Watching 1939: Bachelor Mother (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Bachelor Mother (1939)

Release date:  June 30, 1939

Cast:  Ginger Rogers, David Niven, Charles Coburn, Frank Albertson, E.E. Clive, Ferike Boros, Elbert Coplen Jr., Dennie Moore, June Wilkins

Studio:  RKO Radio Pictures

Director:  Garson Kanin

Plot: Department store work Polly Parish (Rogers) is returning home one day when she finds a baby left on a doorstep. She catches him before he roles off and takes him to a nearby orphanage. No one will believe Polly that it’s not her baby and is forced to take responsibility for the baby. The department store owner’s playboy son, David Merlin (Niven) takes an interest in Polly, and David’s father (Coburn) believes the baby is his grandson.

Continue reading

Advertisements

Watching 1939: Streets of New York (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Streets of New York

Release date:  April 12, 1939

Cast:  Jackie Cooper, Marjorie Reynolds, Martin Spellman, Dick Purcell, George Cleveland, Sidney Miller, George Irving, Robert Emmett O’Connor, David Durand

Studio:  Monogram Pictures

Director:  William Nigh

Plot:
Jimmy Keenan (Cooper) owns a newsstand in New York, takes care of orphaned
Gimpy (Spellman) and goes to night school with dreams of being a lawyer. He tries to practice the ideals of Abraham Lincoln as he faces challenges such as, dealing with his rich, racketeer older brother Tap (Purcell), and a gang who tries to bring him trouble and take over the newsstand. While Jimmy tries to stay kindhearted, young Gimpy is rough and jaded. Jimmy befriends Judge Carroll (Irving), who invites Jimmy, Gimpy and his friends to his home for Christmas, showing them that life doesn’t always have to be rough and cruel.

Continue reading

Watching 1939: Day-Time Wife (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Day-Time Wife (1939)

Release date:  Nov. 24, 1939

Cast: 
Tyrone Power, Linda Darnell, Warren William, Binnie Barnes, Wendy Barrie, Joan Davis, Leonid Kinskey, Joan Valerie, Renie Riano, Marie Blake (uncredited)

Studio:  20th Century Fox

Director:  Gregory Ratoff

Plot:
Jane (Darnell) finds out her husband Ken (Power) is stepping out with his secretary Kitty (Barrie) on their second anniversary. Jane decides to become a secretary herself to find out why husbands go after their secretaries. Her boss is architect Barney Dexter (William), who takes more than a professional interest in her.

Continue reading

Watching 1939: The Man They Could Not Hang

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  The Man They Could Not Hang (1939)

Release date:  Aug. 17, 1939

Cast:  Boris Karloff, Lorna Gray, Robert Wilcox, Roger Pryor, Don Beddoe, Ann Doran, James Craig, Joe De Stefani, Byron Foulger, Charles Trowbridge, Dick Curtis, John Tyrrell, Stanley Brown (uncredited)

Studio:  Columbia Pictures Corporation

Director:  Nick Grinde

Plot:
Dr. Henryk Savaard (Karloff) is an esteemed scientist is working on an experiment to bring a dead man back to life by stimulating the heart and keeping blood pumping. When a medical student (Brown) volunteers, his hysterical girlfriend (Doran) calls the police that Dr. Savaard is committing murder. Since the police arrive mid-experiment, the student dies, and Dr. Savaard is arrested. In his trial, Savaard is found guilty and sentenced to death, but his assistant requests the body, carries out the experiment and Savaard lives to seek revenge on the court that found him guilty.

1939 Notes:
• Boris Karloff was in six films released in 1939.
• Lorna Gray was in 18 feature-length and short films released in 1939.
• Roger Pryor was only in two films in 1939.

Other trivia: 
Based on real-life figure Dr. Robert Cornish, who tried to revive patients from heart attack, drowning and electrocution by getting blood flowing. He experimented on dogs that he brought back to life, according to the book Boris Karloff: A Bio-bibliography by Beverley Bare Buehrer.
• The film was banned in Great Britain, according to “Censored Screams: The British Ban on Hollywood Horror in the Thirties” by Tom Johnson
• Re-released in 1947

My review: Searching for the “1939 feature”:
This week’s Watching 1939 film is interesting not so much because of the year 1939, but because of its look at medicine and science and how much has changed since that time.

Boris Karloff plays a respected scientist who wants to bring people back to life. He kills a student volunteer with gases that won’t harm the tissue and then works to revive him by getting the heart pumping and blood flowing through the veins.

Police are called and barge in, interrupting the experiment so that the young man stays dead. They call the scientist crazy and that any sort of experiment would never work.

During the trial, Roger Pryor’s character says: “He wants to butcher our young athletes so their hearts can be used to prolong the life of some doddering old man. Dr. Sakaard’s fine ideal would never be permitted in any civilized county.”

*Raises hand* Give it 40 years, Pryor, organ donation will be commonplace, but it isn’t “butchering.”

Most of the ideas Karloff’s character has that officials think are crazy are now safely and commonly practiced today: Resuscitating someone when their heart stops beating, open heart surgery, organ donation to help others. It almost makes it frustrating to watch his character be convicted because even though he is the crazy one, Karloff’s character is actually right!

Also, it’s interesting because while this is a B horror film, it also has a slightly deeper meaning. Part of the message is how science can provide good, but people either discredit it or corrupt its good.

“The Man They Could Not Hang” is entertaining and exciting, but interesting on a deeper level for it predicted what is to come in medicine.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

 

Watching 1939: The Son of Frankenstein (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  The Son of Frankenstein (1939)

Release date: 

Cast:  Boris Karloff, Basil Rathbone, Bela Lugosi, Lionel Atwill, Josephine Hutchinson, Donnie Dunagan, Emma Dunn, Edgar Norton

Studio:  Universal

Director:  Rowland V. Lee

Plot:
Twenty-five years after Dr. Frankenstein and the monster’s death, his son Baron Wolf von Frankenstein (Rathbone) and his family (Hutchinson, Dunagan) travel to the Frankenstein estate from the United States when it is left to them after his father’s death. The whole town resents Baron Frankenstein returning because of the terror his family brought on the village. When realizing the Monster (Karloff) is still alive, he follows in his father’s footsteps to bring him back to life with the help of Ygor (Lugosi).

1939 Notes:
• Boris Karloff’s last role playing Dr. Frankenstein’s Monster.
• Josephine Hutchinson’s only film released in 1939.
• Lionel Atwill was in nine films released in 1939.
• Bela Lugosi was in five films released in 1939.
• Boris Karloff and Basil Rathbone were both in six films released in 1939.

Other trivia: 
• Peter Lorre was originally approached to play the role of Baron Wolf von Frankenstein, which he turned down, according to 1938 articles in The Hollywood Reporter.
• Director Rowland V. Lee tested shooting the film in color, which was abandoned.
• The third Frankenstein film released by Universal. The first two were Frankenstein (1931) and Bride of Frankenstein (1935).
• Donnie Dunagan’s second film.
• The monster makeup was created by Jack P. Pierce, and it took approximately four hours to prepare Boris Karloff for the scenes.

My review: Searching for the “1939 feature”:
The year 1939 was important for a few actors in this film. For Boris Karloff, it was the last time he would have to dress in the heavy monster costume after performing the role three times.

For Basil Rathbone, the year would end up profitable as he would end up playing his most well-known role: Sherlock Holmes.

But before becoming the famed detective, Rathbone had to play Dr. Frankenstein’s misguided son in “Frankenstein’s Son.”

Moving his family across the world and excited to shed the college professor life, Rathbone’s character views Dr. Frankenstein as a genius, rather than a madman. While the monster is supposed to be scary, Rathbone’s character is one of the main villans of this film, with Bela Lugosi’s Ygor leading the madness.

“Son of Frankenstein isn’t the most important film of the year, but it’s a fun example of the Universal horror films. I would also say it’s the last high-quality Frankenstein film before Frankenstein is teamed up in the cross-reference films, with the Wolfman and his other horror friends.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

 

Watching 1939: Blondie Meets the Boss

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Blondie Meets the Boss

Release date:  March 8, 1939

Cast:  Penny Singleton, Arthur Lake, Larry Simms, Danny Mummert, Jonathan Hale, Daisy the Dog, Dorothy Moore, Inez Courtney, Joel Dean, Dorothy Comingore, Stanley Brown, Don Beddoe

Studio:  Columbia Pictures

Director:  Frank R. Strayer

Plot:
Blondie (Singleton) and Dagwood (Lake) are ready to go on vacation with their Baby Dumpling (Simms). The day they leave, Dagwood’s boss Mr. Dithers (Hale) said he has to go out of town on urgent business and needs Dagwood to stay and work and cancel his vacation. Outrage, Dagwood resigns. Blondie begs Mr. Dithers for Dagwood’s job. Dithers strikes a deal with Blondie: she works in Dagwood’s place while he is on the business trip.

Continue reading

Watching 1939: Stand Up and Fight (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film:  Stand Up and Fight

Release date:  Jan. 6, 1939

Cast:  Wallace Beery, Robert Taylor, Florence Rice, Helen Broderick, Charles Bickford, Barton MacLane, Charley Grapewin, John Qualen

Studio:  Metro-Goldwyn-Mayer

Director:  W.S. Van Dyke

Plot:
Starting in 1844 in Maryland, Blake Cantrell (Taylor) is a plantation owner who is broke and has to sell his property. He’s in love with Bostonian Susan Griffith (Rice), who loses interest when he has no means of taking care of himself. Blake has never worked for a living and ends up working for a stagecoach line run by Capt. Boss Starkey (Beery), which is also owned by Amanda Griffith (Broderick), who is Susan’s aunt.

Continue reading