she was every bit the flapper — the personification of youth. Even author F. Scott Fitzgerald said, “Joan Crawford is doubtless the best example of the flapper, the girl you see in smart night clubs.”

As her career continued into the 1930s, 1940s, 1950s and on, Joan Crawford assumed the sophisticated lady persona that was popular of the time. Well-dressed, well-mannered and well-bred, this was an image that Crawford maintained for the rest of her life. And this is what “My Way of Life” focuses on.

“My Way of Life” is really a Hollywood self-help book. The book begins with Joan telling her readers what she is doing today, in 1971 when the book was published. Joan lives alone in an apartment in Manhattan, always busy at her desk. She tells us a bit about her background, the school she dropped out of (Stephen College in Missouri), her early days in Hollywood, and a bit about each of her husbands (Douglas Fairbanks, Jr.; Franchot Tone; Phillip Terry and Alfred Steele).

Joan dictated the book on a tape machine, which was then put together by Audrey Davenport, who Joan thanks at the start of the book.

“It’s my philosophies rather than an actual biography. My life story has been told over and over. My thoughts about life are newer,” Joan Crawford said in a July 6, 1971, newspaper article.

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Musical Monday: Eve Knew Her Apples (1945)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Eve Knew Her Apples (1945)– Musical #282

Studio:
Columbia Pictures

Director:
Will Jason

Starring:
Ann Miller, William Wright, Robert Williams, Charles D. Brown, Ray Walker

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Musical Monday: The French Line (1953)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The French Line (1953) – Musical #154

Studio:
RKO Pictures

Director:
Lloyd Bacon

Starring:
Jane Russell, Gilbert Roland, Arthur Hunnicutt, Craig Stevens, Mary McCarty, Rita Corday, Theresa Harris (uncredited), Kim Novak (uncredited), Joi Lansing (uncredited), Charles Smith (uncredited), Sandy Descher (uncredited)

Plot:
Oil heiress Mary Carson (Russell) is jilted by her fiancé Phil (Stevens). Fed up with men being intimidated by her millions, Mary takes a cruise on the French Line posing as a model and her friend poses as her. She wants to see if a man will love her for her personality (and not money) or if they will go for the girl who they believe is rich.

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Review: Gidget TV series (1965-1966)

Until a few weeks ago, I never had watched an episode of the TV version of “Gidget” (1965-66) starring Sally Field. But as I kicked off my third summer of surfing through the “Gidget” franchise, I bought the series and took the plunge—and then I binge watched all 32 episodes for two weeks until I finished.

As I have mentioned before, my favorite Gidget in the films is Sandra Dee, who originated the role. At second place was Karen Valentine, who played Gidget in a TV film “Gidget Grows Up” (1969). However, I have to admit that Sally Field may nudge Valentine from that spot.

Frances “Gidget” Lawrence’s life story undergoes several adjustments throughout the duration of the Gidget series (1959-1986). In 1959, we start off with a shy, smart, innocent only child of two parents. Once she finds love in Hawaii (1961) and Rome (1963), Gidget gets less naïve and more precocious.

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Musical Monday: Stars and Stripes Forever (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Stars & Stripes Forever (1952)– Musical #466

Studio:
20th Century Fox

Director:
Henry Koster

Starring:
Clifton Webb, Robert Wagner, Debra Paget, Ruth Hussey, Finlay Currie, Roy Roberts, George Chakiris (uncredited)
Narrator: Max Showalter

Plot:
Biographical film on composer and conductor John Philip Sousa (Webb), known primarily for American military and patriotic marches.

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Musical Monday: Three Little Girls in Blue (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Three Little Girls In Blue (1946) – Musical #535

Studio:
20th Century Fox

Director:
H. Bruce Humberstone

Starring:
June Haver, George Montgomery, Vivian Blaine, Vera-Ellen, Celeste Holm, Frank Latimore, Charles Smith, Coleen Gray (uncredited), Gary Gray (uncredited), Ruby Dandridge (uncredited)

Plot:
Set in 1902, Pam (Haver), Liz (Blaine) and Myra (Ellen) are three sisters hoping to come into a large inheritance. When their windfall is less than expected, they decide to head to Atlantic City, NJ, to find rich husbands. Pam dresses as an elegant lady while Liz is her secretary and Myra the maid.

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Musical Monday: Speedway (1968)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Speedway” (1968)– Musical #566

Studio:
Metro-Goldwyn-Mayer

Director:
Norman Taurog

Starring:
Elvis Presley, Nancy Sinatra, Bill Bixby, William Schallert, Gale Gordon, Ross Hagen, Victoria Paige Meyerink, Carl Ballantine, Charlotte Stewart, Burt Mustin (uncredited)
Themselves: Richard Petty, Buddy Baker, Cale Yarborough, Tiny Lund

Plot:
Steve (Presley) is a successful racecar driver and his best friend Kenny (Bixby) is his manager. Steve frequently tries to help people out of financial jams, from helping a single dad and his family with groceries and a car to helping a young couple get married. But as it turns out, Steve doesn’t have as much money as he through due to gambling and mismanagement by Kenny. IRS worker Susan Jacks (Sinatra) is there to collect the money.

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Musical Monday: Sunny Side Up (1929)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Sunny Side Up (1929) – Musical #396

Studio:
Fox Film Corporation

Director:
David Butler

Starring:
Janet Gaynor, Charles Farrell, Marjorie White, Sharon Lynn, El Brendel, Frank Richardson, Jackie Cooper (uncredited)

Plot:
Wealthy Jack Cromwell (Farrell) is fed up with his flirting fiance, Jane (Lynn). One night he drives to New York City and meets working girl Molly (Gaynor), who recognizes him from the society pages. Jack decides to take Molly back to Long Island to make Jane jealous. Jack sets up Molly in an apartment and she poses as a society woman. Molly is in love with Jack, but rumors start that Molly is Jack’s “kept woman.”

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