Musical Monday: Everything I Have is Yours (1952)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

everything_i_have_is_yoursThis week’s musical:
“Everything I Have is Yours” –Musical #486

Studio:
Metro-Goldwyn-Mayer

Director:
Robert Z. Leonard

Starring:
Gower Champion, Marge Champion, Dennis O’Keefe, Monica Lewis, Dean Miller, Elaine Stewart

Plot:
Married dancing couple Pamela (Marge) and Chuck Hubbard (Gower) make it big in a show on Broadway. The first night of their success, Pamela finds out she’s pregnant and can’t continue dancing. Once the baby comes, Pamela is encouraged to stay home and raise her child. Problems arise in Pamela and Chuck’s marriage as his fame grow.

Monica Lewis's character causes problems for Gower and Marge Champion.

Monica Lewis’s character causes problems for Gower and Marge Champion.

Trivia:
-The lead couple in the film, Marge and Gower Champion, were married in real life from 1947 until their divorce in 1973. The dancing couple had two children, Gregg (b. 1956) and Blake (b. 1962). The Champions starred in several other films together such as “Show Boat” (1951), “Lovely to Look At” (1952) and “Jupiter’s Darling” (1955)
-Originally supposed to star Red Skelton and Vera-Ellen, according to TCM.
-Gower Champion did most of the choreography for the film.

Marge and Gower Champion star together in "Everything I Have is Yours"

Marge and Gower Champion star together in “Everything I Have is Yours”

Highlights:
-It’s always a delight to watch the married couple dance together. Both Marge and Gower were excellent dancers and their moves, technique and dancing chemistry make all of their numbers exciting to watch.

Notable Songs:

-Everything I Have is Yours sung by Gower Champion and later by Monica Lewis
-Derry Down Dilly sung by Marge Champion
-“Seventeen Thousand Telephone Poles” sung by Monica Lewis

My Review:

When you glanced at this film in your TCM Now Playing Guide, you may have thought, “Ah, a musical starring Marge and Gower Champion in Technicolor. Sounds like a fluffy b-musical.”

And I can’t say I thought much different. I figured this would be a colorful splash of fun with several fantastic numbers. But I was wrong. This is an honest dramatic musical that look at the issues with marriage and fame.

Real life married dancers Marge and Gower Champion play a dancing married couple in the film. Though Marge didn’t give up her career for children like in the movie, the Champions in the movie and in real life both end in divorce. However, in true Hollywood form- the couple is unhappy in their divorced life and they are in each other’s arms in the last frame.

I enjoy the plot line, because I think it shows a fairly honest look at marriage. They are joyous as newlyweds, happy when the baby comes, but Pamela gets restless. She has little to do at home, because the baby has a nurse, and she wants to go back to work and dance with Chuck. But Chuck is having hit after hit with his new partner Sybil (Lewis). Jealousy also arise as Sybil is making eyes at Chuck. When Pamela finally takes an offer for a how- the marriage is blown to smithereens.

“Petty details all add up until the roof blows up,” the film says after they get a divorce.

The dancing is also a real treat of this film. Marge and Gower Champions’ dances together are exciting, interesting to watch and seamless. Their movements together and fluid and their chemistry is evident through their moves.

In several other MGM musicals the Gowers are supporting stars with a large dance number added in. This is one of the few, if not the only, where the Gowers are the leads in the film, and that makes it a real treat.

Marge Champion dances in a solo number in the film.

Marge Champion dances in a solo number in the film.

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In the company of greatness

A guttural chuckle between bites of popcorn came from behind our movie theater seats.

Toes tapped to the film soundtrack.

My friends and I giggled with schoolgirl delight and amazement.

The 79 time Grammy nominated composer Quincy Jones was sitting behind us in the Egyptian Theater in Los Angeles.

Italian JobMoments before, Jones was interviewed by TCM host Ben Mankiewicz at the 2014 Turner Classic Movies Film Festival before “The Italian Job” (1969) starring Michael Caine. Jones composed the score for the film.

Jones’s music in the film is a quirky, 1960s English style with an English jig at the end.

“Nineteen year old Elton John said only a Brit could write a song like that,” Jones said. “I said, ‘Wanna bet?'”

“The Italian Job” is a British comedic caper film about a group of men stealing gold during a traffic jam in Italy. The film is also famous for it’s use of Austin Minis in the climactic heist.

“Michael Caine is one of the greatest guys,” Jones said.

Jones gave a mischievous chuckle while recalling the time he and Caine both dated actress Raquel Welch at the same time.

“That was funny,” he said. “OH that was funny.”

Other film scores Jones composed include “The Pawnbroker” (1964), “The Slender Thread” (1965),  “Walk Don’t Run” (1966) and “In Cold Blood” (1967). Along with his film work, Jones worked with musicians and performers such as Michael Jackson, Ray Charles and Aretha Franklin.

“Music in ‘In Cold Blood’ all boils down to building tension and then release,” he said. “The movie was filmed in the house where the actual murders took place. That was scary.”

Quincy Jones during an interview with Ben Mankiewicz during the TCMFF, April 11, 2014. Jones discussed his career and "The Italian Job" (Getty Images)

Quincy Jones during an interview with Ben Mankiewicz during the TCMFF, April 11, 2014. Jones discussed his career and “The Italian Job” (Getty Images)

Author of the novel Truman Capote was mad when he learned a “black guy” was composing the music to the film. Once Capote heard the score, he relented.

“Just drama–You know,” Jones said casually, waving his hand with dismissal.

Jones was approached by Steve McQueen and Ali McGraw to compose the music for “The Getaway” (1972), replacing composer Jerry Fielding at McQueen’s request.

“I composed the music for that film in 10 days,” Jones said. “You don’t let it get around Hollywood that you can compose a film in 10 days.”

His friendship with composer Henry Mancini helped him break into the business, he said.

“When composing for a film, you look at the script with the director and decide when the music stops and starts in the film,” Jones said.

Jones discussed his time in Hollywood and relationship with celebrities. Jones was good friends with singer, actor Frank Sinatra, who gave him a ring he still wears. However, Sinatra wasn’t kind to everyone.

1964: Quincy Jones and Frank Sinatra in Sinatra's dressing room.

1964: Quincy Jones and Frank Sinatra in Sinatra’s dressing room.

“He either loved you, or he would roll over you in a Mac truck while driving it in reverse,” Jones said.

After the interview, the 81-year-old walked a few rows back and sat right down behind us. He promptly received a bag of popcorn and became just another fan.

This is a follow up vignette from the 2014 Turner Classic Movies Film Festival, April 9-April 14.

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Musical Monday: “Happiness Ahead”(1934)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

happiness-ahead-movie-poster-1934-1020546164This week’s musical:
Happiness Ahead” –Musical #485

Studio:
Warner Brothers Studios

Director:
Mervyn LeRoy

Starring:
Dick Powell, Josephine Hutchinson, Frank McHugh, Ruth Donnelly, Allen Jenkins,Jane Darwell, Marjorie Gateson, John Halliday

Plot:

New York socialite Joan Bradford (Hutchinson) is unhappy with life in society. Her mother has picked out a wealthy husband for her to marry, and Joan does not love him.  On New Year’s Eve, Joan ditches her parents’ high class party and goes downtown. Joan meets window washer Bob Lane (Powell) and starts posing as a working class girl so he won’t find out she comes from money. She rents an apartment on the other side of town to keep up the guise.

Trivia:

Actress Josephine Hutchinson

Actress Josephine Hutchinson

-Actress Josephine Hutchinson’s debut film role (though she did have a small role in the 1917 version of “The Little Princess” with Mary Pickford). Hutchinson went on to star in films such as “The Story of Louis Pasteur” (1936), “Ruby Gentry” (1952) and “North by Northwest” (1959).
-Reworked as “Here Come Happiness” (1941) and “Love and Learn” (1947).

Notable Songs:
-Happiness Ahead sung by Dick Powell
-Pop! Goes Your Heart sung by Dick Powell
-All Account of an Ice Cream Sundae sung by Dick Powell and Dorothy Dare
-Massaging Window Panes sung by Dick Powell and Frank McHugh

My Review:
All in all, Mr. LeRoy seems to have made a lot out of a little,” Andre Sennwald reviewed in a 1934 New York Times film review
Sennwald hits the nail on the head. “Happiness Ahead” has a very simple and overused plot–an unhappy heiress finds love with a working class man. However, this is a very charming film.
Like most Dick Powell musicals, Powell sings the same song about three times. With some films, this could be tiring. But somehow with Powell’s melted-butter-like-voice it is forgivable.
Though this isn’t a dramatically demanding role for Josephine Hutchinson, she is very likable in her first major film. She may not be as glamorous as Powell’s other leading ladies such as Gloria Stuart or Joan Blondell, or as cute as Ruby Keeler, but she is very pleasant to see on screen. Though Hutchinson went on to act in films through the 1970s, it is curious why her time at Warner Brothers in the 1930s and 1940s wasn’t more stellar.
As with most 1930s Warner Brothers films, the secondary actors were the biggest treat. Frank McHugh plays Powell’s window washing coworker, and Allen Jenkins and Ruth Donnelly play Hutchinson’s servants. John Halliday as Hutchinson’s understanding father is also hilarious.
This film may not be on the same level as other Powell musicals of the 1930s but it is very charming and pleasant. If you are looking to be cheered up, this film offers “Happiness Ahead.”

Dick Powell in a publicity still for "Happiness Ahead."

Dick Powell in a publicity still for “Happiness Ahead.”

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Just like Mom

My eyes welled with tears behind my 3D glasses.
“If I ever go looking for my heart’s desire again, I won’t look any further than my own back yard,” Dorothy Gale said at the end of “The Wizard of Oz” (1939).
I sat in the theater trying to collect myself during this unexpected emotional moment back in October when “Wizard of Oz” was re-released in 3D.
And then it dawned on me: I’m turning into my mother… and I’m fine with that.
For years I’d look over at Mom while we are watching a movie and say, “Mom. Why are you crying?”
Judy Garland singing “Somewhere Over the Rainbow” in “Wizard of Oz.”
Judy Garland singing “Have Yourself a Merry Little Christmas” in “Meet Me In St. Louis.” And then again at the end of the movie when she excitedly says, “Right here, in our hometown” about the World’s Fair.

Now I get it. Now Mom and I wipe our eyes together during the train scene of “Since You Went Away.”
I’ve cried during movies for several years–“West Side Story” and “Music for Millions” at age 13 are the earliest times I can think of.
But now in half the movies I watch, I find myself empathizing instead of sympathizing.  As I have grown up, I find I share a deeper emotional connection with my mom through the movies.
At Turner Classic Movies Film Festival, I left “East of Eden” sobbing.
James Dean’s father, Raymond Massey, has a stroke in the film and they aren’t sure if he can make it.
Massey weakly whispers to his son, “Replace the nurse, but don’t get anyone else. You take care of me.”
The scene reminded me of my Mom care-giving for my Grandmama who passed away in January. Grandmama also gave me the movie as a Christmas gift one year.

James Dean talks to movie father Raymond Massey after his stroke in "East of Eden."

James Dean talks to movie father Raymond Massey after his stroke in “East of Eden.”

When I was in elementary and middle school, I would pick on my Mom and sisters for crying during films. Now I join them.
As we get older and experience more of life, not only are we attached to the characters in the films, we can understand and relate more to what the characters in the films are going through. We may chuckle sheepishly with understanding as we reach for tissues.
Now when I see Bonnie Blue fall off her horse and break her neck in “Gone with the Wind,” I don’t think, “Stupid little girl should have listened to her parents.” I think about how the loss of a child can rip apart a family.

Scout with Boo Radley in "To Kill a Mockingbird."

Scout with Boo Radley in “To Kill a Mockingbird.”

When Scout sweetly says “Hey Boo” in “To Kill a Mockingbird ” as he’s hiding behind the door, I understand the innocence of a child who sees the good in a man feared by the whole town.
When nurse Paulette Goddard says goodbye to Marine Sonny Tufts in “So Proudly We Hail,” she knows that she may not see him again because he may die in battle.
But I’m not turning into Mom just through film watching. I notice I have picked up her traits as I’m cooking, cleaning and worrying about people I care about. Maybe one day I’ll be just like Mom, but right now I’m not sure if I could even scrape a mixing bowl as beautifully as Lisa Pickens.
My parents introduced me to classic film as a toddler. Now, even through our emotions, crying is just another way movies bring us closer together.
Happy Mother’s Day

I asked Mom to make me a list of films that she cries during.
“I think the list would have been shorter if you had asked for a list that I don’t cry during,” she said.
Here is Mom’s list of weepers:

Jennifer Jones says goodbye to Robert Walker as he leaves for World War II in "Since You Went Away."

Jennifer Jones says goodbye to Robert Walker as he leaves for World War II in “Since You Went Away.”

Gone With The Wind
Wizard of Oz
Sound of Music
Stella Dallas
One Foot in Heaven
Meet Me In St. Louis
Since You Went Away
To Kill A Mockingbird
The Best Years Of Our Lives
How Green Was My Valley
To Each His Own
Penny Serenade
Make Way For Tomorrow
Little Women ( from 1933 and 1949 )
White Christmas
Goodbye Mr. Chips
Mrs. Miniver
The Pride of the Yankees
West Side Story
So Proudly We Hail
Three Came Home
The Homecoming
The Glenn Miller Story
Born Free
Ben Hur
ET
True Grit ( with John Wayne )
Old Yeller
Parent Trap (with Hayley Mills )
Pollyanna
Little Princess ( with Shirley Temple )
Brave
Toy Story 3
Muppets Take Manhattan
Driving Miss Daisy
Field Of Dreams
Lassie Come Home
Homeward Bound
Cinderella
Little Mermaid
Harry and the Hendersons
Forrest Gump
Cheaper By The Dozen ( with Clifton Webb )
The Bishop’s Wife
It’s a Wonderful Life

With Mom, Dad and my two sisters at my sister Andrea's wedding in February 2014.

With Mom, Dad and my two sisters at my sister Andrea’s wedding in February 2014.

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Musical Monday: “Two Sisters from Boston” (1946)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

two sistersThis week’s musical:
Two Sisters From Boston” –Musical #85

Studio:
Metro-Goldwyn-Mayer

Director:
Henry Koster

Starring:
June Allyson, Kathryn Grayson, Jimmy Durante, Peter Lawford, Lauritz Melchoir, Ben Blue, Barbara Billingsley (uncredited)

Plot:
Abigail (Grayson) writes to her sister Martha (Allyson) and her other stuffy relatives in Boston that she is a successful opera singer in New York. In reality, she is working in a burlesque show.

Trivia:

-After June Allyson and Peter Lawford starred in this film, MGM publicity was tried to play them up as a couple. This was a common practice and the same attempt was made with her co-star Van Johnson. Allyson wrote in her autobiography that though she and Lawford had a good time together, it was never anything serious. The two later starred in “Little Women” (1949) together.
-Lauritz Melchoir’s second film, his first being “The Thrill of Romance” (1945). Born in Denmark, Melchoir was a Wagnerian tenor and debuted in 1924 in London. He debuted with the Metropolitan Opera in New York in 1926.  Melchoir made five Hollywood films from 1944 to 1953. In the 1940s, MGM studio head Louis B. Mayer signed singers and musicians like Melchoir and pianist Jose Iturbi to give the studio class and culture.
-Sammy Fain and Ralph Freed (brother of Arthur Freed) wrote the songs “Autumn Twilight,” “Indian Holiday,” “Lanterns in the Sky,” “More Than Ever” and “Seattle.”

Notable Songs:
-After the Show sung by June Allyson
-When Romance Passes by sung by Kathryn Grayson
-Performances by Lauritz Melchoir
-Down by the Ocean sung by Kathryn Grayson and Jimmy Durante

Highlights: 
-When proper June Allyson sings takes Kathryn Grayson’s place at the burlesque show, having to undress before an audience.
-Kathryn Grayson unconventionally gets in an opera in the chorus. Lauritz Melchoir is the lead. Much to his chagrin, Grayson keeps singing notes to get attention.

My Review:
This is a cute movie, but I don’t feel it exhibits the full appeal of June Allyson and Kathryn Grayson. June Allyson’s character is a simpering proper girl, ashamed of her sister’s profession in New York.
Kathryn Grayson’s character is a bit more likable but is still a bit uppity (the roles she usually seems to be typecast in).
When I originally saw this film 12 years ago, I was watching it for June Allyson, and I was a bit disappointed in her character then.
Jimmy Durante is the real treat in this film. It’s also interesting to see Metropolitan Opera star Lauritz Melchoir in films, giving a frame of reference of who was famous in the operatic world during this time.
However…despite any character flaws…this is still a fun and enjoyable movie. There are several funny parts and at the end of the day, the movie is down right cute.

Lauritz Melchoir, Kathryn Grayson, Jimmy Durante and June Allyson in "Two Sisters From Boston."

Lauritz Melchoir, Kathryn Grayson, Jimmy Durante and June Allyson in “Two Sisters From Boston.”

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Best in Hollywood: An interview (and meal) with James Best

James Best in The Cimarron Kid (1952). He said he always died in his movies.

James Best in The Cimarron Kid (1952). He said he always died in his movies.

Known for his role as Roscoe P. Coltrane on “Dukes of Hazzard,” I interviewed actor James Best last week about his Hollywood career.

Best came to Shelby, NC last week to the Don Gibson Theatre with his one man show, “Best in Hollywood,” where he tells anecdotes about his career. I interviewed Best, 87, for a preview story about the show for The Shelby Star newspaper.

I ended up going to the show and later eating at Denny’s with Mr. Best and his wife.

Before Best starred in “Hazzard,” he acted in films with James Stewart, Ann Sheridan, Maureen O’Hara, Audie Murphy, Rock Hudson, Randolph Scott, Charlton Heston, Susan Hayward, Paul Newman, Humphrey Bogart and Jerry Lewis.

“I got into acting overseas after World War II while I was in the service,” Best told The Star during a phone interview Wednesday. “I was in the play ‘My Sister Eileen’ that the GIs did. When I got back I decided to take acting up permanently and hitchhiked to New York.”

During the show, Best called himself a “dumb country boy” –born in Kentucky and raised in Indiana– asking the cab driver to drop him on Broadway, because he was going to be an actor.

In New York, Best did winter and summer stock plays and was in a show on Broadway before heading to Hollywood.

“I was put under contract in 1949 to Universal Studios and then I freelanced,” Best said. “I have made 87 feature films and made 600 TV show appearances.”

In his show, Best shows clips from several movies and tells a story about each one. He joked he always died or was injured in all of his films.

Rock Hudson and James Best on the set of "Seminole" (1953)

Rock Hudson and James Best on the set of “Seminole” (1953)

He laughed at the script writing for “Seminole” (1953), starring Rock Hudson, when his character is drowning in quicksand, made of cork.

“Those script writers were so stupid! We are sneaking up on Indians and the soldiers are taking a cannon through quicksand,” Best laughed on stage. “I was injured, riding on the cannon and Rock Hudson had to dive in the quicksand to save me.”

He told how it took several takes to get the scene right. He was supposed to breathe through an air tube underwater. One take there was no air, another time too much air causing him to float and the third he came up laughing because Rock Hudson grabbed him awkwardly.

In the 1950s and 1960s, Best was in several westerns, including five movies with James Stewart such as “Firecreek,” “Shenandoah” and “Winchester ’73.”

“Jimmy Stewart was my icon,” he said in the interview. “I was good friends with Paul Newman, and I was in five films with Audie Murphy. Randolph Scott was a lovely man.”

James Best (far right) with Paul Newman in "Left Handed Gun" (1958)

James Best with Paul Newman in “Left Handed Gun” (1958)

Though Best worked with some of Hollywood’s top stars, he says he was never star struck.

“When I started acting in Hollywood, I was doing one show after another and you work with nearly every movie star that existed,” Best told the Star. “It’s a job. It’s different than most people’s job, but it’s a job. You work four to five days on one project and then move on to the next.”

After playing everything from cowboys to murderers, Best was in his first comedy in 1966 called “Three on a Couch” with Jerry Lewis and Janet Leigh.

Though Best had already acted in nearly 100 films before 1966, the opening credits said “Introducing James Best.”

“I asked Jerry Lewis why he did that. I said ‘What do you mean introducing; I have already been in 100 movies.’ Jerry said this was introducing me to doing comedy,” Best said with a laugh. “I had played so many murderers and been on ‘Alfred Hitchcock Presents,’ but I hadn’t done much comedy.”

Best learned the comedy skills he used on “Dukes of Hazzard” from Lewis.

James Best with Flash in "Dukes of Hazzard." He said he never got the girl, so he got a dog.

James Best with Flash in “Dukes of Hazzard.” He said he never got the girl, so he got a dog.

“I loved Jerry Lewis. I once told him he was five different people, and I hated three of them,” Best said. “I learned a lot from Jerry and I thank him for that.”

Most of the comedy for Roscoe P. Coltrane was improvised before the scene began.

“I didn’t want Roscoe to be mean, so I played him like a 12-year-old buffoon,” Best said. “Ninety-percent of it was improvised and it just came off the top of my head.”

After the series, Best and his wife Dorothy formed their own independent film company. At 87, he hasn’t stopped acting. He recently acted with his wife Dorothy in the play “On Golden Pond” in Hickory, NC, where he currently lives.

“Hollywood has changed so much,” he told me on the phone. “It has lost its glamour and they have given away all the secrets that made it so glamorous. It’s all reality stars now. None of them are trained actors. When I was working with Bogart, Newman and Stewart, those were actors.”

After his show on Friday, I was able to introduce myself and thank him for the interview. James Best is just your average, elderly gentlemen and is very kind.

After the show, I was searching for a place to eat and ended up at Denny’s.

My close friend who works at the Don Gibson Theater happened to already be at the restaurant and urged me to sit with her group. James Best and his wife happened to be part part of the group.

I talked with Dorothy about what plays she had acted in with the Hickory theater and James Best taught the table the proper way to eat pancakes. (If you are curious, he cut the center out and poured the syrup into the center. “That way your syrup doesn’t run all over your eggs,” he said.)

When he was ready to return to his hotel he turned to his wife and said, “Are you ready to go sweetie tootie?”

Again, we shook his hand and he smiled warmly. A class act.

“From the time I was adopted when I was 4 years old up to now, my life has been like a roller coaster,” Best told the Star. “There have been more ups than downs and I have been enjoying everything. I thank God every day for it.”

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Musical Monday: “Pin-Up Girl” (1944)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

pin up girlThis week’s musical:
Pin-Up Girl” –Musical #224

Studio:
20th Century Fox

Director:
H. Bruce Humberstone

Starring:
Betty Grable, Joe E. Brown, Martha Raye, John Harvey, Eugene Pallette, Dorothea Kent, Adele Jergens (uncredited), Hermes Pan (uncredited dancer)

As themselves: bandleader Charlie Spivak, Nat King Cole (uncredited pianist), Skating Vanities, the Condos Brothers (specialty dancers), The Pied Piper singers

Plot:
Lorry (Grable) is a popular pin up girl at the local USO canteen during World War II. She has a bad habit of stretching the truth including saying she’s engaged to every serviceman she gives a photo to. Her latest lie is that she and her friend Kay (Kent) are going to Washington, DC to join a USO show, when they are really going to work as military stenographers. En-route to DC, the girls stop over in New York and go to an exclusive night club. Another lie gets them seated at a table with war hero Tommy Dooley (Harvey), who thinks Lorry is a musical comedy star. When Lorry runs into Tommy in DC, she disguises herself (using the Clark Kent approach by just putting on a pair of glasses) so he doesn’t know it’s her.

Trivia:

Lorry (Grable) and Kay (Kent) are nearly caught in one of their lies in "Pin Up Girl"

Lorry (Grable) and Kay (Kent) are nearly caught in one of their lies in “Pin Up Girl”

-Betty Grable was pregnant during the making of this film. While her waist line is slightly larger than you are used to seeing, she is still quite small. You can tell the most when there is a side shot of her marching at the end of the “The Story of the Very Merry Widow” musical number.

-During the military drill at the end of “The Story of the Very Merry Widow,” the real Women’s Auxiliary Corp (WAC) drill team was used, rather than actresses.

-Linda Darnell and Don Ameche were originally set to star in the movie.

-The film is based on the famous 1941 pin-up photo of Betty Grable taken by Frank Powolny, according to “Twentieth Century Fox: “The Zanuck-Skouras Years, 1935-1965” by Peter Lev.

Lorry's disguise- dull colored clothing and glasses.

Lorry’s disguise- dull colored clothing and glasses.

Highlights:

-The Skating Vanities is a roller skating sequence after the “Red Robins, Bobwhites and Blue Birds” number. It’s like a Sonja Henie ice skating number….but with roller skates. It’s almost less impressive because roller skating is more common place than ice skating.

-Joe E. Brown and Eugene Pallette may be the best part of the film.

-Though rather long, Betty Grable’s drill sequence with WAC’s is pretty interesting.

Notable Songs:
-Don’t Carry Tales Out of School sung by Betty Grable

-The Story of the Very Merry Widow sung by Betty Grable

-Once Too Often sung by Betty Grable

-Red Robins, Bobwhites and Blue Birds sung by Martha Raye

-You’re My Little Pin-Up Girl sung by Betty Grable

-Yankee Doodle Haydown sung by Martha Raye

My Review:

“Pin Up Girl” is colorful, World War II themed and has great music, but it isn’t Betty Grable’s best film. The plot is crazy and her constant lies can be a bit frustrating.
This is also probably stupid, but I hate when Twentieth Century Fox changed Betty Grable’s honey blond hair and made it bleached blond. This bothers me more than it should in this film.
This movie also ends with what I call “the smile resolution.” A couple has a misunderstanding. One of the parties is informed by a secondary character of the truth. The film ends with the misunderstood party performing on stage, the informed lead sitting in the audience and the couple grin at each other–letting the viewers know everything is alright.
I can list several movies off of the top of my head that practice this, and it leaves me feeling unfulfilled.
Though Betty Grable is the star of this film, I think Joe E. Brown and Eugene Pallette steal the show with their minor roles.
The plot is pretty silly, but then it was written to capitalize on her famous 1941 pin-up photo. Wonky plot aside, the real reason I like this movie is I love the music. There isn’t a song I don’t adore in this film. “Don’t Carry Tales Out of School” is my favorite.
If you have never seen a Betty Grable musical, try something like “Moon Over Miami,” “Tin Pan Alley” or “Springtime in the Rockies” first. They better display Grable’s appeal than “Pin Up Girl.”

My boyfriend watched this with me, and while he teaches high school theatre, he is just starting to learn about movies before the 1970s.  Here is what he thought:

“It was entertaining, though some parts stretched the limits of believability quite far.  The songs were enjoyable and the drill scene at the end was impressive, though a bit long. I give it a C+.”

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‘Try to say Robert Osborne without smiling’:Celebrating 20 years of Osborne, TCM

“I love my husband first, and then Robert Osborne second,” said Eva Marie Saint during a surprise guest appearance.

Friday afternoon during the second day of the Turner Classic Movies Film Festival turned into a sort of surprise party of TCM’s primetime host Robert Osborne.

Osborne sat before an audience, prepared to start a question and answer session called “Ask Robert.”

The questions began: What movies do you think should have been nominated for an Academy Award but weren’t? Will TCM ever film a special on Leslie Howard? How often are you in Atlanta?

Alex Trebek surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Alex Trebek surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

After half a dozen questions, Osborne’s microphone supposedly malfunctioned. Then entered “Jeopardy” host Alex Trebek with a microphone to remedy the issue.

“This isn’t your retirement party, Robert,” Trebek said. “We are here to celebrate 20 years of you and TCM.”

Following Trebek, celebrity guests and family members appeared in a “This is Your Life”-like fashion, sharing memories with a genuinely surprised Osborne.

“We’ve been keeping this a secret for three months!” said actress and Osborne’s close friend Diane Baker.

Eva Marie Saint, Diane Baker, Alec Bladwin, Bill Cosby (on video), Cher (on video), Robert Wagner, Jill St. John, Ben Mankwicz, Michael Feinstein and Osborne’s cousins and nieces –coming from as far as Connecticut– honored the film historian.

Jill St. John and Robert Wagner celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Jill St. John and Robert Wagner celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

In the last 20 years, Osborne has recorded roughly 30,000 film introductions for Turner Classic Movies.

A blooper reel was shown of Osborne doing his introductions and family photos of Osborne when he was a child and at more recent family reunions was shown.

Michael Feinstein celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Michael Feinstein celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

Pianist and singer Michael Feinstein performed “The More I See You” sung by Dick Haymes in “The Diamond Horseshoe” (1945), which Osborne said in an e-mail was his favorite song.

“This is totally unexpected,” Osborne said, obviously overcome with happiness. “My God, what a treat!”

Even when the celebration was for him, Osborne began to share career highlights and features about each guest.

“This isn’t about me, it’s about you!” Saint playfully scolded him.

During the celebration, Osborne said every time he does an introduction to a film, he is talking to three people: his elderly aunt who loves movies, a young friend who wanted to learn about movies and a friend who knew everything there is about movies.

“I wanted to say something that would interest all three of those people,” Osborne said.

At the end of the 90 minute celebration, sparkling cider was passed out in the audience, and everyone toasted to Osborne.

“The job is yours as long as you want it,” said TCM officials as they toasted to 20 years of Turner Classic Movies and Robert Osborne.

Celebrities including Jill St. John, Alec Baldwin, Alex Trebek and Robert Wagner, toast to 20 years of TCM and Robert Osborne. (Comet Over Hollywood/Jessica Pickens)

Celebrities including Jill St. John, Alec Baldwin, Alex Trebek and Robert Wagner, toast to 20 years of TCM and Robert Osborne. (Comet Over Hollywood/Jessica Pickens)

What did they have to say?

Eva Marie Saint surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Eva Marie Saint surprising Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

“Try to say Robert Osborne without smiling. I love Robert. I love my husband and then I love Robert Osborne . He is the best interviewer I have ever had. Of all my leading men (Cary Grant, Paul Newman), Robert is my favorite.”
-Eva Marie Saint, actress

Diane Baker with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

Diane Baker with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

“Every time I have made a transition in my life, from starting as an actress to going on to be a professor, you have been there to guide me. When I was making the move to teaching, I told you I wanted to give back to the young people. Isn’t that what you are doing on TCM?”
-Diane Baker, actress

“Robert Osborne is a handsome, honest human being with a great voice. I don’t believe he has ever had a false moment.”
Bill Cosby, in a video message, who was a supporter of TCM when it first started

The Osborne Family celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14  PH: Mark Hill

The Osborne Family celebrating the 20th Anniversary of TCM with Robert Osborne during the Ask Robert Event at The Montalban Theatre on Friday at the 2014 TCM Classic Film Festival In Hollywood, California. 4/11/14
PH: Mark Hill

“What you see is what you get. Robert is really very funny. He still goes to his high school reunions. When he talks to you, he talks to you like you are the only person in the world he wants to talk to.”
-Osborne’s cousin

“This is the longest relationship with a man I’ve ever had.”
-Cher, in a video message

“Robert and I have many of the same tasks, but we work at different times. I don’t get to see Robert often and I don’t know if he knows how important he is to me.”
– Ben Mankiewicz, TCM host

Musical Monday: “Mr. Dodd Takes the Air” (1937)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

mrdoddtakesairThis week’s musical:
“Mr. Dodd Takes the Air” — Musical #484

Studio:
Warner Brothers Burbank Studios

Director:
Alfred E. Green

Starring:
Kenny Baker, Jane Wyman, Frank McHugh, Alice Brady, Gertrude Michael, Henry O’Neill, Harry Davenport, William Hopper (uncredited)

Plot:
Electrician Claude Dodd (Baker) becomes a singer on the radio. Dodd is promoted as a baritone singer, but after having an operation on his throat, his voice changes to a tenor. Dodd becomes a sensation on the radio. Dodd also makes waves when he invents a device that makes radio reception more clear.

Trivia:
-Nominated for an Academy Award for Best Music, Original Score for “Remember Me” written by Harry Warren and Al Dubin.

Notable Songs:
-Remember Me? sung by Kenny Baker
-Am I in Love? sung by Kenny Baker

Kenny Baker and Jane Wyman in "Mr. Dodd Takes the Air."

Kenny Baker and Jane Wyman in “Mr. Dodd Takes the Air.”

My Review:
Kenny Baker was under contract with Warner Brothers with the idea that he would replace Dick Powell as the studio’s crooner, who had aged out as the “boy singer.” Baker and Powell look vaguely similar, sing the same crooner like songs and play similar roles. However, though Baker isn’t bad, he is still no Dick Powell.
“Mr. Dodd Takes the Air” is a B-Musical–music by  Harry Warren and Al Dubin– with the typical plot where a small town guy hits it big as a singer. He gets mixed up with glamorous ladies who he thinks are falling for him but are really after his radio invention. Of course, Jane Wyman is his old standby until the end.
Wyman is probably the highlight of this film, however I’m not sure why she is billed fifth.
This is a cute film, but nothing remarkable when it comes to creativity. It is simply entertaining.

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‘Movies are a necessity to our lives’ – TCM Film Festival round-up

“What are you most excited about,” several people asked when I arrived in Hollywood at the Turner Classic Film Festival last Wednesday.

I fumbled for words like Ralphie trying to tell Santa what he wants for Christmas as I thought of the best answer.

My mind turned to seeing 93-year-old actress Maureen O’Hara introduce the film “How Green is My Valley” or to watching rare films like Alan Ladd in “The Great Gatsby” on the big screen.

Robert Osborne interview Maureen O'Hara before "How Green is My Valley." (Comet Over Hollywood/Jessica Pickens)

Robert Osborne interview Maureen O’Hara before “How Green is My Valley.” (Comet Over Hollywood/Jessica Pickens)

Suddenly it hit me: I was happy to be around people who appreciated classic films as much as I do- if not more. People with whom you can discuss classic film topics such as character actor Donald Meek or Robert Walker and Jennifer Jones divorce.

This year’s festival was the second time I attended. I had the privilege to receive media credentials, covering the festival for my website Comet Over Hollywood and the Shelby Star newspaper.

The festival started with a question and answer portion with Turner Classic Movie’s primetime host Robert Osborne, host Ben Mankiewicz, and TCM programers Charles Tabesh and Genevieve McGillicuddy.

“Movies are a necessity to our lives,” Osborne said.

My second go at the festival was different than my first time. My first time at TCMFF, I devoured as many movies as possible. For example, last year, I watched 18 films, and this year I only saw roughly 12.

I think this year I had a richer adventure. I watched films but experienced unique events not found anywhere near me.

Where else can you see an actor like Jerry Lewis immortalized during a hand print ceremony outside of TCL (Graumann’s) Chinese Theater or wait in line for two hours to see a rare appearance made by Maureen O’Hara.

But my favorite event was “Ask Robert,” which started under the pretense of a question and answer portion for Robert Osborne.

After four questions from the audience, Osborne’s lavalier microphone supposedly stopped working. Jeopardy’s host Alex Trebek appeared to remedy the issue.

The event turned more into “This is Your Life” celebration for Osborne to celebrate 20 years of Turner Classic Movies. Celebrities such as Eva Marie Saint, Diane Baker, Alec Baldwin, Bill Cosby (on video), Cher (on video) Robert Wagner, Jill St. John, and pianist Michael Feinstein shared stories about Osborne.

The crowd and guests toasted to Robert Osborne and 20 years of TCM. (Comet Over Hollywood/Jessica Pickens)

The crowd and guests toasted to Robert Osborne and 20 years of TCM. (Comet Over Hollywood/Jessica Pickens)

What you see is what you get,” said Osborne’s cousin. “When he talks to you, he makes you feel like you are the only person in the world that he wants to talk to.”

I also had the privilege to hear musician Quincy Jones and actor Alan Arkin reflect on their careers, as well as former child actress Margaret O’Brien pay tribute to the late Mickey Rooney.

“He always had his ‘Mickey’ face,” O’Brien said.

Maureen O’Hara received a standing ovation and she weakly waved her hand to tell everyone to sit down.

“Don’t be fooled into thinking I do magic things,” said the 93-year-old Irish actress.

The Turner Classic Film Festival is four days filled with film watching and walking down the strangest place in America- Hollywood Boulevard. You may don’t eat much, you may sleep four hours a night and it’s wonderful.

Posing with Robert Osborne's star on the Walk of Fame in front of the Montalban Theater. (Comet Over Hollywood/Jessica Pickens)

Posing with Robert Osborne’s star on the Walk of Fame in front of the Montalban Theater. (Comet Over Hollywood/Jessica Pickens)

Watch Comet Over Hollywood during the next few days for more detailed posts on different festival events including Jerry Lewis’s hand print ceremony, Maureen O’Hara’s appearance and Margaret O’Brien’s tribute to Mickey Rooney.

Which movies did I watch?
*American Graffiti (1973)
*East of Eden (1955)
*Paper Moon (1973)
*The Italian Job (1968)
*Eraserhead (1977)
*How Green Was My Valley (1941)
*Her Sister’s Secret (1946)
*National Velvet (1944)
*Gone with the Wind (1939)
*The Heart is a Lonely Hunter (1968)
*The Wizard of Oz (1939)

Which special guests did I see? 
*Candy Clark- American Graffiti
*Paul Le Mat- American Graffiti
*Bo Hopkins- American Graffiti (who is also from Greenville, SC)
*Eva Marie Saint- Ask Robert
*Alex Trebek- Ask Robert
*Diane Baker- Ask Robert
*Alec Baldwin- Ask Robert
*Jill St. John- Ask Robert
*Robert Wagner- Ask Robert
*Michael Feinstein- Ask Robert
*Quincy Jones- Italian Job
*Maureen O’Hara- How Green is my Valley
*Here Sister’s Secret- Arianne Ulmer Cipes, daughter of Edgar Ulmer
*The Heart is a Lonely Hunter- Alan Arkin
*Jerry Lewis during his hand print ceremony
*Quentin Tarantino during his hand print ceremony

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