Unknown's avatar

About Jnpickens

Classic film lover and reporter in North Carolina.

Musical Monday: The Wonderful World of the Brothers Grimm (1962)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Wonderful World of the Brothers Grimm (1962) – Musical No. 654

Studio:
Metro-Goldwyn-Mayer

Director:
Henry Levin, George Pal (the fairy tales)

Starring:
Laurence Harvey, Karlheinz Böhm (billed as Karl Boehm), Claire Bloom, Barbara Eden, Walter Slezak, Oskar Homolka, Martita Hunt, Ian Wolfe, Bryan Russell, Tammy Marihugh
Fairy tale characters: Russ Tamblyn, Yvette Mimieux, Jim Backus, Beulah Bondi, Clinton Sundberg, Sandra Bettin, Robert Foulk, Terry-Thomas, Buddy Hackett, Otto Kruger,

Plot:
A biographical film on brothers Jacob Grimm (Böhm) and Wilhelm Grimm (Harvey). Jacob and Wilhelm have been hired by the Duke (Homolka) to write a family history of his life. But the more serious Jacob frequently pulls the workload, while Wilhelm is more fanciful and finds more importance in documenting fairy tales.
Mixed into the biographical narrative are fairy tales that are acted out as one of the narrative characters tells them. These include:
– The Dancing Princess
– The Cobbler and the Elves
– The Singing Bone.

Continue reading

A “White Christmas” at the Upcountry History Museum

The Upcountry History Museum follows COVID-19 protocols, including limited capacity, requiring facemasks and no contact ticket purchasing through their website. Read more.

Learn how to book a virtual tour or visit in person.

You may be dreaming of a white Christmas, but it may not be likely that you’ll see cold precipitation in your area — especially if you live in the South like me.

The Upcountry History Museum offers the next best thing:  The Greenville, S.C. museum has brought a “White Christmas” to the Upstate of South Carolina through an exhibit. On loan from the Rosemary Clooney House in Augusta, Ky, the exhibit will be on display in Greenville until Jan. 30, 2021.

“White Christmas” (1954) is a holiday favorite starring Bing Crosby, Danny Kaye, Rosemary Clooney and Vera-Ellen. The film begins during World War II and then covers 10 years to show Crosby and Kaye’s characters are now entertainment successes. They meet two sisters (Clooney, Ellen), and the four travel to Pine Tree, Vermont, where they find their World War II leader, General Waverly (Dean Jagger), is running a failing inn. The group tries to figure out a way to help business while also honoring General Waverly’s service.

This is a rare time when the “White Christmas” exhibit has traveled away from its Kentucky home, said museum owner and former Miss America, Heather French Henry.

“This benefits the Upcountry History Museum because we can take our exhibit to people who may never travel to Augusta,” Henry said.

A peak into the exhibit room from the entrance.

My visit

The exhibit includes Edith Head-designed costumes, film props, and other memorabilia, such as a special lighter with Bing Crosby on it that he gifted that Christmas. The costumes include the blue lace and tulle “Sisters” dresses worn by Rosemary Clooney and Vera-Ellen, the white wool dress and green velvet that Clooney and Ellen wore at the Christmas party,  the black pants George Chakiris wore in “Love You Didn’t Do Right By Me,” and Ellen’s white “Mandy” costume.

After watching “White Christmas” since I was a child, it was amazing to see Edith Head’s iconic costumes up close and in person. I went with my parents, sister and four-year-old niece, who particularly loved the “Sisters” costumes and the “Mandy” white outfit.

With COVID-19 in mind, I felt comfortable at the Upcountry History Museum throughout my visit. My family was masked, and there were only one or two other small families there, making it very easy social distance.

The dresses worn by Rosemary Clooney, Vera-Ellen and Mary Wickes at the Christmas party. Henry said that the white dress was one of the most delicate, because it is wool. (Photo/Jessica P.)

Moving history across states

To move all of these pieces from Kentucky to South Carolina, each item must be carefully cataloged. To avoid any wear or damage to the costumes, the costumes remain on the mannequins, and most travel upright.

The exhibit also includes items that aren’t displayed at the Rosemary Clooney House due to space, like the sleigh. The only replicas in the exhibit are the red finale dresses made by Henry’s mother, Diana French. Paramount has not been able to locate the red dresses, which are either owned by a private collector or were altered and repurposed after the film, according to the exhibit.

Since many of the costumes are now 66 years old, the condition can be a concern, but with Edith Head and her team’s great work, many are in excellent condition.

“That’s what makes it so crazy. Not only do we have a phenomenal collection, but they are also all Edith Head designs,” Henry said. “Even if you aren’t interested in the film, you may be interested in the design.”

The blue “Sisters” dresses, worn by Rosemary Clooney and Vera-Ellen in “White Christmas.” Vera-Ellen’s dress on the right was restored by Paramount and the lace was hand-created. (Photo/Jessica P.)

Clooney and Vera-Ellen in the dresses, for comparison.

From Miss America to Museum Founder

Like so many people, Henry grew up watching “White Christmas,” and says being part of this is unexpected.

After Henry won Miss America in 1999, fellow Kentucky-native Rosemary Clooney was one of the first phone calls she received. The two later performed together.

Rosemary Clooney moved to Augusta, Ky, in 1980, and after Clooney died in 2002, her children reached out to Henry and her husband, Dr. Steve Henry, about purchasing her home. The Henrys enthusiastically agreed and preserved the home, creating a museum to celebrate the life and career of Rosemary Clooney.

Since the Rosemary Clooney House opened in 2005, the Henrys started working to collect memorabilia and costumes over the years, including “White Christmas.”

“Each costume has its own story about its journey,” Henry said. “In fact, when we first started, we didn’t even think we would find but maybe one or two pieces.”

Henry first was connected with Paramount when she reached out for a sketch or pattern to recreate the red finale Christmas dresses for a “White Christmas” stage show she was performing in.

“They (Paramount) realized for the first time that they didn’t know where any of the costumes were,” Henry said. “After the show, I called them back and asked if they found anything.”

It was a “snowball effect” as collectors began to contact them. The “Mandy” ivory dance outfit was their first big auction item.

“Rosemary’s ‘Sisters dress’ was on eBay labeled ‘vintage 1950s party dress,” Henry said. “Vera’s companion dress was with a collector in Texas.”

Vera-Ellen’s dress had been altered into a sleeveless dress and was resorted for two years by Betsey Potter of Paramount, who hand-created the dress’s lace.

Costumes from the “Mandy” number in “White Christmas,” including Vera-Ellen’s white costume. The exhibit said the red/orange costume may look different in the film due to the Techcnicolor process, and due to age. Photo/Jessica P.

The “Mandy” number for comparison

A Multi-Generational Tradition

“White Christmas” was the top box office hit in 1954 but has continued to be a holiday favorite for the past 66 years.

“White Christmas is a movie I have watched since I was born. My mother had us watch it and now our girls watch it,” Henry said. “What’s so great is you see that multi-generational tradition with this film.”

Henry says her favorite number is “Love You Didn’t Do Right By Me,” but she also loves “Choreography.”

“When she comes down in the hot pink tap dress, I just love it,” Henry said. “Vera-Ellen is one of the most underappreciated dancers of her time.”

Plan your visit

The film and exhibit also tie in with her military veteran advocacy, and in connection with the Greenville exhibit, Henry partnered with the museum to create launching Operation Waverly.  Through this initiative, the museum will be collecting supplies to benefit Fellow Countrymen, a community-based non-profit committed to ending Veteran homelessness within the Upstate of South Carolina. When you visit, you can donate one of the following items for an area veteran.

Learn more about planning your visit to the Upcountry History Museum or how to take a virtual tour of the exhibit. The exhibit will return to the Rosemary Clooney House in February.

Your humble writer in front of the sleigh and replica dresses at the exhibit, located at the Upcountry History Museum.

Watching 1939: The Spirit of Culver (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
The Spirit of Culver (1939)

Release date: 
March 8, 1939

Cast: 
Jackie Cooper, Freddie Bartholomew, Andy Devine, Henry Hull, Tim Holt, Jackie Moran, Gene Reynolds, Kathryn Kane, Walter Tetley, Pierre Watkin, John Hamilton, Irving Bacon (uncredited), Lon McCallister (uncredited), Charles Smith (uncredited)

Studio: 
Universal Pictures

Director: 
Joseph Santley

Plot:
Tom Allen (Cooper) is an orphan who’s father was killed in World War I and his mother died shortly after. Now living on the streets, Tom meets Tubby (Devine) who works at an American Legion soup kitchen for teens. Tubby gives Tom a job and learns that Tom’s father was a war hero and was awarded the Medal of Honor. Because of this, Tom is given a scholarship to attend Culber Military Academy. Starting off with a chip on his shoulder, Tom isn’t well-liked by the students. But his roommate Bob Randolph (Bartholomew) works past his differences with Tom to help him fit in and warm up to the other students.

Continue reading

Musical Monday: In the Good Old Summertime (1949)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
“Meet Me After the Show” – Musical #25

Studio:
Metro-Goldwyn-Mayer

Director:
Robert Z. Leonard

Starring:
Judy Garland, Van Johnson, S.Z. “Cuddles” Sakall, Buster Keaton, Spring Byington, Clinton Sundberg, Marcia Van Dyke, Lillian Bronson, Liza Minnelli, Joi Lansing (uncredited), Chester Clute (uncredited), Anna Q. Nilsson (uncredited), Charles Smith (uncredited)

Plot:
A musical remake of the 1940 film “Shop Around the Corner,” “In the Good Ole Summertime” takes place in the early 1900s in Chicago. Veronica Fisher (Garland) is corresponding through letters with an unknown man.

Continue reading

Watching 1939: Broadway Serenade (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Broadway Serenade (1939)
Musical No. 413

Release date: 
April 7, 1939

Cast: 
Jeanette MacDonald, Lew Ayres, Ian Hunter, Frank Morgan, Florence Rice, Virginia Grey, William Gargan, Wally Vernon, Katharine Alexander, Al Shean, Esther Dale, Franklin Pangborn

Studio: 
Metro-Goldwyn-Mayer

Director: 
Robert Z. Leonard

Plot:
Mary Hale (MacDonald) and Jimmy Seymour (Ayres) are a team on the stage with Jimmy playing the piano and Mary singing. They are also an off-stage team – the two are married though they hide that from many employers. When Broadway producer Larry Bryant (Hunter) hears Mary sing, he is smitten and convinces Cornelius Collier, Jr. (Morgan) to put her in his next show. Unfortunately, this offer isn’t a package deal and hot-tempered Jimmy is left behind. As her fame grows, the two also grow apart.

Continue reading

Musical Monday: Born to Dance (1936)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Born to Dance (1936) – Musical #124

Studio:
Metro-Goldwyn-Mayer

Director:
Roy Del Ruth

Starring:
Eleanor Powell, James Stewart, Virginia Bruce, Una Merkel, Sid Silvers, Frances Langford, Raymond Walburn, Alan Dinehart, Buddy Ebsen, Reginald Gardiner, Barnett Parker
Themselves: Georges and Jalna

Plot:
Nora Paige (Powell) is a dancer, hopeful to make it in New York City. She meets sailor Ted Barker (Stewart) while he’s on leave and visiting the Lonely Hearts Club. His pal ‘Gunny’ Saks (Silvers) is looking for his wife Jenny (Merkel) who works at the club, and who he hasn’t seen in four years. Ted and Nora meet at the club and fall in love. But around the same time, Ted is ordered by his captain (Walburn) to take Broadway star Lucy James (Bruce) on a date after Ted saves her dog when it fell over board on their ship. Nora is hurt by the fabricated romance, and also finds herself in the same Broadway show as Lucy James.

Continue reading

Musical Monday: Starlift (1951)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Starlift (1951) – Musical #653

Studio:
Warner Bros.

Director:
Roy Del Ruth

Starring:
Janice Rule, Dick Wesson, Ron Hagerthy, Richard Webb, Hayden Rorke, Howard St. John, Richard Crenna (uncredited), Ann Doran (uncredited)
Themselves: Doris Day, Gordon MacRae, James Cagney Virginia Mayo, Ruth Roman, Gene Nelson, Gary Cooper, Virginia Gibson, Phil Harris, Frank Lovejoy, Lucille Norman, Louella Parsons, Randolph Scott, Jane Wyman, Patrice Wymore, LeRoy Prinz, Tommy Noonan and Peter Marshall (as Noonan and Marshall)

Plot:
Cpl. Rick Williams (Hagerthy) grew up in the same town as now-famous actress Nell Wayne (Rule). When Nell and other movie stars are near their military base for a premiere, Rick’s buddy Sgt. Mike Nolan (Wesson) encourages Rick to seek her out to say hello, even though they didn’t really know each other. When Mike and Rick meet Nell, Doris Day and Ruth Roman, Mike lies that they are about to go overseas to see action in the Korean War so that the three actresses will accompany them back to the base. While visiting, the actresses are inspired to gather other Warner Bros. stars to return and entertain the troops preparing to go overseas or are returning. Meanwhile, Louella Parsons reports a romance between Rick and Nell, and the two begin to fall in love.

Continue reading

Watching 1939: Mystery Plane (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, that’s difficult. 

1939 film: 
Mystery Plane (1939)

Release date: 
March 8, 1939

Cast: 
John Trent, Marjorie Reynolds, Milburn Stone, Jason Robards Sr., George Lynn (billed as Peter George Lynn), Polly Anne Young, Lucien Littlefield, Tommy Bupp, Betsy Gay

Studio: 
Monogram Pictures

Director: 
George Waggner

Plot:
As a child, “Tailspin” Tommy Tompkins idolizes World War I aviation hero, ‘Brandy’ Rand (Lynn), who became a stunt flier after the war. After meeting Brandy as a child, Tommy doesn’t hear about his whereabouts again and Tommy himself becomes an aviator as an adult. Tommy and his aviation partner Skeeter (Stone) design a radio-controlled bombing device, which they would like to present to the U.S. Army. Little do they know that a ring of spies is also eager to get their hands on the device – including Tommy’s childhood hero.

1939 Notes:
• By the Numbers:
– John Trent was in four films released in 1939. In all of those films, he was billed as “Tailspin Tommy.” Trent was an aviator who went into films and left films by 1941.
– Peter George Lynn was in 10 films released in 1939. Later billed as George Lynn, in 1939, he was billed as Peter Lynn and Peter George Lynn.
– Polly Ann Young was in four films released in 1939.
– Lucien Littlefield was in seven films released in 1939.

Other trivia: 
• One of four “Tailspin Tommy” films released in 1939, all released by Monogram Pictures. Prior to the feature-length 1939 series, there were Tailspin Tommy serials in 1934.
• The character of Tailspin Tommy is based on a comic strip by Hal Forrest and Glenn Chaffin.

My review: Searching for the “1939 feature”:
In the 1930s, Hollywood talent scouts seemed to pluck any every day (but good-looking) person from their daily life and put them in front of the cameras.

One of those people was John Trent, a commercial pilot noticed by a film executive on a flight. Trent was given a screen test, signed a contract, and made 15 films from 1931 to 1941 before giving up on his film career.

Towards the end of his career, Trent was cast as the comic strip character Tailspin Tommy, which followed a young aviator’s adventures.

Tailspin Tommy was first seen in serial shorts in the mid-1930s, and Trent brought the character to screen in four feature-length films in 1939.

The first of these films is today’s 1939 film, “Mystery Plane.”

The film begins in the 1920s as we see former World War I hero, Brandy Rand, performing aviation stunts with a group of children marveling at his performance. One of those children is Tommy, who gets the opportunity to meet his hero and is encouraged to work towards an aviation career.

As an adult, Tommy is working his dream job as a pilot and inventing aviation materials to aid the Army. Enemy spies are also interested in Tommy’s work – including Brandy Rand.

For a low-budget Monogram film, “Mystery Plane” is a fun film. I had never heard of Tailspin Tommy before watching “Mystery Plane,” so it was interesting to learn about that character. I also love discovery stories like John Trent’s.

The film co-stars Marjorie Reynolds (who has recently been in several of our 1939 features) as a female aviator. We also see Loretta Young’s sister, Polly Ann Young, who sounds just like her sister if you close your eyes.

Running at only an hour, this film does jump around a bit and potentially have some plot holes, but if you are looking for mindless, brief entertainment, this won’t disappoint.

Check out the Comet Over Hollywood Facebook page, follow on Twitter at @HollywoodComet or e-mail at cometoverhollywood@gmail.com

 

Musical Monday: Rhythm Serenade (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
Rhythm Serenade (1943) – Musical #652

Studio:
Columbia British Productions

Director:
Gordon Wellesley

Starring:
Vera Lynn, Peter Murray-Hill, Julien Mitchell, Charles Victor, Jimmy Jewel (billed as Jimmie Jewell), Ben Warriss, Joss Ambler, Rosalyn Boulter

Plot:
When her school closes, Ann Martin (Lynn) is determined to join the WRNS, the Women’s Royal Naval Service of Great Britain. Before she can join, her uncle thinks she would be better suited running a nursery for the children of women needed for wartime factory work. While locating a house for the nursery, Ann meets John Drover (Murray-Hill), a mysterious man in a nearby cottage. The two fall in love while Ann’s brothers (Jewel and Warriss) determine why he’s not in uniform.

Continue reading

Musical Monday: The Amazing Mrs. Holliday (1943)

It’s no secret that the Hollywood Comet loves musicals.
In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals.

This week’s musical:
The Amazing Mrs. Holliday (1943) – Musical #632

Studio:
Universal Studios

Director:
Bruce Manning and uncredited Jean Renoir

Starring:
Deanna Durbin, Edmond O’Brien, Barry Fitzgerald, Arthur Treacher, Harry Davenport, Grant Mitchell, Frieda Inescort, Elisabeth Risdon, Jonathan Hale, Esther Dale, Gus Schilling, Philip Ahn (uncredited), Irving Bacon (uncredited), Richard Loo (uncredited)
The Children: Christopher Severn, Yvonne Severn, Vido Rich, Mila Rich, Teddy Infuhr, Linda Bieber, Diane DuBois, Bill Ward

Plot:
Ruth (Durbin) is an American who grew up with China with her missionary parents. After they died, she worked at a school and helped war orphans. When China was invaded by the Japanese, Ruth and the orphans leave to get to a safer area. With the help of Timothy Blake (Fitzgerald), Ruth and the eight children sneak on to Commodore Holliday’s cargo ship headed for the United States. When the ship is torpedoed, Ruth, the children and Timothy survive, and the Commodore dies. In order to get the children safely into the United States, Ruth poses as the Commodore’s widow. She runs into problems when she moves into the Commodore’s mansion and meets his wealthy relatives and grandson, Thomas Holliday (O’Brien).

Continue reading